Seek good poetry (classic)! Let's talk about our favorite poems (please comment)! Any dynasty will do!

Who abandoned leisure for a long time? Every spring comes, melancholy remains. I often get sick in the flowers every day, but I don't care if I look thin in the mirror. Why do willows on the green and black embankment by the river worry about new things every year? The independent bridge is full of sleeves, and Lin Ping returns to the new moon.

Among these five pronouns, Feng Yansi really should be an extremely important author. His works had a great influence on the development of Ci in the Five Dynasties and the Northern Song Dynasty. However, critics and poets of past dynasties did not seem to pay due attention to his achievements. That's because on the surface, his ci seems to have not lost the style of the poems of the five generations of generals, and the narrators are just boudoir gardens, hurting the feelings of spring resentment. However, on the artistic conception of its content, Feng Ci did form an important development. In this regard, I have learned from The World of Ci Studies, On Jialing Ci Series, On Lingxi Ci (Classical Literature Edition of Journal of Sichuan University,No. 15), and The Achievements of Feng Ci and Its Status of Connecting the Past with the Future (Journal of Beijing Normal University, 650) that Gates was a gorgeous rhetoric between songs and banquets from the beginning, without distinctive personality and profound artistic conception. Although the ci images in Wen are exquisite enough to arouse readers' aesthetic association, they lack the direct emotional power of subjective lyricism. Although Wei Zhuang's Ci has direct emotional power of subjective lyricism, it is too limited by personal circumstances. When Feng Ci appeared, it was not only full of direct emotional power of subjective lyricism, but also not limited to the affairs of individual characters, thus conveying a distinctive emotional artistic conception and making readers feel it. This feature once influenced Yan Shu and Ouyang Xiu in the early years of the Northern Song Dynasty, and made Lingci develop into a deep and subtle realm, which is an extremely valuable achievement in the history of China's ci development. Now let's take this little word as an example to introduce the characteristics and achievements of Feng Ci.

The phrase "Who has abandoned leisure for a long time" at the beginning of this word, although only seven words, is ever-changing, showing a kind of pain that can't be abandoned in terms of feelings. However, the origin of this feeling can't be understood. It's just that there is a sentence in Cao Pi's "Charity" before the word "leisure": "There are cliffs on mountains and branches on trees, and people don't know how to worry." This kind of "leisure" is the most painful. For some passionate poets, this kind of "leisure" for no reason is just like the cliff on the mountain and the branches on the tree. That's why the poet said "who abandons leisure for a long time", and "abandoning" means getting rid of the struggle of leisure, and Feng used the word "long" at the back, which further strengthened the feeling of struggle, but Feng used the word "who is Tao" at the beginning of this sentence. "Who is Tao" thought it could be done, but it couldn't be done, so it was expressed in rhetorical tone, so the struggle shown by the following five words "abandoned for a long time" was all in vain. So the following is "Every spring comes, the melancholy remains the same", with the word "Mei" above, the word "Gui" below and the word "Jude" behind, which shows that this kind of melancholy will last forever. And those who must say "come every spring", spring is the time when everything germinates and the season when life and feelings wake up. In "Awakening in Spring", Feng wrote not the actual feelings of lovesickness and parting of ordinary people, but only implicitly used the word "melancholy". The "melancholy" person is a kind of lost affection, which seems to be lost and pursued in the deep heart. It is not limited to people or things like acacia, but an emotion that is more lonely and helpless than acacia. Since there is this helpless melancholy, and it will always exist after struggling to abandon it, the following two sentences, Feng Suijing said in a tone of no regrets, "I often get sick before I die, and I don't care if I look thin in the mirror." Du Fu once said in Qujiang, one of the two songs, that "before flowers and under the moon" is often a drunken illness. If you want to see flowers, don't think too much wine will hurt your lips. "How can you tolerate such flowers that are easy to drop if you don't drink too much wine? This "before flowers" is also a "common wine". It says "day by day", which shows that this kind of melancholy is difficult to send to flowers, so only "day by day" is enough. When he said "day by day", Jimmy saw that he could not make ends meet except drinking. As for the next sentence, "Zhu Yan in the mirror has lost weight" is the inevitable result of a life of "getting sick every day". Saying "in the mirror" means introspection, but the word "don't leave" is still used. Yesterday, there was a saying in "Li Sao" that "although I died nine times, I don't regret it", and the word "never leave" just showed a kind of family affection that died without regret. As mentioned above, what Feng Ci expresses is often not a realistic individual event, but an emotional state of mind with distinct personality. The feeling of being "abandoned" and "reflected in the mirror" written in the first half of this poem is one of the artistic artistic conceptions that Feng Ci often expresses. This frustrated brushwork and melancholy emotion are also common brushwork and emotions in Feng's ci.

The second half of the poem begins with the sentence "Willow on the green grass by the river". In this first word, only these seven words are complete scenery sentences, but these seven words are not real scenery sentences, but the scenery is the foil of feelings. Therefore, although I wrote about the scenery in spring, I didn't write about colorful flowers and buds, but only said "green grass" and only said "willow". Weeds are grass in the jungle. Since the green grass color of "Wu" is all over the world, the soft strips of "Liu" are even more ecstatic. This endless green grass color all over the world and this endless soft strip fluttering with the wind evoke or symbolize what kind of long and delicate affection. And this grass color is not only available today. Every year, the riverside grass is green and the embankment is willow green. Then this long and gentle affection will not last forever! So, I went on to say the following sentence: "Why do you ask new worries? What happens every year? " I formally wrote the new worry of "new worry every year" from the lush green leaves every year. But since it is "year after year", why is it called "new"? The phrase "leisure has been abandoned for a long time" that has been said at the beginning is revived after a period of "abandonment" struggle, so it is said to be "new". Moreover, although this kind of sadness is old, its melancholy is acute and profound, and it is always new with the growth of age, so it is called "new", which is another one. As for the use of the word "for asking" above and the word "for what" below, it caused a strong questioning tone. If we look at it together with the first seven words "Who has abandoned leisure for a long time", we can see that from the futile struggle to abandon leisure, we have to ask him who is worrying about new things every year. After such a struggle, he still can't explain himself. This is Feng Yansi's consistent attitude and writing style of using emotion. After this intense questioning, Feng suddenly opened his pen and ink, but made no answer. Instead, I only wrote two sentences about the scenery outside: "The single bridge is full of sleeves, and Lin Ping is happy to return to his hometown." But if you think about it carefully, these fourteen words really write two words with deep melancholy feelings. If we look at the word "independence", we will feel lonely. If you look at the word "wind full sleeves" again, it will be even more bleak. If we use the word "small bridge", the loneliness of the place where we stand will be as good as it is now, and the word "full" in the word "wind full sleeves" is full and powerful. Under the attack of such a lonely and desolate cold, I can imagine the loneliness of my mood, not to mention adding the following seven words: "Lin Ping Crescent" and "Lin Ping Crescent". When the night rises at the top of the forest and says "people return", pedestrians who break the road are already lonely. Judging from the bright colors of "Green Weeds along the River" written earlier, it should be a scene of one day, and this sentence goes straight into the bright moon. It is conceivable that the poet has been sitting alone on the bridge for a long time, and his sleeves are full of cold. Huang Zhong, a poet in the Qing Dynasty, once said, "If the stars were not there last night, who would be standing in the middle of the night?" ? Some people also say that "people in Independence City Bridge don't know that a week looks like a month for a long time". Who will stand on the bridge in Coody Leng until midnight in the cold wind if there is no emotion in my heart that is hard to get rid of? From this poem, we can see that loneliness and melancholy are not only different from calmness and objectivity in literary poetry, but also different from the reality in Wei Zhuang's poetry. What Feng wrote is a kind of melancholy and sadness that will remain in his heart forever, full of loneliness, which not only conveys an emotional artistic conception, but also shows a strong and distinctive personality. This is exactly what Feng wrote. (Ye Jiaying)