Composition of Peking Opera

In daily study, work and life, everyone has been exposed to composition. Composition is a style composed of words, which expresses a theme through language organization after people's ideological consideration. What kind of composition can be called an excellent composition? The following is my composition about Beijing Opera for reference only. Welcome to reading.

Composition about Peking Opera 1 My favorite opera is Peking Opera, which is one of the traditional operas formed in Beijing with a history of nearly 200 years. Peking Opera is the quintessence of China.

Peking Opera has a history of more than 200 years. It is a treasure of China opera art, and it has absorbed the advantages of everyone else. On the basis of Anhui Opera and Han Opera, it gradually evolved by absorbing the advantages and specialties of some operas such as Kunqu Opera and Shaanxi Opera. Peking Opera music belongs to the banqiang style, and the lead singers are Huang Er and Xipi, so Peking Opera is also called "Pihuang". Other commonly used vocals in Beijing Opera are Nanbangzi, Siping Tone, Gaobazi and Chui. Beijing opera is good at expressing political and military struggles with historical themes, and most of the stories are taken from historical romances and novel scripts. There are not only the whole drama, but also a large number of passbook dramas, in addition to some joint dramas. The roles in Beijing opera are strictly divided into seven lines: life, Dan, clean, ugly, martial arts and walk-on, and then into four lines: life, Dan, clean and ugly.

The dramatic plot of Peking Opera is peaceful and beautiful in the process of calm and clear narration. It doesn't need a tense, intense or exciting plot to attract the audience. The music accompaniment of Beijing opera is stable, which gives people a seamless sense of stability under the accompaniment of Jinghu. The performance style of Peking Opera is serene, neither too high-profile and passionate, nor deliberately bad-mouthed, and never emphasizes violence and blood. Beijing opera is developing, innovating and advancing with the times, but it is not satisfied with the status quo. Only by bringing forth the old and bringing forth the new, and constantly bringing forth the new, can Beijing Opera carry forward its peaceful, steady and serene characteristics and sit on the throne of "national quintessence" on the drama stage!

During 1960, Premier Zhou watched the Peking Opera Farewell My Concubine at the rehearsal of the General Political Department of Xinjiekou, Beijing. At the beginning of the play, Liu Bang sent his troops to attack Xiang Yu. His ministers remonstrated in succession, but Xiang Yu didn't listen. The Prime Minister said, "Speak alone." When Xiang Yu returned to the palace, Yu Ji advised him again, but Xiang Yu still wouldn't listen. The Prime Minister said, "The head of the family." When Xiang Yu was alone in ambush, the Prime Minister said, "Nothing can be done." Yu Ji prepared wine to comfort Xiang Yu, and the Prime Minister said, "An elegy." Surrounded by enemies on all sides, Han soldiers will come and draw their swords and kill themselves. At the end of the whole play, the Prime Minister said, "A complete failure." The Prime Minister summed up the whole process of Xiang Yu's failure in only 20 words, which was wonderful.

Peking Opera is the quintessence of China and the essence of our nation's excellent culture. Unfortunately, many teenagers know little about it now. Many people like listening to pop music, rock music and watching "Super Girl" ... They don't like listening to movies, and they don't like watching Peking Opera, the quintessence of our country. Many people think that Beijing opera is boring and old-fashioned, and it is not as interesting and popular as the current music. It's a pity that so many people don't like listening to dramas and abandon our "national quintessence"!

So I hope you can watch more Peking Opera and get to know the "quintessence" of our Chinese nation.

About Peking Opera Composition 2 When I watched Peking Opera programs with my grandmother, there was a Peking Opera called Zhu Shazhi.

At first glance, I remembered the description of Zhu Shazhi in Zhang Ailing's Red Rose and White Rose: Maybe every man has had two such women, at least two. Married a red rose, over time, the red one turned into a touch of mosquito blood on the wall, and the white one was still "the bright line at the foot of my bed"; When you marry a white rose, the white rose is just a rice noodle on your clothes, and the red rose is the Zhu Shazhi in your heart.

I was still puzzled at that time. Peking Opera is the quintessence of China. Many plays have been handed down from ancient times, and Zhang Ailing's novels are modern. This play should have nothing to do with her writing about Zhu Shazhi.

Sure enough, as soon as the play started, I found that I thought too far.

In this drama, the story of a satrap named Han is told. After retiring from his hometown, he asked the matchmaker to help him marry, marry and have children to continue the incense.

But the matchmaker actually helped him find a married family. The husband of the young woman went out to do business and got sick when he got home. Because all my savings were spent on treatment, my husband's illness would go away. The matchmaker actually found the young woman's husband to match his wife, saying that if he sold the money, he could see a doctor. If the disease was not cured, his wife would be solved for the rest of her life.

The plot of this paragraph, no matter how you look at it, seems a bit immoral.

Later, the woman married the satrap, and the wedding night was spent. The satrap asked the young woman about her family background and heard that she was selling herself to treat her husband. The benevolent satrap actually burned the marriage certificate, which not only allowed the woman to go home to reunite with her husband, but also gave the young woman 120 extra silver to treat her husband.

Good people are always rewarded, and young couples have the money to treat diseases, so they go to the Taishou home to thank them. Knowing that the satrap had no children, the young woman's husband decided to buy a child for the satrap.

As a traveling businessman, the young woman's husband soon bought a thirteen-year-old boy for the satrap.

After the little boy met with the Taishou, after several inquiries, the Taishou unexpectedly found that the son he bought back was his long-lost newborn son. Not only do they look alike, but there is also a Zhu Shazhi on the little boy's foot, which is the birthmark on his son's foot in the satrap's memory.

Be honest, don't win people's love, and give money generously. His kindness finally paid off.

About the Composition of Peking Opera In 3 AD 1790, miniature operas began to enter Beijing. The earliest micro-troupe to enter Beijing was the prestigious Anhui Wangqing Class, followed by Sixi, Hechun and Chuntai Class 4, which was called "Huizhou Class 4" in history. At that time, the tone that Huiban sang was mainly Huang Er. Huang Er originated in the middle and lower reaches of the Yangtze River, and further developed and changed on the basis of Hui Opera "Blowing Opera" and "Gaobazi". Four Huizhou classes and Huizhou classes that went to Beijing one after another were welcomed by the audience with their beautiful singing and excellent performances.

There are many accompaniment of Beijing Opera, including Guqin, Beijing Erhu, Qin Yue, Xiao Sanxian, Dizi, Suona and Haidi. The percussion instruments in Wushu field are mainly drums, gongs, small gongs and cymbals, as well as drums, water cymbals, big Rao, iron pots and chimes.

There are more than 1000 traditional operas in Beijing Opera, and there are three or four hundred that are often performed.

I have always hated Beijing opera. I hate Beijing opera. Hate the sissy of actors; Hate actors' gaudy faces; Hate the actor's pretentious fingers; I hate the heavy and dazzling costumes of actors. Hum, this Beijing opera is really annoying!

But one day, one thing changed my view of Beijing opera. That day, our family of three sat in front of the TV and watched TV. I just clicked on a Peking Opera column. The singing of babbling makes me anxious to change the screen. But my father's words stopped me: "Daughter, don't press it, I want to watch Beijing Opera." I can't help it I must leave at once. I can't afford to hide. "Hey, don't go, come and have a look, and watch with your father for a while." Dad's words, like a big stone, abruptly blocked my way. Helpless, I had to bite the bullet and jump on the sofa, dragging a book to make do. This is to lay down my life for a gentleman. The Beijing Opera started, and every joke hit my ears. I quickly covered my ears and kept saying, "I can't hear, I can't hear, I can't hear anything …" Gradually, my hand got tired and loosened.

Well, it's not easy to make do with it. At this moment, a joke slipped into my ear when I was not looking. When I was about to kick this guy out, I heard him clearly. Why, why do I feel so happy in my heart? I started go to the opera, but my mind was not on the book. Eyes quietly raised from time to time, quickly glanced at the picture, and then quickly looked down at the book, pretending that nothing had happened. Then I really couldn't control myself. I simply put down my book and looked up at Beijing Opera. I'm surprised that I don't have the antipathy to Peking Opera in the past. On the contrary, I seem to like it better, and my heart is really tangled.

This tone no longer bothers me; I don't like the face of this beard whistle anymore; This upturned orchid finger no longer distastes me; This colorful dress no longer bothers me. Beijing opera actors' operas are not just expressions, but they have to be practiced hundreds or even thousands of times before they can pass the test. The purpose is to let the audience listen, and the feelings in their hearts will change with the joys and sorrows of the play.

Not only that, all kinds of movements need to be put on for more than ten hours every day. If it were us, I'm afraid we haven't practiced for long, and we're already crying for mom and dad. I dare not hate Beijing opera any more.

China's Peking Opera culture is very long, with a history of over 200 years. It is called "Oriental Opera" and is the quintessence of China. The origin of Peking Opera can be traced back to several ancient local operas, especially18th century local opera "Huiban" which was popular in southern China.

1790, the first Huizhou class went to Beijing to attend the emperor's birthday performance. Later, many Huizhou classes performed in Beijing one after another. 19 At the end of the 20th century, after decades of integration, Peking Opera was formed and became the largest drama in China. Peking Opera has a rich repertoire, many performing artists, many troupes, many audiences and wide influence, ranking first in the country. Beijing opera is a comprehensive performing art that integrates singing, reading, doing, playing and dancing. Through the means of expression of the program, telling stories and portraying characters, it is particularly popular. There are many roles in Beijing Opera. Students are divided into old students, martial arts students and young students.

"Old students", as the name implies, are middle-aged and elderly men who often play the role of integrity. When they perform, they wear fake beards hanging from their ears, which is called "Zhukou" in Beijing opera jargon. The color of the beard indicates the age of the character: thirty, with a black beard. Sixty years old with a white beard. Old students generally pay attention to singing skills and delicate performances in the play, and their voices are also the richest. The lines are expressed in rhyme and white in Beijing opera, and the singing is in real voice. The style is vigorous, straight, simple and mellow, and the movements are mainly graceful, elegant and solemn. In Beijing opera, women are collectively called "Dan", which can be subdivided into many occupations according to the age and personality of the role. The woman who plays a well-off family and has status is called "Zheng Dan", and Zheng Dan is commonly known as "Tsing Yi" in Peking Opera, which is named after Zheng Dan's character often wears a blue robe.

Ugliness can be divided into Wen Chou and Wu Ugliness. Wu Chou often plays people who are alert, funny and skilled in martial arts, such as outlaws, Grand Theft Auto and so on. Wen Chou often plays playboy, jailer, bartender, night watchman, veteran, etc. Both Wen Chou and Wu Chou are humorous comedy characters in the play, but they are not all villains, although they are divided into good and evil in civil and military affairs and have high and low status. The business of Peking Opera has been refined and standardized for a long time. It is an important feature different from other forms of drama to highlight the internal characteristics of the characters and externalize the internal characteristics of the characters. Beijing opera has many roles and characteristics. It consists of two basic tones, Xipi and Huang Er, and also sings some local minor and Kunqu tunes.

Peking Opera, which was formed in Beijing and prevailed in the 1930s and 1940s, is known as the "national opera" and is still a major drama with national influence. Its business is comprehensive, its performance is mature and its momentum is magnificent. Chinese Peking Opera is the quintessence of China. Historically, it has been called Pihuang, Huang Er, Huang Qiang, Peking Opera, Pingju and National Opera. After entering Beijing in the 55th year of Qianlong reign of Qing Dynasty, the four Hui classes merged with Beijing's Kunqu Opera, Han Opera, Yiyang Opera and Luantan Opera and evolved into Beijing Opera. The rich repertoire, the number of performing artists, the number of troupes, the number of audiences and the far-reaching influence are the highest in the country. Beijing opera is a comprehensive performing art, that is, singing, reading, doing, playing and dancing are integrated into one. Through the performance means of the program, the story is performed, the characters are portrayed, and the thoughts and feelings of "joy, anger, sorrow, joy, surprise, fear and sadness" are expressed.

20xx On May 20th, Peking Opera was approved by the State Council to be included in the first batch of national intangible cultural heritage list. Peking Opera is the quintessence of our country and should have a long history. It makes our life more colorful, makes us love Peking Opera, and better inherits Chinese excellent traditional culture.

About Peking Opera Composition 6 Peking Opera is the quintessence of our country, perhaps influenced by my grandmother. I have been fascinated by Peking Opera since I was a child. I like its beautiful singing, its beautiful appearance and its cultural relics. By chance, I liked Peking Opera since I was a child and was admitted to the newly established Peking Opera Troupe. That is to say, I started my career of studying opera, and the ups and downs left me a lot of inspiration.

At first, the teacher taught me some boring Yi singing methods ... Young people ... and said it was a basic skill, and I had to practice it every day. I have to practice every month. After studying for a month, I feel a little impatient and want to back down. Grandma seemed to be mad at me and said to me, "Son, the teacher did this for your own good! Think about it, without these skills, how can you practice solid and beautiful singing in the future? " I nodded and said yes. As the saying goes, one minute on stage, ten years off stage. Do you know that?/You know what? Do you know that?/You know what? Many Peking Opera masters, such as Mei Lanfang and Li Shengsu, also borrowed these singing methods. If you don't learn the basic skills well now, you will have difficulty in learning to sing in the future. "After listening to my grandmother, I seem to understand some truth and start the road of learning Peking Opera again.

But the road to learning drama is really uneven. When I was in the third grade, my teacher began to teach me martial arts. Of course, there are some basic skills of kicking leg press. This is much more difficult. Every time I practice leg press, I almost cry. After a few days, I was so tired that my back ached and my legs ached that I even had no strength to cry. Gradually lost interest. But at this moment, I remembered what my grandmother said to me: "One minute on stage, ten years off stage." This sentence increased my confidence and let me continue to practice Beijing opera.

After five years of hard work, I have achieved some good results. Whenever I lose confidence, it is grandma's phrase "one minute on stage, ten years off stage" that inspires me. Behind any glory is the philosophy of life with hard work and sweat.

As we all know, Peking Opera is the quintessence of China, also known as "Oriental Drama". Today, our whole class learned the national quintessence of the motherland-Peking Opera.

Because we are all amateurs of Peking Opera, we invited several "masters". These "masters" have a deep understanding of Beijing opera, and they are all masters. I heard that there is a "master" (later called a teacher) who also belongs to the opera house!

At the beginning of the class, the teacher introduced us to several musical instruments for playing Beijing opera. The teacher took out a musical instrument as he spoke. "You see, his name is Xipi, and he is the lead singer in Beijing Opera. It is characterized by large fluctuations in melody, compact rhythm and smooth and bright singing, which is suitable for expressing cheerful and firm emotions. " After that, the teacher took out another musical instrument and said, "This musical instrument is called Huang Er. It has a stable melody, a slow rhythm, and a dignified and vigorous singing, which is convenient for expressing depressed, sad and angry emotions ..." We all listened attentively.

The teacher also told us that facial makeup is the most distinctive artistic expression in Beijing Opera, and it is a clever makeup technique with national characteristics. Red represents loyalty, courage and justice, such as Guan Yu and Jiang Wei. Black represents fortitude, integrity, courage and even recklessness, such as Zhang Fei and Li Kui jy. Yellow represents ferocity, such as Yuwen Chengdou and Dian Wei; Blue or green represents rough and violent, such as Doulton and Ma Wu; White represents insidious and treacherous, such as Cao Cao and Zhao Gao.

Finally, we sang Peking Opera with our teacher, and even more happily, there was a band to accompany us.

Today, I am not only very happy, but also learned about Beijing Opera.

Today, my father and I went to Century Square to watch Li Yuanchun's opera.

The first person on stage was Li Jie, who sang "Good Luck". Her singing is very pleasant, and she is very excited. Then, a group of opera fans pushed an artist named Wang something out. He sings Beijing opera, and I can't understand anything.

Next, a famous master from Henan Province performed a funny program for everyone. As soon as he appeared on the stage, we laughed. It turned out that his appearance was ridiculous: the green explosion looked like a broom, and his clothes were painted with big smiling faces. He first performed a "three-ball rotation game", which made us laugh. Then he invited some audience friends to imitate the action with him. That's ridiculous!

The last performer is an artist named Zhang. He performed the Peking Opera "The Words of the Matchmaker" and told a story about a person's experience as a matchmaker.

The performance is over, it's getting late and the wind is blowing. My father and I walked home. ...

About Composition of Peking Opera 9 Peking Opera is a treasure of traditional drama in China, a national quintessence of China and one of the three major performance systems in the world. It has a history of 200 years, and it is a new kind of drama which is a combination of Hui Opera, Han Opera, Kunqu Opera and Bangzi. In the process of its formation, Peking Opera has merged and melted the artistic essence of various local operas and become a kind of opera with Beijing flavor, unique artistic form and performance style. It is the highest artistic achievement and the most far-reaching influence in the history of China's drama, so people call Beijing Opera a national drama.

Because I often watch Peking Opera with my grandparents, I also have some hobbies. I know that to understand Peking Opera, you must have some knowledge of literature and history and some common sense of Peking Opera performing arts, so that you can appreciate art by appreciating Peking Opera. Seeing those actors wearing beautiful costumes and painting delicate faces singing, reciting, doing and playing on the stage, every movement and every shape are so attractive, I deeply understand the hard work of a Beijing opera actor-one minute on the stage, ten years off the stage. By watching Peking Opera performances, I not only enriched my knowledge of history and culture, but also made me understand the truth that only hard work can bring rich returns.

About composition of Peking Opera 10 Some people say that although Peking Opera is good, I prefer R&B.

I said there are two flowers. Why should Beijing Opera pop music?

You like R&B, and he likes rock. It's like eating the stomachs of McDonald's and KFC and accepting jiaozi.

Art is interlinked. If you like local operas, you will naturally digest Beijing opera well; If you are not interested in local operas, you can also improve your appreciation of local operas by learning Peking Opera. Peking Opera is the quintessence of our country, an artistic giant emerging from thousands of years of civilization in China, and a national cultural symbol of China. Foreigners are called Peking Opera. The translation of this word originated in the 1930s and 1940s. Since then, Peking Opera has been accepted by Europeans and Americans and is considered as the most comprehensive art in the world.

You can't help liking Beijing opera.

Foreigners like art, but China people say it's not acclimatized. Are you unaccustomed to Korean dramas, American blockbusters and Japanese cartoons? Zhajiang noodles don't even eat, forgetful!

We don't like Beijing Opera, even hate it, but we can't be ignorant of it-if we stay away from it because of ignorance, it is not only the sorrow of Beijing Opera, but also our sorrow.