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Let's talk about flowers and leaves.
Through the flowers, every leaf never touched the body. From the Peony Pavilion in Yuan Dynasty.
Original text:
Through the flowers, every leaf never touched the body. In the morning, there are light smoke and apricot flowers, and in the evening, it condenses and blows flat sand. There is a romantic place in the long street, which closely reflects the Su family in Qiantang. Bring back the Hundred Arts Casting Poetry Hall, and you are busy with many poems. Inspire lofty sentiments to swing in Kyushu, and pour poetry into the painting. Peony is dead, and it's romantic to be a ghost.
Translation:
I walked through the flowers, but I didn't leave any leaves or petals on my body. In the morning, I walked through the curling smoke and apricot blossom forest. In the evening, I sat down and looked at the lush green in the distance. The scenery is unique, the flowers and plants complement each other, and the Sujia in Qiantang adds luster.
Thousands of thoughts brought back to the heart were thrown into a poetry hall, and everyone was busy writing poems. Thousands of lofty sentiments rush to Kyushu, and the poems written in pen and ink are full of elegance. It's a little romantic to die under a peony flower, even if it's a ghost.
Extended data:
Wanhua refers to the powerful people in the bureaucracy, who quietly wrote the author's incorruptibility. I wrote about the author's determination not to be controlled by the court bureaucrats (because he didn't take bribes, and the people's gifts must be obeyed) and frankness.
This poem is from the Peony Pavilion written by Tang Xianzu, and it is what the scholar said to Du Liniang.
The story describes that Du Liniang dreamed that a scholar asked her to write a poem with a willow branch in her hand, and then he was taken to the Peony Pavilion by the scholar, and they had sex. The understanding of this sentence is probably to describe a man who is single-minded or completely honest, although he is wandering in the land of fireworks.
The female life consciousness revealed in the works not only aroused Du Liniang's youth consciousness and emotional consciousness, but also aroused the turmoil in Du Liniang's spiritual world, and urged Li Niang to embark on the road of personality liberation in order to break the shackles of feudal ethics and pursue free love.
Baidu Encyclopedia-Peony Pavilion
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