How to write scenery, how to write emotions.

Scenery writing is to describe all kinds of natural scenery that people see, hear and come into contact with in a concrete and vivid way, so as to set off the environmental atmosphere, highlight the center of the article or set off the mood of the characters, and express the author's thoughts and feelings. Landscape narrative is a narrative that mainly describes natural scenery, and it is one of the important composition types that primary school students often practice and require to master its methods. For primary school students, writing landscape composition is more about contact. But how can we write the characteristics of the scenery? I think we should pay attention to the following points:

Writing notes, people, things and scenery are the four most common practice methods. Our children practice writing in these four ways. Writing articles about scenery should also be novel.

How new is the scenery:

A wonderful painting.

Vivid and interesting language

Unique and novel structure

Description of static and dynamic changes

Rich associative imagination

An article on scene fusion

The range of scenery writing is very wide, including the sun, the moon, stars, flowers and trees, mountains and rivers, clouds ... all the scenes of nature can enter our pens and be written into our articles.

How to write a landscape novel?

First of all, the wonderful picture of nature.

Landscape painting is also called landscape painting. It is to grasp the characteristics of the scenery, describe it carefully and write a wonderful picture.

1, three-dimensional description, color, shape, sound and potential.

Look, the tide is coming:

At about one o'clock in the afternoon, there was a rumble in the distance, like a muffled thunder rolling. Suddenly, people began to talk about it. People familiar with Jiang Chao told us that a wave was coming. We stood on tiptoe and looked eastward, but the river remained calm and unchanged. After a while, the noise became louder and louder. I see a white line in the east, at the intersection of water and sky. People are boiling again.

The white line moved forward quickly, gradually elongated and thickened, and crossed the river, forming a wall more than 6 meters high. The wave is getting closer and closer, like a thousand white horses going hand in hand, galloping, sounding like a thousand tanks starting, making a sound of landslides, as if the earth were shaking.

This passage describes the spectacular scene when the tide comes, and there is a sound-a rumbling sound from a distance, like a muffled thunder rolling; That sound is like thousands of tanks moving, making a sound of landslides, as if the earth was shaken by an earthquake; Tangible-the white line moves forward quickly, gradually elongates and thickens, and crosses the river to form a white wall more than 6 meters high; Color-white line, white horse, white wall; Magnificent-the wave is getting closer and closer, like thousands of white war horses going hand in hand, galloping, sounding like thousands of tanks moving, making a landslide sound, as if the earth were shaking.

This is the case when writing about tides, and it is also the case when writing about other landscapes. It should be described from all angles. Only by describing what you hear, see, think and feel in detail can you paint a colorful picture and write the characteristics of the scenery.

2. Grasp the special scenic spots

When writing a scene, we should grasp the characteristics of the scene to describe it. For example, when we practice describing the scenery of mountains, we should grasp the characteristic scenic spots of mountains to describe them. For example, if you want to write about Huangshan Mountain, you must grasp the marble of Huangshan Mountain to describe it. One child described it this way:

I have been to Changbai Mountain, which is covered with snow, and to Xiangshan Mountain, which is fragrant with red leaves, but I have never seen this "Qifeng" Huangshan Mountain. Huangshan Mountain is really strange, exquisite and beautiful, inexhaustible and colorful, which makes people suspect that it is not a natural occurrence, but a bonsai carefully made by craftsmen; Huangshan Mountain is really high, rolling and towering into the sky. Looking down from the top of the mountain, there are clouds under your feet. Huangshan Mountain is really dangerous. The dangerous peaks stand upright, the scales of strange rocks are rugged, the cliffs are steep and the rocks are broken. It is almost a 90-degree vertical stone ladder. It seems that if you slip, you will immediately fall off the cliff and break into pieces.

I have seen curly clouds like ponytails, cumulus clouds like mountain peaks and floating clouds in the sky, but I have never seen this human galaxy, the sea of clouds in Huangshan Mountain, just like running water. The clouds in Huangshan Mountain are really white, as white as white satin, as white as fresh snow, so clean, so moist and so unique. The clouds in Huangshan Mountain are very quiet, so you can't feel it fluttering. The clouds in Huangshan Mountain are so long that you can't see the edge, which only makes you feel that it is so vast, covering the world like a big curtain; The clouds in Huangshan Mountain are really wonderful. Beauty lies in its ethereal trance, giving people a full space for imagination and arousing aesthetic feeling. This is really "30,000 feet long, and it is suspected that the Milky Way came to Earth."

Here, the author will describe in detail the characteristics of the mountains and clouds of Huangshan Mountain. The clouds and mountains in the article are only found in Huangshan Mountain, and other mountains do not have this kind of landscape. The mountains and clouds in the article are the characteristics of Huangshan Mountain. Writing about the strangeness, height and danger of mountains and the whiteness, quietness and strangeness of clouds shows that only Huangshan can appear, and others will know it is Huangshan at first sight, not other mountains. This is a successful and novel description. This article expresses the thoughts and feelings of this young author who loves the great rivers and mountains of the motherland.

Review of Huangshan Mountain

People say, "Five Mountains don't look at the mountains when they return, and Huangshan doesn't look at the mountains when they return." I also have the opportunity to come to Huangshan and enjoy its magnificent scenery.

I have been to Changbai Mountain, which is covered with snow, and to Xiangshan Mountain, which is fragrant with red leaves, but I have never seen the "strange mountain" of Huangshan Mountain. Huangshan Mountain is really strange, exquisite and beautiful, inexhaustible and colorful, which makes people suspect that it is not a natural occurrence, but a bonsai carefully made by craftsmen; Huangshan Mountain is really high, rolling and towering into the sky. Looking down from the top of the mountain, there are clouds under your feet. Huangshan Mountain is really dangerous. The dangerous peaks stand upright, the scales of strange rocks are rugged, the cliffs are steep and the rocks are broken. It is almost a 90-degree vertical stone ladder. It seems that if you slip, you will immediately fall off the cliff and break into pieces.

I have seen curly clouds like ponytails, cumulus clouds like mountain peaks and floating clouds in the sky, but I have never seen this human galaxy, the sea of clouds in Huangshan Mountain, just like running water. The clouds in Huangshan Mountain are really white, as white as white satin, as white as fresh snow, so clean, so moist and so unique. The clouds in Huangshan Mountain are very quiet, so you can't feel it fluttering. The clouds in Huangshan Mountain are so long that you can't see the edge, which only makes you feel that it is so vast, covering the world like a big curtain; The clouds in Huangshan Mountain are really wonderful. Beauty lies in its ethereal trance, giving people a full space for imagination and arousing aesthetic feeling. This is really "30,000 feet long, and it is suspected that the Milky Way came to Earth."

Such clouds surround such mountains, and such mountains set off such clouds. In addition, the colorful clouds in the air, the lush pine forest on the top of the mountain, the maple forest with red leaves and the clear spring ringing at the foot of the mountain make you seem to have entered a continuous picture. This is really "sunshine incense burner full of purple smoke." Looking at the sea of clouds and mountains, strange mountains and different trees are wrapped in clouds, and the beauty of the world belongs to Huangshan. "

Comments on Excellent Works: The author of this paper adopts the method of "one point and one harmony" to frame the full text, first outlines the magnificent scenery of Huangshan, then divides the mountains and clouds of Huangshan, and finally ends with a wonderful poem describing the clouds, strange mountains and different trees of Huangshan. The same structure is used to describe the characteristics of mountains and clouds in Huangshan Mountain. Shan Qi is risky, and the clouds are long and white. These characteristics are described in the form of parallelism, which is clear at a glance. A large number of metaphors are used to make the article vivid and give people an immersive feeling. Rich imagination makes the article both concrete and substantial. Throughout the whole article, the author expressed his thoughts and feelings of loving the great rivers and mountains of the motherland.

Second, lively and interesting language.

Proper use of rhetorical devices such as metaphor and personification can describe the scenery more vividly.

Let's talk about metaphor first. Metaphor is to compare one thing with another that is similar to it. Also called metaphor. Metaphor is accurate and easy to understand, which can make the scenery described more beautiful and moving, leaving a deep and vivid impression on readers.

To make the metaphor accurate, we must learn to associate while observing: think about what this scene is similar to. Think again. Where are they similar? Find out the similarities between them. The more accurate the similarity, the more accurate the metaphor. Finding similarity can generally be considered from the following aspects-contour similarity, color similarity, sound similarity, length similarity, dynamic similarity and so on.

Look at the following metaphor:

In spring, she is like a fairy in a fairy tale. The bright green larch on the top of the mountain is like a fairy's scarf. The green trees all over the mountains are like fairies' green robes, and the blooming Pak Lei is like flowers dotted on the green robes. The cherry tree at the foot of the mountain is like a fairy's clothes. Dandelion flowers at the foot of the mountain are like yellow embroidered shoes worn by fairies.

The metaphor here is easy to understand, and the combination of metaphor and personification will increase the vividness and interest of the article, and at the same time better express the love for the little author.

Personification refers to writing things into adults with imagination. Using anthropomorphic methods to describe scenery can make the scenery more vivid and vivid and increase the appeal of the article. Using anthropomorphic methods, we must find the similarities between scenery and people. For example:

In spring, the stream in the mountain stream begins to thaw, and the stream that has been suppressed for a winter can sing again.

The sound of the running stream is as sweet as a human song, so it is correct to personify people.

Using anthropomorphic method, we must endow the scenery with unique feelings, demeanor, movements and language, and directly write the scenery as a person. We can often read such sentences in articles about landscapes, "Flowers are smiling; Lotus is dancing in the pool; Grass and I are playing hide and seek: Dr. Peckmuwu is treating patients. " Smiling, dancing, playing hide-and-seek and treating diseases are all human expressions and actions. If they are used in scenery, they can make the scenery lifelike and enhance the appeal of the article.

Third, imperceptibly penetrate emotions.

Infiltrating our thoughts and feelings into the scenery we write is a common method for us to practice writing, and it is also a method we should learn and must master. Infiltrating feelings in the scenery is to express the author's true feelings when writing the scenery. For example, the admiration of natural scenery, the intoxication of exotic landscapes and the love of hometown landscapes can only make the article infectious, make readers feel emotional and write the article novel.

How to infiltrate feelings into the landscape?

(1) Express your feelings directly when writing scenes.

1. Write your feelings about the scenery directly at the beginning and end of the article. For example, the whole story of Huangshan Mountain:

People say, "Five Mountains don't look at the mountains when they return, and Huangshan doesn't look at the mountains when they return." I also have the opportunity to come to Huangshan and enjoy its magnificent scenery.

Such clouds surround such mountains, and such mountains set off such clouds. In addition, the colorful clouds in the air, the lush pine forest on the top of the mountain, the maple forest with red leaves and the clear spring ringing at the foot of the mountain make you seem to have entered a continuous picture. This is really "sunshine incense burner full of purple smoke." Looking at the clouds and mountains, the strange mountains and trees are wrapped in clouds, and the beauty of the world belongs to Huangshan. "

At the beginning and end of the article, the author expresses his thoughts and feelings directly, and strongly expresses his love for Huangshan Mountain.

2. In the process of writing, recite repeatedly and express your feelings about the scenery step by step.

This is the method adopted by the little author of Huangshan Mountain. He wrote mountains in three sentences: "Huangshan Mountain is really strange", "Huangshan Mountain is really high" and "Huangshan Mountain is really dangerous". When writing clouds, I even used three sentences, "The clouds in Huangshan are really white", "The clouds in Huangshan are really quiet" and "The clouds in Huangshan are really strange". Express your feelings first every time you repeat it. In this way, I repeatedly recited and deepened, fully expressing my love for Huangshan Mountain.

(2) put feelings between the lines.

There is an article in the Stone of Huangshan Mountain, which describes the strangeness of this stone. There are no words like "like" and "like" to express feelings from beginning to end, but after reading the article, we can feel his feelings.

The rocks in Huangshan Mountain are really strange! Huangshan Mountain not only has many interesting pictographic peaks and pictographic stones, but also many magical stones-luminous five-color sandstone, which will be ground into pieces and scattered in the fire, with sound and light, such as gold melting and five-color scattering, such as the round light at the top of the Buddha; Qin stone-as thick as an ancient piano, you can make sweet music with a tap; On that day, the fragrant gravel in the small pool on the top of the mountain in Beijing and the moon pool on the lotus peak sparkled at night, and the fragrance was overflowing, just like the fragrance of lotus and osmanthus.

The stones in Huangshan Mountain were originally silent and emotionless, but in the little author's pen, the stones will shine, the stones will play the piano, and the stones will smell sweet! The stones in Huangshan Mountain have become a fairy tale world. Reading and reading, people can't help but admire "the stones in Huangshan Mountain are really strange!" This is due to the author's own feelings in the specific description of each scene, and that deep affection infected the readers.

It can be seen that the key to make feelings penetrate into the scenery is to describe the characteristics of the scenery in detail on the basis of careful observation, and the more specific the image, the more it can reflect the author's feelings for the scenery.

Third, the thinking is clear and the structure of the article is novel.

Scenery articles are sometimes described in the order of sightseeing or sightseeing, so pay special attention to the place and tour route when writing. Because the same scenery has different characteristics from different directions. As described in Shanshi Huang, if you look up from the Mid-Levels Temple, you can see that the stone on the peak of Laorentou is "the golden rooster is called Tianmen", but when you look back from Longpanpo, it becomes "the capital of five old people in the sky"; There is a clever stone on the cliff of Li Anrui Peak, which is called "dragonfly water". From the top, it looks like "Grand Duke Jiang fishing", and from a distance, it looks like "the fairy gets off the sedan chair" ...

It can be seen that the observed scenery will show different characteristics with different directions, such as looking far, looking close, looking straight, looking up and still looking. Therefore, when observing the scenery, we should pay attention to choosing the right observation point; When describing a scene, you must be clear about the direction of observation.

There are generally two ways to explain the observation position: first, if you are standing at a fixed point to observe the scenery, you can write your position clearly at the beginning of the article. Second, if you are walking and observing, you can clearly write your own course of action in the article. For example, in the article "Traveling to XX Mountain", you can always write out the characteristics of XX Mountain first, and then explain the order of going up the mountain, seeing and hearing on the mountainside, climbing to the top of the mountain and going down the mountain in turn. This explains the movement of the observation direction and closely combines the step size of the movement with the change of the scene. Therefore, the article has a compact structure and a natural transition.

Of course, you can also use the general composition of the total score. That is, always write the characteristics of the scenery at the beginning of the article, and then describe the characteristics of the scenery separately. At the end of the article, always write about the characteristics of the scenery.

No matter what scenery, wind and rain we write, it is a good article with clear organization. How to describe the scenery of writing articles clearly and clearly? There are two ways, one is to write according to the changes of the four seasons. For example, when writing about the wind, write about spring breeze, Xia Feng, autumn breeze and winter breeze; When you write about rain, you write about spring rain, summer rain, autumn rain and winter rain ... and the other is to describe it in the order of time change. If you write about rain, organize materials in the order before rain, during rain and after rain, and write about wind, and organize materials in the order before wind, when there is wind and when there is wind. The articles written in this way will be clear and coherent. Many good articles are written like this.

Fourth, the combination of static and dynamic.

Everything in the world is in motion, but sometimes it is relatively static.

The scenery is no exception. Some scenery, such as mountains and rivers, rivers and lakes, Yuan Ye, the sky and other natural scenery, pavilions, bridges, sculptures and other artificial scenery, are often in a relatively static state, while natural scenery, such as the sun, the moon, grass, wood, waves, tides, rain and clouds, are in a state of motion most of the time. For example, the rise and fall of the sun and the change of color, the moon's waning and waning, and the withering and glory of vegetation. To write a landscape composition, we should not only write the static state of the landscape, but also write the dynamic state of the landscape, and strive to combine the dynamic and static, so as to better write the characteristics of the landscape and express the central idea.

The text "seaside town" describes the beautiful scenery of seaside town. In the seaside scenery, the blue sky, the sea, the courtyards, parks and streets of seaside towns are all described statically. Ships at sea, seagulls and clouds in the air, returning fleets and people resting under banyan trees are all dynamically described in this paper. There are also static scenes in the paper, but the author writes about its dynamics. Such as seashells on the beach, "various colors and patterns" are static descriptions of shells, which "have to lie there alone" because they are ignored. The author blends his feelings into it, making the still life dynamic. Another example is the banyan tree in the park. "The leaves are airtight" is its static state, while "like an open green velvet umbrella, it can shelter from the wind and rain" makes it dynamic. The stone bench placed under the banyan tree is undoubtedly a static scene. "Every rest day, the stone bench is always full of people" has become a dynamic scene.

To write static scenery, you should write the real shape, color, size and position; To write about the dynamics of the scenery, we must write about activities and changes. Writing static and dynamic scenery and comparing them can make the scenery more vivid, thus leaving a deep impression on readers.

The combination of dynamic and static, written articles, is interesting. Look at the small pond below:

At dusk, I like to sit by the pond and watch. The fiery red sun fell into the water, lying flat and steady, like a red-faced baby, all red. Scattered green water, like a soft and smooth bed, gently supports it. The green pool holds the red sun, and the graceful weeping willows lean on the water. What a beautiful picture!

Here, "the green pond holds the red sun, and the willows lean on the water. What a beautiful picture! " Lovely quiet.

What about motivation? Dynamic small ponds are more attractive:

In the morning, the breeze woke up the sleeping reed pond, and the reeds rustled. Looking up, reeds dance with the wind, swinging like green silk. Some birds are hovering over the reeds, and some are twittering among the reeds. Crisp, sweet cuckoo song, constantly coming from the depths of the reed pond; Kingfishers with sharp mouths catch small fish in the water; A thrush landed on the reed tip and sang excitedly; White seagulls pass by here, adding vitality to this reed pond.

Here, "reeds dance with the wind, like green silks", "all kinds of birds, some hovering above reeds, some in reeds, twittering and twittering. From the depths of the reed pond, there is a clear and melodious cuckoo song; " There are kingfishers fishing, blackbirds singing, white seagulls flying by ... delicate description, unlimited interest; Written dynamic, movie pictures ...

Verbs (abbreviation of verb) are rich in associations and thoughts.

Writing about scenery needs more association and imagination.

Landscape writing should skillfully spread the wings of association and imagination. Landscape writing can not be separated from association, but also from imagination. Without imagination and association, it is impossible to describe a wonderful scene. You see, the clouds and fog in the sky are normal, really normal. When we are writing, if we don't associate and imagine, what we describe will not be interesting. What if we spread the wings of association and imagination? That would be another scene-you see, the clouds in Lushan Mountain are coming:

Clouds climb from the bottom of the mountain, like clouds and flocs, and weave a thin veil to cover the sky and the ground and the water around the mountain, leaving only a gray outline. Clouds are still piling up layer by layer, getting thicker and thicker, and merging into a sea of clouds. Lushan Mountain has become a floating island on the sea. Clouds suddenly gather and disperse, sometimes like running horses, sometimes like grazing sheep, sometimes like flying dragons ... It's really varied and changeable.

Here, the author fully spread the wings of association and imagination, and described the fog in Lushan Mountain as tangible, colorful, static, dynamic and interesting. How does this realm and image arouse readers' curiosity and interest? Who can read such an article without praising it? The beautiful scenery is vivid and wonderful.

Through association and imagination, we can express our thoughts and feelings. Writing scenery is inseparable from lyricism, and all scenery words are sentimental! Beautiful scenery should be a fusion of scenes.

Winter is coming, is it cold? There are ice flowers on the glass window. What kind of scene is it? Please look at the ice flower written by the little author-

In the cold winter, there is a kind of "flower" blooming in the wind, and that is the daughter of snowflake-frost flower.

In the morning, the glass windows were covered with frost. These frosted flowers are pictures in all shapes and postures. Look, what's on this? Oh, it's the forest. All kinds of forests are green and tall, and the ground is full of "wild flowers". A little boy is picking mushrooms. Look, isn't this a beautiful "Birds fly to the Phoenix"? "Birds" are in a circle, singing and dancing happily, and a beautiful "Phoenix" stands among them, just like a slim girl. The roadside green bristlegrass is covered with furry frost fog, as white as snow, like a white dog's tail.

Really, all kinds of frost flowers are presented one by one, and spring, summer, autumn and winter gather here. It's spring here: "Peach Blossom" is in bud and "Grass" is full of vitality; It's summer there: "Hundred Flowers" are in full bloom, competing for beauty; It is autumn here: "rice fields" are endless and "ears of rice" are heavy; It's winter there: "Snowflakes" are falling, all white. ...

In the little author's pen, the ice flower is regarded as the daughter of snowflake, how rich the imagination is and how interesting the association is! So, what is Snowflake's daughter like? Oh, it is a "forest", a "wild flower", a "mushroom", a bird, a phoenix ... This is a picture of four seasons ... This is not a description of frost flowers, but a praise of frost flowers! Which sentence or word in the text is not strongly liked by the author? Who doesn't like to read such an article written with emotion?

With imagination and association, rhetoric can be skillfully used. When we describe the characteristics of scenery, the biggest trick is to learn to skillfully use various rhetorical devices, such as metaphor, personification, parallelism and exaggeration ... In short, the more vivid, concrete and interesting the writing, the better the article. Look at the following sentence:

(1) the path of green bristlegrass is covered with furry frost and fog, white as a white dog's tail.

In the cold winter, there is a kind of "flower" blooming in the wind, and that is the daughter of snowflake-frost flower.

(3) Clouds suddenly gather and disperse, sometimes like galloping horses, sometimes like grazing sheep, sometimes like flying dragons ... It's really varied and changeable.

(4) The green bristlegrass on the roadside is covered with furry frost fog, as white as snow, like a white dog's tail.

(5) The willow branches are fluffy reeds, the pine branches of the tower are like blooming peony flowers, and the lilac trees are like Bai Meihua just opened. ...

The above sentences are good, but the good thing is that various rhetorical devices are skillfully used. The sentences written in this way will make the article vivid, the language vivid and the content interesting and novel! This description is inseparable from rich association and imagination!

In fact, the best composition is to write out the most touching things around you and bring them out with a perceptual vocabulary. After reading it, feelings will naturally leak. Use those eyes that are good at discovering beauty to observe and pay attention to the touch of life. Better write it down. A little personal advice, I hope it will help you.