Reflections on the Westward Journey

After tasting a work, I believe that everyone's vision must be broadened a lot. At this time, it is very necessary to write a review! But what are the requirements for feedback? The following is my comments on a Chinese odyssey to you, for reference only. Let's have a look.

Comment on a Chinese Odyssey 1 The story of A Chinese Odyssey 3 is actually quite closely related to the first two films, and even some places have answered what the first two films did not explain clearly. For example, at the beginning of the story, Xia Zixian had a box of moonlight to cross, so she crossed into the future and saw her own ending.

But compared with the first two complete love stories, A Chinese Odyssey 3 seems to be deliberately dismembering the first two. Many classic scenes in the two classics were shown here, but behind every classic line and plot, there was a reinterpretation by Liu Zhenwei, which is why Liu Zhenwei was repeatedly vomited by netizens. Some netizens said that what they need is a review of the classics, not a deconstruction of the classics. Even if the first two films of A Chinese Odyssey are labeled as "deconstruction" symbols of postmodernism, they can't.

In this story, Liu Zhenwei explained that the personality of the Supreme Treasure changed a lot before and after he became the Monkey King, but "the Monkey King was actually dead, and it was Liu Er's macaque who went to learn from the scriptures". Xia Qing and Xia Zi * * * used flesh because she was in the place of the Jade Emperor and was pregnant with the child of Liu Er's macaque. The reason why Chunsanniang and Erdangjia suddenly gave birth to a child was because the Jade Emperor had written a wrong gobbledygook, so he quickly sent the child of Liuermacaque to the mortal world with a moonlight treasure box, and that child was Tang Priest ... Even the love of this life, which was deeply loved by netizens, was dissolved and became a meaningless duet of Niu Wangmo, Niu Xiangxiang, Supreme Bao and others in the cave.

In this way, netizens can't stand the "drama" of the original work. "The plot changes too fast, like a tornado." In addition, the performance style of the film itself is as grandiose as ever, which makes the audience want to cry for feelings. Some netizens directly said: "After watching this movie, it is really more sad than ugly. Even if he is the director and has the final interpretation right, a Chinese odyssey represents the mentality of our youth after all. Now, this mentality is disillusioned. " "The birth of" A Chinese Odyssey 3 "is like giving a few loud slaps to people who loved" A Chinese Odyssey 3 "in those days, as if laughing at all their feelings. Too cruel! "

Reflection on A Chinese Odyssey 2 Watching a Chinese Odyssey again will always make people inexplicably recall a heartfelt remark. "Once, there was a sincere love in front of me, and I didn't cherish it. I regret it when I lose it. The most painful thing in the world is this. " As Lu sang in "The Love of a Life", "Love makes people sad, and fate cannot be changed in the world of love". No matter how deep you know, all this will fall into the world of mortals, or believe that this is the helplessness of this life. Under the dilapidated city wall, the Supreme Treasure saw the confrontation between the samurai and the female swordsman. He looks calm, but in fact, his heart has turned a thousand times. No one knows the scene better than he does. If he just kissed her that day, even if it was unintentional, I'm afraid the final outcome would not be so sad, and sometimes it would always make people sigh inexplicably, as if the love in the previous life had faded from the "kiss" that was not returned in time. However, if you are separated, you can't fall in love again, just as everything is doomed. No matter how hard you work, no matter how touching your love is, you can't compete with fate, which has buried two untouchable parallel tracks.

Finally, he put on a spell that he hadn't worn for a long time, which can be said to have saved Xia Zi who loved him deeply. Wearing a circle means that a long journey to the West is waiting for him, cutting off the love with the world. It has been separated from Xia Zi for two generations, and what is buried in his heart is that unshakable past. This is the fate of thousands of turns, and no one can resist it. Just like lovers in the two places, they can't resist the helplessness of fate after all, and swing farther and farther in the long river of time.

I once heard a saying: There will always be a girl who will make an ignorant boy grow up eventually, and that girl will never go to two of a kind with him, which is simply the doomed ending of this life. Sometimes, when we don't understand love at all, love comes quietly and unexpectedly. Many times, just like the Supreme Treasure inadvertently pulled out the purple sword, that infatuation came to the world of love, but we played with it wantonly, without realizing the sincerity of that love. Only when we understood it, did we know how painful it was. Maybe someone touched your chest and said something painful to you. It will be many years before you can understand the pain. When you wake up from your dream, that love has surpassed the white clouds.

There is love and hate in the sea of suffering. If the world pushes away the sea of suffering and leaves a tunnel leading to memories, will you continue to pursue it? Is it lingering or a long-lost "kiss"? If the world of mortals can be reversed, those who loved you may still stay in the depths of time, waiting for you to relive the beauty of the past and continue the unfinished love!

Reflections on a Chinese Odyssey 3 Last night, the cinema was very small, and even the screen was not much bigger than the current 6-inch or 70-inch color TV, but it looked chic, quiet and secretive. I bought a ticket in the second row, but I looked at the row where no one was sitting and wanted to sit closer.

The small cinema is also great. When all the gimmicks such as 3D and IMAX were removed, the movie suddenly became pure, and I finally really enjoyed it. It's like meeting an old friend I haven't seen for a long time.

I don't want to talk about its tragedy, its love and its life. There have been too many interpretations. The reason why A Chinese Odyssey has become a classic has always been inseparable from two key words: the network and the post-80s generation, which changed from popular to classic, is the victory of network culture and the victory of the younger generation represented by the post-80s generation gradually mastering the right to speak.

As for me, I didn't really put too much emotion into it. Not even a Stephen Chow. It's from Liu Zhenwei, and only Stephen Chow played it. I prefer to call it "the nonsense version of the ashes of time". After all, everything from scenes to costumes and even background music is like fraternal twins of time ashes.

Who is evil, who is Du, who is, who is? I can't give an answer. I only know that they are all a modern love story, a drunken dream about love and hate. I can regard the whole story of A Chinese Odyssey as a dream of the Monkey King. In reality, there are no monsters. Wukong has turned small traders and tour guides into his dreams. The kiss on the wall of Liancheng is just making up for the regret in my dream.

I have to say that the Monkey King played by Master Xing is really a demon monkey. Does this remind me of another role? Yes That's Heath Ledger's clown. When have I ever felt this way? When I saw the English name of "Supreme Treasure" written "Joker" impressively.

I may be a little late.

The biggest feeling of this replay is not sadness or crying, but that I suddenly found that the scripts of those movies that looked crazy before were so delicate and meticulous. Remember when the previous generation always ignored our preferences, aren't we complaining about the preferences of the later generation now? In fact, every generation is creating the classics of every generation. As for who is the classic and who is the Taosha, it is really "only time can tell".

Reflections on A Chinese Odyssey 4 I went to see A Chinese Odyssey 3 on the first day of Mid-Autumn Festival. I didn't want to see this movie at first, but I went to see it for special reasons, except this one.

This movie can be summed up in three words: nonsense. Nonsense plot, nonsense dialogue, after reading it, there are three words "nonsense" on your head. However, there is no need to criticize anything, because this kind of film itself is the result of a wide brain opening, and there is no need to pay attention to what is "profound" and "moral" when watching it. After watching the movie, I watched the film reviews on the Internet, and more fans of the Stephen Chow version quarreled there and destroyed the classics. Actually, maybe I'm not good enough I don't think Odyssey 1 and 2 are classics. Stephen Chow was a classic at that time, not a work. And if we play 1-2 now, it is estimated that many people are clamoring for shelling. Moreover, if the film is not "A Chinese Odyssey 3", but something else, and it is an independent story, maybe there is no such thing as no memory, and the score will be higher. Of course, the attention will also drop a lot, and the box office will also drop a lot. After all, there is no box office without gimmicks.

Tell me about the plot. It turns out that Liu Er's macaque is the Monkey King. It turns out that the whole play was written by the Jade Emperor. It turns out that Tang Sanzang is the son of Liu Er's macaque and Xia Qing. It turns out that the Supreme Treasure is not a monkey. It turns out that the last sovereign treasure is the complete Xia Zi. It turns out that Xia Qing is dead. It turned out that Liu Er's macaque and his son stayed with the dead Xia Qing after learning the scriptures. the fact proves (that) ......

In addition, the main actors feel that their acting skills are ok. Although there are no special highlights, there are no black holes and no embarrassment. Han Geng, his acting skills are much better now than when he first returned to China. Sure, who makes it perfect? There are two characters in the film, a sovereign treasure and a monkey named Liu Er. Personally, I think Liu Er's macaque is better than Supreme Treasure, although there are not as many plays as Supreme Treasure. As for Tang Yan, there is not much difference between Xia Qing and Xia Zi. That makes no difference. She looks good. Nowadays, actresses are more important than acting, not without acting, but acting. Not bad. Still need to practice. Jason Wu, Tang Priest, I didn't expect you to be like Jason Wu. What about the cold-faced monk? Ha ha. Surprisingly, Jason Wu's comedies are also quite good. Twenty-two out of fifty: A Chinese Odyssey 3.

Not much to say, I want to see the real classics. ......

The domestic film market has been booming in deformity. At first, it was the baptism of big movies such as Hero and Promise, and it won high box office with the great investment of big stars. This kind of film progressed to John Woo's Taiping Wheel, and then it was completely destroyed by The Legend of Gods. At the same time, sentimental movies have sprung up everywhere, selling memories, youth and so-called soul songs, which seem to be better than previous blockbusters. Because as long as we play "our youth owes XXX a movie ticket" in the propaganda, we will immediately get the dedication of good men and women, just like begging without kneeling. People who pay money are also satisfied, proving that they are not a poor man submerged by reality.

Therefore, "A Chinese Odyssey 3" will probably earn 100 million box office just for this movie title. It's a pity that Stephen Chow overdrawn too many emotional cards in The Journey to the West and The Mermaid, and everyone seems to have almost got the movie tickets. How could he fall for it easily this time? So "A Chinese Odyssey 3"10 was released a few days ago, and the box office was less than 300 million. There must be a reason. The audience is not a fool, and it is no longer the time when the word "Stephen Chow" can sell for 654.38+002 billion.

Tang Yan appeared in the same clothes and hairstyle as Athena Chu, trying to imitate lip color and eye makeup. The more so, the more it appears that Xia Zi in Athena Chu is a priceless pearl, and Xia Zi in Tang Yan is just a fisheye. When she needs to be funny, she will only face paralysis. When she needs to be sensational, she will show the innocent face of "Why is Shengxiao Mo", which is really enough; Han Geng only reminded me that he kept licking his hair, and his acting skills stayed at the level that obscene children wanted to lick girls forcibly; I don't mind asking a tough guy like Jason Wu to play the Tang Priest, so that I can let martial arts actors in Jason Wu learn Luo Jiaying's thoughts. The whole movie is like a student's work, and all the film staff are in a hurry, even the special effects are done like flash.

A Chinese Odyssey 3 is a bit like the last carnival. I feel that the producers know that they can't fry for a lifetime, so they have to grab the last straw and take the money away. They have given up their own breakthrough and innovation, and given up making a good movie, as long as they can remind people of the 1995 version of A Chinese Odyssey everywhere.

There is a scene that makes me particularly sad: in the tea shed, Karen Mok and Gillian, who are already out of breath, kneel on the ground and rub their hands at the popular Tang Yan, trying to be funny; Once classic stars in Hong Kong could only match mainland stars, which seemed to announce the complete end of Hong Kong's golden age. The appreciation of mainland capital has not kept up, and the image of nouveau riche is embarrassing.