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What are some good sentences praising calligraphy?
1, watch its strength without losing, show its posture without boasting, and flow freely.
2. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly.
3. Flourishing sea, flying cranes and swimming in the air (Liang Wudi Xiao Yan comments on Wang Xizhi).
4. Write a life of temperament and carry forward the essence of the motherland.
5, the heart is the book association, revitalizing Donghua.
6, a good hand, benefit for life.
7, floating like a cloud, agile as a dragon. Iron book silver hook, the most ancient and modern.
8. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns.
9. A beautiful hard pen can be pleasing to the eye.
10, the hard pen is finely carved into a fine product, and calligraphy is refined into gold.
1 1. Hard pen calligraphy is the treasure of our national traditional culture.
12, the hometown of Four Treasures of the Study is full of charm, and the famous calligraphy city of China is splendid.
13, the blade comes from sharpening, and the plum blossom fragrance comes from bitter cold.
14. Inherit Chinese civilization and promote the art of calligraphy. 15, practice pen calligraphy and inherit Chinese character culture.
Expanding knowledge: What are the sentences praising the beauty of calligraphy?
1, full of pen and ink: pen and ink are used freely and fully. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
2, flowing, writing like a cloud.
3, a pen, if the field of vision is out of control, the horse will fly and go; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to get a real ethereal taste.
5, watch its strength without losing, show its posture without boasting, and the handwriting is flowing.
6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly.
7. Swimming in the sea, cranes dancing in the sky (Liang Wudi Xiao Yan commented on Wang Xizhi)
8, floating like a cloud, agile as a dragon. Iron book silver hook, the most ancient and modern.
9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns.
10, pick up a pen and smear it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said).
1 1, the fonts are staggered, large and small, open and closed, and the line thickness changes obviously and fluctuates. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt". He writes quickly, with a strong pen and great effort.
12, unpretentious.
13, the teacher's handwriting is a symbol of the years, and the strokes are powerful.
14, arrogant, not bound at all, even a stroke of the whole line, like a fairy to escape, come and go without a trace.
15, the teacher's handwriting, like petals, smells far away and smells more and more fragrant.
16, dragon and snake race, breaking through the iron inkstone.
17, its color, its shape, its yin and dryness, its breaking and turning, its hidden thickness is endless, and it is full of weather.
18, magnificent brushwork and changeable posture. Out of carelessness, he forgot his palm, which is the most vivid and perfusion feature.
19, Gu Mo gently grinds a few incense, and the new bath in the inkstone pool is full of color, or strong and gentle, or graceful beauty, or vigorous and brave warrior, or spring breeze, or the north wind entering the deep cold.
20. The strong man drew his sword and looked moving.
How to praise others for their good handwriting?
1. People who are good at ancient books live longer and have more fixed thoughts. One can make up his mind and do nothing.
2. Calligraphy is also a Buddhism, which begins with precepts, is good at wisdom, and the evidence comes from the heart and is better than enlightenment. As for extremes, it is not word of mouth.
3. The Book of Jin said: "It is not illegal to violate the law." Calligraphers realize this tactic, so why bother to live on their laurels?
4, pure heart and lack of desire, the word has a spirit, which is one of the sincere proofs.
5. When the dregs are gone, the lights come on. If there are distractions in your heart, it is unnecessary, although the pen and ink are excellent. Therefore, the Yangtze River says: Words are heart paintings.
6. There used to be a saying: How is the husband recovering? Is it natural? Words of wisdom. When writing a book, you should also know this.
7. If you are full of enthusiasm, it is advisable to speak short and high. The same is true of books.
8, copying the ancient law, such as ghosts enjoying sacrifices, but sucking its gas, not eating its quality.
9, careless, nothing. Although books are Tao, there must be silence.
10, it is one of the ways to feel at ease to look at the ancient people using pens coldly without mixing other thoughts.
The above is what Bian Xiao shared today, hoping to bring help to everyone.
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