Describe Zhao Liying's beautiful poems

A poem about Zhao Liying 1. A sentence describing Zhao Liying

A sentence describing Zhao Liying

Along the way, I experienced misunderstanding, slander, deception, betrayal, separation, missed cold words and harsh words, and also tasted the bitterness, heartache, tiredness, cold heart and willingness to die. Now, I know what growth is. If I don't go on, how can I live up to my stubborn self! If you know more, you will smile less. This is growth. After the ups and downs of the world, I hope you will keep your original intention and smile brightly. No matter what happens, I will face it with a smile, because I am still living a happy life. I hope my smile can infect everyone around me. Being together is two different things. You should stick to it. No matter how much you love, you can't lose your own principles and lower your own standards. This is what Li Ying said when she encountered setbacks. We know how many difficulties and efforts Li Ying has made in this step!

2. Praise Zhao Liying's poem

Ying, you are the light, illuminating the way for us.

Ying, you are the electricity, remind us that Ying Firebug should not go astray;

Ying, you are the spring breeze, which blows away the haze in our hearts.

Ying, you are the princess in the fairy tale. Without you, maybe this fairy tale would be meaningless!

Ying, you are like a diamond. How can you shine without being honed?

ying, you are the most beautiful rose in the world, and all other flowers are not as beautiful as you.

Ying, you are the clearest river in the world, and no one is purer than you.

yingbao, in our minds, your beauty is incomparable with the scenery of the four seasons. For us, addition, subtraction, multiplication and division, poetry and songs can't compare your beauty.

You are kind, beautiful, simple, naive and cute ..........................................................................................................................................................

3. About Zhao Liying's long poem

Poems in Sao style refer to poems such as Li Sao. This is because Qu Yuan, as a verse, belongs to the category of poetry. Moreover, the ancients thought that Qu Yuan was not far from the ancient poets, and his works still had the legacy of the ancient sages, which won the poet's purpose, or changed the style and elegance (this is the common view since Han Confucianism, and they think that "Poetry 3" is generally an angry work of the ancient sages, as is the case with his works); And Qu Yuan's poem Li Sao is a self-innovative style, that is, it is a poem in Sao style, so it is reasonable to call Qu Yuan's poem in Sao style. After the Qin and Han Dynasties, people also called poems with strong Sao style, such as Yu Ji Ge by Xiang Yu, Da Feng Ge by Liu Bang, Poem of Sorrow and Anger by Cai Yan, Song of Ming Gao by Li Bai and so on. Sao style, also known as Chu ci style. It originated in Chu State during the Warring States Period and was founded by Qu Yuan. Qu Yuan and other poets wrote many excellent works in this style. This kind of works is full of lyrical elements and romantic atmosphere, with long length and words, free form and the word "Xi" at the end of the sentence.

Compared with Qu Yuan's previous poetic forms, Sao-style poems mainly have the following characteristics:

First, a breakthrough in sentence patterns. Qu Yuan created a long sentence pattern which is mainly composed of six words, mixed with five words and seven words, and is generally neat and uneven and flexible. This is a major breakthrough in the four-character style. The second is the innovation in the rules and regulations. Qu Yuan's "Sao Style" is not limited to the rules of ancient poems, but indulges his thoughts, or states, or mourns, or calls, which has its origin, development, and circular care, and its context is extremely clear. The third is institutional expansion. Most of Qu Yuan's previous poems were just short chapters with more than ten lines and dozens of lines. His Li Sao is 372 sentences and 2,469 words long, which laid a long system of China's ancient poetry.

Sao-style Fu

In my opinion, Sao-style Fu is a kind of Fu with distinctive literary characteristics, and Song Yu can be said to be the first author of Sao-style Fu, and his "Gaotang" and "Goddess" are the earliest representative works of Sao-style Fu. At the beginning of the Han Dynasty, Jia Yi's Ode to Hanging Qu Yuan, Fu to Serving Birds, and Zhao Hermit in Huainan Xiaoshan are all famous works in Sao Style Fu. These works reflect the transition from Chu Ci literature to Fu literature. With the completion of this transition, although there are occasional good structures in the later Sao-style Fu (such as Sima Xiangru's Changmen Fu and Wang Can's Denglou Fu, etc.), on the whole, it seems that it has completed its historical mission and gradually retired, and the simulation effect of future generations is of little significance. It is worth noting that the noumenon or the fu of Sao style should be distinguished from the works of Chu style with fu techniques (such as Song Yuzhi's Nine Arguments). Cheng Tingzuo's analysis in On Sao Fu is quite thought-provoking: "Farewell and Ode to Orange seem to be full of Sao; Nagato of the Han Dynasty mourned for itself, which seemed to be coquettish and realistic. The door is poor, so it is judged ... or: Sao is written by Qu Yuan, and where does it begin? Song Yu. "

Sao-style Fu in Han Dynasty

Sao-style Fu originated directly from Chu Ci. The earliest Sao Fu in the early Han Dynasty was Jia Yi's "Diao Qu Yuan Fu", which reflected the author's anguish that he could never find a way out after being alienated by the emperor in the era of the unification of the Western Han Dynasty.

Jia Yi also wrote a poem "Fu on the Catching Birds", which is Zhuangzi's thought.

after Jia yi, there are other prose poems that express the feelings of not meeting, such as Yan Ji's Mourning for a Time, Dong Zhongshu's Poem on Not Meeting a Scholar, Sima Qian's Poem on Not Meeting a Sad Scholar, etc.

As for Wang Baozhi's Nine Feelings and Liu Xiangzhi's Nine Sighs, they are only imitations of Chu Ci, and they are ridiculed by later generations as moaning without illness.

During the reign of Emperor Wu of the Han Dynasty, Sima Xiangru wrote "Fu for Adults" with a poetic style, which was made to cater to Emperor Wu's superstition of immortals.

During the Han Dynasty, with the political turmoil, some literati expressed their feelings and aspirations in Sao style. At the end of the Western Han Dynasty, Liu Xin wrote "Sui Chu Fu", which indicated that he adopted a Taoist indifferent and lonely attitude and entertained himself with piano books in real life.

Yang Xiong was the most important poet in the late Western Han Dynasty, and his Taixuan Fu and Zhuan Poverty Fu had great influence on later generations.

is Zhang Heng's Gui Tian Fu, which was written when the author was disappointed with the reality and decided to leave the officialdom. It is of pioneering significance in the history of Fu. Zhang Heng's "Si Xuan Fu" combines Taoism's carefree and comfortable life with Confucianism's Confucius and Yan Yue.

at the end of the eastern Han dynasty, there were more and more lyric poems in Sao style, with Zhao Yi, Cai Yong and others as the representative writers.

Zhao Yi's "Ci Shi Ji Xie Fu" is a work that lashes out at reality.

Cai Yong Yanxi was forcibly recruited to Luoyang by eunuchs in the second year because he was good at playing the drums, and returned halfway because he was ill. He wrote "Narrating the Travel", which is a work to express his anger, and at the same time, he remembered the past and hurt the present.

the lyric fu of Sao style in Han dynasty is unique in addition to the prose fu. During the Wei and Jin Dynasties, this kind of lyric works flourished and gradually occupied a prominent position in the field of Fu.

There are Jia Yi's Xi Shi, Huainan Xiaoshan's Calling a Hermit, Zhuang Ji's Mourning for the Time, Emperor Wudi's Autumn Wind, Dong Fangshuo's Seven remonstrations, Wang Bao's Nine Sighs, Liu Xiang's Nine Sighs, Xi Fu Gong's Desperate Words, Yang Xiong's Anti-Li Sao and Liang Hong's.