Write a Tibetan poem, a Tibetan poem you like.

It's never a bad idea to wash the dust, but it's better to forget about fame and fortune.

A six-hole Danxia guest in my heart recited the chapter of Sanqing Purple Mansion.

Picking lotus in ten miles is a great song, a bright moon and sweet osmanthus fragrance.

Sun Gao's son is still looking for it and saw good wine in the mountains.

Tibetan tail poems:

Congratulations on the birthday of Iraqis. Yangliuqing is blue and white. ?

Gentlemen have been singing for thousands of years, and swallows are all blue sky.

Born in love with Qian Fan, butterflies wander in the mountains.

A happy life is full of smiles and happily plucks the strings for beauty.

Tibetan poems, also known as Tibetan poems, are a kind of miscellaneous poems, which have three forms: one is the scenery contained in the first couplet and the second couplet, and the theme is not revealed until the couplet is written; The second is to hide the first sentence of the poem in the last word; The third is to hide what is said at the beginning of the poem. The third type is common now. Reading the first word of each sentence together can convey the author's unique ideas.

Overview of poetic style

In China's poetry garden, there are a large number of other kinds of poems-miscellaneous poems, in addition to the common rhythmic poems. Representative are:

There are more than 40 kinds of poems, such as Huihuan (literature) poems, peeling poems, clutch poems, pagoda poems, crossword puzzles, pulley poems, eight-tone poems, Tibetan poems, doggerel poems, humorous poems, couplets, centennial poems, embedded poems, one-string poems and heartfelt poems. These miscellaneous poems have their own characteristics, although they are all full of game colors, but some of them have certain ideological and artistic qualities, so they are deeply loved by people and have been passed down to this day.

Because of the "vulgar culture" characteristics of Tibetan poetry, it is doomed that they will not be included in the official history and anthology. Since ancient times, Tibetan poetry has been circulated among the people, or scattered in classical operas and novels. For example, in "Water Margin", in order to win over Lu Junyi, Wu Yong and Song Jiang, a pair of "wise men", gave birth to a story of "Wu Yong outsmarted Kirin", taking advantage of Lu Junyi's fear of avoiding "mass annihilation" and accounting for four hexagrams:

There is a boat among the reeds, from which Jie Jun and Russia swam. If an upright man can know this, he can't escape from the bow.

The word "Lu Junyi against" is hidden and widely circulated. As a result, it became evidence of government punishment, and finally "forced" Lu Junyi to Liangshan.

An important feature of Tibetan poetry is rhyme. Rhyme is one of the important features of poetry.

Generally speaking, one, two and four in poetry must rhyme, and the meaning of words should be neat and so on.

There are various forms of Tibetan poetry: prose Tibetan poetry, narrative Tibetan poetry, five-character Tibetan poetry, seven-character Tibetan poetry, philosophical Tibetan poetry, natural Tibetan poetry, ancient Tibetan poetry, modern Tibetan poetry, birthday Tibetan poetry and so on. Since its birth, Tibetan poems have been marked with both playfulness and practicality.

Tibetan tail poems

Tibetan tail poem: a kind of poetry. In particular, it refers to those who assign some contents that need to be expressed to the last word of each poem in turn, and have corresponding Tibetan poems.

Basic situation

Tibetan poems are all used to express love implicitly, or to insinuate someone, even in education, politics and military affairs. For example, this year's college entrance examination in Beijing, a poem "Fantasy Standing under the Historical Sky-Seventy-two College Entrance Examination Poems", is undoubtedly a sharp weapon for education and politics in some specific periods.

Secondly, the paid creation of various anonymous poems is becoming more and more popular.

Measurement requirements

The so-called metrical poems didn't come into being in China until after the Han Dynasty-and this theoretical system was simplified as a series of requirements for the flat and flat format in poetry writing. It can be roughly divided into single-sentence requirements and inter-sentence requirements.

Regarding the metrical requirements of single sentences, the standard sentence patterns of metrical poems are actually only the following:

Five words:

Pingping: Pingping.

Pingping: Pingping.

From beginning to end: from beginning to end.

Fair: impartial.

Qi Yan

Pingping: Pingping.

Pingping: Pingping.

From beginning to end: this sentence sometimes changes.

Fair: impartial.

In actual writing, even numbers can't be changed, and odd numbers (except the last one) can be changed-but the following situations should be avoided when changing.

Gu Ping

There are two definitions of loneliness. The first is that there is only one flat word in a sentence except the last word, which is called loneliness. In addition, it is considered that the situation of two traps and one orphan is isolated and flat. I prefer the second definition, but it is better not to have these two definitions in actual writing.

Therefore, when you write the sentence "flush", if the first word must be flush, you can change the third word to "flush".

Sanpingdiao

When the last three words of the whole sentence are flat tones, it is called three tones.

Three-level tail

It is similar to the three-level tone, which means that the last three words of the whole sentence are inarticulate words. I have read some poems written by people who know a little about meter. The first sentence is three tails, and the next sentence is three levels.

That's probably all the requirements for fluency in a single sentence, while fluency in a sentence requires that if you know that the last word of an even sentence in a metrical poem must be flat, and the last word of an odd sentence except the first sentence must be flat, then there are only two words left: right and sticky.

The so-called right, that is to say, the level of the second word of the even sentence is opposite to that of the second word of the previous sentence.

The so-called stickiness means that the second word of an odd-numbered sentence has the same level as the second word of the previous sentence.

So it can be seen from the above that the fluency of a poem is basically determined by the first sentence. The reason why the second word is used as the standard is because we said above that the level of the first word can be changed.

For people who can't write poetry, they may think that rhyme and antithesis are the key to a poem. Seeing this, you may have found that antithesis and rhyme, even if important, are only a small part of writing poetry.

For rhyming, it should be noted that there are also disputes between ancient and modern pronunciations like Pingze.

As for the lyrics, I think it's easier than writing a poem. Just fill them in according to the music score-when the epigraph you want to fill in is determined, the required metrical format is also determined-of course, it's not that simple to write well.

Beginners should learn to fill in some short lyrics, such as "preface to a dream" and "health faults", and then fill in some longer ones after the words have accumulated to a certain extent. But some epigrams that are too short are more difficult to write well, such as the sixteen-character order. You have to think about these yourself.