What is mentality? What effect does mood have on aesthetic activities? Please give examples to illustrate the different effects of different moods when appreciating the same aesthetic object.

Turn an article first, and then talk about my opinion.

Aesthetic emotion

Emotion is a kind of human emotion, which refers to a person's psychological activity lasting for a long time. In the process of aesthetic activities, the emotional state of the aesthetic subject often affects people's aesthetic perception and feelings.

Emotion has the characteristics of spreading and spreading. Different moods can make people have all kinds of emotional colors about everything around them, thus affecting the performance of people's whole behavior. We often have this personal experience in our life practice: when we enjoy the surrounding scenery with a pleasant mood, we will feel that Shan Ye is full of laughter, birds and flowers, and we are full of vitality; When you are in a bad mood, all the scenery you see seems to be eclipsed, and you are worried about mountains and seas, cold and depressed. This is exactly the opposite aesthetic feeling caused by different moods. There is an old saying in China that "those who are worried see their worries, and those who are happy see their happiness", which reflects this psychological phenomenon.

Wang Guowei, a modern scholar, said in "Words on Earth": "Everything is the color of my view of things." That's exactly what happened. The mood of the aesthetic subject directly affects the subjective perception of the aesthetic object and casts a specific emotional color on the object. For example, in the 14th year of Tang Tianbao, An Shi Rebellion broke out. At this time, Li Bai, a poet living in seclusion in the south of the Yangtze River, resolutely joined the Lilin shogunate in Wang Yong, headed by Jiangling East. He wrote a heroic poem: "Wang Yong traveled eastward in the first month, and the son of heaven was far away from the Dragon and Tiger Banner." The ship was quiet in one fell swoop, and Jianghan became a wild goose pond. "("Wang Yong Dong Xunge ") fully reflects his passionate and generous feelings at that time. However, before long, Li Lin did not listen to Su Zong's orders and wanted to take the opportunity to expand his power. The result was wiped out by Su Shi's sectarian soldiers. Li Bai was also convicted and put into Xunyang prison, and later exiled to Yelang. From then on, he fell into extreme sadness and resentment. On the way to exile, he sang: "If the Chu River is empty, it will be connected to the blue sea from a distance. You and I will be thousands of miles apart, but there is this cup of wine in front of us. The valley bird keeps crying when it is sunny, and the river ape is sad at night. I have never shed tears in my life, and I am crying here. "(Jiang Xia Bie Song Zhi), all the scenery in the poem is covered with a layer of melancholy and sadness, which is a portrayal of his extremely painful state of mind.

When Li Bai was exiled to Bai Di, he was ecstatic when he suddenly learned that he had been pardoned and regained his freedom. When he returned to Jiangling happily, his mood was certainly different from before. "Bai Di colorful clouds, thousands of miles Jiangling also one day. Apes on both sides of the strait are crying endlessly, and the canoe has passed Chung Shan Man "("Early Making Baidi City "). All the scenery he witnessed was stained with bright, light and happy feelings. It can be seen from here that the influence of mood on aesthetic feeling is extremely obvious.

Because aesthetic feeling depends on the mood of the aesthetic subject, people with different moods will have great differences in the choice of aesthetic feeling, aesthetic feeling and understanding when watching the same scene. People who are in a happy mood in the spring rain will have a kind of "light rain in the sky, such as crisp, and the grass is near in the distance." It is the kind of time when the spring is good, which is definitely better than the aesthetic feeling of willow irrigation in the imperial city "(Han Yu's" Presenting Zhang Seventeen Water Department Members in Early Spring "); Sentimental people will have "two red mansions are cold in front of them, covered by rain, and a pearl screen lamp shakes my lonely heart and goes home." It's a long way to Xiu Yuan, and it should be chilly in spring, accompanied by a short interval of dreams at night "(Li Shangyin's Spring Rain) is another kind of aesthetic feeling. This is what we usually call emotional things and the concept of emotional scenery. It can be seen that once the specific mood of the aesthetic subject penetrates into the aesthetic psychological activities, it will show different aesthetic tastes and obtain different aesthetic effects.

Aesthetic feeling is a rich emotional activity. Perception, association and imagination in the appreciation and creation of beauty always permeate people's subjective feelings. The scenery is heartless, and the two blend and promote each other, thus forming an artistic beauty. For example, "the mountains cover the day, and the ocean drains the golden river." But as long as you go up a flight of stairs, you can broaden your horizons by 300 miles "(Wang Zhihuan's Heron Villa). The magnificent sight of the Yellow River flowing eastward in the poem is integrated with the poet's broad mind and vigorous mood. "Picking chrysanthemums under the hedge, leisurely see Nanshan. The mountain breeze is getting better every day, and the birds are returning "(Tao Yuanming's Drinking). The beautiful and quiet mountain village scenery and the poet's leisurely mood permeate each other, which coincides with each other; And "Jade Dew withers and hurts maple trees, and Wushan martial arts is good." The waves in the river rise with the sky, and the clouds are blocked with the clouds. "(Du Fu's Autumn Prosperity), the bleak and gloomy autumn scenery in the poem overlaps with the wandering and sad mood. Therefore, objective natural scenery and subjective emotion are always organically unified in aesthetic consciousness.

Emotion is closely related to aesthetic feeling, so it is of great significance to maintain good emotions in aesthetic activities. A positive and cheerful mood can cheer people up and treat life optimistically, thus stimulating healthy aesthetic taste. In this state of mind, it is easy to have a positive and happy emotional experience. When you appreciate something beautiful, you will definitely feel that it is better, thus generating a strong and happy feeling. On the contrary, negative and melancholy emotions will make people listless and demoralized, thus inhibiting aesthetic taste. In this psychological state, it is easy to have negative and unpleasant emotional experiences on things. When you see beautiful things, you will not feel their beauty, or even cast a negative and gloomy color, and you will certainly not have happy feelings.

In real life, a person's mood is caused by many reasons: some are caused by major events, the success or failure of activities or great changes in the environment; Others are triggered by memories of the past, accidental reverie or longing for the future; Others are caused by personal health, energy or fatigue. In addition, everyone has their own relatively stable mentality: some people are always in a dynamic state of mind, and can maintain an optimistic state of mind even in the face of adversity or frustration; Some people are often in a depressed state of mind, and will be disheartened and depressed when they encounter difficulties or setbacks. This mentality is dominated and driven by one's thoughts, viewpoints, ideals and world outlook. Therefore, to maintain a good mood, we must establish a correct outlook on life, learn to be the master of mood, and then exercise our will and character in social practice, actively cultivate a good mood, and strive to overcome negative emotions. Only in this way can we form a healthy aesthetic taste and get richer aesthetic enjoyment from colorful real life.

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My point of view and state of mind make people's psychological situation preset in the inner world in order to achieve * * * when appreciating external things/works of art, which is induced by complex conscious factors such as memory, emotion and association. Emotion has a direct impact on aesthetic activities. The so-called "thousand hands and thousands of eyes", the aesthetic object will never show the only aesthetic direction unabashedly, and can always be understood from thousands of angles. At this time, the aesthetic mood will prompt your aesthetic choice to form quickly according to the characteristics of the current mood, so that you can grasp the object subjectively and not get lost. Therefore, aesthetics is not only inseparable from artistic conception, but also depends on the result of aesthetics.

Take Panski's Elegy for the Victims of Hiroshima as an example. Those who have never known the horror and pain caused by the nuclear disaster, when they hear these extremely hoarse strings and sound clouds, the disharmony they can feel is very limited, because it has no understanding and association in the past and cannot arouse more emotions, so it can basically be said that the aesthetic emotions are out of touch, and the voice he hears is limited to disharmony. The most he can do is. Those who have seen a lot of nuclear weapons reports and news clips about the Hiroshima incident are quite different. Terrible impression, fear similar to death, and subjective association of music theme have greatly promoted the aesthetic result. Those hissing voices are like a group of desperate ghosts! The haunting ghost, full of crying and accusations, lingers in the auditory space and shakes people's hearts. And if you have these memories of the past, but you are in a very happy mood, for example, you just won the lottery, and as a result, you can imagine that you can't devote yourself to your work and have a new mood-boredom, which has affected your mood and changed it, then you will definitely not have the previous taste when you listen to elegy again.

So it is helpful to create an artistic conception suitable for aesthetic analysis.