What are the poems about wine?

Qing Dynasty: Qiu Jin

It's worth spending a lot of money to buy a treasure knife and change mink fur.

A cavity of blood is diligent and precious, even if spilled, it can become Bi Tao.

2. Tomb-Sweeping Day wine

Song Dynasty: Gaozu

There are many tomb fields in the north and south hills, and the Qingming sweeps each other.

Paper ashes fly into white butterflies, and tears are dyed into red azaleas.

When the sun goes down, the fox sleeps in front of the grave, and the children smile at the lights when the night returns.

As long as you are alive, enjoy your wine and indulge yourself. In the grave after your death, you can't taste a drop.

3. Qujiang Dujiu

Tang Dynasty: Du Fu

Outside the courtyard, Jiangtou couldn't sit still, and the water mirror palace turned slightly.

Peach blossoms fall, and yellow birds fly with Bai Niao.

If you indulge in drinking for a long time, you will be abandoned, and laziness will go against the world.

The official feelings are even more alienated, and the boss's injury has not yet brushed his clothes.

4. Hotel

Tang Dynasty: Li Bai

Pine nuts inhabit Jinhua and enter Peng Hai safely.

This man is an ancient fairy. Where are the feathers?

The floating and fast-flowing electricity suddenly became dazzling.

Heaven and earth have not changed, but the appearance has changed.

If you refuse to drink, you will be treated with lust.

5. Drinking and Pei Di

Tang Dynasty: Wang Wei

Please pour you wine to console yourself. People are fickle like waves.

When we meet, we always guard against swords, but suddenly you are the first to laugh at me.

The grass is always moistened by drizzle, but the flowers are cold in the spring breeze when they want to spread.

The clouds in the world are not worth mentioning, and they are not eaten as a high-altitude mountain forest.

1. Duijiu

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Don't spare a lot of money to buy a good knife. It is also a heroic act to exchange a mink coat for wine.

Revolutionaries should fully cherish their own lives, shed blood and sacrifice, and make earth-shattering undertakings.

Appreciate:

The first sentence begins with buying a sharp treasure knife and not sparing 1200 gold. "Thousands of gold" is a precious money object, but the poet has no pity to exchange it for something that others think is worthless. It shows that the poet intends to join the struggle against imperialism and feudalism, even at the expense of blood, which shows the generosity of the poet's character. The second sentence echoes the first sentence. The poet is willing to exchange precious mink and fur for wine, and these precious things will not hesitate to give up. The poet made such remarks as a woman, showing his generous character of being ready to help others and not caring about personal gains and losses. The last two sentences of the poem, borrowed from the allusion of Changhong, a loyal minister of the Zhou Dynasty, show that human life is very precious, and strong blood cannot flow in vain. We should shed our blood for the lofty revolutionary cause. Only in this way can our lives be considered not in vain. At the same time, it expresses the heroic feelings of the poet who is ready to die for his country at any time. The whole poem is forceful, and hit the floor expresses the lofty sentiments of the revolution through the feeling of wine, and the poet's determination to contribute everything to the revolution, which fully shows the poet's heroism.

2. "Qingming Day Wine"

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On Qingming Day, people are busy sweeping graves and offering sacrifices to sweep the south and north of Nanshan. Burned paper ash flies around like a white butterfly and cries sadly, just like a cuckoo will spit out blood when it cries. At dusk, the silent cemetery is desolate, and only the fox sleeps on the grave. At night, the children who came back from the grave laughed and laughed in front of the lights. Therefore, people should drink when they are alive, and enjoy when they are blessed. After death, how could a drop of wine from a child's grave ever flow to the underworld?

Make an appreciative comment

The first two lines of a poem are visions, one is about scenery and the other is about people. In a few words, the poet stepped forward, the camera zoomed in, and the details portrayed the scenery and people. Neck couplet inherits the above sentence and continues to write what the poet thinks according to the development of time. To sum up, the poet at the end of the League expressed his attitude: "There is wine to drink in life, and a drop of Jiuquan is not exhausted." It should be said that this is a common psychological normal of literati, eating, drinking and having fun in time.

3. Qujiang Dujiu

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I don't want to go back yet. I just want to keep a flowing river and this royal garden abandoned by the war. I want to sit a little longer. Even if the location of the luxurious palace becomes hazy and unpredictable with the passage of time, I still want to see how peach blossoms chase poplars and scramble to abandon the world. Orioles and Bai Ou, competing to flee. I am also a misanthrope, and I have long lost my appetite to see the emperor. Due to the lack of outliers, I indulge in wine and fill it with rotten rice. I want to live in seclusion by the water, but I am still the king by the water. Now that I am old, I still say, "I want to brush my clothes."

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The first two couplets are Qujiang scenery. "Sitting outside Jiangtou Courtyard" and "Sitting in Jiangtou" indicate that the poet has been in Jiangtou for a long time. The word "no" is very particular. If you use "sit back", it only reflects the objective phenomenon and does not go back; Sitting on the Back highlights the poet's subjective will, and he doesn't want to go back, which shows his feelings. This is to pave the way for the expression of three and four. The following three sentences are what you saw when you were sitting. "Water mirror palace turns faint", and there is a word "turn" between "palace" and "faint", which highlights the change of scenery. In contrast, it is the spring scenery that nature comes as scheduled: "Peach blossoms fall, yellow birds fly white birds." Just a pair of couplets, shape, spirit, sound, color and fragrance are all available. The words "meticulous" and "at the same time" are extremely well written. The fallen flowers are quiet, the birds are singing and vivid. Two sentences set off the poet's mood at this time: sedentary, idle and boring, so he paid attention to the flying of flowers and birds. Finally, he expressed his sadness: "The official feeling is farther, and the big brother was injured and did not brush his clothes." This couplet reads: Just because the micro-official was tied and couldn't get away, the boss was sad, but he was helpless and left without brushing his clothes. "Cangzhou is far away" and "I haven't brushed my clothes" here are in contrast to "binge drinking" and "lazy coming" in the first part of the book, showing a dilemma that I can't enter if I want to, and I can't retreat if I want to.

4. Hotel

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Akamatsu lives in Jin Huashan, and An Qisheng lives in Fairy Mountain, Penglai, East China Sea.

They are all ancient immortals who cultivate immortals. I wonder if they are still there today?

Life is like a dream, like running lightning, fleeting, and old age in an instant.

For decades, the world has not changed much, only the face of mankind has changed.

Who is not deeply moved by such a fleeting life? Although there is a banquet in front of me, I am not happy to drink and have no intention to raise a glass.

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This poem seems unremarkable, but in fact it is just a combination of wandering immortals, worrying about life, drinking and indulging. The implication is rich and intriguing. Generally speaking, this poem is structured by the change of the poet's inner emotional flow. What I wrote was the emotional tone of yearning for ancient immortals, and then turned into disappointment that immortals would not reappear, and confusion and disappointment about pursuing immortals. Then, from top to bottom, he turned to worry about the fleeting time in the world, expressing a sense of helplessness, frustration and disillusionment about changing his appearance. At this point, the poet's emotional tide has retreated to the lowest point, and he has reached the position that "there is no way for mountains and rivers to be suspicious, and there is another village." At this time, the poet suddenly pushed away with detached strokes, found a new way to face the association and doubt of the wine glass, expressed the lofty spiritual pursuit of "love", and thus created the artistic conception of "another bright future village". This forms the artistic structure of the whole poem, which seems casual and unconstrained, but in fact it is orderly and natural, showing the elegant style of the poem.

5. Drinking and Pei Di

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Pour you wine, please masturbate, human feelings are like waves.

When you are old, you should press your sword to guard against it, but at first, you laugh at me and suddenly play it.

The new green weeds are moistened by drizzle, but the flowers are blooming in the spring breeze.

It's not worth mentioning. Things are fleeting. It's better to lie in the mountains and try to add food.

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From the content point of view, five or six sentences are immediate feelings, from indoor to outdoor, all of which are seen when drinking. From the cold world, human feelings are subverted to show the selflessness of the world and the goodness of all things, and suddenly a new realm is presented. The "drizzle and wet streamer", praised by Mr. Wang Jing 'an as "the soul of catching spring grass", is the color used by poets to describe the reflection of grass outside the window; The famous sentences of Zen about "mind" and "things moving" are used by poets to describe flowers in their eyes, even if they are just "landscape words", which are excellent works. And its implication lies in "all classics" and "movement", from revealing to deep secret, from outside to inside the image, the world is all inclusive; Just looking at the flies in the world, I was outraged and suddenly realized. From the perspective of composition, two couplets in the middle of metrical poems require the combination of reality and reality, three or four sentences are realistic, five or six sentences are ethereal, and the wording cannot be repeated to reflect the beauty of "charm" and "meteorology". From the perspective of Zen, Buddhists are "empty and quiet" and still "natural", sharing the dust with light; After a thorough study, five or six sentences seem to be related to the principles of "existence", "birth and death" and "change"; In other words, the attitude of "waiting for death" and "taking it calmly" is in contrast with three or four secular snobs and cool thin. The last two sentences of "floating clouds on earth" and "sleeping and eating" are from Zen. "How to ask" is disdainful, which means that there is a person who inherits three or four sentences and "lying high" inherits five or six sentences, which is extraordinary and refined. Both sides are intricately written, well organized, and the layout is meticulous and exquisite.