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Talk about movies on the cliff.

The movie "Above the Cliff" directed by Zhang Yimou will definitely be compared with the movie "Wind" released in 2009. It is clear at a glance which movie the audience prefers, a watercress 7.6 and a watercress 8.3.

So, what's the difference between the wind and the cliff?

Many people have reacted to a question after watching Above the Cliff. Why did the Japanese disappear?

Harbin is obviously a city occupied by Japan. Why are Japanese elements so scarce or even missing?

Unlike On the Cliff, Japanese elements can be seen everywhere in the movie Wind.

For example, in the first scene of the film, the salute exploded and the camera moved from top to bottom. The audience saw: banners printed in Japanese, Japanese flags inserted on the walls, people waving puppet government flags, and a row of people wearing traditional Japanese costumes celebrating the parade. ...

These shots all reveal that the puppet government of Wang made peace with the Japanese, and they were in cahoots!

The most important thing is that Takeda, a Japanese officer played by Huang Xiaoming, leads the interrogation, telling the audience very bluntly that the Japanese invaders are our enemies.

However, in the movie Above the Cliff, in Harbin under the rule of the puppet Manchukuo, the audience could not see the Japanese elements, or even the Japanese gendarmerie.

This is a very wonderful thing!

We should know that both the puppet Manchukuo government and the Wang puppet government are essentially Japan's fostering agents in China, and they represent the interests of the Japanese.

So, what is the northeast under the rule of the puppet Manchukuo government like?

From 193 1 to 1945, by supporting the puppet Manchukuo, Japan occupied all areas of Heilongjiang, Jilin and Liaoning in China, as well as eastern Inner Mongolia and northern Hebei.

During this period, Japanese enslavement education was carried out in northeast China. Most primary and middle school students under the jurisdiction of the Puppet Manchukuo taught in Japanese, and the official documents were in Japanese and Mongolian. Japanese is used more and more widely and its status is getting higher and higher.

The purpose of Japan is: to destroy a country, destroy its culture first!

So Harbin in Above the Cliff, a beautiful metropolis, has so many windows that there are no conspicuous Japanese goods.

I didn't arrange for some Japanese people wearing kimonos to March in the street, or arrange Japanese geisha to perform, or let the cafes play some Japanese songs. ...

This led to the intuitive feeling of many viewers that the city occupied by Japanese invaders was quite peaceful and prosperous.

Peace and prosperity are always illusions!

The northeast occupied by Japan is the most intense area of the anti-Japanese struggle. In order to suppress the rebels, the Japanese invaders created many "bone pits" and "no man's land", and 73 1 troops conducted terrible human experiments.

Unfortunately, none of these crimes committed by the Japanese army in the northeast appeared in the image of Above the Cliff.

Besides, the Japanese invaders seem to have disappeared.

The personal style and tone in film works show the director's personality and let the audience see the director's mark.

For example, when it comes to Stephen Chow's films, we immediately think of nonsense, and the works directed by Zhang Yimou, whether literary or commercial, have excellent control over the aesthetic feeling of the film screen, especially the fascination with color, and Zhang Yimou is very persistent.

Zhang Yimou used a lot of golden yellow in the movie "Golden Flower in the City", which represented the majesty and domineering of the emperor. In the shadow of the film, three colors of black, white and gray are used, which makes the whole film seem to be immersed in ink painting, elegant and heavy.

In the movie "On the Cliff", Zhang Yimou used a lot of white snow, and the audience could intuitively see that the beauty of Linhai Snowfield and Harbin under heavy snow was as beautiful as that displayed in the window. ...

There is no doubt that Zhang Yimou's film pictures are really excellent. If we ignore the plot, there is not a movie in Zhang Yimou that is not good-looking.

(If the aesthetic feeling of the picture is taken into account, it seems more reasonable to let the Japanese invaders roll farther away. )

The wind is very real. This film does not depict the beauty of the city too much. It moves the camera twice to look down or up, showing the panoramic view of Qiuzhuang. What the audience saw was that Qiuzhuang, built on the edge of the cliff, was even more gloomy and terrible under the cover of night.

Formal beauty can only be icing on the cake. The most important thing in a movie is the story itself, and the focus of a spy film is suspense.

The main line of Above the Cliff is that four underground gangs parachuted into a dense forest hundreds of kilometers away from Harbin in order to protect an insider from leaving the puppet Manchukuo. In order to avoid the failure of the task caused by being caught at the same time, the four people divided into two groups and acted separately.

The branch line is: because of the traitor's leak, the puppet Manchukuo police are searching for four underground parties on the surface, but secretly looking for the mole.

First of all, the film confessed that four underground parties had been trained in the Soviet Union for seven months for this task.

Then the problem is coming. After seven months of spy training, Chu Liang (Zhu) still watches Xiaolan (Liu Haocun) frequently on the train, and they all choose to act separately. Doesn't he know that doing so will expose each other?

What is even more funny is that Xiaolan was exposed and no one locked Xiaolan, so this bronze was finally played out.

In another place, the traitors all went to the toilet to change the signal left by Zhang Yi, but no one locked Zhang?

Well, the traitor doesn't know who made the mark, or maybe the pseudo-Manchu police wanted to catch them all and find the mole.

In addition, Zhang found a little beggar in the process of escape, suspecting that it was his own child, so he risked his life to get off the bus and ask. Doesn't he know that knowing each other at an inappropriate time will bring danger to his children? Well, emotion trumps reason.

I'm in a hurry, on the professionalism of agents!

Bronze Xiaolan, I bet she must have got the script of the king.

When the little girl escaped from the station, she shot and killed a lonely puppet policeman. I was shocked that no one could catch her with such a loud voice.

Xiaolan's king script is of course far more than that. She arrived in Harbin smoothly, joined Zhang and Zhou Yi, and successfully completed the task.

However, apart from the explanation related to Zhou Yi joint, how did Xiaolan do it?

Neither the screenwriter nor the director likes to say that the audience doesn't know after watching the movie.

Speaking of a good spy movie, I thought that the audience was most concerned about "how to send information", but it became less important in the movie Above the Cliff.

Let's look at the wind again. The main line of The Wind is that after an assassination mission failed, an underground party was arrested. After being tortured, it was revealed that there was an underground party lurking in the headquarters, code-named old ghost.

In order to find out the old ghost, find the old gun and destroy the underground organization, the spy headed by Takeda (Huang Xiaoming) deliberately set a trap to let the old ghost spread false assassination information.

Then, Takeda locked five "suspects" in a sealed villa, isolated from the outside world, and what the old ghost had to do was to send out a "retreat" message to protect the organization from being destroyed by the regiment.

The way to set suspense in the wind is Agatha's "Blizzard Villa" mode, which is believed to be familiar to the audience who like watching suspense movies.

Takeda wants to find out who is the old ghost from these five people. After three rounds of temptation, he was misled by the old ghost's handwriting and took a fancy to Commander Zhang's bodyguard Bai Xiaonian (ornaments). After some unspeakable punishment, Bai Xiaonian got the box lunch.

At this time, there are four people left: (Li Bingbing), Gu (Zhou Xun), Jin (Ying Da) and Zhang Hanyu.

The old ghost knows that maybe no one can walk out of this villa alive and needs to take extreme measures to send information.

The story has a tight rhythm, which brings the audience into a tense atmosphere.

The audience will guess: Who is the old ghost? How will he send the message?

Takeda was initially suspicious of Li Ningyu. After Bai Xiaonian's death, he immediately locked Li Ningyu.

Takeda once again destroyed his will with indescribable punishment, then arranged a dinner, and finally targeted Gu He.

In the process of these repeated temptations, the enemy is both clever and ruthless. However, from the very beginning, only one underground party named Laogui was identified among the five people, without considering Laogui's superior leadership, which gave the underground party an opportunity.

Finally, the screenwriter and director also explained two ways to send information. One way is to leave the old gun (Zhang Hanyu) and let the old gun pass the message. Another old ghost sacrificed himself and sent a message with his body.

In suspense setting, the wind is interlocking and progressive. The audience was led by the nose by the plot and followed Takeda to guess who the old ghost was, which was full of participation.

On the Cliff, however, has a weak sense of participation, especially when Gao Bin (red mud), Minister of Secret Service, suspects that Zhou Yi is a mole. The audience already knows that Zhou Yi is indeed an underground party. How to play this?

The funniest thing is that at the end, Gao Bin's subordinates asked him if he was still checking the mole. He said, "Then let him jump out by himself." A spy leader is so kind that he must find enough evidence to catch the mole.

Well, anyway, I think Zhouyi took Xiaolan's poison. Perhaps the writers and directors should arrange for Zhou Yi to put on another big play, and finally let him commit suicide by taking poison.

What suspense films want to deceive is the audience. How to make the audience participate in the pain and happiness of solving doubts is the primary consideration of suspense films.

If most viewers guess the answer too early, this suspense film will basically lose its charm.

"Above the Cliff" can also get 7.6 points for Douban, which really takes advantage of the excellent picture. Of course, the beauty of the picture is also an undeniable advantage.

With regard to spy films, in addition to explaining how to complete the task, there are two issues that must be explained clearly:

1. Who are we fighting?

2. Why should we quarrel?

"Feng" made an excellent answer to these two questions. The first question is clear, and the second question is hidden in Gu's last words.

When Li Ningyu saw the Morse code last words displayed on the clothes, and when Zhou Xun uttered these words in her soft voice, I believe I touched the audience.

The enemy in the wind is strong, cunning, cruel and heartless.

Defeating such a terrible enemy requires iron will and lofty belief. The Wind sublimates this theme with Gu's last words.

Old ghosts and guns, they are not a person, they are a spirit!

On the other hand, at the end of On the Cliff, Xiaolan said sadly, "... I haven't said goodbye to him (Chu Liang) yet, but I didn't expect to see it from a distance on the train. This is the last time."

This line brings the audience into personal love, so that many viewers feel that there are indeed infinite moving and moist eyes, but tears can't roll into beads.

However, the old man took a beautiful photo of his sister in Zhang Hao village! I see pity, lovely!

In short, how to express sublimity without deliberately grandstanding is also the place where Above the Cliff should learn from the wind.

Anyway, I'm looking forward to the suspense and form of the next spy movie.