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Xi Anyuanhao Huazang Museum is a museum in Xi 'an 100, and it is also the first museum open at night in China. The museum is located in Tang City Wall Ruins Park in Qujiang New District, Xi City.

The main building of Xi Anyuanhao Huazang Museum is a memorial building of the Tang Dynasty wall designed by Ms. Zhang Jinqiu. According to archaeological research, under the museum building is the site of Guo Cheng outside the Tang Dynasty. The museum built under the memorial building of the Tang wall not only embodies the grandeur of Chang 'an in the Tang Dynasty, but also promotes the profound traditional culture of China.

The collection resources of museums are rich and diverse. Include: Neolithic pottery, jade and stone carving in Hongshan Culture; Handed down jade; Traditional handicrafts and Buddhist statues, Buddhist scriptures and Buddhist paintings of various regions and textures.

The museum has a total construction area of 376 1 m2 and an exhibition area of 2,000 m2, with basic and special exhibitions. The museum basically displays: the dawn of civilization-Hongshan Culture, compassion and wisdom-Buddhist culture, the essence of the sun and the moon-jade handed down from generation to generation. The special exhibition hall is updated irregularly, and rich collections are mobilized for exhibitions, providing visitors with rich and diverse artistic forms and cultural enjoyment. Xi Anyuanhao Huazang Museum has a total construction area of 37,665,438+0 square meters, and the building is modeled after the Waiguo City Wall in the Tang Dynasty. Therefore, the exhibition hall of the museum is arranged in a "Z" shape according to the shape of the Tang Dynasty wall, with an exhibition area of 2,000 square meters, which not only extends the exhibition route, but also presents a three-dimensional and spacious exhibition space, allowing visitors to feel the beauty of ancient buildings and taste the long-standing Chinese culture. The main exhibition of the museum has five parts: the dawn of civilization-Hongshan Culture boutique exhibition; Rijing Yuehua-Handed Jade Exquisite Exhibition; The fate of one's wish-ancient Buddhist art exhibition; Wonderful art-traditional craft exhibition, etc. As well as various temporary special exhibitions, fully display the long history and splendid culture of the Chinese nation. The golden statue of Sakyamuni's nirvana.

In the process of pressing the golden hammer, the Buddha was lying on the bed on the right side, his eyes closed slightly, his expression was serene and natural, and he was smiling. Feet are straight and close together, right hand is propped up, left hand is naturally placed on the body, and clothes lines are smooth and smooth.

Pagodas and pagodas in the Southern and Northern Dynasties were all painted with linen. Two paintings made of linen were hung, and the left hand, right hand and left foot were missing. They were all 160 cm high and 30 cm wide. This pair of hanging bodhisattvas are almost all bodhisattvas in the early Indian Buddhism, which is a rare linen painting so far. Using mineral stone color, paintings are expressed in light and shade. The painting style has obvious characteristics of blending Indian, Greek and China. This picture of a linen bodhisattva is a painting of the western regions of China in the Southern and Northern Dynasties. Qing Yu Huayan Sansheng

In the middle is Sakyamuni Buddha, who educates all sentient beings in the world. The Bodhisattva Zuobian is a Manjusri Bodhisattva famous for its wisdom, sitting on a green lion. The right-threatening Bodhisattva is a Samantabhadra Bodhisattva famous for its great deeds, and its mount is a white elephant. Together, the three are called the three Buddha statues, also known as the three sages of Hua Yan.

The head of the goddess Hongshan Culture

It has a strong religious meaning and is a direct embodiment of ancestor worship of Hongshan ancestors. Goddess worship appeared in the late Paleolithic period and ran through the whole Neolithic period. It is the spiritual and cultural content spontaneously formed by human beings in the long historical development process, and it is one of the cultural characteristics of primitive ancestors from primitive worship to early civilization, which has extremely important reference value for discussing the gestation and origin of Hongshan Culture and Chinese civilization.

Jin lei si inlaid gem "jubilant" jade fumigation stove

The lid of the furnace is made of fine gold thread, and the mouth of the lid is inlaid with magpies and plum blossoms, which means "beaming". The furnace cover is inlaid with blue tourmaline as buttons and decorated with red tourmaline. The furnace takes white jade as raw material, with delicate jade quality, round carving and exquisite craftsmanship, which fully embodies the artistic style and superb technical level of Jin Lei silk mosaic technology in Yuan Dynasty. Brilliance-Special Exhibition of Gold and Silver Products

The exhibits in the special exhibition of gold and silver wares were provided by many domestic collectors mobilized by our library, which collected gold and silver products from the Northern Zhou Dynasty to the Ming and Qing Dynasties, and displayed this wonderful flower in the ancient art hall of China as comprehensively as possible.

Eternal Mystery —— Special Exhibition of Chai Kiln

Chai Kiln refers to the celadon fine porcelain fired by Chai Rong of the Five Dynasties and the Later Zhou Dynasty. According to Cao Zhao's "Gegu Yaolun" in the early Ming Dynasty, "firewood kiln, out of the north. The sky is blue, moist and delicate, the lines are delicate, and the loess is thick, which is rare in modern times. " Scholars in Ming and Qing Dynasties described exquisite wooden kilns as "blue as the sky, bright as the mirror, thin as the paper and clear as the sound". Wooden kilns were listed as the first of the five famous kilns, "wonderful and different, the highest among all kilns", which was a reverence for China's "Emperor of Porcelain", sacred and solemn. Because there is no clear record of handed down from generation to generation, unearthed and kiln site, it has become a special exhibition of China ancient ceramics water sprite-Crystal.

The special exhibition of crystal in our museum mainly displays the fine products of ancient crystal products in China, with an unprecedented scale. Crystal utensils inlaid with precious stones, crystal flat pots, crystal snuff bottles, stationery that literati like, unveil the mystery of crystal for you. The "Millennium mystery" of the world. The special exhibition will constantly mobilize the fine works of art collected by other museums or collectors for irregular display, providing visitors with rich and colorful cultural works of art, which are always new; At the same time, the special exhibition area also undertakes all kinds of fine exhibitions and can provide supporting exhibition services. We look forward to cooperating with you.