Cao Xueqin's poem A Dream of Red Mansions? Reading apricot curtain in sight

# Appreciation of Poetry # Introduction Apricot Curtain in Sight was originally a villa-style building in the Grand View Garden, where Li Wan lived. The building is modeled after the farm yard, with simulated small rice fields and free-range chickens, ducks and geese. Jia Baoyu inscribed "Apricot curtain in sight". Later, Yuan Fei was renamed Daoxiang Village because of Daiyu's poem "Apricot curtain in sight". Let's take a look at Cao Xueqin's Dream of Red Mansions. Apricot curtain is in sight, welcome to read!

Dream of Red Mansions? Apricot curtains are in sight

Qing? Cao Xueqin

Apricot curtains attract guests to drink, and you can see a villa.

Lingbi Goose Water, Sang Yu Yanziliang.

A bed of spring leeks is green, and ten miles of rice flowers are fragrant.

In prosperous times, you don't have to plow and weave.

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These two sentences, "Spring comes with a bed of leek green and ten miles of rice fragrance", highlight the field landscape of "apricot curtain in sight" and draw an imaginary harvest scene, which is fresh, natural and neat. "One bed" is small to "ten miles"; "Green" and "fragrance" are color and taste, and it is like a natural place. "A Spring Leek" may be true, while "Ten Miles of Rice Flowers" is slightly exaggerated, but the point is not here, but that "Taoxiang" has integrated into the image of Daoxiang Village. Daoxiang Village is the place where Li Wan, an old Daoxiang farmer, lives in the Grand View Garden. Baoyu, because of his old poem "Red Apricot Hanging on the Top of the Wine Flag" and the title "Apricot Curtain in Sight", takes the meaning of "Chai Men is near the water, and the title is associated with" Happy songs add new greenery, good clouds protect Qin picking ".

As for the description of the scenery of Daoxiang Village, the original text is quite interesting, so it may be used as a reference: "Turn around the mountain, build a low wall with yellow mud, and the wall is covered with rice straw. There are hundreds of apricot flowers, such as steaming clouds with fire. There are several thatched cottages in it. However, mulberry, elm, hibiscus, zhe and new branches of various trees have grown outside. As it twists and turns, two hedges are woven. Under the hillside outside the hedge, there is an earthen well with an orange pulley next to it. The following acres, beautiful vegetables and flowers are inexhaustible. "

Extended reading: Cao Xueqin's literary characteristics

Born in wealth, he finally declined. Cao Xueqin's family background fell from the prosperity of flowers to decline, which made him deeply realize the sadness of life and the ruthlessness of the world, and also got rid of the vulgarity and intolerance of the primitive class, and saw the irreversible decline of feudal aristocratic families, but it also brought disillusionment and sadness. His tragic experience, his poetic feelings, his spirit of exploration and his sense of innovation are all integrated in A Dream of Red Mansions.

Love the dream of life and be born after entering the WTO is a contradiction in Cao Xueqin's exploration of life. Cao Xueqin is not a person who hates the world. He doesn't really think that everything in the world is empty, nor does he really explore the world of mortals. He really wants to persuade people to wake up from the so-called dust dream. Otherwise, he will not shed bitter tears for the sorrow of the world, nor will he be so attached to real life. It is with a deep feeling and his own personal experience that he wrote the desire to enter the WTO and be born, the truth of life obsessed with pain and longing for liberation, and the contradictory emotional world and realistic life experience.

Extended reading: Cao Xueqin's character evaluation

Zhou: Cao Xueqin's life is extraordinary, bumpy and brilliant. He is likable, admired, admired, and greatly misunderstood and vilified by the secular. He has the philosophical thoughts of Laozi and Zhuangzi, the grief and indignation of Qu Yuan Sao, the historical talent of Sima Qian, the painting skills and infatuation of Gu Kaizhi, the romantic talents of Li Yishan and Du Mu, and the genius skills of music and drama of Li Guinian and Huang Fangzhuo ... He has both noble and lowly life experiences, ups and downs, separation and joys and sorrows, and also has. So I say he is the representative image of China culture.

Hu Deping: The British say they would rather lose the British Isles than lose Shakespeare. Like Shakespeare and Cervantes, Cao Xueqin used the torch of literature to give people true feelings, warmth and courage to bid farewell to the old system.

Cai Yijiang: Cao Xueqin is one of the greatest writers in China. His position and achievements in world literature are no less than those of Shakespeare, Goethe, Balzac, Pushkin and Tolstoy.

Zhang Qingshan: Cao Xueqin is the greatest writer in China. He deserves to be remembered and commemorated by the people of China. Because he is the author of A Dream of Red Mansions and a symbol of China's national culture. Because of Cao Xueqin and A Dream of Red Mansions, China people are not embarrassed in the face of world literary giants such as Shakespeare, Balzac, Pushkin and Tolstoy. Because Cao Xueqin's Dream of Red Mansions is profound in thought, exquisite in art and eternal in charm, it can rival any literary classic in the world and will always stand on the Everest of world literature, which is the pride of the Chinese nation.