Talk about Su Shi's ci style and give one or two examples.

As far as the format of Song Ci is concerned, it is nothing more than graceful and unconstrained. Nowadays, the research field of Ci poetry thinks that it should be bold and unconstrained, but graceful and restrained. Because the bold school basically focuses on patriotism, protecting the family, protecting the nation and protecting the atmosphere, and its content is healthy, while the graceful school takes debauchery and romance as the description object, ignoring the thought and content. However, when Ci was popular in Song Dynasty, graceful school was the mainstream. From the beginning of the popularity of Huajian Ci in the late Tang Dynasty and the Five Dynasties, the graceful school has always been represented by Su Shi's unrestrained school in the Song Dynasty. In addition, graceful words also have an absolute advantage in quantity, and there are many excellent works, even Su Dongpo and Xin Jiaxuan, the representatives of the unrestrained school, have many excellent works of graceful words. Now let's talk about Su Shi's graceful and restrained representative works.

For a long time, people have always thought that Su Shi is a representative writer of the bold school. However, Su Shi's graceful poems are also very rare. According to Mr. wu shichang, a great poet, Su Shi did say that there were only a dozen works of the uninhibited school, and the rest did not get rid of the "charming and fragrant state". Su Shi's graceful and restrained words are the first to promote Shui Longyin.

Much like a flower, it seems that it is not a flower, and no one falls to the ground. Throwing it on the side of the road seems heartless, but it is full of affection. It was she who was injured, euphemistically confused, trying to open her mouth but closing it tightly. To go with the wind, to find a loved one, but also by the relentless call of the oriole. I don't hate this kind of flowers falling completely, but I hate the West Garden, which is full of withered flowers. Where are the traces when it rains? A pool of ping is broken. If the spring scenery is divided into three parts, two of them become dust, and the other part disappears when it falls into the water. In detail, it seems that it is not a little flower, but a tear.

This word describes the shape and charm of Huayang, which is a lingering bitterness. Although it belongs to chanting things, it is really lyrical. "In detail, it's not Huayang's tears." This just illustrates this point. "The dream went to Wan Li with the wind, looking for a place, and was called by the warbler." In the Tang Dynasty, Jin Changxu's poem "Spring Boudoir" said, "Drive away the orioles, don't cry on the branches. When she dreamed that she went to meet him in Liaoxi camp, they woke her up. " , the image describes the feelings of the boudoir.

"Thinking is ruthless and thoughtful." Du Gongbu's sentence "The gossamer is also affectionate, and the wind shines on the sun." However, when it comes to sentimentality, Han Wengong's "Huayang Jade Pod has no talent, but only knows that snow is flying all over the sky" is said to be thoughtless. This sentence can be used simultaneously. It's a wonderful sentence, and there's a "glad eye", which refers to delicate willow leaves with beautiful eyes, and quotes Li Shangyin's sentence that "flowers must be rogue, and purple butterflies and wasps have feelings". Therefore, Zhang Yanzan, a poet of Song Dynasty, said that Su Shi's "hidden water dragon" was "truth overwhelming the present", not empty.

Su Shi is a famous writer, and he is also called "Three Sus" with his father and brother, and he is one of the eight masters in Tang and Song Dynasties. Above, I have explained Su Shi's graceful words. Now let's talk about other aspects of Su Shi.

Su Shi not only wrote lyrics to create a bold school, but also wrote his poems well. Su Shi's poems are all of different styles, including 4567 poems. Su Shi's modern and ancient poems are well written. Su Shi's best poems, especially the seven-character poems. However, the achievement of Su Shi's poetry is related to. In other ways, it is the worst.

Su Shi's bold and unconstrained ci is a school of ci. Among Su Shi's former pronouns, Fan Zhongyan and Wang Anshi, great writers and politicians who are slightly older than Su Shi, can write some bold words. After Su Shi entered the ci world, he created bold and unconstrained ci when Liu Yong became famous in the ci world and graceful ci was popular. As soon as Su Shi's bold and unconstrained ci came out, it brought a fresh wind to the ci world at that time. His bold and unconstrained writing matured in Jiangchengzi and was written in Mizhou. Hunting in Michigan, its peak work is the famous Nian Nujiao's "Red Cliff Nostalgia". Although Su Shi's poems are somewhat bold, they are not a type. His poems, such as "Man Jianghong sends Zhu Zhijun to Ezhou for his birthday" and "Ba Sheng sends several sons to visit Ganzhou", are gloomy and full of generosity. This kind of bold and unconstrained ci was later inherited by Xin Qiji, which opened a vein of bold and unconstrained ci in the Southern Song Dynasty. Su Shi once asked his guest how he compared with Liu Qi's ci, and his guest's answer became the difference between graceful words and bold words. "Liu Langzhong's words are suitable for girls of seventeen or eighteen to hold the song" Yang Liuan Xiaofeng Canyue ". Bachelor degree, must sing Kansai Khan's River of No Return, copper pipa, iron burning board. Su Shi's graceful words and fresh and natural rural theme words are also very distinctive. Su Shi has always advocated that literature is precious and natural, and he doesn't want to harm others with his temperament, which is also related to his bold and unconstrained personality. It is also Su Shi who turned Ci, the original musical accessory, into an independent lyric style. Later, Chao, one of the four bachelor's degree students in Sumen, once commented on his teacher: "Vulgar words are outstanding. Naturally, those in the song can't be tied up. "