The ancient poem "False is true, true is false"

Yes, yes, read a poem that appeared twice in the previous chapters of A Dream of Red Mansions:

It's about zhenyinshi.

When the false is true, it is true;

Only inaction.

-Cao Xueqin wrote a fantastic couplet.

Note (1) The first time I read the couplets of A Dream of Red Mansions. ② Cao Xueqin: (about 1724 or 17 15- about l764): Zhan Ming, whose real name is Meng Ruan and Qin Pu, whose real name is Qin Xue and Qin Xi lay man, was a writer in Qing Dynasty and a native of Zhengbaiqi of Han Army. Good at poetry and painting, extensive knowledge of literature and art, profound cultivation. His Dream of Red Mansions had a far-reaching impact on later literary creation and research. (3) Space Fantasy: Space means nothing. Dream is a realm in Cao Xueqin's fictional kingdom of heaven. Appreciation of this pair of couplets appeared twice in A Dream of Red Mansions: the first time was what Zhen saw in his dream, and the fifth time was what Jia Baoyu saw in his dream. It can be seen that the author's arrangement of this pair of couplets has its own profound meaning. This couplet seems simple, but the truth is quite profound. Judging from the experience and fate of the characters, Zhen lived a prosperous life, and eventually his family was ruined and he fled into an empty door, which was the ultimate destination of Zhen's life. The author borrows Jia Baoyu to read the same couplet, which, in a sense, is a microcosm of his life path. Judging from the creative techniques of the works, the people and plots described are true and false, so that readers can savor and guess carefully. Wang Xilian's Dream of Red Mansions said: "Readers should know that there is truth and falsehood, and falsehood is truth; There is falsehood in truth and truth in falsehood; It's not true, it's not fake. Knowing this number, it is said that Jia Baoyu is one or two, and his heart is clear. " This pair of couplets can be said to sum up some rules in the creative techniques of A Dream of Red Mansions. As the couplet says, if you take falsehood seriously, it really becomes falsehood; If you treat what you don't have as something, some will become nothing. Just as Lu Xun said in A Brief Introduction to Flowers in a Crimson Cave: "Just look at the meaning, it depends on the reader's eyes: scholars see the Book of Changes, Taoists see lewdness, talents see lingering, revolutionaries see fullness, gossips see the secret things in the palace ..." This couplet also interprets "false", "true" and "yes", which gives people profound enlightenment to understand and think about complex life.