High score: translate English ~ thank you ~

Heaven is responsible for many Hong Kong films, but in fact, the films themselves are far from the original works. A disgruntled youth, a "good girl" with romantic interest and a cartoon villain all reached 1990. Director Chen Musheng is tired of his platitudes, all of which use enough slow motion, syrupy Cantonese pop music clips and excited tears to make even the most tearful audience understand. However, regardless of its excess genre or perhaps because of this, this film is successful and even considered as a typical genre.

Andy Lau is Vantage, a hard-line underworld member who is involved in a constant cycle of activities. He chose Trumpet (Tommy Wang), a fellow gang member, as the holiday driver of Gemstone Hester, but things didn't go as planned. To escape from chaos, Dee needs a rich boy, Jojo (Lien Chan, Wu Jianxiong), to take hostages and escape well. Trumpet wanted her to die because she saw their faces, but her life made Dee say that he would be responsible for her. Dee must have thought she would ask them to drive away in exchange for her life, but he couldn't even say this kind of communication. He just took her bike, needed her to go home and let her go. He is like Clint Eastwood in China, except that he rides a bicycle and looks like Andy Lau.

It's a pity that things are not that easy. The police found Jojo's wallet at the crime scene and dragged her for questioning. She won't identify the robbers yet, but Trumpet doesn't want to take any risks. Dee saved her from the trumpeter again, but planted the seeds. An internal gang war is brewing, the trumpet wants Andy to die, and the police (by Liu Jianghua) want him to bring in inches. Besides, Chuchoo wants his feelings.

"Good girls like bad boys" is nothing new, but it goes far beyond teenybopper's romantic fantasy. Dee is an out-and-out underworld, which means that he does not oppose violence or criminal activities, but has a basic moral concept with him, which makes him give up simple chatter. His existence shows a self-loathing for resignation. He is not satisfied with his life, but he thinks there is no real exit. This is a kind of internal worry, which prompted him to refuse to send Weibo at first, and even abused her, hoping that she would leave. In the end, he accepted her love, but his choice was not hasty. It is handled quietly and has a subtle emotional component.

This is not a day of lack of love. The biggest feature of Galanz films is Hong Kong films. This method is very helpful for slow motion, romantic visual effects and exaggerated Cantonese pop music, but Chen Musheng successfully used all these without alienating his audience. The film mine with the core emotion is naturally convincing, and it does not lose the following fragments, nor does it lose the sudden triad violence. The act of performing too much is neither material nor low-key, living in a perfect role.

None of the above will be a problem, but without the performances of nature, Vantage or Andy Lau. Saving energy may even reiterate that singing hobby is a part of Diyi's humanity, but his decision has credible and convincing consequences. It is only possible to affirm the price of Dee's morality with a real result. Andy Lau has a special type of grief and hidden gentleness. What is convincing about the essence and performance is that Vandy is acting, not talking. The producer went to the nature and action line to tell this story, and the result was far better than what you expected of this genre. (32,003, 1,996)