Why does Du Fu's Caotang match Huang Tingjian and Lu You?

The Shanglian said that Du Fu built a thatched cottage on the banks of Huanhua River, which made the poet immortal, and the thatched cottage became a historic resort. The second part says that Huang Tingjian and Lu You, poets in Song Dynasty who were different from Du Fu, had made outstanding achievements in studying Du Fu's poems, and they were respectively sculpted by later generations and shared in the shrine of the Ministry of Industry. If we must break the sand jar [wen2] to the end, the story must start from the Qing Dynasty. Du Fu, a great realistic poet in the Tang Dynasty, entered Shu in 759 AD and started to build a thatched cottage, which was completed the following year and left Chengdu in 765. Decades later, the thatched cottage was deserted. By the end of the Tang Dynasty, the poet Wei Zhuang had found the former site of the thatched cottage, and in memory of the former sages, he "made a place out of thinking of others" and made a thatched cottage in the former site. After the [Five Dynasties], Song Dynasty, [Yuan Dynasty], Ming Dynasty and Qing Dynasty, it experienced vicissitudes of life, was ruined several times, and was rebuilt and expanded many times. Especially in the war in the late Ming dynasty, it was destroyed by soldiers' fire. The damage suffered is more serious. In the 1th year of Kangxi (1671), Cai Yurong, governor of Chuanhu, visited the site of the thatched cottage and proposed to rebuild it, which was completed in the middle of the following year, so that the thatched cottage, which has experienced more than 9 years, was finally preserved. In the next 14 years, although it was cultivated several times, by Jiaqing, there was a sad scene of weeds and ruined walls. In July of the 16th year of Jiaqing (1821), Chang Ming, the governor of Sichuan, and Fang Ji, the political envoy, initiated the reconstruction of the thatched cottage. With the provincial judge and Cao Xingliu, the governor of Chengdu, as directors, the construction was carried out at a cost of more than 5,5 yuan, which lasted for half a year and was completed in the first month of the following year (1812). Shortly after the completion of the thatched cottage, it was mid-spring, and Fang Ji, the envoy of Buzheng, went to the thatched cottage with officials and aides of all sizes, such as Tan Guangzuo, Xiao Lian Yan Xuegan, and Yang Fangcan, a foreign minister of the household department, to prepare an auspicious day for the Duke of Du. A group of people got off the official sedan chair outside the thatched cottage. They entered the gate, crossed the stone bridge, walked over the pavilions, took a secluded path, and faced the newly renovated pavilions, corridors, pavilions, enjoyed the beautiful scenery of bamboo, green willows, flowers competing for abundance, bees flying and butterflies dancing, and birds singing in Yan language. Everyone is relaxed and happy, and Liu is in front of the shrine of the Ministry of Industry. When they paid tribute to the dignified and solemn statue of Du Fu, Yang Fangcan turned to the other side and said, "Fang's adult, in my humble opinion, in this temple of the Ministry of Industry, we should add plastic to the Duke of Bo Lu in Weinan to enjoy Duke Du." At that time, Yang Fangcan was already in his prime, and he was well versed in poetry since he was a child. He once gave lectures at academies in Quhang, Guanzhong, Jinjiang and other places, and participated in the compilation of Sichuan Annals. There are manuscripts such as Bing Lv Zhai and Poems of Furong Mountain Pavilion handed down from generation to generation, and he has a long-standing reputation and is admired by Fang Ji and Tan Guangzuo. Fang Ji thought about it carefully for a moment, and found it reasonable, but he still didn't understand the details. He was about to ask Yang Fangcan for advice. One of his knowledgeable aides couldn't help but ask, "What's the reason for Songgong's move?" Fangcan calmly replied, "Because Duke Du and Fang Weng have the same intention. Both of them worked as officials in Sichuan, and both of them had a sorrowful poetic heart and great ambition to serve the country, and they respected nostalgia very much. His poem' I know that this old man is angry and angry, and I am eager to vent my grief and anger' is really a different generation of Du Gong! " At this time, another pretentious official asked. "Isn't it unconventional to enjoy it?" Fang Can smiled and said, "Later generations of poets deserve the predecessors, and there are many precedents in the world. In the Yan Gong Temple in Diaotai, Zhejiang Province, there are statues of Fang Xiongfei, a poet in the late Tang Dynasty, and Xie Ao, a poet in the Southern Song Dynasty, who deserve to enjoy Yan Ziling in the Eastern Han Dynasty. As for the Sangao Temple in Wujun, it is well known that Fan Li, Hans Zhang and Lu Guimeng of different dynasties were molded together. " Fang can said very reasonable, so that everyone couldn't help nodding. However, some people have tried their best to give Fang Can a difficult problem, trying to make him unable to justify himself. Another aide asked: "Ask Yang Gong, Li Taibai has also traveled in Shu, and Gao Shi and Cen Can have also worked as officials in Shu. They are all friends of Duke Du, so it can be said that they have the same heart and soul. Isn't it ok to share Duke Du with them?" After listening to this, Fang Can said with confidence: "Taibai and Gaoshi gentlemen are all friendly to Duke Du. If they are used to make sacrifices, Duke Du will be inferior to them, and Duke Du will be uneasy in the spirit of heaven. If they are sacrificed side by side, the guest and the host will not be divided, and this place will not be a shrine of the Ministry of Industry." Just after Fang Can had finished speaking, someone asked, "After the Tang Dynasty, people who recited and commented on poems all took Duke Du as their ancestor. Can Su Dongpo of Meishan and Yang Shengan of Xindu District also be sacrificed? " Yang Fangcan, quick-witted and quick-witted, replied almost without thinking: "Su and Yang Duke were originally from Shu, and their ancestral temples and tombs have been sacrificed, so it can be said that their souls have returned to their hometown, and there is no need to build another statue. Du Gong and Fang Weng are not from Shu, but have been living in Shu for many years. Fang Weng came to Shu relying on Hao Long and Fan Zhineng, just as Du Gong came to Shu relying on his friend Yan Jiying (Wu); At the invitation of Wang Yan, Fang Weng became a shogunate in Shu, just like Du Gong was appointed as a foreign minister of the Ministry of Inspection and Works. This is what I said earlier. After Fang Weng left Shu, like Duke Du, he could never forget Shu, and he wrote all his poems entitled "Poems by Jian Nan", that is, "Heart with Heart" as mentioned earlier. As for the two men who are worried about the people and the country, they will never forget every meal until they die, and they are no different from the big festival of death with grief and indignation. Therefore, it is a blessing to let the young people enjoy the temple of the Ministry of Industry, and it can also comfort the spirit of Shaoling in heaven! " Fang Ji, the political envoy, once wrote "Jing Shu Ji", which also belongs to the literati. When he saw that Fangcan was quoting from the classics, he was eloquent and couldn't help cheering. The aides of the officials also had to pay tribute: "Yang Gong has a high opinion, Yang Gong has a high opinion!" Therefore, Fang Ji ordered Yang Fangcan to write an article for the release of Weng Pei Si, Yan Xuegan praised it, and Tan Guangzuo wrote an eight-point book. After the book was completed, it was engraved on a stone and placed on the right wall of the shrine of the Ministry of Industry. This is the story that happened 17 years ago. In the 1th year of Guangxu (1884), Ding Baozhen, the governor of Sichuan, thought that Huang Tingjian, a famous poet in the Northern Song Dynasty and the founder of Jiangxi Poetry School, publicly advertised that his poems should learn from Du Fu, advocated the poetic theory of "no word is nowhere to be found" and "robbing the fetus for bones", and pursued a strange and hard style. He was once relegated to Shu on the charge of compiling false records, and he was appointed as a driver in Fuzhou. His career as an official was also very unsatisfactory, which was in line with the principle of "the same mind". Citing precedent, the statue deserves Du Zhuo. The original Luyou shrine next to the shrine of the Ministry of Industry was moved to the west of the statue of Du Fu in the shrine, and the newly added Huang Tingjian shrine was placed in the east of the statue of Du Fu, which is what tourists see today. Later, in the Qing Dynasty, Qian Baotang wrote a book for the shrine of the Ministry of Industry, "The barren river has built a house for generations, and different generations have promoted the two sages of the Song Dynasty", which inspired tourists to pay tribute to the great poets of the Tang and Song Dynasties.