What does the poet Li Bai of the Tang Dynasty mean by sleeping in a mountain temple at night?

"Shan Temple" means: temple on the top of the mountain; "Wei Lou" means: high building, here refers to the temple on the top of the mountain. Risk: high. Hundred feet: imaginary, not a real number, used here to describe a building that is very high.

Original poem:

Staying in a mountain temple at night

The dangerous building is a hundred feet high, and you can pick the stars with your hands.

Don’t dare to speak loudly for fear of frightening the heavens.

Interpretation:

The tall building of the temple on the mountain is so tall, it seems to be a hundred feet tall. People upstairs seem to be able to pick off the stars in the sky with just one hand.

Standing here, I dare not speak loudly for fear of disturbing the gods in the sky.

Stay: stay, stay overnight. Stars: The collective name for the stars in the sky. Language: speak. Fear: fear, fear. Jing: startled.

From: "Sleeping in the Mountain Temple at Night" by Li Bai of the Tang Dynasty

Extended information

Theme:

This poem uses extremely exaggerated techniques , describes the towering buildings in the temple, and expresses the poet's admiration for the engineering art of ancient temples and his yearning and pursuit of a fairy-like life.

Li Bai's poetic style is bold and vigorous, his imagination is extremely rich, his language is natural and graceful, his melody is varied yet harmonious, and he has a strong romantic color. In just a few strokes, this poem vividly expresses the joy, boldness, loveliness, and frankness of people at high places.

Influence of character achievements:

Li Bai’s poems often use imagination, exaggeration, metaphor, personification and other techniques to create a magical, magnificent and moving artistic conception. This is Li Bai’s romanticism The reason why the poems give people the feeling of being bold and unrestrained, elegant and fairylike.

Li Bai's poems have had a profound impact on future generations. Famous poets such as Han Yu, Meng Jiao, and Li He in the mid-Tang Dynasty, Su Shi, Lu You, and Xin Qiji in the Song Dynasty, and Gao Qi, Yang Shen, and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poetry.

In addition to various factors such as thoughts, character, talents, emotions, and experiences, the artistic expression techniques and genre structure used in Li Bai's poems are also important reasons for the formation of his bold and elegant style. Being good at relying on imagination and expressing objectivity subjectively is an important feature of the romantic artistic technique of Li Bai's poetry. Almost every article contains imagination, and some even use a variety of imagination throughout the article.

"Li Bai's Ci" enjoys an extremely high status in the history of Ci. This status is like the status of ancient Greek mythology in Western art. As an "unattainable" standard, Li Bai's poetry has become an eternal idol in people's minds. Li Bai made significant contributions to the formation of the textual model of Ci and the creation model of Ci.

Li Bai was not only brilliant in literary talent, but also very skilled in swordsmanship. He is "fifteen good at swordsmanship" and "has mastered swordsmanship by himself". His attainments are extraordinary. Li Bai's poems, Pei Min's swordsmanship, and Zhang Xu's cursive calligraphy are collectively called the Three Wonders of the Tang Dynasty. Although Li Bai's swordsmanship is not among the "Three Wonders", his swordsmanship is only lower than Pei Min, ranking second in the Tang Dynasty.