An analysis of He Qifang's Autumn and his feelings about this article.

This is a colorful rural area in Qiu Jingtu. The poem is not long, only three verses, but it captures all kinds of scenery, valleys, farmhouses, fishing boats and shepherdess. This is a poetic autumn, living in a farmhouse, playing on a fishing boat and dreaming in the eyes of a shepherdess.

The morning dew falls,

The sound of logging jingled in the valley.

Put down the sickle full of fragrant rice,

Use a basket to put rich fruits and vegetables between bamboo fences.

Live in a farmhouse in autumn.

Drop a round net on the cold fog on the river,

Put away the shadow of Chinese tallow leaves like a herring.

The reed canopy is covered with frost,

Shake the parked paddle gently.

The autumn sports meeting is held on fishing boats.

The grass is getting wider and wider in the cricket's cry.

The stream dried up and the stones became clearer.

Where is the flute on the cow's back?

The flute hole full of summer fragrance and heat?

Qiu Meng in the eyes of shepherdess.

The image of "full skin" is distinct. The word "gone with the wind" is apt and vivid. Images such as logging sound, early morning sound and dew sound constitute a clean and moist sound painting. "Xiang Tao" is full of fragrance. "Full" is a scene of bumper harvest, which is anthropomorphic. "Fat melons and fruits" also see a bumper harvest. The last sentence is always tied, making the finishing point. The word "habitat" is meaningful and anthropomorphic.

Fisherman Qiu Jingtu. "Cold fog" sets off hazy poetry and conforms to the season. The metaphor of "the shadow of Chinese tallow leaves is like a herring" seems clumsy, but it is actually intriguing. Returning to the berth not only describes the scenery, but also hints at the time, which echoes the above Morning. The word "game" is both false and true.

Unique scenery in autumn. Full of poetry and painting. Appear in the form of questions, and the language is swaying. The combination of "full flow" and "fragrant heat" and "flute hole" is full of poetry under the background of "summer night". The shepherdess lives in the farmhouse and plays on the fishing boat. Have you ever seen autumn? Does the flute on the cow's back express or arouse the girl's feelings? Her eyes must be full of autumn scenes, and her heart must tremble with joy and dreams.

Practice note

Read the poem emotionally, think about the order of writing the scenery, and then recite the whole poem.

This question requires students to read the poem with emotion and recite the whole poem. This is a requirement from the main way of poetry appreciation, and students should be guided to recite it repeatedly.

Taste the words added below.

1. Put down the sickle of Daoxiang.

2. Living in a farmhouse in autumn

The autumn sports meeting is held on fishing boats.

This topic is to guide students to taste language, and we should combine the artistic conception and specific context of the whole poem to experience it. Please refer to the related contents in "Text Discussion".

Thirdly, compare the following poem with the text and talk about the similarities of thoughts and feelings expressed by the two poets. (A short poem)

This topic is intended to guide students to appreciate it, and at the same time, it also provides students with an equally excellent foreign poem. These two poems have many similarities in thoughts and feelings, image combination, artistic style and so on, and both express their love and praise for autumn from thoughts and feelings.

Teaching suggestion

First, pay attention to reading. Guide students to read the whole poem repeatedly and emotionally until they are familiar with it.

Second, design some open topics that allow students to play freely and guide students to appreciate this poem. Do you like this poem? Why? Which sentence do you like best in this poem? Why? Have you ever paid attention to autumn scenery? Is autumn scenery in your impression the same as this poem? Can you also write a poem about autumn?

Third, guide students to appreciate it. Texts provide materials for comparison and appreciation, so we should make full use of them and guide students to appreciate them in comparison. When comparing appreciation, you should read carefully first, and then compare similarities and differences. It would certainly be better if we could find something marked with * * * from the comparison.

related data

I. Introduction to the author (Wu Zimin)

He Qifang (1912-1977) is a modern essayist, poet and literary critic. Formerly known as He, he was born in an old family in Wanzhou, Sichuan. When I was young, I liked China's ancient poems and novels very much. 65438-0929 went to Shanghai to study for the preparatory course of China College and read many new poems. 1931-1935 studied in the philosophy department of Peking University. During my college years, I published poems and essays in magazines such as Modern. 1936 published Bian and Li Guangtian's poetry anthology Hanyuan Collection, 1937 published prose anthology Hua and won the literary gold medal in Ta Kung Pao. After graduating from college, He Qifang taught in Nankai Middle School in Tianjin and Laiyang Rural Normal School in Shandong.

After the outbreak of War of Resistance against Japanese Aggression, He Qifang returned to his hometown of Sichuan to teach, while continuing to write poems, essays and essays. 1938 North Yan 'an, taught at Lu Xun Art Institute, and later served as the head of Lu Yi Literature Department.

After the founding of New China, he mainly engaged in literary research and criticism, and participated in the leadership of the literary and art circles for a long time. He used to be a member of the Chinese Federation of Literary and Art Circles, secretary of the Secretariat of the Chinese Writers Association and director of the Literature Research Institute.

Poetry is the first style that He Qifang likes and uses. He claimed that when he first started writing, he "dreamed of something beautiful and gentle all day". His early works clearly showed the thoughts, feelings and personality of a young bourgeois intellectual. He is dissatisfied with the ugly reality and doesn't know where the way out is; He longs for the good things in life, but lacks enthusiastic pursuit. So more wandering in homesickness, longing and dreams, leaving only loneliness and melancholy.

He Qifang showed persistent pursuit for the perfection of art form. In terms of poetry, he paid great attention to complete form, rigorous rhythm and harmonious rhythm at the beginning of his creation, and paid attention to expressing the image and artistic conception of poetry. So his poems are obviously exquisite and gorgeous. In prose creation, he claimed that "my job is to find a new garden for lyric prose". He is good at combining the characteristics of poetry, writing rich and touching words, borrowing novel metaphors and allusions, and rendering magical colors and patterns, which makes his prose unique.

It was in the early days of the Anti-Japanese War, especially after Yan 'an, that the change of ideological and artistic style was really obvious. At this time, he gradually left his dream and faced reality, and his poetic style tended to be simple and clear.

Collected Works of He Qifang (People's Literature Publishing House) is a six-volume book, which contains most of He Qifang's creations and works.

(Excerpted from China Encyclopedia of Literature 1992 Edition)

Second, such an atmosphere-Reading Autumn (Liu)

Autumn is selected from the prediction written by He Qifang in his early years (1931-1933). Unlike the poets of that period, they were not so symbolic, mysterious and philosophical, showing profound thoughts; Unlike his progressive poems, which cling to the narrow personal world and linger on the affair between men and women, nothing is expected except bitter and bitter thinking. This poet rarely throws his vision into the countryside, into the activity scene of ordinary people, and talks about other people's affairs as an observer, showing a clear and pure poetic style. Poetry is written in a straightforward Chen Qi style. On the surface, it seems simple and straightforward, lacking symbolic meaning, but in fact it is meaningful. There is such an atmosphere and charm in the poem, which is the most fascinating to readers.

The so-called atmosphere, in literary works, especially lyric works, usually refers to the overall situation, charm and charm in the works. It has the same effect as Yan Yu's "Meteorological Chaos is Difficult to Extract", and the meteorological meaning is broader, including content and form; The atmosphere seems to be mainly related to the content, involving images, artistic conception, emotions and so on. The atmosphere can be felt without words, as Si Kongtu said, "God doesn't know, but it's difficult to know." As the Tang people said, "Lantian is warm and fertile, and it is close at hand, not before approaching." But when you read it, you can understand it clearly, and you should be able to follow your heart and form it in the text.

In autumn, the poet described farm life in the most concise language. Every poem is a picture, and three verses make up three composite pictures. The combination of pictures creates a special atmosphere, which is both smooth and integrated.

The first painting is "Farmer Harvest figure". This is not about a farmer, but about general farm activities. Two scenes were written, one was logging in the valley, and the other was carrying melons and fruits between fences. Valley logging is placed at the beginning of the article, and Tintin's voice floats far away, resorting to hearing; Shocked by the cool dew, he turned to vision and touch. It is really a landscape of the world, which reminds people of distant impressions. There is no such thing as "cutting trees and singing birds" in the Book of Songs. From the valley to the tree " Gone with the Wind and The Valley often appear in He Qifang's early poems, but they are both fictional and use figurative meaning and extended meaning, but here they are realistic and have unique charm. The poem does not specify the mood and expression of melon and fruit, but readers can think it is cheerful and smiling. "Habitat" was originally used to describe creatures, but now it is used at the end of this poem to summarize the situation of farmers' homes in autumn, visualize nothingness (autumn) and create a relaxed and quiet atmosphere.

The second picture is "Go Fishing in Frost Morning". Among them, the words "fog" and "frost" (and "dew" in the last section) often appear in He Qifang's early poems, conveying a cool, cold and hazy atmosphere. The picture also includes a series of activities: casting nets, fishing and boating. The pictures of these ordinary activities all contain a faint, distant, clear and quiet charm in the poet's pen. The word "gently" often appears in He's poems, as if "handy", which shows the fisherman's carefree mood. Perhaps in He Qifang's early mind, autumn is really so quiet and far away.

The third picture is "the girl's love picture". This poem is written with weeds, crickets and streams, which is equivalent to the so-called "feeling interest" written by the ancients, that is, talking about other things first, feeling from the interest and feeling from the scenery. Weeds are overgrown and the stream is clear. This is not a human activity, and there must be a continuation afterwards, that is, girls are in love. The noisy summer of nature has passed, but autumn has become quiet. When people are silent, they mostly look at themselves and listen to their inner voices. After listening to the flute on the back of a cow for a summer, the shepherdess suddenly stopped listening, and a corner of her heart began to sprout. It is really "like roots shaking the earth on a hot summer night" (He Qifang's poem "Summer Night"). Writing about love, especially first love, is what he was good at in his early years. This time, he wrote more subtly and brilliantly. There are only five lines in this paragraph, which is about the transition from place to insider, and the transition from writing first love from scratch. The poet chose the specific angle of "shepherdess's eyes". Although the eyes are not clearly written, readers can see the purity and clearness, which are the special eyes of the first love girl. And comparing these three poems, we can see that the first two sentences are mainly about external scenery and personnel, and the third sentence is really written in the depths of the soul, writing subtle feelings, which makes the whole poem converge on real feelings. If you don't write like this, it will be difficult to enter the mood, enter the spirit, and the poem will "float".

In a word, Autumn creates an atmosphere that comes from the world and is far away from the secular world by depicting different scenes and pictures. This kind of atmosphere is quiet, Qingyuan, sweet and soft. It describes the leisure scene after a busy summer, so there is a quiet atmosphere; It describes a paradise-like life, and it has a Qingyuan atmosphere, without any hardships and bitterness of farmers. It is about the hazy and pure love of boys and girls, so there is a sweet atmosphere; Like He Qifang's other poems, it uses soft words to write beautiful images, avoiding noisy scenery and clumsy words, so it has a soft atmosphere. Every painting in the poem, as well as every image in the painting, is harmonious and unified; So this atmosphere is characterized by quiet, Qingyuan, sweet, gentle and so on. You can't be a master at this point. However, when He Qifang wrote this poem, he was still a 20-year-old college student!