What is the review of Snow Knife Travel?

What are the reviews of "Knife in the Snow"?

What are the reviews of "Knife in the Snow"? In fact, many people predicted that "Knife in the Snow" would be a success as early as when it was aired. The score will not be very high. The drama is adapted from the novel of the same name by Fenghuo Opera Princes. It is a big IP masterpiece. How is the evaluation of "Swordsman in the Snow"? What is the review of "Swordsman in the Snow" 1

Recently, the much-anticipated costume inspirational drama "Swordsman in the Snow" was launched. The play is adapted from the novel of the same name by Feng Huo Opera Princes, and is jointly produced by Penguin Film and Television, Xinli TV and Xiangchao International. Song Xiaofei serves as the director, and Wang Juan, who has written the script of "Celebrating More Than Years", serves as the screenwriter. Zhang Ruoyun, Li Gengxi and Hu Jun are among the screenwriters. Powerful actors lead the cast. The plot tells the chivalrous story of Xu Fengnian, a young man from an aristocratic family who has grown up in the world of martial arts with one person, one sword, and one passion.

"Swordsman in the Snow" became a hit before it was aired. It not only attracted many fans of the original work and "martial arts fans" to look forward to it, but also attracted great attention in the industry. Recently, an expert seminar was held on "Snow in the Snow" in Beijing. Representatives of the producer and more than ten experts and scholars had a heated discussion around the content and theme of the play, genre characteristics, industry value, social significance and other perspectives.

"Swordsman in the Snow" returns to the screen with a chivalrous style, striving to restore the world that is familiar to the Chinese people. Yang Chenghu, deputy dean, professor and doctoral supervisor of the School of Art and Media of Beijing Normal University, said: "This is the most comprehensive work that pays tribute to the classics among the martial arts works I have seen in recent years. It can We can see the shadow of Gu Long, Jin Yong's character, and a series of original martial arts story elements such as Liang Yusheng."

"Swordsman in the Snow" pays tribute to the classics. At the same time, it also rewrote a different traditional martial arts image in a contemporary context. Wang Yichuan, vice chairman of the Chinese Literary Critics Association, pointed out that this TV series uses a new growth writing method to portray the protagonist Xu Fengnian. “The protagonist’s growth process of following his true heart and going against routines constitutes the most distinctive feature of the story, and it also highlights It provides a new generation of creators with a new understanding of martial arts."

It not only pays homage to classic martial arts, but also goes against routines and characters. This is exactly the "new martial arts" feature presented by "Swordsman in the Snow". The combination of rivers and lakes and temples, and the compatibility of martial arts spirit and feelings of family and country have brought very positive social significance to this drama.

Wen Weihua, associate professor at the School of Language and Communication at Beijing Jiaotong University, affirmed the aesthetic expression of the play: "In terms of aesthetic style, this play has a very classical artistic conception and charm. Although it is an imaginary historical drama, The story, but in terms of spiritual temperament, reflects the very chic and elegant style of the Wei and Jin Dynasties. The play also uses many symbols of traditional Chinese culture, such as names, levels of martial arts, and some sects in the world. etc., so that the audience can clearly feel the charm of Chinese traditional culture."

In the current IP adaptation drama market, there are only a handful of successful works for male audiences. The creative model of "Swordsman in the Snow" provides the industry with an excellent sample for reference. He Tianping, deputy secretary-general of the Film and Television Arts Professional Committee of the China Television Arts Exchange Association, believes that the market for IP adapted dramas has not found a creative logic that satisfies men's pleasure in watching dramas. "Yu Nian" also found a more self-consistent idea and method to deal with the 'male video IP', at least forming its own expansion at the level of genre meaning, allowing the work to form an overall unique style." What's the review of "Swordsman in the Snow 2"

The score of "Swordsman in the Snow" has been released a week after it was aired. 6.0 is on the passing line, which can't be said to be low, but definitely not high, but as a S For a costume drama that is a top-notch production and adapted from a big IP, this score is a bit embarrassing.

In fact, many people predicted that the score of "Swordsman in the Snow" would not be very high when it first aired. After all, there were overwhelming complaints on the day it aired. The one-star negative reviews all over the screen are vivid in my mind.

I watched the seventeen updated episodes in one go. As someone who has read the original work and then watched the drama, in fact, the drama version of "Swordsman in the Snow" has both shortcomings and advantages, but none. So bad as expected.

Let’s talk about the shortcomings first. There is no doubt that "Swordsman in the Snow" has many shortcomings, otherwise it would not have been criticized by netizens on the day it was broadcast. The shortcomings are mainly concentrated in the following points:

First, the casting is inconsistent. Whether it is a supporting role or a leading role, it does not match the original work. Although it is indeed unrealistic to find exactly the same actors, it would be good to have five or six points, but unfortunately, there is no such thing.

Secondly, there are almost no martial arts scenes. Whether "Swordsman in the Snow" is a martial arts drama, a fairy tale drama or a fantasy drama, we will not go into details for the time being.

No matter what kind of subject it is, it is inevitably a fighting scene. After all, the reason why the best in the world is the best in the world can only be known through comparison.

If you want to assassinate the Crown Prince, you have to send out experts. Therefore, playing games is inevitable.

But unfortunately, the TV series obviously did not focus on the fighting scenes, and perhaps no more than 10% of the time was invested in the fighting scenes.

Ever since, the perfunctory fighting scenes and slow-motion martial arts scenes have become the biggest flaws of the show. After more than a dozen episodes, the only one that made the audience applaud was Li Chungang's "One Sword Immortal Kneels Down".

As for the appearance of the white fox face and Wu Liuding's leap into the river, they were too perfunctory.

Thirdly, the filters are really hard to watch, and it’s not without reason that they were criticized as soon as the show started airing. The gray-green filter neither shows texture nor feels high-end. Instead, it drags down the good-looking actors.

Let’s just say that Gao Weiguang is still a majestic Emperor of Donghua, no matter how slovenly he is, he is still a handsome partridge whistle, but when it comes to "Swordsman in the Snow", his eyes are too small. , there are almost no eyebrows, and the skin color is at least seven or eight shades darker. Where is the word handsome?

Therefore, the above three points have lowered the rating of the entire drama. At least the first five episodes are a bit unbearable. After reading some of the original work, I cannot accept the drama version.

But are you saying that the drama version of "Swordsman in the Snow" has no merit at all? No, there are still advantages. In the words of a netizen, the drama version is "taking the essence and discarding the dross."

some.

For example, the prince just came back from six thousand miles away and went out again less than a year ago. Then he met many people along the way. This is the main plot and the main line. After all, The protagonist needs to grow.

The main characters like Li Chungang, Jian Jiuhuang, Chu Kuangnu, Miss Hehe, Xuanyuan Qingfeng, etc. are all retained. Even the characters who did not appear many times in the original work have roles. During the adaptation, the screenwriter I still put in some effort to know who should be kept and who should not be kept.

The so-called "dross" is actually the "harem setting". In the original work, Xu Fengnian had many wives, even more so than Wei Xiaobao. But it was changed in the play, and everyone must have noticed that after all, Wang Chudong did not take away Xu Fengnian's first kiss, nor did he insist on marrying Xu Fengnian. From the beginning to the end, the heroine was a little clay figurine.

There is no need for the audience to be angry at such a change. After all, as a growth-oriented TV series with Xu Fengnian as the main character, it naturally cannot promote "Three Wives and Four Concubines".

Don’t they all say they like heroines who don’t fall in love and focus on their careers? Why can't it be done by a man? Isn’t it nice to have a male protagonist who concentrates on his career?

Those who have read the novel must be aware that there are many "dirty words" in the book, and some characters also have many bad habits.

For example, Chu Lushan, why is his reputation so bad? Anyone who has read the book will understand that flattery is so simple. Therefore, some of Chu Lushan’s individual settings have been changed, and a lot of bad points have been removed. After all, the broadcast of a beautiful concubine being raped by her breasts is so delicious that it takes just a minute. Being hammered.

Returning to the advantages of the drama version of "Swordsman in the Snow", to be honest, after watching the drama version, you will find that the drama is actually easier to understand than the book.

The book is written here and said there, which seems a bit confusing. You really have to read it carefully to remember the details, but the drama version has obviously been shortened a bit, focusing on the main plot.

Secondly, Xu Fengnian is not bad (of course, the original work is not bad either), but obviously, the drama version of Xu Fengnian is more likable.

So, "Swordsman in the Snow" is bad? It's actually not difficult, at least it's still bearable. But is it good? Not bad, after all, there are many shortcomings. All I can say is that there are mixed reviews, some good and some bad. What are the reviews for "Swordsman in the Snow" 3

The most anticipated costume martial arts drama "Swordsman in the Snow" in mid-December has been broadcast on Star Central 8 and is broadcast on Goosechang.com.

The play is adapted from the novel of the same name by Fenghuo Opera Princes. It is a big IP production. The costumes and scenery are all high-end. There is a high-quality team in charge, strong logical support, the main story line is quite interesting, and it shows a strong atmosphere of the world from the inside out.

The original work of this drama itself has many fans, and fans of martial arts dramas are very enthusiastic about it, so that after the drama was launched, it became more popular than "Xiao Min's Family" and "The Wind Rises" "Luoyang" and many other popular dramas have topped the Maoyan popularity list, reaching a height that many dramas cannot reach.

Many actors in the play also contributed outstanding acting skills, but the acting scores surprised the audience. There was a sharp gap between Zhang Ruoyun and Zhang Tianai, with the female lead ranking last.

The stable performance of the veteran actors is outstanding

When selecting veteran actors in "Swordsman in the Snow", the choice was entirely based on their strength. The most eye-catching one in the drama One of the characters is Xu Xiao, played by Hu Jun. He is set as King Bei Ming, who has mature experience and military spirit.

As a national first-class actor, Hu Jun is very familiar with playing this role. There is a scene in the play where Xu Xiao’s face changed when he learned that Xu Fengnian was willing to take over Bei Ming. There was a look of joy on his face. He even started a monologue in front of the soldiers' tombstones, talking to non-existent people, and seemed to be in a state of intoxication. Although he was smiling, there was some heaviness and sadness in his expression.

This is a demonstration of Xu Xiao's sense of responsibility. Hu Jun performed it perfectly. His strength should not be underestimated, and he also achieved a good score of 9.6 points.

There is also an outstanding veteran actor in the play, Yang Haoyu who plays the role of Huang Zhentu. His character is the groom of Prince Bei Ming. He looks like a happy man, and he is very lovable for Xu Fengnian's sake. , and Yang Haoyu also showed refined acting skills.

When he heard that Xu Fengnian was facing a difficult choice, his eyes widened and he was slightly stunned, because Huang Zhentu knew what kind of difficulties Xu Fengnian would face next, and his expression even more revealed Deeply worried.

Huang Zhentu knew his destiny after getting back the sword box. In the end, he sacrificed his life for Xu Fengnian, which became a dilemma in the play. However, Yang Haoyu successfully won 10 awards with his character and acting skills. score.

The male protagonist’s score was unexpected

The more unexpected score was Zhang Ruoyun. In 2019, he relied on his performance in "Celebrating More Than Years" and his strength to impress the audience. "It smells so good" has quickly become the leading male blog post.

Zhang Ruoyun is still the male protagonist in "Swordsman in the Snow". Although he has played to his due level, his acting skills are as natural and smooth as ever. When he sees others excelling in martial arts, he hides behind the stone and stares. The big eyes and mouth are widened, and the slightly exaggerated expression shows the funny side of the character.

When facing serious matters, he also lost his playful demeanor, his eyes were focused and serious, and he performed the transition between the two emotions vividly, and his acting skills were passable.

But I have to say that the character of "Xu Fengnian" is too similar to "Fan Xian" in "Celebrating More Than Years", and Zhang Ruoyun's acting skills have not made any breakthroughs, which makes the audience feel extra dramatic. , so I only got a score of 8.5 points.

Zhang Tianai, who plays Nangong Pushe, scored 9.4 points, 0.9 points more than Zhang Ruoyun. It seems that Zhang Tianai's performance this time is very recognized by everyone.

First of all, Zhang Tianai's appearance is more consistent with the "white fox face" mentioned in the original work. She is a bright beauty, and Zhang Tianai's acting skills are also good.

For example, she is set to have a paralyzed face, but her eyes are bright, so she does not give people the feeling of wandering. When facing Xu Fengnian, Nangong Pushe still has a smile on her face. Yi, her brows are filled with the aura of a high-spirited young man, and she has mastered the art of pretending to be a man, so it is reasonable to get such good results.

The female lead's skills are relatively young

Among the acting scores of "Swordsman in the Snow", the one with the lowest score is Li Gengxi, who plays the heroine Jiang Ni. , the score is only 7.4.

The biggest problem with Li Gengxi is that it is highly inconsistent with the character design of the original work. The Jiang Ni in the book is a princess who has lost her country. In theory, she should have an aristocratic temperament. The author even made her into a person who would be ignored by passers-by. Stunningly beautiful lady.

But Li Gengxi's appearance is just that of Xiaojiabiyu, and he is more suitable for playing the girl next door. Compared with others, Li Gengxi's acting skills are also a little green.

Li Gengxi’s main problem is that he pays too much attention to facial expressions. When he is angry, he usually frowns and makes a grimace. His acting skills are too superficial. It seems extremely abrupt.

All in all, the plot of "Swordsman in the Snow" is interlocking, and people can't help but wonder about the growth process of the male protagonist. The performance of the actors in the play is remarkable, but the current low ratings of the male and female protagonists may be because they have not reached the climax of the plot. I hope that as the plot progresses, the two may bring different surprises in the future.