Suzhou Garden Text and Appreciation

Suzhou Garden is one of the masterpieces of the famous writer Ye Shengtao. From the perspective of tourists, the author summarizes the similarities and differences of Suzhou gardens in a large number of ways, and then explains them in many ways. This passage is like a key, which opens the mystery of the beauty of Suzhou gardens. The following is the text and appreciation of Suzhou gardens, hoping to help everyone.

Suzhou garden text

It is said that there are more than one hundred gardens in Suzhou, and I have been to more than ten. I have also been to some gardens in other places. If I have to say a general impression, I think Suzhou Gardens are specimens of gardens in China, and gardens in China are more or less influenced by Suzhou Gardens. Therefore, if anyone wants to appreciate the gardens in China, Suzhou Gardens can't be missed.

Designers and craftsmen adapt to local conditions, and successful gardens are certainly different. However, the gardens in Suzhou have similarities. It seems that designers and craftsmen are pursuing the same thing: to ensure that visitors always have a perfect picture in front of them no matter where they stand. In order to achieve this goal, they pay attention to the layout of pavilions, the coordination of rockery ponds, the foil of flowers and trees, and the level of close-up vision. In short, everything must exist in order to form a perfect picture, and it can't hurt the failure of beauty. They just want visitors to get the aesthetic feeling of "picturesque", and their achievements have realized their wishes. When tourists come to the garden, no one does not think of saying "as in painting" orally.

Most of the buildings in China, from ancient palaces to modern ordinary houses, are symmetrical, no matter what the left side is, so is the right side. Suzhou gardens can never pay attention to symmetry, as if deliberately avoiding it. There are pavilions or cloisters in the East, and there will never be the same pavilions or cloisters in the West. Why is this? I think, for example, with pictures, symmetrical buildings are pattern paintings, not art paintings, and gardens are art paintings. Artistic painting requires natural interest, not symmetry.

There are rockeries and ponds in Suzhou gardens. The piling of rockeries can be said to be an art, not just a technology. Whether it is a mountain or a hill with flowers and trees, it is the life experience of designers and craftsmen and the high valley in their hearts, which makes tourists forget Suzhou City when climbing and only feel that they are in the mountains. As for ponds, most of them refer to running water. Some gardens have spacious ponds, so the pond is the center of the whole garden, and other scenery is arranged in harmony. If the water looks like a river, bridges are usually arranged. If more than two bridges are arranged, they will be the same, not the same. There are few neat stone dikes beside ponds or rivers, and they are always left to their own devices. There are also some exquisite stones arranged there, or some flowers and plants are planted: this is also to achieve the effect of looking at a painting from all angles. Goldfish or carp of various colors are kept in the pond, and lotus flowers or water lilies are in full bloom in summer and autumn. Visitors can see "fish playing between lotus leaves", which is another painting.

Painting is also the main way to plant trees and prune trees in Suzhou gardens. Tall trees and short trees are pitching. Deciduous trees and evergreen trees alternate with each other, and different kinds of flower trees alternate with each other when they bloom, so that you don't feel lonely all year round. There are no pines and cypresses trimmed like pagodas, and there are no roadside trees like parade: because from the aesthetic point of view of Chinese painting, it is not worth taking. Several gardens are full of Gu Teng, and the winding and rugged branches are a good painting. When the flowers bloom, they are full of jewels, which makes tourists feel infinite prosperity and joy, but they can't say it.

Visiting Suzhou gardens will inevitably pay attention to flower walls and promenades. Separated by walls and bounded by corridors, there are many levels and the scenery can be seen deeply. However, there are various hollow patterns made of bricks on the walls, and most of the sides of the veranda are borderless. In fact, it is separated but not separated, and the boundary does not exist, thus increasing the depth of the scene. Several gardens have also installed a large mirror in a proper position, which is more hierarchical and almost doubles the whole garden.

Of course, tourists will not ignore another point, that is, Suzhou gardens pay attention to the beauty of every corner of the picture. There are some books with grass beside the steps. The wall is covered with ivy or rosewood. If the window is facing the white wall, it will be too monotonous. Add some bamboo or bananas. And so on, it is nothing more than that visitors can appreciate beauty even if they look at a small part.

The doors and windows, pattern design and carving skills in Suzhou gardens are all top arts and crafts. Generally speaking, those doors and windows are as refined as possible, never vulgar, even if they are simple and ingenious. Four, eight, twelve. Taken together, everyone must admire this is a high degree of pattern beauty. Photographers like these doors and windows very much. They took light and shadow into consideration and took satisfactory photos.

Unlike Beijing, Suzhou gardens rarely use paintings. Most of the beams and columns, as well as the railings of doors and windows, are painted widely, which is a non-dazzling color. The walls are white. Some indoor walls are paved with square bricks in the lower half, with light gray and white as contrast. Roof tiles and eaves are light gray. These colors match the green of the vegetation, which makes people feel quiet and leisurely. When flowers bloom, all kinds of flowers are more vivid.

It can be said that' of course, there is more than that, and I will not write it here.

Suzhou garden appreciation;

The main idea of this passage in Suzhou Garden is:

The first part (1 paragraph) explains the important position of Suzhou gardens in China garden art.

The second part (paragraphs 2-9) expounds the general characteristics of the beauty of Suzhou garden pictures from all aspects of garden building facilities.

The first floor (the second paragraph) summarizes the characteristics of Suzhou gardens.

The second floor (3 ~ 9 paragraphs) specifically explains the characteristics of Suzhou gardens.

The third part (paragraph 10) points out that the beauty of Suzhou gardens does not stop there, and the end of the full text is memorable.

Central idea:

This paper introduces the similarities and differences of Suzhou gardens, reproduces their picturesque beauty, and shows the wisdom and superb garden art of China designers and craftsmen.

Overall grasp:

This paper first summarizes the characteristics of Suzhou gardens as a whole, and then expounds them from various aspects. Although the article didn't mention the names of any gardens or describe the specific scenery, the knowledge about Suzhou gardens gained by readers was comprehensive and clear. At the same time, readers have gained some ways to appreciate China gardens.

The characteristics of Suzhou gardens are: to ensure that no matter where tourists stand, there is always a perfect picture in front of them. In other words, "everything must exist to form a perfect picture, and it can't hurt the failure of beauty." There are many famous gardens in Suzhou, such as Humble Administrator's Garden, Master of Nets Garden, Lingering Garden, Canglang Pavilion and Lion Forest. , which are the most prominent. In other words, as far as these gardens are concerned, their buildings, landscapes, flowers and trees are different and have their own characteristics. These famous gardens all have their own styles and vitality. It is not easy to generalize the similarities from these gardens with different faces and styles. The author skillfully focuses on the impression of Suzhou gardens from the perspective of tourists. "Difficult" is to find the same from the differences. China's garden art is interlinked with the art of poetry and painting, and China's gardens have always been regarded as picturesque. Therefore, the author's feelings as a tourist are accurate and appropriate, which also shows the author's profound artistic accomplishment. In addition, for the "map", we should also study it deeply to better understand the characteristics of Suzhou gardens. Generally speaking, the scenery depicted in the picture comes from nature and is higher than nature. The painter extracts, refines and concentrates the natural scenery, and then creates a more aesthetic picture without violating nature. Based on this, we can understand that the beauty of Suzhou gardens is carefully arranged without destroying nature. "No matter where tourists stand, there is always a perfect picture in front of them" and "always in front of them" emphasize that Suzhou garden is a perfect artistic whole.

The overall characteristics of Suzhou gardens are mainly reflected in the following four aspects:

(1) Pay attention to the layout of pavilions. The layout of pavilions "never pays attention to symmetry". The author compares the layout of Suzhou gardens with traditional buildings in China, and compares pattern painting with artistic painting, which shows that Suzhou gardens have the beauty of natural layout.

(2) Pay attention to the cooperation between rockery and pond. The piling of rockeries has a natural interest, which makes people forget that they are rockeries. Ponds and swamps "refer to running water" because running water is interesting. "Some gardens and ponds are spacious ... and bridges are often arranged", which is adapted to local conditions and confirms the previous statement that "designers and craftsmen are creative according to local conditions". More than two bridges are never the same. In fact, they are all about avoiding symmetry and paying attention to the interest of nature. Don't let go of details, such as the stone embankment "always bends up and down" and several stones or plants are arranged. These arrangements make the rockeries and ponds in Suzhou gardens look like nature, although they are artificial, which is exactly what the landscape in the garden pursues.

(3) Pay attention to the foil of flowers and trees. The foil of flowers and trees is also "focusing on painting". The author first introduces the good intentions of planting flowers and trees: we should pay attention to scattered trees and take care of seasonal changes. Then introduce the pruning skills of flowers and trees: take it naturally. Taking "Gu Teng" as an example, the comparison between "pine and cypress are like towers" and "roadside trees are like parades" shows that the planting and pruning of flowers and trees conform to the aesthetics of Chinese painting.

(4) Pay attention to the level of close-range perspective. The ingenious use of flower walls and corridors makes Suzhou gardens appear multi-level and depth of field. The scenery is not displayed in front of tourists in an unobstructed view, but one after another. Visitors can enjoy the fun of changing scenery and get deeper aesthetic enjoyment.

Finally, starting with the details of the garden, the author introduces the picturesque beauty of Suzhou gardens, that is, paying attention to the composition beauty of every corner of the garden, the pattern carving beauty of doors and windows, and the color beauty of buildings. This is a re-emphasis on the characteristics of Suzhou gardens.

Problem research:

In this paper, painting is mentioned many times, and painting is linked with landscape architecture, and landscape architecture is analyzed with the principle of painting, or the principle of painting is confirmed with landscape architecture, and several points are tried to explain briefly.

1, "Gardens are artistic paintings, and artistic paintings require natural interest, but don't pay attention to symmetry."

2. "There are a few beautiful stones there ... this is also to achieve the effect of looking at a painting from all angles."

3. "There are no pines and cypresses as neatly trimmed as pagodas ... it's not worth taking."

4. "Several gardens are full of Gu Teng, and the winding branches are a good painting."

5. "... Suzhou gardens pay attention to the beauty of every corner ... to weave some bamboos or plantains. "

"Painting" and "painting" in the above statement should refer to Chinese painting. The arguments in 1 and 3 sentences are all based on the aesthetics of Chinese painting, but the small scenes chosen by the author in 2, 4 and 5 sentences are familiar to us because they were very common in Chinese painting.

Artistic features:

First, the language is beautiful.

The language requirement of expository writing is accurate, and the language of Suzhou gardens is not only accurate and concise, but also beautiful and intriguing. For example, "Parthenocissus or roses spread on the wall." If the window is facing the white wall, it will be too monotonous. Adding the words "scattered" and "supplemented" to "bamboo or banana" shows that craftsmen are careful and good at turning static into dynamic and monotonous into colorful. The word "stacked mountain" describes the rockery in a small and exquisite garden, which rises abruptly from the flat ground and overlaps with each other. " "High and Low Buckling" wrote that there are few neatly laid stone dikes along the edges of ponds and swamps, and they are always left with their natural characteristics. "Pitching Attitude" also describes the graceful posture of planting tall trees and short trees together, and depicts the detailed arrangement of various trees. The "winding and rugged" describes the bent and withered branches of Gu Teng, and the eyeful of "gems" also writes the elegant charm of vines, which constitutes a picture scroll full of business.

Second, dynamic beauty.

"Tourists watching fish and playing between lotus leaves" is another painting. "The appropriate quotation outlines an interesting artistic conception: in summer and autumn, there is a green lotus pond, bright lotus flowers and beautiful fish swimming around and frolicking. At this time, this scene constitutes a vivid and touching dynamic picture, giving people an immersive aesthetic feeling.

Third, the beauty of harmony.

The so-called harmonious beauty refers to the beauty of layout, proper coordination and symmetry. Its content is very rich, such as harmony in layout. Suzhou garden layout does not pay attention to symmetry, but requires natural interest, which meets the requirements of "artistic painting". As for the stacking and cooperation of rockeries, it makes people forget the city of Suzhou, giving people a real feeling of being in the mountains. With regard to the harmony of architectural colors in gardens, this paper compares the architectural colors of Suzhou gardens with those of Beijing gardens by comparison, indicating that Suzhou gardens pay attention to the interest of nature, and most of them are widely painted (a kind of natural pigment), which is harmonious and unified with the surrounding colors, giving people a feeling of "tranquility and leisure". At the flowering stage, flowers set each other off and become interesting, making the flowers more "bright and beautiful".

Fourth, set off beauty.

Setting off beauty is called setting off and setting off. The contrast of flowers and trees in the garden also focuses on painting: "Tall trees and short trees …" and "Two …" alternate with each other, so that you are not lonely all year round. With the distant view and close view as the background, the garden is equipped with flower walls, porches, leaky windows, etc., all in order to increase the viewing points, create a more beautiful artistic conception from the limited space, and let tourists feel the beauty.

Fifth, the structure is beautiful.

Exquisite structure gives people aesthetic feeling. This paper adopts the structural form of total score. On the basis of high generalization, the article narrates from the whole to the part, from the big conspicuous things to the small inconspicuous things. The structure of the full text is as follows: firstly, the general outline (Suzhou Gardens are Specimens of Gardens in China) is put forward; Then explain the overall characteristics and the idea of general outline ("make sure that visitors always have a perfect picture no matter where they stand." ); Then, four design principles (layout, coordination, setting off and hierarchy) that constitute this overall feature are introduced in detail, and other secondary features (special styles of doors, windows and beams and columns) are discussed. Finally, it is the end of the full text, leaving room for aftertaste. So this article is very suitable.

In a word, Suzhou Garden breaks through the time and space limitation, integrates description, narration and discussion in one furnace, grasps the artistic characteristics of Suzhou Garden from the viewer's point of view with refined and beautiful language and rigorous structure, and introduces it step by step, correctly and profoundly, making the article clear and vivid, intriguing and interesting. This article not only gives people knowledge, but also gives people beautiful enjoyment.