Li Qingzhao's famous sentences and memorizing skills

[Huanxisha] Embroiders hibiscus and smiles, and the oblique flying duck is lined with fragrant cheeks. Oh, I don't know On the one hand, it is full of charm, on the other hand, it is charming and hateful, giving you a deep affection. (Baoya, hairstyle. )

[Huanxisha] The spring is chilly, the jade stove sinks the hookah, and the dream returns to the mountain pillow to hide flowers. Haiyan will mow grass in the future, Jiang Mei has covered catkin cotton, and the rain will be wet in the evening. (Shenshui, Xiangming; Fighting grass, a game. )

[Little crimson lips] Stop shaking and get up and adjust your delicate hands. Beside her, the thin Germany hung with crystal dew, and the sweat on her chest permeated with the thin silk robe. Suddenly, a guest came. She was desperate. She walked away without shoes, only wearing socks, and even the gold pin on her head fell off. She ran away shyly and leaned against the door, smelling the fragrance of plum flowers. (Well, socks, no shoes. )

Subtract magnolia:

When you sell flowers, you can buy a spring flower. Tears are lightly dyed evenly, and rosy clouds are exposed. Afraid lang guessed that a slave's face was not as good as a flower's. Yun 'an is inclined, and disciple teaches Lang Bi.

This is the sweetness of marriage and the coquetry of her husband. It also revealed her confidence in her beauty.

Look at this farewell work "A Piece of Plum":

Red lotus root is fragrant, and jade is lingering in autumn. Who sent the brocade book, the word geese returned, and the moon was full of the West Building. Flowers from Shui Piao to water, one kind of lovesickness, two places of leisure. There is no way to eliminate this situation, only frown and mind.

Sorrow is inseparable from parting. The deeper you love, the more you think, and the other is sweet secret chewing.

More importantly, Li Qingzhao is by no means an ordinary little woman who can only sigh a few words. She practiced literature in an empty room and perfected the art, so this most common way of expressing love became a proposition creation competition between husband and wife and a record of their climbing the artistic peak.

Please look at this song "Drunken Flower Yin Chongyang":

The fog is thick and the clouds are light, and it will always be sad. The brain sells golden beasts. The festival is also a double ninth festival, and the jade pillow gauze kitchen is half cold at night. Dongli drinks until dusk, and faint chrysanthemum fragrance overflows his sleeves. Don't say clear autumn is not a person, the west wind rolls the flag and beads curtain, and the person in the curtain is thinner than that Huang Ju.

This is a poem written by Li Qingzhao, the prime minister of Zhao Mingcheng, when he was not at home. Bitter love and stupid ideas are vividly displayed by autumn wind and yellow flowers. After receiving this poem, Zhao Mingcheng Shi Zi first felt this feeling, and then he was even more excited by the artistic power of the poem, vowing to write a poem beyond his wife. He closed the door and thanked the guests. He got 50 poems in three days, and mixed them with Li's poems. Please comment on them. I didn't expect his friend to say that only three sentences are the best: "Don't forget the Tao, the curtain rolls west wind, and people are thinner than yellow flowers." Zhao bi sighed. This story is very popular. You can imagine how the couple enjoyed the harmony and sweetness of piano and harp in their mutual love. This also makes all talented men and women who can't get the corresponding love quality feel a little sad. Li Qingzhao recalled that life in the preface to the Story of the Stone and said, "I want to remember that after every meal, I have to sit in class, look up the accumulation of book history, and say that something is on the first line of the first page of a volume, and winning or losing is the order of drinking tea. Hold up a cup and laugh until the tea turns over, but you can't drink it. "

The wind has stopped the dust, the fragrant flowers have blossomed, and I am tired of combing my hair at night. Things are people, not everything, and tears flow first. It is said that Shuangxi Spring is still good, and it is also planned to make canoes. I'm afraid the boat won't move. I'm worried.

Wulingchun: "I have dedicated myself to heaven and earth and would like to serve the ancestral temple. Hold the purple mud and go straight to Huanglong City. " "Stripping has been warmed by Hann, and it is not easy to leave Song." As a folk widow, she would like to send a few parting words: "So is Yan Yan's wife, who devoted her blood to writing a book to make a biography", "I don't want to seek for Sui and Zhu Hebi, but only for new money from local customs", and "My children and grandchildren have traveled south for several years and drifted with others. I want to send blood and tears to the mountains and rivers and sprinkle a mound of soil on Dongshan. "

During her refuge in Jinhua, Li Qingzhao also wrote a poem "The Ode to Motor". "Beating horses" was originally a gambling game at that time, but Li took advantage of this topic to play. In his article, he quoted a large number of allusions from famous ministers and generals in history, described the momentum of fighting in the battlefield, and condemned the incompetence of the Song Dynasty. At the end of the article, I expressed my martyr's ambition in his later years:

"Mulan is a good girl. She is old and has no ambition. I hope to cross the Huaihe River! "

Like a dream 1

Last night, it rained suddenly and the wind blew, so I slept soundly and didn't consume wine. I asked the shutter man, but he said, "Haitang is still there." "You know what? Do you know that?/You know what? It should be green, fat and thin! "

Dream order 2

Li Qingzhao has the word "like a dream", which describes her girlhood life and is the best literature. Word cloud:

I often remember the pavilion by the stream next to the pavilion until the sunset, intoxicated by the beautiful scenery and lingering. Always had a good time, but lost to the swimming pool deep in Zhu Feng. How to row a boat out, accidentally, but scared a group of Oulu.

Cut plums

Red lotus root is fragrant, and jade is lingering in autumn. Who sent the brocade book? The word goose returns, and the moon is full of the west building. Flowers from Shui Piao to water, one kind of lovesickness, two places of leisure. There is no way to eliminate this situation, only frown and mind.

Zuihuayin

Affectionate and versatile, Li Qingzhao often gives these poems full of affectionate friendship to her husband, and the beauty conveys her feelings of lovesickness. At the same time, she gently persuaded her husband to come back early, or to pick him up for reunion as soon as possible. In these works, "Drunken Flowers" is the most famous, saying:

The mist is thick and the clouds are thick, and the days are sad. Kapoor is among the birds in the incense burner. The festival is also a double ninth festival, and the jade pillow gauze kitchen is cool at night. Dongli drinks until dusk, and faint chrysanthemum fragrance overflows his sleeves. Undead, the curtain rolls west wind, and people are thinner than yellow flowers?

Wu Lingchun:

The wind has stopped the dust, the fragrant flowers have blossomed, and I am tired of combing my hair at night. Things are people, not everything, and tears flow first. It is said that Shuangxi Spring is still good, and I plan to go boating. I am afraid that Shuangxi can't move, and I have a lot of worries.

Outstanding Zhao Qing's Ci Poems in Past Dynasties

In the first year of Huizong Chongning (1 102), Tingzhi Zhao was promoted to prime minister, ranking first in party member, Yuan You. Li Qingzhao's father, Li, was party member, so he was dismissed from office. At that time, Li Qingzhao was in an extremely difficult situation, so she said in Tingzhi Zhao's poem: "What's more, there is love between father and son!" The parents-in-law of two children can't take care of their usual friendship because of their different political views. Two years after Li Qingzhao got married, Zhao Mingcheng also took office. But since Li dismissed from office, the couple have paid more attention to academics and literature.

At the beginning of Li Qingzhao's marriage, the Northern Song Dynasty was on the verge of peril. In the first year of Qin Zongjingkang (1 126), the Jin army captured Bianjing. After Hui Di and Qin Emperor were captured, the court moved south and the Northern Song Dynasty perished. When Zhao Mingcheng was in Shandong, he became an official. In the second year, Jin Bing was trapped in Shandong, and they had to abandon a large part of the stone carvings and paintings collected in previous dynasties. The couple fled south to Jiankang (Nanjing).

Soon, Emperor Gaozong appointed Zhao Mingcheng as the viceroy of Huzhou (now Xing Wu, Zhejiang). However, from Shandong to Nanjing, Zhao Mingcheng's health was greatly damaged by the wind and frost along the way, and he fell ill before Huzhou took office. Later, crying for his mother's funeral, Zhao Mingcheng relapsed. In the third year of Jianjian (1 129), Zhao Mingcheng died of illness in Nanjing, when Li Qingzhao was 47 years old. In the old environment, the husband was almost the whole life of a woman. When her husband died, she was completely helpless.

In the chaos of the war, Li Qingzhao fled to Taizhou (now Linhai County, Zhejiang Province) to find his younger brother Li Jue to delete the official position. Since then, the two brothers and sisters have lived together. Due to the death of relatives, the collected stones were lost in turn in the chaos, and the discoloration of rivers and mountains filled her with grief and indignation. At the age of fifty-one, Li Qingzhao wrote Preface to the Inscription, which described in detail the happy life before the troubled times and the suffering of wandering in the troubled times. In her later years, she roamed the south of the Yangtze River. She was over 70 when she died.

Li Qingzhao's works are inseparable from her rich and ups and downs life. When she was born in the country, her family was ruined and she was displaced. She suffered cruel torture in the world and had been arguing about remarriage. Jingkang's changes divided her life into two different periods: happiness and displacement. Especially in her later works, her personal sadness, nostalgia for her dead husband and feelings for the fall of her hometown are all reflected in her words.

In Wulingchun, she said: "The wind stops the dust from smelling, and you are tired of combing your hair at night. Things are people, not everything, and tears flow first. I'm afraid the ship can't carry much. " "Who pities firewood more languidly?" in Linjiang Fairy Cloud. Trying the lights is boring, but I'm not in the mood to walk in the snow. " Qingping music says, "This year, the ends of the earth, rustling temples gave birth to China." "Bodhisattva Manci" says, "Where is my hometown? Forget it unless you're drunk. 」

Although she didn't directly tell the real life at that time and showed hatred for the country and family, from her bloody works, she showed the psychology of the victims at that time and the call of all exiles at that time. The shadow of Li Qingzhao's personal life is always associated with the background of that era. These works are not only records of life, but also the life of an unyielding person. Therefore, Li Qingzhao can represent the public voice of that era. It is no accident that she can become a poetess with the highest literary achievements in the history of China.

Introduction: Li Qingzhao (1084 ~ 1 155? ) Song Dynasty poetess. Self-styled Yi 'an lay man. A native of Zhangqiu, Jinan (now Shandong). At the age of fifty-one, Li Qingzhao wrote Preface to the Inscription, which described in detail the happy life before the troubled times and the suffering of wandering in the troubled times. In her later years, she roamed the south of the Yangtze River. She was over 70 when she died.

Li Qingzhao's ci is known as "Yi 'an Ci" and "Shuyu Ci", which is named after its number and collection. Yi 'an Collection and Shuyu Collection were recorded by Song people long ago. Up to now, there are about 45 ci-poems, and more than 10 are in doubt. Her "Yu Shu Ci" is both heroic and strange. She not only has profound literary accomplishment, but also has bold creative spirit. Generally speaking, due to the changes of living in the Northern Song Dynasty and the Southern Song Dynasty, her creative content showed different characteristics in the early and late stages.

Early stage: it truly reflects her boudoir life, thoughts and feelings, and the theme focuses on writing about natural scenery and parting lovesickness.

Later stage: mainly expressing nostalgia and nostalgia when injured. Expressed his deep sadness in his lonely life.

Li Qingzhao's early poems truly reflected her boudoir life, thoughts and feelings, and the theme focused on writing about natural scenery and parting lovesickness. For example, two songs, such as Dream, are lively and beautiful, and the language is innovative. I remember playing the flute on the Phoenix Terrace, a plum blossom, and a drunken flower. By describing my lonely life, I expressed my deep affection for my husband and my love for her, which was graceful and graceful. [Butterfly Hua Lian] "Seeing Sisters Off at Changle Pavilion at Night" is about nostalgia for female companions, and the feelings are extremely sincere. Although most of her poems describe lonely life and express melancholy feelings, she can often see her love for nature and frankly reveal her pursuit of a better love life. This is written by a woman writer, which is much more valuable than Forever in My Heart written by the first-person narrator.

Wang Zhuo said: "Li Qingzhao" writes long and short sentences, full of twists and turns, light and sharp, and full of gestures. Lu Xiang's language is dissolute and his writing is casual. Since ancient times, the family of the gentry, those who can have children, have never been so careless "("Monchi of monks ",Volume II). This criticism just shows that the original intention of Li Qingzhao's ci is objectively against feudal norms.

Li Qingzhao's poems after crossing the south are also very different from those in the previous period. The political risks and various tragic experiences in her personal life after the destruction of the country made her spirit very painful, so her early ci became beautiful and bright, but full of sad and low voices, mainly showing her homesickness and nostalgia when she was injured.

During her exile, she often missed her hometown in the Central Plains, such as "Where is my hometown? Forget it, unless I'm drunk. "Dream of Chang 'an in vain and recognize Chang 'an Road" written by [Bodhisattva Xia] [Butterfly Hua Lian] reveals her deep nostalgia for the lost north. She is more attached to her past life, such as the famous slow word "Ode to Fishing Music", and recalls Luo Jing's "Zhongzhou heyday". [Transferred from Man Fang Ting] Cao Fang Pond recalls the "winning reward" of that year, compares the good life of the past with the desolation and haggard of today, and places the yearning for the old country.

In her poems, she fully expressed her deep sadness in her lonely life. For example, Wu Lingchun expressed her uncontrollable and unspeakable sadness by writing the feeling that "things are human beings who are wrong and do everything they can" and "the voice is slow" by writing the situation of "searching and searching". Another example is the sadness of "and heaven remains our neighbourhood this year" in Qingpingle, and the sadness in "The Lonely Goose" is based on the tragic life of the country, so her participle is an artistic summary of the suffering and personal unfortunate fate of that era.

In her early years, Li Qingzhao also wrote an essay "On Ci" and put forward the word "other schools", which was an important theory of Ci in the Song Dynasty and also became the theoretical basis of her creation of Ci. She wrote Shu Yu Ci, and Li Qingzhao's ci style is graceful and restrained, which is called "graceful ci school". In Shen Qian's Miscellanies of Ci, Li Qingzhao and Li Houzhu are mentioned together: "Li Houzhu is a man and Li Yian is a woman, which is very true."

Yi 'an Ci is unique in the Song Dynasty, which is called "Yi 'an Style". The name "Yi 'an Style" began in the Song Dynasty. The title of Hou Yin's Eye-catching is: Xiao Yi Antioch. Xin Qiji's "Ugly Slave Close" title: "Boshan Road is easy to be safe." Ci has its own system, which shows that it has formed a distinct personality.

Its characteristics:

First, dump sincere feelings.

True feelings are the bones of words, and the feelings of words are really expensive. Before Li Qingzhao, most graceful ci poets wrote about all kinds of amorous feelings and deep feelings with men, and Li Qingzhao was the first person who took women as the standard, wrote about self-love, sadness and joy, and wrote about the great changes in his home country and achieved unprecedented success. His early love stories, such as Pruning a Plum and Remembering Xiao Blowing on the Phoenix Platform, are full of emotion and nonsense, which can best reflect the pure and delicate spirituality of women, and are incomparable to the love stories written by male writers in previous dynasties.

Later, he wrote sad and disorderly words, such as Wuling Spring, Slow Voice, Song of Eternal Sorrow, Lonely Goose and so on. Every sentence is full of blood and tears, which is full of sadness and shock. This "sentimental" "load", endless "thousands of tears" and "sad and miserable" are sad songs that blend the changes of home and country and the vicissitudes of the times, coming from affectionate poets and rooted in real life feelings. They are the portrayal of Li Qingzhao's bumpy life, tragic life and disaster times.

Second, smelting household words.

The language of Yu Shu's ci has a distinct personality. Liu Yong is a pioneer in introducing words into the market. His writing is popular and clear, but he is good at expressing himself, occasionally involving butterfly silence. Zhou Bangyan refined slang into elegance and used exquisite words. Li Qingzhao created a literary language characterized by naturalness and truthfulness. As the saying goes, "Use vulgar language to create fresh ideas" (Jin Su written by Peng). This language is an impact on the elegant ci style in the late Northern Song Dynasty.

For example, "I'm afraid to leave my arms, so how much do I want to say" ("Remembering Xiao Feng at the Burning Wind Station"). As if inadvertently, blurt out, but carefully appreciate, but the meaning is multi-layered, very fine. Relatives are far apart and have a thousand words to say; Breaking up is fixed and there are many concerns. What's the use of saying it? Hate is hard to say goodbye, but it is hard to say and stings people. I'd rather bear it myself than increase the burden on the walkers.

These heavy thoughts and subtle mentality are all expressed in everyday language and contain infinite significance. For example, "Suddenly sunny, suddenly rainy, suddenly windy", "How can it be dark when looking out the window?" Handy, on the basis of colloquialism and popularization, a large number of vivid and vivid sentimental words are added, which do not tend to be dull, loose and weak, because it is the result of ingenuity and refinement on the basis of spoken language. So the pen is refined and alert, and the language is novel. Such as "snow is clear and jade is thin", "smoke is dark and rain is dark", "waves turn red", "Liu Yanmei cheeks", "red is rare and fragrant" and "cloud platform and moon land", which are simple, fresh, subtle and vivid, and are precisely "the strangest rise that seems ordinary, easy to do but difficult to do".

Third, make good use of line drawing.

Shu Yu's ci does not emphasize truth, but uses predecessors' poems, and is good at creating moving artistic conception with lines. Yi 'an's sketch is different from Liu Yong's "smooth" and beautiful and rich classics, but "blurting out proverbs and moving the realm". For example, "Drunken Flowers" writes dignified thinking: "The curtain rolls west wind, and people are as thin as yellow flowers." "Yong Yu Le" writes loneliness and loss: "It is better to listen to people laughing under the curtain." They are all written in plain language with deep feelings, scenes, characters and backgrounds. In front of the stage, I spent my heart on Iraqis, thinking of the image of lovesickness, closing the curtains, feeling lonely and bitter, showing my mental journey of swallowing endless sadness, which is vivid and unforgettable.

The sketch of Shuyu Ci is muddy, subtle and graceful, without a trace of simplicity. "hickory" snapped: "sunny, rainy, windy!" Although the astronomical phenomena are described in spoken language, it inevitably reminds people of the changes of the world and the turmoil of love, and its profound meaning is endless.

Fourth, emphasize the beauty of rhythm.

Li Qingzhao attaches great importance to the melody in her poems. The so-called lyrics are divided into five tones and six rhymes, and her creation practices her own theory. This is determined by the characteristics of words as musical poems. Shu Yu's ci pays attention to the combination of sound and emotion, likes to use double rhyme, and pays attention to the beauty of rhyme in choosing words. Xia Zeng cited his "Sound Slow" as an example, in which the pronunciation of tongue is 15 and the pronunciation of teeth is 42, especially the few words. "The overlapping of teeth sounds in the cross should be intended to use the tone of Ding Ning, a rodent, to write his own melancholy mood, which is clear to read and has obvious timbre beauty, which fully shows the characteristics of the movement" (The Art of Li Qingzhao's Ci, Zhang Your Ear Collection praised "How can you keep the window dark?" He said: ... black words are not allowed to be taken by the second person. "

There are 14 reduplications in the first sentence of "Sound Slow", which has been praised as the eternal swan song by poets in past dynasties. Zhang said, "This is the sword dancer. He is not incompetent in this dynasty. He has never had fourteen overlapping words. " Xu Fan's Ci Yuan Cong Tan described the beauty of its acoustics as "really like pouring pearls of all sizes into a plate of jade". Li Qingzhao is good at measuring people's temperament in popular language. It is extremely difficult to train people in plain language, which is wonderful, harmonious and fascinating. Therefore, Wanshu rhymes: "Its words are strange and horizontal, so it may be melodious, so it is outstanding through the ages."

Live and be a man among men; Die and become the soul in the soul. Today, people still miss Xiang Yu because he refused to live and returned to the East. "

Holding a pen, the pen is dignified, penetrating people's hearts and pointing to people's backs. "Life is a hero and death is a hero." This is not a clever combination of several words, nor is it a clever touch-up of several words. It is the essence of conciseness, the boldness of spirit and the fearless attitude towards life. That awe-inspiring character and awe-inspiring righteousness fill the space between heaven and earth, making ghosts and gods change color in vain. The place of "as" is "as", woman! Thin boneless hands, delicate body, soft interpretation, wrapped around fingers and heart, sad and touching, delicate and touching beyond measure. Because of her consistent writing style, she is known as an "elegant school" in the literary world. When the power of the pen tip is prominent, the power of the pen tip appears. How many people in the world can match this power and momentum? !

"I still miss Xiang Yu and refuse to cross Jiangdong." The poetess remembered that the fierce overlord of Chu was called Xiang Yu, who followed Xiang Yu's integrity and hated the politics of those in power in the Song Dynasty. It is said that taking a step back and being separated by a river is a matter of life and death, but it is a matter of life and death between thoughts. In order to live up to the hero's honor, Xiang Yu innocently became a seven-foot man, innocently entrusted by his elders in Jiangdong, and paid the price for his own death. "no"! Not "can't", not "don't want to", not "don't want to", not "don't go". The charm of a pen with the word "nothing" is better than uncanny workmanship and higher than heaven and earth. A heroic spirit of "killing without humiliation" and "dying without fear and humiliation" permeates the paper and permeates the back. No words are amazing!

A quatrain is not only because of its artistic skills, but also because of its skillful writing. When integrity runs through her mind and literary talent, the strength of her writing lies in her spiritual cohesion and integrity support.

In modern literary works, someone once commented on Xiang Yu, "Xiang Yu is a hero in the world, and thousands of people are ruined. Why did he die in Dongcheng and make the whole world laugh? " The reason for his failure is' the kindness of women and the courage of men'. When it is defeated, if it crosses the Wujiang River and comes back, it is still unknown who will die or live. Xiang Yu sighed to the sky and said,' Eight thousand people from Jiangdong crossed Jiangxi, and no one has returned. Even if my brothers and sisters in Jiangdong pity me, how can I meet them? Even if you say nothing, you won't feel uneasy about a person. "A hero never overcomes his pride! Give up an opportunity. "

From the author's point of view and on a certain level, I don't object to such a comment, but that's only from his point of view. Throughout the long history, there are countless heroes with endless romantic feelings. Xiang Yu generously went to Jiangdong for the death of his father and brother, and calmly laid down his life to comfort the man. Such integrity, when his heroic body fell to the ground, he soared, lingyun went straight up, overwhelming, destroying people so far. An honourable death is better than a disgraceful life. This is the pen of choice that Xiang Yu exchanged with his life, and he wrote a kind of loyalty: loyalty to the name of a hero and loyalty to the spirit of a man. Reminiscent of Farewell My Concubine, we can see its humanistic rendering and personality charm, and create that kind of generosity, tragic righteousness that would rather die than surrender.

Li Qingzhao is her own daughter. A fragile woman, a bumpy and wandering woman, a vicissitudes and haggard woman. The "outstanding person" expressed by pen and ink is several layers higher than others; The "male" of ghosts is full of ghosts and gods. A word "thinking" shows her thoughts and ambitions, and shows how fearless she is about life and death. This quatrain, in her lingering fragrance and weak sigh, is a new force that has sprung up everywhere, another exposure of her inner heritage, a different temperament and brilliance, and a clank and sonorous testimony of her national subjugation, strong patriotism and unyielding destiny.

The long river of classical literature with bright stars is unparalleled, and it is the place where China walked all the way up and down for 5,000 years, leaving a deep impression on future generations. Numerous talented people and beautiful women, with their brilliance, have obtained the qualification to write their own names in the history of literature. However, no matter under the clear sky or the bright moon, when you open the poetry anthology, Li Qingzhao's quatrain of "Life is a hero, death is a hero", which is upright and proud, always makes people respect, concentrate on thinking and extrapolate!

What is being a person with character and integrity? We can find the most accurate answer from Li Qingzhao, a charming woman in the literary world!

Jinan, surrounded by lotus flowers and willows on three sides, has given birth to an unusual spiritual life. She has the gentleness and charm of "leaning against the door and smelling her childhood", and also the arrogance and boldness of "thinking of Xiang Yu at this point and rejecting Jiangdong". She is Li Qingzhao, a graceful poet in the Song Dynasty. In that era when men were obedient, she was undoubtedly a small red flower among all kinds of green flowers, and her words were unique. The language is beautiful but not tired, and the artistic conception is sentimental but not empty. In such a society with Confucianism as the dominant ideology, Neo-Confucianism in Song Dynasty never thought that it was a woman who should be bound by feudal ethics.

Born in the feudal era when men were superior to women, Li Qingzhao was lucky because she came from an unusual family, a noble family and a scholarly family. His father, Li, is knowledgeable and versatile, and is known to Su Shi for his articles. His mother, Wang, is knowledgeable and talented. Good family education and refined temperament, coupled with the trickle of Shu Yuquan, washed out such a beautiful, affectionate and talented Yi 'an layman.