What ancient poems describe peach blossoms? What are the original poems and famous sentences describing peach blossoms?

A summary of ancient poems and famous sentences describing peach blossoms

Peach blossom is the brightest flower in spring. It is bright and bright, as beautiful as a cloud. She takes up all the spring scenery and adds color to the world; When it opens, it is dazzling and absolutely beautiful, and when it falls, it is full of enthusiasm and charm. Wu Rong wrote a poem, "The trees are full of beautiful red flowers, and colorful flowers burn in spring." Bai Minzhong also said, "A thousand thick incense trees are inclined, and a little cloud." The peach blossom in the poem has almost become the representative of Fangchun, and it is also synonymous with beauty.

Peach blossom-spring is harmonious.

Spring is coming. When the plum blossoms wither, the fragrance disappears and the peach blossoms come on stage. It felt the warmth of spring, and it blossomed in twos and threes. Su Shi has a poem saying: "Peach blossoms are three or two outside the bamboo, and the duck prophet on the riverside." Opposite the bamboo forest are clusters of pink peach blossoms, which are full of spring against red and green. At the beginning of Zhang's "Fishing Songs", he wrote: "Egrets fly in front of the Cisse Mountain, and the peach blossoms are flowing and the mandarin fish are fat." These two sentences paint a beautiful spring scroll for readers. It's like watching peach blossoms in full bloom, fish in drizzle and egrets in breeze. Spring is the most vibrant and beautiful season of the year. There are mountains, running water and peach blossoms. The author did not describe in detail how beautiful the peach blossom is and how clear the flowing water is, but summed it up in four words: "Peach Blossom Flowing Water". When peach blossoms are in full bloom, there is more rain. After several spring rains, the river rose and the fish stocks increased, which was the time of "mandarin fish fat". Siniperca chuatsi is a kind of freshwater fish with a particularly delicious taste. Its mouth is big and thin, and it is yellowish brown. How can a fisherman not linger for such a fat mandarin fish? Dai Shulun's "Lanxi Acura" also wrote: "Peach blossoms rain in Lanxi for three days, and carp come to the beach in the middle of the night." When peach blossoms are in full bloom, it is often a time of continuous spring rain. Although the flood of peach blossoms in Jiangnan has caused the river to skyrocket. Freshwater fish, such as crucian carp, love fresh water very much and go upstream, so fish jump up in the water and flock to Xitou Shoal in order to compete for new water. Seeing this scene, why not make people happy from the heart! Of course, some people think that it is because the author heard the noise on the shore that he imagined the scene of carp on the beach. It is with this layer of imagination that poetry becomes more intense.

In Bai Juyi's pen, peach blossom is spring. He said: "In April, flowers are fragrant in the world, and peach blossoms are blooming in mountain temples." "Man" is relative to Dalin Temple, that is, at the foot of the mountain. At the foot of the mountain in April, spring has passed and it is early summer. The author looks at the fading of spring, and his heart is full of love for spring. Unexpectedly, he met late spring in Dalin Temple. The peach blossoms of that tree are dazzling pink, and there are even unopened buds. I thought spring had left this world, but I didn't expect her to turn here. The contrast between "Fang Fei Drinks Up" and "Begins to Bloom" echoes at a distance, indicating the author's emotional change, that is, from the sadness of cherishing spring to the joy. At the beginning of the first sentence, the poet deliberately used the word "human", which means that this adventure has brought the poet a special feeling, that is, it seems that he has suddenly stepped into a fairyland and a dream world from the real world on earth.

Du Fu's feelings for peach blossoms are complicated. He loves deep red and light red peach blossoms and hates frivolous peach blossoms. When he was looking for spring alone, the peach blossoms he saw were very lovely. "A cluster of peach blossoms has no owner, and lovely deep red loves light red." Peach blossoms are clusters, some deep and some light red. Deep red, warm, light red, introverted, whether deep red or light red, all make people feel happy, so the poet doesn't know whether it is deep or shallow. These two sentences seem to describe a happy scene, but with the addition of the word "open without the owner", there is a faint sadness in an instant. These peach blossoms are beautiful, but the owner has passed away. If poets were not looking for spring, no one would appreciate them. How lonely. But in any case, poets love flowers, so there is also a happy atmosphere in their poems. The sentence "lovely scarlet loves pale red" uses the words "love" and "red" and ends in a tone of selective doubt, which shows the poet's delight in the beauty of flowers, expands the aesthetic scope and strengthens the aesthetic feeling. But in another poem, he said, "Crazy catkins go with the wind, and fine peach blossoms come with the water." In spring scenery, catkin should be the most active, peach blossom should be the most gorgeous, and it is also one of the favorite spring scenery of ordinary people, but the catkin in the poem has become crazy, reckless and bared its teeth; Peach blossom has also become frivolous, it only knows how to chase running water, and its behavior is really frivolous. Obviously, poets don't like catkins and peach blossoms. The reason is that the poet is unhappy. At that time, the national disaster was not removed, and the poet suffered from war and left his hometown. He is outraged and heartbroken. How can he appreciate peach blossoms?

For Wang Wei, peach blossom is the most beautiful color in spring. He said: "Peach is full of rain, willow green is more smoky." The red peach blossoms are gorgeous enough, and yesterday's rain beads were particularly touching. Green willow leaves are more charming in the shadow of smoke. The use of the words "red" and "green" makes the scenery bright and pleasing to the eye. He wrote in the poem "Don't be in Wangchuan": "The grass is green in the rain and the peach blossoms are red on the water." Spring grass is so green that it looks greener in the spring rain, and almost everything else is dyed green; The spring water is green, and the peach blossom beside the water is red, which is as charming as a burning fire against the clear water. The author described the well-known spring grass peach blossom with exaggerated coloring method, which made people see it with their own eyes. Wang Wei is a painter. He generously gave colorful pigments to Cao Chun Peach Blossom. He highlighted the word "green" with "comparable dye" and the word "red" with "agreeable", rendering red and green very eye-catching. Secondly, both grass and peach blossom are static scenery, but the author uses two simple verbs "dye" and "burn" to describe them, which are very dynamic. This dazzling red color of peach blossoms is also reflected in the word "Huanxisha" written by Jiang Yan in the Yuan Dynasty. "Peach blossoms on both sides of the strait are baked at sunrise". Peach blossoms on both sides of the strait are in full bloom and dazzling, just reflecting the bright red sun, as if the rising sun in Ran Ran was set off by peach blossoms. This sentence has great visual impact and strong color. Using the red of the red sun to set off the red of peach blossoms is really as rich as "the red flowers on the riverside win the fire at sunrise", creating an extremely magnificent scene.

Li Yu of the Five Dynasties is even more attached to the burning peach blossom. He said: "The waves feel thousands of miles of snow, and the peach blossoms are silent." The waves at the bow are rolling like thousands of miles of snow, boundless; Peach blossoms in the forest on the shore are quietly competing to open. From a distance, rows of peach trees are arranged in order like queues, dotted with picturesque spring scenery. The words "intentional" and "speechless" are well used, which makes "a thousand miles of snow" and "a group of spring" become conscious activities, giving people a sense of freshness and enhancing their appeal. They have a profound charm to read. The author looks at the scenery with emotion, uses the scenery as a metaphor and walks out calmly. These two sentences describe the scenery in the painting to express the mood. "Waves" turned into "thousands of miles of snow" and "peach blossoms" into "a mass of spring", telling all the stories about the surging spring river and beautiful spring. Li Yu was born in an imperial family, but he yearned for a free and easy life. He is addicted to pleasure, but he doesn't know that being the head of a country has too many constraints.

In spring in the south of the Yangtze River, there are many beautiful scenery, which is really dazzling. Huang Tingjian only chose the peach blossoms and willows that best represent the spring scenery, and summarized their characteristics with the words "burn" and "burn". "Mo Mo burns willow, and spring scenery spreads all over the south of the Yangtze River", and "burning" refers to the lush and bright appearance of flowers, which gives people a dazzling and even dazzling visual impact, which is in line with the characteristics of peach blossoms. "Xuan" means long and drooping, and the "Xuan" from "Xuan" gives people a sense of beauty of three feet. Therefore, although the scenery written in the first sentence is ordinary, it gives people beautiful association and imagination, vividly showing the shocking beauty of spring scenery in the south of the Yangtze River.

Peach blossoms are always associated with water. Peach blossoms bloom at the water's edge and fall into the water, drifting with the tide. In Xu Fu's eyes, a peach blossom is "a peach blossom dipped in water", that is, "dipped in water" is close to still water, and the peach branches do not droop, but stick to the water surface because of the rise of water. Peach blossoms are reflected in the water, and the shadow of peach blossoms on the water and peach blossoms on the shore are connected into a purplish red. Looking from a distance, it seems that peach blossoms bloom against the current. The word "dip" is used in a novel and ingenious way, which appropriately shows the scene that peach blossoms bloom according to water. Liu Yuxi said: "There are still peach blossoms on the running water, and the bamboo leaves are drunk." Spring has gone, and the flowers on the branches have almost fallen, but there are still bright peach blossoms on the running water. When he saw the peach blossom, he decided that it was the aftertaste of spring. He is willing to sit alone on the grass by the water, pour a glass of bamboo leaf green wine and enjoy the falling flowers slowly. If the peach petals also drift away with the running water, then spring will really leave this world. Therefore, while the years are still good, you may wish to enjoy the beautiful scenery in time.

Peach Blossom-Beautiful Past

Since the Book of Songs? Peach blossoms are inextricably linked with beauty after "peach blossoms wither and burn out splendor". Cui Hu's poem entitled "The South Village of the Capital" made this relationship further, and peach blossom became synonymous with beauty.

The first sentence of Last Year Today in this Gate points out the time and place, which is very specific and clear, showing the importance of this time scene in the author's mind. "Peach blossoms set each other off in red" because there is a beautiful woman behind this door. She is gorgeous, and even more moving under the red peach blossom, just like the beauty in the Book of Songs married under the burning peach blossom. A dazzling word "red" strongly exaggerates this scene. In the face of this picture of a peach blossom with a human face, it goes without saying that the beauty of a girl has become a peach blossom visible to everyone, and even the author's joy and their feelings can be "thought". However, no matter how beautiful it is, it is also a memory. The reality is that "people don't know where to go, but peach blossoms still smile in the spring breeze." Things are the most destructive to people. This is a kind of broken beauty, enough to burst into tears, but the author used the word "smile" to take it. The word "smile" is used skillfully, but it shows no trace when it is personified. This scene is a happy feeling, but it is also a sad feeling. People go to peach blossoms. Laughing at the spring breeze is a mockery of the poet. The poet's inner sadness and pain can be imagined.

Wei Zhuang wrote a poem about a dream beauty, in which the beauty is as beautiful as a peach blossom. "Peach blossom face is still the same, low-frequency arch eyebrows" these two sentences describe the appearance and demeanor of Iraqis. "Peach Blossom Face" means beautiful women are gorgeous and radiant. Cui Hu's classic "peach blossoms set each other off in red" means that beautiful women are not around. This is a love story with no ending. "Liu" refers to a beautiful woman as thin as Liu. Here "Mei" is taken as "face", which also means "low face". She is a woman who is used to lowering her eyebrows, which is a typical action of ancient women. These two sentences describe the beautiful face of the Iraqi people, and the image of a shy and beautiful girl jumps from the paper.

Peach blossoms have also appeared in Lu You's masterpiece Hairpin Phoenix, which looks like natural scenery and actually becomes a representative of beauty. When Lu You and Tang Wan met again in Shenyuan, it was still a beautiful spring, but people were different. Peach Blossom Falls, Idle Pond Pavilion and its predecessor, East Wind Evil, Love Thin, take care of each other, highlighting the decadent scene in spring, but at the same time it also implies personnel. The "Peach Blossom" here is the embodiment of Tang Wan, and the "East Wind" is a portrayal of Lu Mu. Because of the ruthless destruction of "East Wind Evil", Tang Wan became extremely haggard. She is like a beautiful peach blossom, but now she has withered. The word "fall" is very painful, which highlights the heavy pain suffered by Tang Wan and also shows the desolation and loss of the author's heart. The author used to be the foil and guardian of peach blossoms, like a pavilion on a pond. Now that the peach blossoms are exhausted, the poet's mood is as bleak and empty as "the idle pond pavilion". These two sentences are superficial, but they are both implicit and natural. For more famous sentences about peach blossom, please pay attention to "Xigutang Guoxue Net" (www.xigutang.com).

"I remember when I left Iraq, peach blossoms were full of branches", because when the poet left his lover, it was the spring when peach blossoms were in full bloom and wicker was inextricably linked. At that time, the peach blossom was red, just like her innocent cheeks, blushing, and the wicker stretched out thousands of hands, dragging them together and not letting them separate. But in the end, they separated, and that scene was deeply branded in the poet's heart. Whenever the peach blossoms are in full bloom in spring, the poet can't help but feel sad when he thinks of the scene at that time. The parting in Nalan's works is sad and touching. Peach blossom is a beauty's face, and wicker is a beauty's affection. Every year is pink and green, so the thoughts after parting sprout every year. These two sentences are based on a happy scene, highlighting the poet's inner sadness, the suffering of lovesickness, and his deep thoughts and feelings for Iraqis.

"Peach blossoms in Luoyang East, flying around, who will fall?" These are two poems at the beginning of Liu Xiyi's "A Generation of Sad Pulsatilla", which describe the scene of Luoyang East in late spring. Gorgeous peach blossoms are flying all over the sky, and I don't know where to go. However, this scene reminds people of the shortness of youth. Sure enough, "Luoyang's daughter cherishes the color and sighs at the falling flowers", and the girl is filled with emotion in the face of falling flowers flying all over the sky. This kind of emotion is not without reason, but comes from "cherishing color". It is precisely because Luo Yang's daughter cherishes time and nostalgia for youth that she thinks about something when she sees falling flowers all over the sky, and then unconsciously misses herself among the flowers. What Luo Yang's daughter is sad about is actually related to the shortness of youth brought about by the change of nature.

"Peach blossoms are everywhere, and the spring water hits the mountain stream", which is a beautiful spring scene. "Red Peach Blossom" and "Spring Water in Sichuan" are beautiful images. Peach trees all over the mountain are full of red flowers, and the spring water in Shu flows with the mountain. Flowers love mountains, and water loves mountains. This was originally a beautiful scene, but for the woman in the poem, such scenery has caused her infinite pain. The peach blossom on the mountain is really prosperous, but the more prosperous it is, the more thoroughly it will be defeated, just like his heart for her. He loved it vigorously when he loved it, but he was heartless when he abandoned it. The springs of the Shuhe River are endless, with no end in sight. I don't know how far it is, nor do I know how far it is. I only see that it is attached to Mianshan on the shore, just as she and Mr. Lang are in love. These two sentences vividly describe the heart of a lovelorn woman through the opening of peach blossoms and the gurgling of rivers.

Ruan Yi, a poet in the Song Dynasty, wrote a poem "Flower Heart? "Ci of Spring" also started from peach blossoms. "Fairy Garden is full of spring, momo blossoms and branches climb." Momo in the garden has blossomed. Momo is a variant of peach blossom, which blooms around the Lantern Festival, bringing people the breath of spring. That branch, clusters of peach blossoms, is radiant and lovely. It's time to climb. However, it is this beautiful peach blossom that touches the heroine's emotion, and a lingering spring sorrow arises spontaneously. "Climbing and folding" can be folded down and put into a bottle for appreciation. Ancient poets often regard flowers as folds, which means that women get married when they are old. There is a saying in Du Qiuniang that "flowers can be picked straight, so don't wait for flowers to be folded", which exhorts people to cherish time and also means to cherish the present. However, the heroine in the poem has spent a long time alone, far away. "Who laid the pillow for whom?" My face is like a peach blossom, but no one appreciates it. Flowers bloom, how can people be young again?

Yan Rui, a poetess, appreciates peach blossoms very much. What she saw was not the surface of the peach blossom, but its connotation. She said, "Is Tao a pear flower? Tao is apricot blossom, not apricot blossom. White and red, especially oriental flavor. I remember, I remember, people were slightly drunk in Wuling. " Yan Rui came from a humble background, studied music and poetry since childhood, and later became a prostitute in Taizhou. He is good at playing the piano, playing chess, singing and dancing, playing bamboo silk and painting calligraphy. He is knowledgeable in ancient and modern times, poetic and fresh, and it is a pleasure to have friends from afar. Combining the poet's life experience to understand this word, we can see that the red and white peach blossom with "special oriental flavor" is the self-portrayal of this woman with the best color art; Flowers in Taoyuan are a symbol of her being trapped in dust and noble heart. Therefore, in the poet's eyes, peach blossom is different from Zhong Fang and has a unique charm.

In A Dream of Red Mansions, besides Burying Flowers, there is also a poem Peach Blossom, which is devoted to peach blossoms. "The peach blossom curtain is still open outside, but the person in the curtain is thinner than the peach blossom." In fact, this is a peach blossom, and it is clearly a person. "Tears are easy to dry, tears dry and flowers languish in spring. The gaunt flowers cover the gaunt people, and the flying flowers are tired and easy to dusk. " The peach blossoms here are less burning, more morbid and haggard, just because the people who enjoy the flowers are also haggard.

Li Yu said that peach blossom is the most attractive color among all flowers, and the shortest flowering period is also peach blossom. It seems that the saying that "beauty is unlucky" is specifically aimed at peach blossoms. Beautiful Peach Blossom is more or less covered with a layer of tragedy.

Peach blossom-gossip

Du Fu's poem "Light Peach Blossoms Follow Shui Piao" was originally intended to express his feelings about the scenery, but did not mean to criticize women. However, because two of the images "willow" and "peach blossom" are also used to describe women, and poetry is extremely frivolous, it is often used by later generations to satirize women's frivolous unruly. Many people regard peach blossom as a coquettish woman. When Cen Can teased a geisha, he wrote: "The red lips are a little peach blossom, and the makeup is shy and awkward. Look carefully, it's like a box girl. I am drunk and don't want to go back to Wushan. "

When commenting on the flowers of plum, apricot, peach and plum in Song Dynasty, Bai Cheng said that "plum has the wind of mountains and forests, apricot has the state of a boudoir, peach is admired by Yimen City, and poor girl in Dongguo is Marotta". He directly classified peach blossom and prostitute as a kind of base prostitute advocated by Yimen City, instead of a geisha with status and character like "Eight Flowers in Qinhuai". It shows how frivolous and cheap peach blossoms are in some people's eyes.

Mrs. Xi, who is extremely beautiful in history, is called Mrs. Peach Blossom, but this is not a reputation, but a name with criticism and contempt. The so-called Mrs. Xi was the wife of the monarch in the Spring and Autumn Period. Later, the king of Chu destroyed the kingdom of Xi and occupied her. Although she gave birth to two children in the Chu Palace, she remained silent all day and never said a word to the King of Chu. Even so, she is still a woman who serves two husbands and is looked down upon. For example, Du Mu wrote a poem saying, "There are new peaches in the thin waist palace, and the pulse is silent, so that the fate of death, Jingu fell from the building and people were poor." He said, it is better to be a green pearl who resolutely dies for the Lord.

There are still many people who describe peach blossoms as vulgar and powerful people. In Su Shi's poems, it is said that "peaches and plums are always full of mountain customs", and Chen Ye praised plum blossom for belittling peach blossom "for a while, peaches and plums strive for spring, and then endure".

In fact, peach blossom is really a grievance, its beauty is natural, and the so-called "but there is grace that cannot be hidden" is involuntary. As for peach blossoms, it is also a last resort. If there were more affectionate people like Daiyu in the world and buried the fallen flowers in the soil, the peach blossoms would not be buried in the water.

Peach blossom-Xanadu

Tao Yuanming's Peach Blossom Garden is a famous masterpiece. He created a fairyland for people, an escape place pursued by countless poetic people, and an ideal world for ordinary people tortured by war. This is a sea of flowers. The grass is delicious and the flowers are bright. This is a peaceful and peaceful world. So peach blossom has become a kind of flower in a fairyland far away from human disputes. Wang Weiyou has a long poem "Peach Blossom Garden", which is almost repeated in verse. At the end of the poem, he sighed: "But now, there are spring water and floating mahogany everywhere. Which way should we take to find the hidden source?" "For more famous sentences about peach blossom, please pay attention to" Xigutang Guoxue Net "(www.xigutang.com).

Tang Yin, a gifted scholar in Ming Dynasty, also wrote a poem about peach blossom, Song of Peach Blossom Temple. At first, he used several "peach blossoms" to describe a fantasy world full of peach blossoms for us. "Taohuawu Taohuaan, Taohuaan Taohuaxian. The sentence "Peach Blossom Fairy competes for peach trees and drinks peach blossoms", from far to near, is like a focal plane, showing readers a picture of the Peach Blossom Temple. In just four sentences, six "peach blossoms" were used in succession, and it started again and again. " Taohuawu is a beautiful place, and so is Taohuaan. "Peach Fairy" is a free and easy fairy. She grows and picks peach blossoms in exchange for money to buy wine. When he buys wine, he "only sits in front of the flowers when he is awake and sleeps when he is drunk." He enjoys flowers in front of them and sleeps under them, so he "wakes up and gets drunk day after day, and flowers bloom every year." "He gets drunk every day and watches the flowers bloom year after year. This is the life of the Peach Blossom Fairy, completely free and easy. Peach blossom is indispensable for immortals. It is not only a part of living environment, but also a part of immortal life, even an independent individual. Without peach blossoms, the poetic life of immortals would cease to exist. Peach blossom, Tao Yuanming's "Peach Blossom Garden", is more used to express seclusion feelings. In ancient times, peach also had the meaning of exorcising ghosts and evil spirits. "Peach" is homophonic with "escape" because of its meaning of avoiding the world. So the peach blossom here is not only a kind of flower, but also the sustenance of the author's heart and soul.

There is a question and answer in the mountains in Li Bai's poem, which describes the beautiful scenery of green hills and peach blossoms, and is praised by the poet as "there is a world that is not human." The peach blossoms there fall on the running water, but the running water flows silently into the distance. Although the poem describes a falling flower scene, it has no sad mood, but praises it as a kind of "inhuman" beauty. Peach blossoms "burn out their brilliance" on the branches, which is naturally beautiful. It is a kind of flamboyant and warm beauty, and it is also beautiful when it falls with the running water. This is a mature and restrained beauty after experiencing storms. In any case, in Li Bai's eyes, it is a kind of natural beauty, a kind of quiet beauty, and it is this beauty that is lacking in the world, so the author is willing to "live in the green hills."

Peach blossoms not only have hidden images, but also have the smell of "Xiandao". According to legend, during the Han Dynasty, Liu Chen and Ruan Zhao went to Tianmu Mountain to collect herbs. As a result, they got lost. When they saw a peach tree on the mountain, they picked peaches to satisfy their hunger. At this time, they met two fairies to raise them, and finally they got married. Ten days later, Liu Ruan asked to return to China, and the fairies finally allowed them to go back after half a year's efforts. However, hundreds of years have passed, and when they want to go back, they find that there is no way to go, only infinite emotion is left. Cao Tang, a poet in the late Tang Dynasty, wrote a poem "Goodbye to Tiantai Fairy by Liu Ruan" to commemorate this event. After the poem, he felt that "peach blossoms are still flowing, but there are no drinkers for a while."

There are thousands of flowers in the world. They have different poses and shapes. Whether brilliant or gorgeous, elegant or plain, it is a unique landscape in nature. Peach blossom, gorgeous and charming, is loved and despised. The reason is that people's own preferences have nothing to do with enchanting peach blossoms.