What poems did the ancients write to praise fairyland on earth?

Song Liu Yong

Southeast shape wins, Sanwu city, Qiantang has been prosperous since ancient times. Smoke willow painting bridge, wind curtain and green curtain, interlaced with 100 thousand people. Clouds and trees surround the bank and sand. The raging waves roll with frost and snow, and the natural hazards are endless. Pearl in the city, Luo Qi in every household, competing for beauty. Heavy lakes and mountains provide (sound y m 4 n) Ting Anne. There are Sanqiu cassia seed and Shili Lotus. Qiang Guan Qing, full night, lotus blossoms. Riding a thousand times with high teeth, listening to flutes and drums and enjoying the haze. The map of the future will be good. I will go back to Fengchi to boast.

Note: Shape wins: superior geographical conditions;

Three Wu: Wudu is Zhu's three Wu.

Metropolis: metropolis;

Windscreen curtain: A curtain used to keep out the wind.

Uneven: refers to the unevenness of houses, pavilions and pavilions.

Cloud tree: Trees look like clouds from a distance and talk a lot.

Natural barrier: This refers to Qiantang River.

Zhu Ji: A treasure.

English: Full of words.

Chonghu: This refers to the West Lake.

Yanfeng mountain.

Ting Anne: comely and beautiful. Jia, usually "Jia".

Sanqiu: September in the lunar calendar.

Qiang tube: flute. Here refers to musical instruments in general.

Overnight: refers to flying at night.

Play: a cheerful look.

Lianwa: The girl picking lotus.

Qianqi: It describes that when traveling in the county magistrate's palace, there are many followers.

Elegance: In ancient times, flagpoles were made of ivory.

Decoration: refers to the ceremonial flag held high in the grand palace.

Haze: beautiful scenery.

Another day: another day.

Figure: Description.

Fengchi: originally refers to the pond in the forbidden garden of the emperor, refers to Zhongshu Province, and refers to the imperial court.

Wang Haichao is also a famous work in Liu Yong's ci.

Qiantang (now Hangzhou, Zhejiang) has been a famous big city in history since the Tang Dynasty, and it developed further in the Song Dynasty. Liu Yong has lived in Hangzhou for a period of time and has personal experience and deep feelings for the scenic spots, customs and customs of Hangzhou. Therefore, in this poem, he can describe Hangzhou with vivid pen and ink. The beautiful scenery of the West Lake, the spectacular scenery of Qian Jiangchao, the prosperity of downtown Hangzhou, the enjoyment of the local upper class and the working life of the lower class have all been written by the poet and painted into a beautiful, magnificent and vivid picture. The value of this painting is not only that it depicts the beautiful mountains and rivers in Hangzhou, but more importantly, it shows the local customs at that time.

According to Luo Dajing's "He Lin Yu Lu", this word is a work presented by Liu Yong to his old friend Sun He. At that time, Sun He was appointed as the Zhejiang-Zhejiang transshipment ambassador and was stationed in Hangzhou. Between the lines, "a thousand riding high teeth" may refer to Sun He. Because it was presented to the governor of Hangzhou, it was inevitable to exaggerate the description of Hangzhou at that time, and it was inevitable to end with compliments and entertainment. But more importantly, through the superficial phenomenon of "competing for luxury", readers can also see the richness of "pearls all over the city, Luo Qi all over the house", the lightness and joy of "singing all night with a clear pipe" and the elegance and elegance of "listening to flutes and drums while drinking". All this can only be produced on the basis of the great material wealth created by the long-term hard work of the ancient working people. "The ups and downs of lakes and mountains offer" and "Liuhua Bridge" are not born, but the result of working people managing rivers and mountains and transforming nature. "The sand tree on the bank of the cloud" and "Sanqiu laurel tree with ten miles of lotus flowers" are all created by the hard hands of the working people. At that time, Liu Yong greatly appreciated this and was proud of it. When we read such words today, we should not be too demanding and even accuse him of "covering up the class contradiction and the disparity between the rich and the poor at that time". Instead, we should feel the magnificence of the motherland and the hard-working wisdom of the ancients from the pictures provided in the words, and enhance our national self-confidence and national pride. The praise of "there is heaven above and Suzhou and Hangzhou below" has a long history. This is not a compliment.

This word is also quite successful in art, grasping the characteristics. The author presents the charming scenery of West Lake and Qiantang to readers with passionate and exaggerated style and few words. The first part mainly outlines the "shape victory" and "prosperity" of Qiantang, using a lot of rich colors, and the buildings with dangerous terrain are full of weather. The writing method is from generalization to concreteness, developing step by step and deepening step by step. For example, in the first three paragraphs, "Xing Sheng", "Metropolis" and "Fan Hua" are given, but after all, they are general and straightforward, and it is hard to impress people. The following nine sentences closely revolve around these six words, and the realm immediately expands: "Draw a willow bridge" says "metropolis", "Clouds surround the embankment, and waves roll frost and snow" focuses on describing "shape victory", while "The city is full of Luo Qi" highlights the prosperity of Hangzhou. Writing focuses on the word "good scenery", especially the people who appear in "good scenery" "Heavy Lake" three sentences describe the beauty of the West Lake, among which "Sanqiu Guizi, Shili Lotus" is a natural and charming sentence. Three sentences of "Guan Qiangqing" were written by the lower class, and three sentences of "A Thousand Times with High Teeth" were written by the county magistrate. Finally, it ended with praise.

In addition to full feelings and moderate exaggeration, the language, rhythm and tone of the text are also properly combined with the content of the text. Wang Haichao was also initiated by Liu Yong, and the inscription was closely combined with the content and regional characteristics of the words. In the last movie, I described the spectacular scenery of Qian Jiangchao and used strong and imposing words such as "surging waves", "frost and snow" and "natural moat". The words are short and the tone is urgent, as if the spring tide is surging in, thunderous and unstoppable. When writing about the beauty of the West Lake, the words are beautiful, the length is long, and the rhythm is peaceful and soothing. Finally, a beautiful sentence like "Sanqiu devil" appeared, and then it was constantly touched by words like "strong management". The beautiful West Lake is even more refreshing.

This is a word with strong artistic appeal. According to legend, after listening to and singing "Sanqiu Guizi, Shili Lotus", the gold master was amazed at the prosperity of Qiantang, which strengthened his ambition to embezzle the Southern Song Dynasty. To this end, the Song Dynasty poet Xie Yi (Chu Hou) also wrote a poem: "Don't forget the melody of Hangzhou, the lotus is ten miles away. I don't know that the vegetation is ruthless and affects the Wan Li of the Yangtze River. " (See Luo Dajing's "He Lu") It is not credible to say that Jin germinated the heart of invading the south because of the influence of one sentence. However, the appearance of this legend can prove that the artistic appeal of this word is very strong. As a senior bureaucrat, Fan Zhen also spoke highly of the word Liu Yong: "Renping was forty-two years, Hanyuan was more than ten years. A song can't be sung, and it can be skillfully seen between the lines of Qi Qing. " (See Yu Fang's Shenglan) One of the main manifestations of Liu Yong's expansion of ci content is that his ci reflects the prosperity of the city and the magnificence of mountains and rivers. Besides singing Hangzhou, Liu Yong's ci also sings Suzhou (Yulan Slow and Partridge). Yangzhou (Linjiang Xian), Chengdu (an inch of gold), Luoyang (youth travel), Bianjing (drinking cups and throwing pens), the capital of the Northern Song Dynasty. It left a vivid picture for the prosperity of the city in the Song Dynasty.