I want to practice rap now. You know that.

1。 Rhythm:

Rhythm is very important, especially if you know the beat, the rhythm and beat of accompaniment. Whether you have a musical theory foundation or not, it is relatively easy to grasp the rhythm of the beat. You don't necessarily need to understand 4/4 beats and how much BPM it is. You just need to grasp the basic drums and try to keep the rhythm of your rap in tune with the rhythm of the drums. Of course, it would be even more beautiful if you could make a part of your rap exactly four bars.

2。 Lyrics:

It is very difficult for people who have just started to improvise freestyle lyrics. But just like playing basketball, it's awkward to dribble under your legs for the first time, but you can get used to dribbling under your legs with more practice and close your eyes. So if you want to freestyle, you still need to practice more. When you have nothing to do, you can think by yourself, or write songs to practice, or fight with people online. You can come to this section to fight with people. Write more and contact more, and freestyle will be easier.

Also, if you want to rap, or write meaningful (reasonable) lyrics, you need to read more books, have a wide range of knowledge, reflect quickly, and have strong logical thinking ability to rap wonderfully! Not messing around.

3。 Rhyme:

If you want your rap to sound good and catchy, you should use rhymes in your poems. Simple and easy to use is the rhyme at the end of the sentence. Of course, there are many forms of rhyme. You can search online. One thing to say is, there is no need to rhyme deliberately, and the content will always come first!

4。 Flow:

Popular explanations are the focus of your rap,

At first, you can imitate some other people's rap processes, and then slowly find the one that suits you.

5。 Fight:

Usually, the battle between 1 and 1 depends on who starts first. Many people think that the first one is more dominant at first, but it varies from person to person, because the latter can make a reasonable counterattack according to the other person's theme [I prefer to choose this method from the beginning]. After learning experience, you can try the first one, and the content of the first one is the most impressive. There are many common ways to pay attention to each other's every move before: such as their clothes, looks, accent, movements or eyes. The above are some open situations that seniors usually use, and there are many other ways, depending on the feeling. Just practice more. It is suggested that you can take a small notebook with you when you are free.

Just like Eminem, who is 8 miles away, recording some interesting things or sudden thoughts anytime and anywhere will be of great help to the brain's reaction and the appearance of words, but it should be noted that fighting is not about scolding. If you want to win each other, you should also make the audience agree with what you said, mainly. Learn more about actual combat knowledge and experience, and the actual combat progress will be faster! Pay attention to the pause when breathing in English combat. In English, breath is more important than rhyme, which is what a black friend told me. The War of China, on the other hand, mainly emphasizes rhyme.

Some points for attention in rap

1: First of all, this is the most important, the most important. Try to pronounce the words clearly.

If you think you are playing HIP-HOP RAP, and you are a rapper, all you have to do is to make your lyrics clear to others as much as possible, because Raper's songs are a great loss if others can't hear the lyrics clearly, and your songs are your thoughts. You sing because you have something to say and want to express your thoughts. If you can't express yourself clearly, it's no shame to tell the truth. Rap is rhythmic because of his skills.

2: Flow.

FLOW literally means circulation and fluency, which is a very important element in rap. In RAP, FLOW is to break a sentence, which words emphasize the tone, which words pause, which words are fast and which words are slow. Reading lyrics should be layered and rhythmic. This thing will naturally be understood if you listen to more music, and novices can imitate it. Familiar with it, you will naturally have your own understanding.

3. The lyrics should have a beat.

The beat is hanging. Simply put, peel off the accompaniment layer by layer, one layer is the drum, the drum sound, and then the melody, which means that the lyrics should be related to the drum. For example, at the beginning of a lyric, the accompaniment drums, 1/3 drums, 2/3 drums, and then the sentence ends with drums. I can't ignore it anyway. You can say the lyrics of various rhythms with the beat, and you can express your thoughts with the lyrics on the basis of keeping the rhythm and beat. This is the real rap.

4. The lyrics should rhyme.

Don't say rhyming music, which makes people feel that the lyrics are coherent and smooth. Just say the most basic rhyming lyrics, which makes it easier to read by yourself. It is easier to impress people.

5. Flexibility of the tongue

There are many doorways, such as tongue sticking, rap and sonic boom, which need to be collected in professional places. They are all ways to make your tongue flexible.

6: Breathe

You have a good lyric. You need to find a stream that helps your breath and send it out. You should distribute your breath well, otherwise your face will turn red ... it will be fun if you can't hold your breath. It's best to practice lung activity at ordinary times. If you are lazy, you can sing with your present ability. Of course, there will be breathing resistance if you want to make progress.

Pronunciation skill

Raptors simplify the spelling of words and many words because of the hyphen. For example, the most common thing is to change the letter at the end of er into a single "A". For example, the blackest word nigger is simplified as nigga, another word mother****a is also simplified as mutha****a * A * A, and the word player is also changed to playa. As long as the suffix is er, it can be changed to a according to this grammar.

In addition, words ending in ks or cks will also be replaced by X, because ks(cks) and X have the same pronunciation. For example, thanks is changed to thanx, and checks is also changed to chex. This usage has also become a rule.

The usage of o is also very distinctive, such as changing Love to Luv, nothing to nuthin', and changing the word "mother****er" to "mutha****a * a * a" also conforms to this grammar. In addition, like the s in the word, it is often changed to z, for example, cause is changed to kuz, and easy is changed to EZ.

Moreover, having two grammars is not only used by blacks, but also a common law in the United States, that is, it is going to be changed to going and wanting to be changed to wanna. In addition, if out of is changed to out, kind is changed to kind, and sorta is changed to sorta, it will become a new English grammar.

Words such as re or e, which are almost unheard of in fast singing, are omitted For example, more becomes mo (for example, film noir move money), for becomes fo, or the number "4" is used instead.

Omitting "g" from "ing" has also become a common grammar in the United States. For example, nothing has been changed to nuthin', commin has been changed to commin', and so on. G can be omitted as long as it is an ing progressive. And some words, because of rap, have changed their pronunciation. For example, we all know that the word thru is pronounced as "θ", but in rap songs, its pronunciation is "T", so the word is simplified as thru, and the pronunciation of the word true is the same, and the pronunciation of nothing th is also the same grammar, from "θ" to ". The spelling is simplified to wit, but the pronunciation is still /WIθ/, with the exception. By the way, some rappers seize the advantage of speaking fast and write a long list of words together on the album. They feel that the name or song title of the album is particularly dazzling, but they all sound the same. For example, the first album of the rap group out kast, Southern Playalistic Dilacmuzik, and the last segment of the album Bootlegs B.B. Side of ICE Cabe, Remix d 'Void of PopnigafiedMix, a long list, looks very headache, but you will know the pronunciation and meaning after watching it several times. In addition, for example, the number of songs Wussup and LUV is what is underground with the entity of love. Although the font has changed, the pronunciation is still the same.

The above is just a brief introduction, but it is the word with the highest frequency among blacks. Here are some words that appear in rap songs and their usage. Some words can be called "vulgarity", "contempt" or "slang", but they are the most practical black words. First of all, the word with the highest exposure rate is of course * * * *, which not only appears in rap songs, but also has become a daily language in the United States and is widely used. As we all know, the word * * * has the usage of "sexual intercourse" and is also a vulgar word, which is often used to curse each other's behavior or people. The word * * * * can also mean anything and any animal, and can also be used as an intensifier. As long as you can swear, it conforms to the grammar of * * * *. Moreover, * * * has its own set, forming a bunch of phrases, which are introduced as follows: The most common phrase is that I don't give a * * * *, which means I don't care; **** about/around means don't trust someone or something; * * * * off means get out; As for don't * * * SBUP, it means leave me alone and leave me alone; And **** sth up means to screw things up. Of course, as mentioned above, the word * * * * can replace any verb or noun, as long as the other party can understand it. And * * * * has a usage rule that is the same as on earth or in hell, that is, "the ****", which is used to emphasize, for example, * * * * What are you going to do? Or how should I fly? Sometimes it can be used with the word shit, but it is better to use it less.

In addition, another word comparable to * * * is shit. This word means "dung" and "excrement", and sometimes it can even refer to drugs (heroin). Its usage, like * * *, also depends on the user's hobby, but it is mostly a noun usage, which is used to curse someone for disappointing. Like * * * *, the word "shit" often becomes a phrase word, which is a bit like "fu" and "alas" in ancient Chinese, but with a strong tone. Shit! How are you? Or curse, your lil (little) son * * * * shit! Very vulgar usage, or "eat my shit" and "remember me"! As long as the word appears in rap songs, there is nothing good. Of course, when the word shit is used, it sometimes points to good things, and its usage is like pronouns. Like what Da shit! This shit was once referred to as drugs and girls in rap songs. Yo! My big shit! The shit in this language refers to the baby, which means that the usage of shit is very free! And the most familiar usage of shit must be cow shit! Nonsense, it's all nonsense! Empty talk is bullshit! There is a joke that says, "Where is the worst shit?" The answer is "American mouth! It can be seen that the American preference for this word has become an international joke!

[smack] analysis

The word "tongue", originally derived from playing the tongue, is pronounced by the vibration of the tongue in Russian or Spanish ~ just like the word "day" is pronounced as "day, son, son ……".

In rap, tongue-spitting is a way to control the flow ~ theoretically, tongue-spitting is the effect of speeding up or doubling the speed of words at a certain beat point ~ so it often gives people the feeling of a machine gun ~

If BEAT's beat point should be stepped on like this:

Don't tremble when you hear this section.

. . . . . . . . . . . .

When you hear this section, don't (TM) tremble (TM) (after adding your tongue).

This is a tongue-beating process completed at individual shooting points ~ I like to call it "some shooting" ~

Another way is to play rap directly in segments ~ If it is polished, it is to double the rhythm of the beat and reinterpret it ~ If you have the software of Cool Edit Pro, you can try to double the beat speed by yourself ~ 80, and spit out all the lyrics of the doubled beat ~ Take all the sound data of MIC and paste it on the original beat ~ Theoretically, this is a segmented tongue-playing ~ Personally call it "shooting" ~ It may be a bit abstract ~

Of course, you can't say that songs that don't hit the tongue are not good to listen to ~ Personally, RAPPA with bright and magnetic voice is more suitable for hitting the tongue ~ For example, EM, JZ, Chamilionaire, Florida and Freeway will really make people feel the effect of hitting the tongue and "continuous shooting" ~ And those sounds are extremely rough, and I like to listen to them throw words on the drum ~ For example, DMX, JARULE, 2, ...

It seems that some people take tongue-tapping as their own style, and add some shots to continuous shooting's, which is quite good ... In theory, it is about 100 BEAT ~ 200, and some tongue-tapping processing is done at 200 ... That's quite fast. ...

MC on "Tongue Tip" and "Acceleration" in Rap

Many friends have been asking me online how to practice playing the tongue well, or how to pronounce rap so fast. I always reply: practice more and find the feeling. Because, to be honest, I really have nothing to teach you about this rap technique, so first of all, I want to declare that these are just my personal feelings and understanding of some rap techniques. I don't think I am qualified to teach you a lesson. As for whether it is useful or not, it's up to you. As an art form, music can have different understandings, so it's normal for you to disagree with me.

I don't remember when the word "tongue-playing" first appeared in China rap circle, but I admit that this word is really vivid. The skill of "playing with the tongue" is obviously not difficult at all. If you beat 90 beats, a fool will play with his tongue. For example, 1 beat has 1 drum (i.e. 1 beat). Under normal circumstances, we sing four words. If the length of the middle two words is changed to three words, it adds up to five words. This can be understood as the simplest "playing with the tongue". The reason why many rappa choose to sing like this is simple, because it sounds better than the original advection. To sum up, the appearance of "Zazui" is to enrich the ups and downs of a rap and enhance its audibility. Therefore, "playing the tongue", like multi-rhyme, is a skill and means to enhance the audibility of rap music.

However, many rappa easily fall in love with the pursuit of speed in rap after mastering the technique of "playing with the tip of the tongue". They want to use the "tip of the tongue" more and more frequently in a song, and even want to use a faster traffic than the "tip of the tongue", which I like to use in the last two years. I'm sorry I can't think of a specific noun to describe it for the time being. A simple analysis of its structure is not difficult to understand, that is, double the speed of the drum, sing 80 beats as 160 beats, and sing 100 beats as 200 beats. If you want to play more, rap the beatz of 100 into 200, and add some "tongue" to it. Twista's beatz speed is mostly between 60 and 70, that is, between 120 and 140. For example, my Crossroads is such a rhythmic song. In fact, the guita loop of this song is made by listening to snoopin, haha. Of course, I seldom make such rhythmic songs. I don't like the speed around 60 or 70, because if you choose this speed, you will probably finish your rap with 120 or 140 from beginning to end. I prefer to sing beatz at 90 or 100, because then I can sing rap at a normal speed, use a long paragraph, pick out a short paragraph at random, and turn it into 180 or 200 to show the speed. The speed of "speed # 1" is about 120, which means that we can show the flow of 240 in the fastest part, and add some "flips" on this basis.

Well, for those who yearn for the skills of "playing the tongue" and "speeding up", I may sing a little contrary. In fact, I never advocate the simple pursuit of rap speed, because we often have to give up a lot of lyrics considerations in order to sing some two-speed rap. Being a "quick talker" comes at a price, which is why Twista's album is never meaningful. In order to consider the continuity of the flow in the rap, he had to give up many good lyrics, because these lyrics might cause him to read the rap fluently. The skills of "sticking out your tongue" and "accelerating" mentioned above are actually the same as "multi-rhyme". Most of the time, they seem to enhance the auditory effect, that is, enhance the influence of audibility or rap. This is like writing a "multi-rhyme" word. If you blindly pursue multiple rhymes, the two endings of the written words are likely to be irrelevant and counterproductive. If you blindly pursue speed and forget the connotation of rap lyrics, then your work may not be recognized by others. You know, the most attractive thing about rap music is definitely not only the influence on others' hearing, but also the impression your lyrics leave on others' brain consciousness.

So in the end, I hope rappa, who likes to "play with his tongue", will not go astray. Just properly use "playing the tongue" to enrich his rap, just like my poem in the song D-Evil. If every song is like speed # 1, it is not a good thing for a rappa (of course, if you can do it, by the way, the interesting thing about speed # 1 is that the song I wrote on the homepage is: "Sorry, I used acceleration software again." Obviously, this is a joke response to my compatriots in Taiwan Province Province who attacked me ... In fact, some friends really think that I use software to do speed. To be honest, although I have been in charge of the later stage of D-Evil, I really won't do it if I really want to use software to make this acceleration effect. If others think my rap speed is the result of the later period, I'm afraid it's also because you think my speed is beyond the reach of human beings, so I'll take it as your affirmation of me.