Please appreciate 10 poems, no less than 200 words

"Moon Song of Mount Emei" The half-autumn moon of Mount Emei casts its shadow into the water of Pingqiang River. The clear stream flows towards the Three Gorges at night, and I miss you and go down to Yuzhou without seeing you. Appreciation: This poem was written by the young Li Bai when he first left Shu. It has a clear artistic conception, simple language and smooth phonology. The poem begins with "Mount Emei Moon" and points out that the season for traveling far away is autumn. The word "Autumn" is placed at the end of the sentence upside down because of the rhyme. The air is crisp in autumn, and the moon is particularly bright ("The Autumn Moon Shines Brightly"). The word "autumn" is also used to describe the beauty of the moonlight. It is easy to pick up and it is natural and wonderful. The moon is only "half round", which reminds people of the beautiful artistic conception of green mountains spitting out the moon. In the northeast of Mount Emei there is the Pingqiang River, now the Qingyi River, which originates from Lushan County, Sichuan, and flows to Leshan County and into the Minjiang River. In the second sentence, "shadow" refers to the shadow of the moon. The two verbs "in" and "liu" form a linking predicate, which means that the shadow of the moon reflects into the river and flows away with the river. Life experience tells us that if we look at the moon's shadow in the water, no matter how the river flows, the moon's shadow will not move. "When the moon goes, I go too." Only when viewers go down the river can they see the wonderful scene of "shadows entering the water of the river". Therefore, this sentence not only describes the beautiful scenery of the Qingjiang River reflected by the moon, but also darkly highlights the boating on the autumn night. The artistic conception can be described as ethereal and wonderful. There is someone in the second sentence, and the person in the third sentence has appeared: he is setting off from Qingxiyi overnight into the Minjiang River, heading towards the Three Gorges. Young people who "go to the country with swords and leave their relatives and travel far away" cannot help but be reluctant to leave their hometown and friends when they suddenly leave their hometown. Seeing the moon while walking along the river is like seeing an old friend. However, the bright moon is not an old friend after all, so I can only "look up at the bright moon and express my feelings for the thousand miles of light". The last sentence, "Missing you without seeing me, I'm going to Yuzhou" is full of endless emotions as I bid farewell. It can be said that the words are short but the love is long. Mount Emei - Pingqiang River - Qingxi - Yuzhou - Three Gorges, the poetic landscape gradually unfolds a thousand-mile journey along the Shu River for readers. Except for "Emei Mountain Moon", there is almost no more specific description of the scenery in the poem; except for the word "Missing the King", there is no more lyricism. However, the artistic image in the episode "Emei Mountain Moon" runs through the entire poetic realm and becomes a catalyst for poetic sentiment. The connotations caused by it are quite rich: the mountain and the moon accompany people thousands of miles away, and can be seen every night, making the feeling of "missing you missing" even deeper. The bright moon is approachable but not approachable, and can be looked at but not touched. It is also a symbol of missing friends. Wherever the moon is chanted, it expresses the feeling of longing for friends along the river, which is intoxicating. Li Bai - "Three Poems on a Difficult Journey" (Part 1)

Contents

Ten thousand dollars worth of wine in gold bottles, and ten thousand dollars worth of treasures on jade plates.

　

I stopped eating and threw chopsticks. I drew my sword and looked around at a loss.

　

If you want to cross the Yellow River, which is blocked by ice, you will have to climb the snow-covered mountains of Taihang.

　

I was fishing on the Bixi River in my spare time, and suddenly I was riding a boat and dreaming of the sun.

　

The journey is difficult, the journey is difficult, and there are many divergent roads. Where are you now?

　

There will be times when the wind blows and the waves break, and the cloud sails are hung directly to help the sea.

　

Appreciation:

This is the first of the three poems "Traveling is Difficult" written by Li Bai. Judging from the content of this group of poems, it should be written when Li Bai left Chang'an in the third year of Tianbao (744).

　

The first four lines of the poem describe a friend who, out of his deep friendship for Li Bai and his regret that such a genius was abandoned, spared no expense and set up a feast to celebrate him. . Li Bai, who is "a drinker and naive", would definitely drink "three hundred cups in one drink" if he was in normal times, because of the fine wines, delicacies and the hospitality of his friends. However, this time he picked up the wine glass, but pushed it away again; he picked up the chopsticks, but put them down again. He left his seat, pulled out his sword, and looked around, feeling confused. The four consecutive movements of stopping, throwing, pulling out and looking vividly show the inner depression and emotional excitement and changes.

　

The next two sentences closely follow "the heart is at a loss", and the front reads "the road is difficult". The poet uses "ice-clogging rivers" and "snow-covered mountains" to symbolize the difficulties and obstacles on the road of life, which has a metaphorical meaning. A person with great political ambitions was ordered to come to Beijing and was lucky enough to get close to the emperor. However, the emperor could not appoint him. He was "gifted with money and returned to the mountain" and was driven out of Chang'an in disguise. This is not like encountering an ice-blocked Yellow River and a snow-covered river. Isn’t that great! However, Li Bai is not that kind of weak character. From the beginning of "drawing his sword and looking around", it means that he is unwilling to be depressed and will continue to pursue. "I was fishing on the Bixi River in my spare time, and suddenly I was riding a boat and dreaming of the sun.

"The poet was in a daze, and suddenly thought of two people who had a difficult time in politics at first, but finally made great achievements: one was Lu Shang, who met King Wen when he was fishing in Feng River at the age of ninety; the other was Yi Yin , before being hired by Tang, he dreamed of riding around the sun and the moon. Thinking of the experiences of these two historical figures gave the poet more confidence. Difficult, the journey is difficult, there are many different paths, where are you now? "The meeting of Lu Shang and Yi Yin certainly increased his confidence in the future, but when his thoughts returned to the reality at hand, he once again felt the difficulty of life. Looking at the future at the banquet, he only felt that the road ahead There are many twists and turns. Where is the road to go? This is another round of emotions in sharp and complicated contradictions. But Li Bai, who is stubborn and confident, will never show his discouragement at the banquet. That strong desire to actively use the world finally made him get rid of the depression of wandering on the wrong road again, and sang a strong voice of confidence and outlook: "There will be a time to ride the wind and waves, and hang the cloud sails to help the sea!" "He believed that despite the many obstacles in the road ahead, one day he would be able to ride the long wind and break the waves, hang up the sails, cross the sea, and reach the ideal other shore, just as Zongcuo said in the Liu Song Dynasty.

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This poem has fourteen lines and eighty-two words. It can only be regarded as a short story among seven-character songs, but it is full of energy and momentum. One of the important reasons is that it reveals the ups and downs and complex changes of the poet's emotions step by step. The beginning of the poem, "golden bottles of wine" and "jade plates of treasures", makes people feel like it is a joyful scene. The banquet, but the two details immediately following "stopping the cup and throwing chopsticks" and "drawing the sword and looking around" show the strong impact of the emotional waves. In the middle four sentences, I just sighed about "the river is blocked by ice" and "the mountain is covered with snow", and then I suddenly realized. Traveling for thousands of years, I seem to see Lu Shang and Yi Yin suddenly being valued by the monarch. The poet's psychological disappointment and hope, depression and pursuit, have changed rapidly. exist? "The four sentences have a short and jumping rhythm, which is completely an inner monologue in a state of eagerness and anxiety, vividly conveying the complex psychology of being at a loss but continuing to explore and pursue. In the last two sentences, after the previous repeated convolutions, the realm suddenly opens up, Singing a high and optimistic tone, I believe that my ideals and ambitions will one day be realized. Through such layers of emotional ups and downs, it fully demonstrates the obstruction of the dark and dirty political reality to the poet's grand ideals and ambitions, and reflects the The intense depression, anger and injustice in the poet's heart caused by this also highlighted the poet's stubbornness, self-confidence and his persistent pursuit of ideals, and demonstrated the poet's strong spiritual power in trying to break free from depression.

　

This poem is influenced by Bao Zhao's "The Journey Is Difficult" in terms of subject matter and expression techniques, but it is better than his predecessors to a certain extent. It reflects the suppression of talents by feudal rulers, but due to the era and the poet's spiritual temperament, Li Shi reveals it more profoundly and intensely. It also expresses a positive pursuit, optimistic self-confidence and tenacious persistence in adhering to ideals. Character. Therefore, compared with Bao Zuo, Li Shi's ideological realm appears to be higher. Li Bai - "North Wind Travel"

Content

The candle dragon lives in a humble family and shines brightly.

　

The sun and the moon are not shining like this, only the north wind is blowing up from the sky.

The snowflakes from Yanshan are as big as this. The mats are blown down from the Xuanyuan Terrace.

In December of Youzhou, I stop singing and laugh.

< p>Leaning against the door and looking at the passers-by, I remember that the Great Wall is bitter and cold.

When I said goodbye, I picked up my sword and went to rescue others. I left behind this golden sword with tiger inscriptions. There is another white-feathered arrow in it. , spiders spin webs and create dust.

　

The arrows are empty, and people will die in battle and will never return.

　

I can’t bear to see this.

The Yellow River can still be blocked by the soil, but the north wind, rain and snow can hardly cut it.

Appreciation:

This is a Yuefu poem. Wang Qi's note: "Bao Zhaoyou's "North Wind Travel" was written by Li Bai because of the wind, rain and snow in the north, which made travelers unable to return. "("The Complete Works of Li Taibai") Li Bai's Yuefu poems are not satisfied with imitation, but can boldly create and come up with new ideas. They are known as "good at surprising the past and the present" (Hu Yinglin, "Shi Sou").

His nearly 150 Yuefu poems may be "not different from the original poem" (Hu Zhenheng's "Li Shitong"), but they are artistically superior to his predecessors; some may refine and deepen the original works to create new and profound meanings. theme. "Travel to the North Wind" falls into this latter category. From a general theme of "the wind, rain and snow hurt the north, and travelers are unable to return", it masterfully refines it and turns iron into gold. It unearths a new theme that accuses the evils of war and sympathizes with the people's suffering, thus giving it a much deeper ideological meaning than the original work.

　

This poem first responds to the title and was written from the bitter cold in the north. This is the technique usually used by ancient Yuefu. Sometimes this kind of beginning has nothing to do with the theme, just as a kick-off. But the song "Traveling to the North Wind" is slightly different. It focuses on the north wind, rain and snow, not only for the sake of excitement, but also for the purpose of expressing emotions through scenery and highlighting the theme.

　

Li Bai is a romantic poet who often resorts to myths and legends. "The candle dragon lives in a poor house, and its brilliance is still shining brightly" is quoted from "Huainanzi". The story in "Zhen Xing Xun": "The candle dragon is in the north of Yanmen, hidden in the Weiyu Mountain, and the sun cannot be seen. Its god has the face of a dragon and a body without feet." Gao You's note: "The dragon holds the candle to illuminate the twelfth lunar month, covering the moon. Thousands of miles long, it is regarded as day, its silence is regarded as night, its blowing is winter, and its call is summer." The meaning of these two poems is: the candle dragon lives in the far north, where there is no sunlight all year round, and it can only breathe with the eyes of the candle dragon. To distinguish between day and night and the four seasons, what replaces the sun is nothing more than the dim light emitted by the candle dragon holding the candle in its hand. Although the weird and bizarre myth is not trustworthy, the cold and cold realm it represents has become a real and sensible artistic image with the help of readers' associations. On this basis, the author further describes the scene that shows the characteristics of winter in the north: "The sun and the moon are not as bright as this. Only the north wind roars up from the sky. The snowflakes in Yanshan are as big as a mat, and they blow down Xuanyuan Terrace." These few sentences The artistic conception is very grand and the atmosphere is extremely powerful. The absence of the sun and the moon not only inherits the first two sentences, but also sets off each other with "only the north wind", emphasizing the coldness of the climate. "Howling" describes the sound of the wind, and "Coming from the sky" describes the strength of the wind. This sentence perfectly describes the harsh north wind. The description of snow is even more grand, imaginative, and wonderful. It is worthy of being a famous line that has been passed down through the ages. The artistic image of poetry is the unity of the poet's subjective feelings and objective things. Li Bai has rich imagination, passionate emotions, and a free and unrestrained personality, so ordinary things in his writings are often unexpected and transcend common sense. This is a characteristic of the romanticism of his poetry. The good thing about these two poems is that they not only describe the scenery, but also embody emotions in the scenery. Li Bai also has two poems: "Thousands of snowflakes in Yaotai, blowing the fragrance of spring breeze." They both write about snow, use exaggeration, and have the same sentence structure, but they evoke completely different feelings in the readers' hearts. One evokes the strong feeling of spring, and the other exaggerates the lusty power of severe winter. Different artistic effects are due to the author's different emotions. These two lines of poems point out "Yanshan" and "Xuanyuan Terrace", which refer to the vast north in general and specifically to the Youyan area at the beginning, leading to the following "Youzhou Missing Woman".

　

The author uses a series of actions such as "stop singing", "stop laughing", "double moths destroy", "lean against the door and look at passers-by" to depict the character's inner world and shape the character's inner world. It creates the image of a worried, sorrowful woman. It was from the passers-by in front of this woman that she thought of her husband who had not returned from a long journey; the bitter cold scene here and now caused her to worry about her husband who was far away on the Great Wall. There is no specific description of the Great Wall here, but the sentence "Nianjun's Great Wall is bitter and cold, but good and sad" can make people think that the Great Wall must be more bitter and cold than Youzhou, which makes the missing woman particularly worried and uneasy. The bitter cold in Youzhou has been written to the extreme by the author, so the coldness of the Great Wall and the plight of conscripts are self-evident. The previous scene description foreshadows the lyrical narrative here, and the author's tailoring skills can also be seen here.

These two sentences are about a woman who misses her husband, but the journey is far away and she has no way to see him. She has to use the quiver decorated with tiger patterns left by her husband to express her feelings and relieve her sorrow. The mere word "carrying a sword" here depicts the heroic image of the husband's generous military service for the country, making people sympathize with his unfortunate death in battle. Because her husband has been away from home for a long time, the white feather arrows have become covered with cobwebs and dust. Seeing things and thinking about people is already depressing and sad. It is even more embarrassing to say that "the arrows are empty, and people will never recover if they die in battle." Things are dead and people are dead, which makes me feel even more sad. "I can't bear to see this thing, burn it to ashes", which vividly depicts the despairing mood of the missing woman who turned all kinds of separation, hatred, worries and suspense into extreme pain. The poem seemed to end here, but the poet did not stop writing. He poured out his grief and indignation in thrilling verses: "The Yellow River can be stopped with earth, but the north wind, rain and snow can hardly cut it."

"Yellow River holding earth" is a common usage, found in "Book of the Later Han Dynasty". "Zhu Fu Zhuan": "This is like a person on the river bank, holding earth to block Mengjin, and it is often seen that it is immeasurable." It means that the Mengjin ferry on the Yellow River cannot be blocked, then the surging Yellow River "runs to the sea and never returns". Even more unstoppable. But here it is said that even if the Yellow River can be filled with soil, the hatred of the missing woman cannot be cured. This extremely vividly reflects the depth and breadth of the missing woman's sorrow and her strong feelings of grief and anger. The north wind is howling, the snow is flying all over the sky, and the desolate scene is all the more intensely accentuating the tragic atmosphere. It not only echoes the title again, echoing the beginning and end, and making the structure more complete; more importantly, it makes the scene and emotion harmonious. Blended together, it is almost impossible to distinguish which is the description of scenery and which is lyrical. The sorrow and resentment of a missing woman is so like the endless north wind, rain and snow, it is really "this hatred lasts forever"! The two lines at the end of the poem are like a volcano ejecting magma, and like a river breaking through an embankment, creating a strong and shocking force.

　

This poem successfully uses the technique of exaggeration. Lu Xun said in the article "A Random Talk about "Cartoons"": "'The snowflakes in Yanshan are as big as mats' are an exaggeration, but there are actually snowflakes in Yanshan, and there is a bit of honesty in them, which makes us immediately know that Yanshan is so cold. If we say "The snowflakes in Guangzhou are as big as mats" would become a joke. "Only exaggeration based on truth can have vitality. Ye Xie's "Original Poetry" also said that exaggeration "must not be true, but is actually the most sincere words". In the poem, "Snowflakes on Yanshan Mountain are as big as mats" and "The Yellow River can be filled with earth", both describe things that will never happen in life, but what readers feel from it are the author's strong and true feelings. "Yes", but it becomes real and understandable, and it receives a much stronger artistic effect than realism. This poem is written freely, with surprising witticisms at times; it flows naturally and shows no traces of chiseling. No wonder Hu Yinglin said that Li Bai's Yuefu poems are "trance-like and unpredictable" Tang Dynasty

Author: Li Bai - "Guanshan Moon"

Content

< p>The bright moon rises above the Tianshan Mountains, among the vast sea of ??clouds.

The wind blows tens of thousands of miles across Yumen Pass.

　

The Han Dynasty descended to Baideng Road, and Hu glanced at Qinghai Bay.

　

I came to conquer the battlefield, but no one returned it.

　

The garrison guest looked at the side with a sad look on his face as he thought about returning home.

　

The tall building is like this night, and I have no time to sigh.

Appreciation:

"Moon over Guan Shan" is an old Yuefu title. "Interpretations of Ancient Yuefu Inscriptions": "'Guanshan Yue' is a sign of sadness and separation." This poem by Li Bai inherits the content of ancient Yuefu, but it is greatly improved.

　

The first four sentences can be said to be a vast frontier picture including the three elements of pass, mountain and moon. In general literary works, we often see descriptions such as "the moon rises over the East China Sea" or "the moon rises over the East Mountains". However, Tianshan Mountain is in the west of our country and seems to be the place where the moon sets. Why do we say "the moon rises over the Tianshan Mountains"? It turns out this is from the recruitment perspective. The soldiers were stationed in the west of the Tianshan Mountains. Looking back to the east, they saw the bright moon rising from the Tianshan Mountains. Although Tianshan Mountain is not close to the sea, there is a sea of ??clouds that stretches across the mountain. The poet combines the vast scene of clouds and moons, which seems to be more common only over the sea in people's minds, with the majestic Tianshan Mountains, making it appear fresh and spectacular. Such a state may be difficult to maintain in front of ordinary poets with weak talents, but Li Bai has great writing power. The next sentence "The wind blows tens of thousands of miles and blows across Yumen Pass", the scope is wider than the previous two sentences. Yang Qixian of the Song Dynasty seemed to be afraid of problems with the "tens of thousands of miles", saying: "The distance from the Tianshan Mountains to Yumen Pass is not too far, and for tens of thousands of miles, the moon is like going out of the ears of the Tianshan Mountains, not the Tianshan Mountains." It seems safe to use the imaginary distance between the bright moon and Yumen Pass to explain "tens of thousands of miles", but Li Bai was talking about the length of the "long wind" and did not mention the distance between the bright moon and the earth. In fact, these two sentences are still spoken from the perspective of the garrison. The soldiers were in the northwest frontier. When they stood in the moonlight and looked at their hometown, they felt that the wind was so powerful that it seemed to have swept through tens of thousands of miles of the Central Plains and came across the Yumen Pass. . The meaning of the poem will become clearer if we understand it in conjunction with "The autumn wind never blows away, but there is always love between jade and love" in Li Bai's "Midnight Wu Song". In this way, together with the above description, it is characterized by Changfeng, Mingyue, Tianshan Mountain and Yumenguan, forming a picture of the frontier fortress thousands of miles away. On the surface, it seems to only describe natural scenes, but as long as you put yourself in the situation and understand what Zhengren is seeing when he looks east, it is easy to feel the nostalgia for the hometown.

Li Bai - "Spring Thoughts"

Content

The swallow grass is like blue silk, and the green branches of Qin mulberry are low.

　

When the king returns home, it is the time when the concubine has a broken heart.

　

If you don’t know the spring breeze, why should you enter the Luo curtain?

　

Appreciation:

Li Bai has a considerable number of poems describing the psychology of missing a woman, and "Spring Thoughts" is one of the famous ones. In Chinese classical poetry, the word "spring" often contains a pun. It not only refers to spring in nature, but also can be a metaphor for the love between young men and women. The "spring" in the title of the poem "Spring Thoughts" contains two meanings.

　

The first two sentences: "The swallow grass is like bisi, and the green branches of Qin mulberry are low", which can be regarded as "Xing". The interesting sentences in the poem are usually based on what you see in front of you, and you can pick them up at random. However, these two sentences are based on the spring scenery of Yan and Qin, which are far away from each other, which is quite unique. "Swallow grass is like blue silk" must be out of the missing woman's suspense; "Qin mulberry leaves with low green branches" are what the missing woman witnessed. Arranging the distant view and the close-up view in one picture, and writing them all from the side of the missing woman, seems a bit awkward from a logical point of view, but from the perspective of "emotional writing", it is acceptable. Passed. Just imagine: In mid-spring, when the mulberry leaves are luxuriant, the missing woman who is alone in Qin is moved by the scene. She looks forward to the early return of her husband, who is working and garrisoning in Yan. When Yan Di's husband sees the silk-like spring grass now, he will inevitably have the idea of ??returning home. Seeing the spring grass and thinking about returning home, I came up with the words "Chu Ci". "Recruiting Hermits": "The kings and grandsons have traveled far and never come back, and the spring grass is growing luxuriantly!" The first sentence is adapted from the "Chu Ci", which is natural and has no trace. The poet skillfully grasped the complex emotional activities of the missing woman, used two spring scenes to evoke lovesickness in two places, integrated imagination and memories with the real scene in front of him, and constructed fiction based on the facts, creating a wonderful realm of poetry. Therefore, it not only plays the role of heightening the emotional atmosphere that ordinary sentences can play, but also conveys the sincere feelings of the beloved woman towards her husband and the intimate relationship between their husbands and wives, which is not easy to do with ordinary sentences. Arrived. In addition, these two sentences also use homophonic puns. "Si" is a homologue to "si", and "branch" is a homologue to "knowledge". This is consistent with the relationship between Sigui and "broken heart" below, which enhances the musical beauty and implicit beauty of the poem.

　

The three or four sentences directly follow the logic of the Xing sentence, so I still write from the two places: "When you return home in pregnancy, it is the time when my concubine has a broken heart." The husband and spring Returning with your arms is enough to soothe the sorrowful heart of those who have left. It stands to reason that the heroine in the poem should feel happy, but the next sentence uses the word "broken heart" to express it. This seems to go against the psychology of ordinary people, but if you carefully understand the above sentences, you will find that this The writing goes a step further in expressing the feelings of the missing woman. Xiao Shiyun of the Yuan Dynasty commented on Li Bai's collection: "The ground in the north of Yan is cold, and grass grows late. When the Qin land is soft and mulberry is low and green, swallow grass grows, and the husband's ambition to return home is just like that of swallow grass. "Fang Sheng. I have been thinking about you for a long time, just like Qin Sangzhi has turned green." This comment reveals the subtle relationship between the sentence and the poem. The seemingly unreasonable parts of the poem are precisely where the emotions are strongest.

Li Bai - "Song of Xiangyang"

Content

The setting sun is about to disappear in Xianxi, and the (pear) flowers are falling backwards.

　

Children in Xiangyang clapped their hands together and blocked the street to sing "White Tongtan".

　

Others asked why he was laughing, and the monkey was so drunk that he was as drunk as mud.

　

Cormorant dipper, parrot cup.

　

One hundred years and thirty-six thousand days, three hundred cups must be poured out in one day.

　

Looking at the green duck head of Hanshui from a distance, it looks like the first fermentation of grapes.

　

If this river turns into spring wine, the hills and terraces will be built.

　

The rich horse is exchanged for a concubine, and the drunken singer sits on the carved saddle and sings "Falling Plum Blossoms".

　

A jug of wine hangs next to the car, with phoenix, sheng, and dragon pipes urging each other.

　

The yellow dogs sighing in Xianyang City are like golden leopards leaning under the moon?

　

Don’t you see that the Yanggong of the Jin Dynasty is a piece of stone, and the glans is peeling off and covered with berry moss.

　

Tears cannot fall for it, and the heart cannot mourn for it.

　

Shuzhou ladle, strongman clang, Li Bai and you live and die together.

　

Where is King Xiang Yunyu safe now? The river flows eastward and the apes sound at night.

Appreciation:

In the thirteenth year of Kaiyuan (725), Li Bai went east from Bashu. In the fifteenth year, he married the granddaughter of retired prime minister Xu Yushi in Anlu, Hubei. Xiangyang is not far from Anlu, and this poem may have been written during this period. It is Li Bai's drunken song. In the poem, he looks at the world around him with the mentality and perspective of a drunkard. In fact, he looks at everything and thinks about everything with a more poetic perspective.

　

The poem begins with an allusion to the mountain slips of the Jin Dynasty. When Shan Jian was guarding Xiangyang, he liked to go to Xi's garden to drink, and often rode back drunk. A ballad at that time said of him: "He returns home at dusk, drunk and ignorant. He can ride a horse again, but he rides upside down for nothing." Jie (lí Li), a kind of white hat. Li Bai here means that he is like the mountain slips back then. He came back at dusk, drunk, and was stopped by children clapping his hands and singing, causing the whole street to burst into laughter.

　

But Li Bai didn't care at all. He said that a life span of one hundred years, thirty-six thousand days, should be filled with three hundred glasses of wine every day. At this time, he was drunk and looked around in all directions with drunken eyes. He saw the green Hanshui River outside Xiangyang City from a distance, and in his hallucination it was like freshly brewed wine. Ah, if the Han River can be turned into spring wine, then the distiller's yeast used to make wine can be built into a hilly platform. The poet rode drunkenly on the carved saddle of the horse, singing the tune of "Plum Blossoms Falling", followed by a car with a wine bottle hanging on it, carrying a band, playing music to encourage drinking. He was so complacent that he suddenly felt that his life of drunkenness could not be compared with even the princes in history! Wasn't Qin Prime Minister Li Si killed by Qin II? Before he was executed, he said to his son: "If I want to lead the yellow dog with Ruo (you), we will go out to the east gate of Shangcai (Li Si's hometown) to chase the cunning rabbit. How can we get it?" "Huh!" There is also Yang Hu of the Jin Dynasty, who guarded Xiangyang and often visited Xian Mountain. He once said to people: "There are many wise and wise men like me and you who have come here to look far away, but they have all disappeared into obscurity, which makes people sad." After his death, the people of Xiangyang erected a monument in Xian Mountain to commemorate him. People who see the monument often shed tears, so it is called "the monument of tears." But what significance does this monument have today? Now the monument has also fallen off, and no one sheds tears for it anymore! A person did not die a happy death during his lifetime, and although someone built a monument for him after his death, it was inevitable that he would gradually disappear. How could it be as happy and realistic as "The Golden Reel Leaning Under the Moon"! You can enjoy the cool breeze and bright moon without spending any money. After getting drunk, you can fall into the wind and moon like a jade mountain. How free and comfortable it will be!

　

At the end of the poem, the poet once again advocates drinking and having fun, emphasizing that even King Xiang of Chu, who was noble enough to be connected with the Wushan goddess, has long since turned into nothing and is no longer as good as drinking with his companions. It is more fun to live and die together with Shuzhou Piao and Lux ??Dang. Li Bai - "Moon Song of Mount Emei"

Contents

The half-moon of Mount Emei is full of autumn, and its shadow is reflected in the water of Pingqiang River.

　

The clear stream flows towards the Three Gorges at night, and I miss you and go down to Yuzhou without seeing you.

Appreciation:

This poem was written by the young Li Bai when he first left Shu. It has a clear artistic conception, simple language and smooth phonology.

　

The poem starts with "Mount Emei Moon" and points out that the season for traveling far away is autumn. The word "Autumn" is placed at the end of the sentence upside down because of the rhyme. The air is crisp in autumn and the moon is particularly bright ("The Autumn Moon shines brightly"). The word "autumn" is also used to describe the beauty of the moonlight. It is easy to pick up and it is natural and wonderful. The moon is only "half round", which reminds people of the beautiful artistic conception of green mountains spitting out the moon. In the northeast of Mount Emei there is the Pingqiang River, now the Qingyi River, which originates from Lushan County, Sichuan, and flows to Leshan County and into the Minjiang River. In the second sentence, "shadow" refers to the shadow of the moon. The two verbs "in" and "liu" form a linking predicate, which means that the shadow of the moon reflects into the river and flows away with the river. Life experience tells us that if we look at the moon's shadow in the water, no matter how the river flows, the moon's shadow will not move. "When the moon goes, I go too." Only when viewers go down the river can they see the wonderful scene of "shadows entering the water of the river". Therefore, this sentence not only describes the beautiful scenery of the Qingjiang River reflected by the moon, but also darkly highlights the boating on the autumn night. The artistic conception can be described as ethereal and wonderful.

　

There is someone in the second sentence, and the person in the third sentence has appeared: he is setting off from Qingxiyi overnight into the Minjiang River, heading towards the Three Gorges. Young people who "go to the country with swords and leave their relatives and travel far away" cannot help but be reluctant to leave their hometown and friends when they suddenly leave their hometown. Seeing the moon while walking along the river is like seeing an old friend. However, the bright moon is not an old friend after all, so I can only "look up at the bright moon and express my feelings for the thousand miles of light". The last sentence, "Missing you without seeing me, I'm going to Yuzhou" is a farewell with endless emotions. It can be said that words are short but love is long.

　

Mount Emei──Pingqiang River──Qingxi River──Yuzhou──Three Gorges, the poetic landscape gradually unfolds a thousand-mile journey along the Shujiang River for readers. Except for "Emei Mountain Moon", there is almost no more specific description of the scenery in the poem; except for the word "Missing the King", there is no more lyricism. However, the artistic image in the episode "Emei Mountain Moon" runs through the entire poetic realm and becomes a catalyst for poetic sentiment. The connotations caused by it are quite rich: the mountain and the moon accompany people thousands of miles away, and can be seen every night, making the feeling of "missing you missing" even deeper. The bright moon is approachable but not approachable, and can be looked at but not touched. It is also a symbol of missing friends. Wherever the moon is chanted, it expresses the feeling of longing for friends along the river, which is intoxicating.

Li Bai - "A Gift to Wang Lun"

Contents

Li Bai was about to go on a boat when he suddenly heard singing on the shore.

　

Peach Blossom Pond is a thousand feet deep, not as deep as Wang Lun’s love for me!

Appreciation:

In the fourteenth year of Tianbao (755), Li Bai traveled from Qiupu (now Guichi, Anhui) to Jingxian (now Anhui) to visit Taohuatan. The local Wang Lunchang Make wine and entertain him. Before leaving, Wang Lun came to see him off again, and Li Bai wrote this poem to say goodbye.

　

The first half of the poem is a narrative: it first writes about the person who is leaving, and then the person who sees them off, showing a picture of parting. The beginning of the sentence "take a boat" indicates that it is following the waterway; "about to go" indicates that it is when the boat is ready to go. This sentence makes us seem to see Li Bai saying goodbye to people on the boat about to leave the shore.

Who is the farewell person? The second sentence is not as straightforward as the first sentence, but uses a melodious style, saying only that it heard singing. A group of villagers stepped on the ground to the beat and walked and sang to see him off. This seemed to be beyond Li Bai's expectation, so he said "suddenly heard" instead of "distantly heard". Although this poem is relatively implicit, one can only hear its voice but not see its person, but people are ready to say it.

The second half of the poem is lyrical. The third sentence is a distant connection, further explaining that the location of the boat is in Peach Blossom Pond. "A thousand feet deep" not only describes the characteristics of the pool, but also foreshadows the conclusion.

　

The water of Peach Blossom Pond is so deep and deep, which touches Li Ren's feelings. Wang Lun's deep affection is unforgettable, and the water is naturally connected with deep affection. The concluding sentence bursts out with "It's not as good as Wang Lun's love for me", which vividly expresses the sincere and pure affection by comparing things with objects. The pool is already "thousand feet deep", so how much deeper is the friendship between Wang Lun and Li Bai? Food for thought. Shen Deqian of the Qing Dynasty admired this sentence very much. He said: "If it is said that Wang Lun's emotion is as great as that of a thousand-foot pond, it is an ordinary saying. The wonderful state only changes in one change." ("Tang Poems") Obviously, the beauty lies in The good thing about the word "less than" is that it does not use metaphors but uses comparison techniques to turn the invisible friendship into a vivid image, which is ethereal and lingering, natural and true.

　

This little poem was deeply appreciated by later generations, and "peach blossom pond water" became a common expression for later generations to express their farewell feelings. Because of this poem, many beautiful legends and relics for tourists have been left in the Taohuatan area, such as the Tage'an Pavilion on the east bank with the inscription "Tage Ancient Shore" on the front door, the Diaoyin Platform under the rainbow stone wall on the west bank, etc.

Li Bai - "I heard that Wang Changling moved to the left to the dragon mark, and there is this message from afar"

Contents

The poplar flowers have fallen and the child is crying, and I heard that the dragon mark has passed five years ago. creek.

　

I send my sorrowful heart to the bright moon, and follow the wind to the west of the night.

Appreciation:

"New Tang Book." "Literary Biography" records that Wang Changling moved to the left to be the captain of Longbiao (now Qianyang County, Hunan Province) (the ancients were still right, so the demoted official was called Zuoqian) because he "did not protect his meticulous conduct." In other words, his offending and demoted official were not due to What a major problem, but just due to lack of care in small aspects of life. In "Farewell to Xin Jian at the Furong Tower", Wang Changling also said to his good friend: "As if relatives and friends in Luoyang ask each other, a heart of ice is in a jade pot." That is, following the metaphor of "as clear as ice in a jade pot" in Bao Zhao's "Baitou Yin" , to show one's purity and innocence. It is completely understandable that after Li Bai heard about his unfortunate experience, he wrote this poem full of sympathy and concern and sent it to him from afar.

　

The first sentence describes the scenery and the season, and the scenery is dominated by the wandering poplar flowers, saying "it is better to go back", which contains the feeling of wandering and parting. The hatred is included, it is in line with the situation at that time, and it blends into the scene. Therefore, the sentence has seen the situation in the scenery, so the next sentence will directly describe the incident. "Wen Dao" means surprise and pity. "Crossing the Five Streams", I saw that the desolate place of relocation was far away and the road was difficult.

(Wuxi, the general name for Xiongxi, Xixi, Youxi, Qixi and Chenxi, are all in the western part of Hunan Province today.) There are no words of sadness, but the meaning of sadness is obvious.

The last two sentences are lyrical. People separated by two places find it difficult to follow each other, but the moon shines in the sky and can travel thousands of miles away, so you should send your sorrow to the bright moon and float with the wind to Longbiao. The Yelang here does not refer to the ancient Yelang Kingdom located in Tongzi County, Guizhou Province today, but to Yelang County, located in Yuanling County, Hunan Province today. Yuanling is located in the south and slightly west of Qianyang. Some people mistook the location of Yelang, so they decided that this poem was written when Li Bailiu Yelang was in the poem. That is wrong.