The costume drama is getting more and more exquisite, but it makes people feel fake. Why are costume dramas modern now?

It's too clean. Everything is clean. Not to mention makeup, hairstyle and clothes. Even the dishes, chopsticks, tables, chairs and floating cloth in the restaurant are brand new. You must use a horse or carriage to travel, and you must buy it with broken money. Everyone is full of energy. Even if people are poor and ugly, they feel that they have read the script and everything is ready for what will happen. Well, maybe it's just that the days are so good that those really used old things are dismissive. Now, actors are less and less immersed in the inner feelings of the characters. Anyway, fooling the audience, the marketers set up some traffic to encourage fans, and the money rushed into their pockets.

The actor just changed his clothes and was too lazy to think about how the ancients didn't sit or lie down. If anyone has seen the film version of the legendary swordsman directed by Hu Jinquan, he will be deeply impressed by Liu Shun who plays the eunuch of Dongchang. Among them, the performance of changing into official clothes to go to church is really exciting. Take a step, turn around, sit down, roll up your sleeves, sit with a big knife, drink tea, smile at the corners of your mouth, look around casually, and the prestige and domineering of being in a high position come to you. He was born as a Peking Opera actor and later studied Cantonese opera. Chinese opera pays attention to four techniques and five methods, and its hands, eyes, body and steps should be carefully studied.

This is also the reason why A Dream of Red Mansions and The Journey to the West used opera and drama actors. Without years of training, it is difficult to reflect the ancient rhyme immersed in the bones. Ancient women couldn't look at people directly from waiting for a while. I won't stride, and I won't point my arm straight at other people's noses. It's a joke to join a costume drama troupe without training and still be able to play costume.

The screenwriter has no culture, poor foundation and many details are not good-looking. Let's give a simple example. This should be the name of "Da Song Gong Ci" that I watched with my family some time ago. The Song people next door are called "Liao people" and Liao people say "Song people". Anyone with a little common sense should know that "Chao" is a dynasty, and it is the name of ancient times by later generations, such as "480 halls in southern dynasties". We can say Song Dynasty people and Tang Dynasty people, but we can't say that Americans are Americans and Koreans, can we? You said that the whole Liao people, Liao people and Qidan people even shouted Liao dogs, which is what most people would shout. I can accept the saying in DaSong Palace that the royal family should not tease dogs directly.

You, the whole Liao people, really can't accept it. That sounds awkward. The comment area says that writers are not necessarily uneducated, but they should cater to the audience. I think this detail is different from the cartoon's catering to line simplification. How can lines cater to Liao people as Liao people? It's just that my business ability is too poor. And it has appeared many times, and no one in the whole cast has raised this question?

Mainly cheap, it can be produced by assembly line, which caters to the audience's aesthetics. You think the makeup, scenery and lighting are all exquisite, exquisite. In fact, it's like a decorated model room, with no features and nothing to do with "ancient times". It's very simple to do, and you don't need to do historical and cultural homework, invite experts and consultants, invite industry experts, and delve into all the details. Is a unified antique makeup/decoration template, without direct thinking. Real costume dramas, historical dramas, such as Japanese Dahe dramas, and even some foreign costume dramas, such as Quanyou, should be based on historical origins as much as possible and restore all kinds of details to the greatest extent.

From the ideal city, to weapons accessories, to eyebrow eye makeup. This is costly and time-consuming. The makeup of each role and even the extras is different, and the basic skills of makeup artists should be tested according to the needs of the plot, as well as the cooperation of various departments and the high consistency of aesthetic level. Finally, the finished products that the audience saw were enjoyable, and the aesthetic and cultural level of the audience also improved.

On the other hand, our costume drama looks beautiful at first glance, but on closer inspection, it is full of polyester robes, glass beads, plastic films, foam boxes, special effects dregs and green screens, which saves the cost of location. One word is fast, and the other word is saving money. Anyway, the audience has grown up eating this for so many years and bought it. It's not good to make a serious play. Then, you can think about whether this is the fault of the audience or something else.