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What TV plays are suitable for people aged fifty?
Ming Dynasty 1566
Plot introduction:
Jiajing period of Ming dynasty.
The most unique emperor (played by Chen) appeared in the feudal history of China. He lived in Xiyuan for more than 20 years and studied Taoism and metaphysics, but he always firmly controlled the political, financial, military and people's livelihood power of the whole Ming Dynasty.
Yan Song (played by Dahong Ni) is the only official who has held the cabinet for 20 years in the history of the Ming Dynasty, and is regarded as the first traitor in the history of the Ming Dynasty. He had many henchmen and forces in the ruling and opposition parties, but after his property was confiscated and his son was beheaded, he was able to protect his body until his death.
Hai Rui (played by Huang Zhizhong), a model of honest and upright officials widely praised by the people for hundreds of years, dares to challenge the imperial power and rebuke the emperor, and is not afraid of jail and death threats. Although he is humble, he dares to challenge the feudal system for thousands of years.
The whole drama "Ming Dynasty" shows an era in the feudal history of China in which the commercial economy is very developed, the handicraft workshop economy is very developed and the market culture is unprecedentedly prosperous. It is also an unprecedented and sharp time for the contradiction between commercial economy and agricultural economy and society in the feudal history of China. Land annexation made a large number of farmers lose the basis of survival, and greed for Mexico made the Ming Dynasty's rule on the verge of collapse. The whole drama takes "anti-strictness" as the main clue, showing the historical picture of this period in an all-round way-the thrilling political struggle from the imperial court to governments at all levels, the intrigue from officialdom to shopping malls, and the surging War of Resistance against Japanese Aggression of loyal officers and soldiers and loyal people; The fate of the country and the family are closely related, and the relationship between enemies and friends is intricately changing. The contradiction between the ego and the ego is intertwined here, reflecting the great ideal of historical spirit and the harsh reality of life destiny. A group of historical celebrities: Hai Rui, Jia Jing, Yan Song, Xu Jie, Gao Gong, Zhang, Hu Zongxian, Qi Jiguang, Li Shizhen, etc. Come to us clearly from the fog of history.
Mom is not guilty.
Main actors: Jiang Suqiu and Liu.
Zhang Peihua plays the role of Jia Xiang in Shiyu, Zhang Zhihao.
Guangxu ornaments oil field Jiada ornaments Duan Qingkang
Du Junze plays Du Yongyi's mother Dan and Du Xinlian.
Huo Yan plays Du and Lu Xin plays Du Xinping.
Mother innocent plot introduction:
Facing four children with different views.
How does a mother on death row reunite a broken family?
In the wandering years, love made her tenacious and persistent.
As a mother, she never gives up!
Jiang Suqiu is a virtuous and firm woman. After her husband Youping was murdered, she had to raise four young children and was determined to do justice for her husband. Unexpectedly, the result of her accusation aroused the traitor's revenge. Not only was the youngest daughter Xinping taken away, but she was also framed and imprisoned. She was sentenced to death first, and then to 15 years in prison.
Before serving her sentence, she entrusted her children to others and vowed to find all the children and reunite with her family one day!
However, Yong Yi, the eldest son, has always been rebellious. He firmly believes that his mother will go home one day and hopes that his third brother, Cai Yong, will escape from the foster home with him. However, cowardice has long been satisfied with the rich life of the Zhang family and refused to leave with his brother. Yongyi wants to find her sister Xinlian, but Xinlian has left home to sing with the entrusted Yang couple. Yong Yi was cornered. One rainy night, he was hit by a carriage and still refused to look back. He is destined to be lame for life. At this time, the gangster Peng Jian kept him, and Yongyi fled into the rivers and lakes.
Time flies, and the fifteen-year sentence has expired. On the day she was released from prison, Su Qiu was already in her forties. She returned to her hometown hopefully, only to find that the personnel had changed and the storm in her hometown town was coming.
Su Qiu, who was released from prison, has long been abandoned by that society, but she still has to firmly play the role of mother and face the hardships, pains, alienation and even contempt of her children. Facing different children, how should she persuade Yongyi prodigal son to return, how to regain respect, how to focus on Lian's love dream, how to remove Xinping's hatred and let mother and daughter get to know each other again?
What's more, in the face of an enemy who killed her husband and framed her, Su Qiu was caught in contradictions and struggles because of the deep-rooted feud of revenge or settlement. ...
Women don't cry
In 1970s, a rare earthquake happened. /kloc-Zijun, 0/4 years old, climbed out of the ruins with his younger brother Hanako and his younger sister Ziyue. My parents died ... my uncle took them home, but my aunt bullied them again and again. Zijun begged his uncle to let them go to school and made good friends at school.
When my uncle was injured at work, my aunt concealed the truth and sold Zijun to a distant relative in the country. When Zijun found out the truth and was forced to marry a stupid man, he went crazy and escaped. He looked for the railway everywhere and wanted to go home along the tracks, but he stumbled upon a group of wild children who made a living by picking up trains. From then on, Zijun became one of them and recognized a younger brother about the same age as Hanako. Zijun called him Xiaohua. Zijun gradually became the eldest of this group of children, and spent a difficult and magical time with * * *. ...
When Zijun returned to the city again, he was seventeen years old. I can't bear to send someone to take my sister-in-law out again and settle in a shabby little house. A new life has finally begun. ...
Zijun makes a living by collecting rags and supporting his younger brothers and sisters. A father who was involved in the knife by hooligans was stabbed to death. Zijun can't face the anger of the sword. Ziyue was also played by the bad guys. Zijun left with his sister-in-law and was taken in by an eccentric old Shen Man. The stubborn zijun gradually got the love of this eccentric old man and learned his skills. After Shen's death, Zijun opened Shen's restaurant and met Jian. Jane's girlfriend Amei also came to the store to help. Ah Mui is in the middle, Zijun and Jian are at arm's length. One day, this bad feeling happened. Zijun made an appointment with Jian and buried it in her heart forever ... This store soon became very popular, and Shen's former closed disciple joined in, which eventually led to her losing the expanded store. Zijun had to choose to leave his beloved brother again.
Zijun met Xiaohua when he was wandering in the south alone. With Zijun's help, Xiaohua Family Hotel expanded into a formal hotel, and the hotel business was booming, but it was secretly envied by Xiaohua's mother Pan Hongmian. And this Pan Hongmian is destined to be Zijun's lifelong opponent. ...
Zijun organically combines Shenyang cuisine with hotel accommodation to make it a comprehensive service hotel. Pang Kun and those who hurt Zijun were defeated by him. . . . . .
Zijun slowly opened the restaurant bigger and bigger, but his younger brother Hanako was overwhelmed by desire and went to prison with a grudge. Zijun experienced blows again and again, missed the true feelings again and again, but set up a grand hotel in a legendary way, and finally defeated his powerful rival Pan Hongmian to become a strong man in this city. But she finally faced a bigger problem. Pan Hongmian, an opponent, was seriously ill and asked her to help him overcome those insidious opponents and integrate the hotel ... Zijun set foot on the journey again.
Should be enough?
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