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Why did the audience scold Nanjing?
Although Lu Chuan has repeatedly claimed that his choice of Kakukawa perspective is only a "narrative strategy", he is seeking some kind of artistic breakthrough. He said: "It's not that I love them, but a narrative strategy that allows the Japanese to observe the Nanjing Massacre from the perspective of humanity and observe the changes of his own humanity in the massacre until it collapses."
The film not only filmed the suffering of the people in Nanjing, but also filmed the "humanity" of Kakukawa, Japan. How can this be tolerated? The Japanese army is an animal. How can we talk about human nature?
A brief review of movies:
Nanjing! Nanjing! Use a group of little people to reflect on history and tell the world that Nanjing is a city of anti-Japanese war.
Whether it is an officer Lu, a returned female teacher Jiang, a dancer Jiang, or Mr. Tang, the secretary of Rabe, they are all fighting in their own way. This is a story about the people of China saving the people of China.
At the end of the movie, the sentence still echoed in my ears: "Until the end, we didn't lower our heads ..."
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