Is Yue Yunpeng’s “internal energy” in the Spring Festival Gala a burden or a mistake?

The 2021 Spring Festival Gala is the one with the most crosstalk in recent years. There are three crosstalks at the beginning, middle and end, including "New Year's Eve Song" by Yue Yunpeng and Sun Yue of Deyun Society, and "New Year's Eve Song" by Hip-Hop Baggage Shop "Such a Parent" by Jin Fei and Chen Xi, and "Selling" by Li Yinfei and Ye Peng of Dadou Crosstalk Club.

These three groups are relatively representative crosstalk actors in the crosstalk community in Beijing at present. Deyun Club is the number one traffic club in the crosstalk community, and Yue Yunpeng is one of the largest traffic users. The Hip-Hop Baggage Shop was once a youth club with a strong momentum of development, and Jin Fei and Chen Xi were a rising star that surpassed the class leader Gao Xiaopan. Da Dou Cross Talk Club is the cross talk group with the highest comprehensive quality. Li Yinfei, as one of the few doctors in the cross talk world, has strong originality. The new jokes of Da Dou Cross Talk Club are also the best among his peers.

These three groups of people performed on the same stage on the Spring Festival Gala, but the effects they presented were very different. At the beginning, Yue Yunpeng and Sun Yue contributed a medley of songs with almost no baggage, while Jin Fei and Chen Xi made an old joke tepid. By the time of Li Yinfei and Ye Peng, most people were basically asleep, so even There are very few people who find fault.

It can be seen that since crosstalk entered a trough, it has not been able to pick up again on the Spring Festival Gala stage. Even Yue Yunpeng, who is attending the Spring Festival Gala for the fifth time, still behaves so awkwardly, and the jokes are basically made by using the stage. Even with the support of the laughter scene, I also made a slip of the tongue in the middle of the show, saying that my ability was replaced by my inability.

Of course, different people have different views on this slip of the tongue. Ordinary viewers thought this was an obvious slip of the tongue, and later Yue Yunpeng tried his best to make up for it, while Sun Yue kept trying to make trouble, which just shows that this was an effect beyond the design. But Yue Yunpeng fans firmly believe that this is a well-designed baggage. Because Yue Yunpeng has rich stage experience and unique field control ability, it is impossible for such a low-level slip of the tongue to occur at this time. Moreover, this slip of the tongue was handled very cleverly and successfully made people laugh. The audience in the audience, the jargon is called "fried sticks", which shows that this is a well-designed effect.

Li Yinfei, who attended the Spring Festival Gala with Yue Yunpeng, answered this question in a subsequent live video broadcast. Li Yinfei said that this was the designed baggage because Yue Yunpeng also performed it this way during the rehearsal, and the audience's reaction It was also designed, and Li Yinfei’s evaluation of Yue Yunpeng’s program was “I think this is still a cross talk.”

If Li Yinfei's reply is the truth, Yue Yunpeng did not design such a burden during the rehearsal, and Sun Yue has been trying to undermine it later. Even if he said something wrong, it was also part of the stage effect, and he successfully brought the audience to the stage. Amused. So if Yue Yunpeng designs a baggage like this, is it considered a high-end joke?

Of course, if we follow the standard of "listening to cross talk pictures and enjoying the music", in a program that is originally progressing normally, a slip of the tongue is suddenly added, and the audience is made to laugh by covering up and ruining it. This is at least a Ridiculous baggage.

But ridiculous baggage does not mean advanced, especially in cross talk performances. If all performances serve to "please the audience", then the structure and logical core of the cross talk itself can be sacrificed, and such cross talk In fact, it is what old man Ma Sanli calls "making a fool of himself", "making weird noises" and "acting glib", which is not a real cross talk.

On the other hand, Yue Yunpeng's "burden of slip of the tongue" has basically no connection with the entire program. It was just a slip of the tongue that suddenly happened, and then Sun Yue and Yue Yunpeng teased each other and finished. In traditional cross talk jokes, whether it is typos, homophones, or intentional slips of names of people or places, they are all closely related to the story itself. For example, in the process of guessing lantern riddles, some homophones or typos appear. When learning to sing a song, deliberately saying the wrong person's name or song title, as well as slipping the lyrics, etc., are all problematic baggage, and are also a common approach in traditional cross talk.

As for Yue Yunpeng's slip of the tongue, it has nothing to do with his program. Removing this so-called "design effect" will have no impact on the effect of the entire program, and it will even be more complete. So this kind of stage design that thinks it is humorous is just a low-level baggage for people looking for fun. It lacks the logic and rationality in cross talk works. No matter how good the effect is, it is not a good baggage.

And such a low-level design that lacks logic is still a highlight in the Spring Festival Gala language program. It can be seen that the cross talk that Mr. Ma was worried about back then is becoming mainstream, and after the influx of traffic into the cross talk world, the actors themselves have become far away. Compared with cross talk works, even a misunderstanding can become a source of praise for fans. This kind of "revival" is not a blessing for cross talk, but a result of some businessmen who are good at manipulating the passwords of the fan circle. They are just rejoicing in this traffic boom.