Do crosstalk performers get their permission before they "smash" stars or make jokes?

Relatively speaking, sketches have relatively fixed plots and scripts, and actors should rehearse them repeatedly in advance.

Crosstalk, on the other hand, is more flexible, especially for partners with tacit understanding. Only two people need to talk about life together in advance, and then they can perform on stage. Especially in cross talk, you can grasp the scene more freely, which is called hanging up in cross talk jargon. It is impossible for a comedian to know in advance what the comedian will say according to the situation on the spot, but he will listen to the sound and often get unexpected hot results.

As for whether the teased stars will be notified in advance, there are also various possibilities. For example, when everyone was drinking and partying together, they accidentally made a joke. The crosstalk performers present may say that this can be written as a joke and others will follow suit. When you actually perform on stage, it is difficult to judge whether you have spoken to the stars involved in advance. But on the whole, no one cares too much about these.

Not to mention ordinary stars. I don't think it's possible for Huang to tell the other party in advance when he makes fun of American big shots in person at the annual press conference in the United States. So what? People think this is a kind of humor. I remember when Xie Yuan was alive, he once said on the stage: We are all very sad at the thought of Leslie Cheung's absence; But the thought that Zhang Fengyi is still alive makes us even sadder.

In an interview with reporters, ZhangFeng yi recalled this incident and said: He heard this joke and thought it was the best joke made up by Xie Yuan, so he called Xie Yuan. Originally wanted to congratulate him, I didn't expect Xie Yuan to slip of the tongue and deny it, probably because Xie Yuan was too afraid of his old classmate ZhangFeng yi's wrestling skills.

Making fun of each other is just a means. During the performance, we joked about each other's weaknesses and physical conditions, and even made it clear that we should play the script and act according to it. There are many such examples. This is a means of performance, but also a means of getting jokes from the audience.

Improvisation, casual, is a special case. For example, when Zhao performed a sketch and knelt on one leg, his body suddenly became tepid and his hands hurriedly supported the ground. In order to continue the performance, he quickly raised his hand and pointed obliquely to complete the action, which was well received by the audience. Later, he even added an accident to the formal action.

This also belongs to a kind of culture, which is layered, with both elegant music and vulgar culture. With limited educational level, limited understanding and biased aesthetics, we can accept, appreciate and even deliberately pursue this plot and seek excitement. There is nothing wrong with the objective existence of people during the growth of teenagers.

But it must also be restricted, such as in public places, especially in public media, such as bloody scenes and vulgar jokes. Such a vulgar culture must be guided, and square dance is very good. Many levels of it are suitable for many people.

It can be seen that stars generally don't care too much about the ridicule in comic sketches. So there is no need to inform each other in advance.