What changes have taken place in Bing Xin's female consciousness from Two Families to About Women?

On the Female Consciousness in Bing Xin's Literature

Bing Xin belongs to the first batch of modern writers who emerged in the May 4th New Literature Movement. Since the May 4th Movement, when thunder entered the literary world, Bing Xin has attracted much attention for her fresh style, unique writing style and gentle and loving female consciousness. Among a large number of works created by Bing Xin, the most influential is undoubtedly the works on the theme of female consciousness. Because these works contain her personal experience and feelings about the state of social life. It shows her unique female consciousness. Born into a noble family, she studied in a missionary school (yenching university Beiman Girls' Middle School) for a long time. She was exposed to new ideas and cultures, a harmonious and happy family life, the influence of Christian fraternity, the Indian religious philosopher Tagore's Philosophy of Love and literature, and her gentle and elegant temperament, which formed her gentle and loving female consciousness.

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The female images in Bing Xin's works all look so gentle and loving, and she advocates that the status of women in the family and society should be infinitely improved. Because in her view, in any society, the relationship between husband and wife and the relationship between mother and child are the most basic social relations. Motherly love and husband-wife love are the embodiment of human true feelings, while female emotion is the basic factor to maintain family harmony and stability and social stability and progress. Feminine beauty and social emotion are the bonds of love in the world. ③

"Good wife and mother" is the standard female personality in Bing Xin's works. She believes that this view of women is not a passive role set for women in feudal society dominated by men. (4) Based on this, the female image of Axi appears in Bing Xin's works. Yaxian is a character in Two Houses written by Bing Xin in 19 19. Two Families shows two completely different life scenes. A family was in chaos, crying and having a sharp contradiction in life, which led to the death of her husband who came back from school due to depression. The other family is clean and tidy, warm and harmonious, and the children are naive and lively and educated. The direct cause of the difference between the two families is the different cultural upbringing of housewives. (1) Yasi is a highly educated woman, lively and "kind and solemn". After marriage, she has been taking care of her husband, educating her children and keeping the housework in order. "Into the middle room, outside the window, there are several foreign-style tables and chairs, a piano, several antiques, several pots of flowers and plants, several paintings and photos scattered in full of green and Jing Ya." "Then I took Yaxi to visit their home and felt that everything was clean and formal, which was the first in my mind." At the same time, she didn't lose herself, but cooperated with her husband to translate books. "Tea adds fragrance to translate books together" has really become a "good helper" in her husband's life and career, making her husband a happy person. In this family, there is no feudal gender difference between husband and wife, gender equality and mutual love, and maternal love command nourishes this family. Becoming the courage and strength to survive and live in difficult times is Bing Xin's interpretation of the new good wife and good mother principle. At that time, under the emotional atmosphere that all new women had to run away from home and no new women could be good wives and mothers,

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The new women in Bing Xin's two families are perfect and reasonable.

Mrs. M in My Neighbor was quite talented when she was young. When she was in college, her articles often appeared in literary journals outside the school, and she has already made her mark in the literary and art circles. However, after graduating from college and getting married, she was old and young, and her housework was not as handy as writing. Trivial housework made him physically and mentally exhausted, and he couldn't get a pen anymore, and his family was down and out. In this article, Mrs. M said, "I pick up burning rice, sew shoes and mend socks, and my heart is as empty and numb as a dead tree." She has understood the true meaning of being a good wife and mother. Although she has many grievances, she never complains. She concentrated the gentleness and generosity of women, knowing that women are different before marriage and after marriage. Bing Xin once said: "Women are emotional and rational animals, men live for their careers, women live for love, and women pay more attention to love. They are willing to sacrifice everything for the people they love, including giving up their ideals and being a down-to-earth wife."

In addition to being a good wife and mother, Bing Xin also created a conscious woman at that time. Autumn rain is sad, published in the morning paper of June 5438+091910/0/0. The story is unfolded from the perspective of "I". This paper describes the different fates of Shu Ping, Ying Yun and Bing Xin. All three of them had lofty aspirations and ideals, but Shu Ping died young. After graduating from high school, Yingyun was forced to marry a rich boy, lived a rich life that she despised before, and finally lost her life in the ruins of broken dreams. In the novel, the author sets up the plot in which Ying Yun confides to "me". Ying Yun said, "I didn't know until I got home last year that my parents had betrothed me to my cousin Shi Zhi six months ago. Even on the day of Shu Ping's death, all hopes of employment were dashed at her aunt's house. I know this is a completely ancient family, but my parents are always satisfied and think my aunt's family is very tolerant. There is nothing wrong with my future. And it has been decided, there is no room for repetition. " Bing Xin hired Ying Yun to go to Shu.

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Ping died of illness that day, emphasizing that "you thought your body was dead, but you didn't know you were going to die. What a tragic thing it is, even more tragic!" The ending of the novel is even more ingenious. In a bleak autumn, in a wonderful dictionary, the "I" in the work turned to the past memories with Yingyun, as if Yingyun had returned to her side and cried and said, "My heart is full of sadness, and I can't say anything more. Shu Ping is dead, and so am I. Only you are still alive. My hopes and those of Shu Ping depend on you. You have to work hard, you have to struggle "ended Shu Ping's brilliant life with a jealous attitude. Women's sky is not high, but death depresses women's space, and the ultimate meaninglessness adds tragic color to women's fate. Yunying, a more talented woman than Shu Ping, is even more distressing in Bing Xin's works. Feudal ethics-the influence of blood relationship, Yingyun can't escape the clutches of family arranged marriage. Although Yingyun realizes that this is a kind of evil, she is weak and works as hard as a gladiator. Bing Xin wants to expose all kinds of bad phenomena in society and influence and improve society. She has changed the wrong value standards and value judgments of old-fashioned women to society, and even infiltrated a strong sense of salvation into her gentle and loving female consciousness.

At the same time, Bing Xin also created women struggling under the bondage of family. Her own loving family took care of the women who were devastated by the disharmony of the old family. The elder sister in "Sister of Zhuang Hong" once studied in a primary school in Grade One with her younger brother Zhuang Hong, who is two years younger than him. Sister Zhuang Hong is excellent in character and knowledge, and she is also conceited. She hopes to win glory for her motherland when she grows up. However, due to the poor family economy, one of Zhuang Hong and her sister chose to drop out of school. My grandmother said that women can't be officials and drop out of school. But soon after, he died of depression. She is a woman who ruined her future and life because her elders preferred sons to daughters; Tweety, the child bride in The Last Rest, has been living with her mother-in-law since her parents died, but she didn't know Tweety was "hard" dead.

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Public and nature are inevitably abused in the husband's family with strong feudal thoughts. It is normal to carry water, wash clothes, cook and take care of your brother. It's just that tweety was at a loss because of her mother-in-law's beating and cursing. The arrival of Huigu brought new air and sunshine to Tweety, and made her feel saved. When Tweety asked Hui Gu to take her away from this horrible place, she was beaten by her ugly mother-in-law. When Huigu returned to the city, Tweety could only rest in peace in death. All these reflect Bing Xin's concern for women in a weak position in her creation. Among these works, Sister June 1st is a very prominent one, and Bing Xin tells us about the transformation process of a girl under feudal bondage. Juanxiu's gentle sister Liu Yi was naughty and naive when she was eight or nine years old. After eating Sugar-Coated Berry, she bent down the bamboo stick and said, "This is my hookah." At the age of eleven, she bound her feet by herself and won everyone's praise. By the age of fourteen, she was already a girl who was familiar with the world. However, in this seemingly carefree account, we vaguely read a gloomy story. Sister Liu Yi is indifferent to the disappearance of her name. She can only exist on the symbol of her brother. Being deprived is actually the deprivation of women's right to exist. She didn't protest, but smiled, which made people even more sad. However, Sister Liuyi endured the pain and wrapped her feet small, not because she was not afraid of severe pain, but because she was not afraid of jokes from others. In fact, the biggest harm of feudal morality to people is not the beating and bullying of a father or elder, but that people consciously agree with it and don't feel destroyed. Even when telling the tearful story of Sister Liuyi, Bing Xin spoke softly with a smile, and Sister Liuyi was "smiling".

In addition, Bing Xin also created some simple and strong working women, who are perhaps the most ordinary women, without excellent looks, and even their ages are drowned in the vicissitudes of time. Bing Xin wrote in Zhang Sao: "I thought she was thirty or forty years old, but Work washed her youth without leaving a trace. But she never asks questions, doubts or resents. Work at sunrise and rest at sunset-carrying water, cutting wood, washing clothes, farming, every day is like a windmill,

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