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-Comment on "The Story of Qiu Ju"

1992, Zhang Yimou, a famous director in China, published another masterpiece The Story of Autumn Chrysanthemum. He used simple pictures and simple shooting techniques.

I told the story of a rural woman named Qiu Ju who ran around complaining about "a statement". The film is simple in narrative interest and plain in plot.

Fan, there is no technical breakthrough in pictures and sound effects, which can't help but make many fans who are looking forward to another amazing number stunned, but when

When it won the Golden Lion Award in Venice (one of the highest awards in the world), it made people sit up and take notice.

"92 years", this is an era of value! 1992, in the film, Qiu Ju's husband Wan Qinglai scolded the village chief and said, "No children."

Sun "was kicked into a rib fracture by the village chief, and in the case that Qiu Ju failed to mediate with the village chief, she started a long road to tell on it, in her words:

"I don't believe in places where there is no reasoning" (the germination of new ideas).

This film shows a picture of rural life in a realistic way to achieve real results, which is successful. for

In order to achieve this effect, he used metaphor. The advantage of metaphor is that it can keep the picture simple, make it correspond to rural life and improve it.

The ideological level of the work smoothly entered the core public opinion field of his film. At the same time, the guidance and handling of narrative interest is very accurate. What makes rural areas?

Women can spare no effort to complain, just to get a statement? For this reason, Zhang Dao used many close-ups to show Qiu Ju.

A stubborn and unyielding character. Of course, this alone is far from convincing, so Zhang Dao used metaphor montage to show Qiu Ju as an in vitro.

The whole peace conference. The portrait of Mao Zedong and the star paintings of Hong Kong and Taiwan in the New Year booth are constantly flashing, and trendy people wearing fresh clothes wander among the crowds in busy streets from time to time.

Things, even Qiu Ju complained in the city when she stayed next to the cheap hotel that read "trendy hair salon" ... All this illustrates such a problem:

The great economic development brought by China's reform in the past few years and the irregular ideological surge that followed it. Such as "on stationery"

Deceptive old man, rickshaw swindler wandering around the city with Qiuju ",all of which played a positive role in Qiuju's ideological germination and awakening."

Let's go back to the theme of the movie. There are two figures that we must observe carefully: Qiu Ju and the village head, who represent two kinds.

Power: new power and old power. When Qiuju first asked the village chief to explain, the village chief left the money on the ground and asked Qiuju to ask him for it every time.

I once bowed my head, but the new forces did not bow to the old forces after all, and Qiu Ju embarked on a long road of complaining again and again.

But how can we better grasp the ideological level of the film and truly enter its core, then we must really understand the film.

The ideological angle of the characters in the film.

Qiuju was dystocia. When the village chief heard about it, he rode his bike to Wangzhuang overnight to call someone. At this time, the film used a panoramic lens, detailing the village head's night tour on the moon.

The road was difficult, and then Qiuju and others carried it into the city overnight. The change of the role of the village head seems to have changed the narrative habits of the film, which makes people

It's a little hard to accept, but it's also at this point that the ideas contained in the film are displayed through characters and images.

The transformation of characters' thoughts coincides with the ideological tide flowing in the whole society. Director Zhang Yimou's success in this film also lies in "meticulous".

The description of the development of social trends gives people different real faces, such as the existence of swindlers who write papers and rickshaws and old people who look after cars and hotels.

Two products of good-hearted people, among which the role of hotel elderly people is worth exploring; An ordinary person is also driven by the trend and begins to pay attention to legal issues.

In the last article, a bunch of explicit questions from people who get marriage certificates and comrades of the Civil Affairs Office all symbolize the gradual opening of folk customs and the germination of people's ideas.

Wake up.

Although there is no dazzling stunt display and the director's usual method of trying to dye the color of the picture, the director has not given up the painting

In pursuit of beauty and anger, the pepper in front of the house is in sharp contrast with the white snow, and Qiuju's last run in the valley is all about giving people.

The visual impact is strong, and the sound effect is also unique. Qiu Ju plays a storytelling music from time to time in her rough road.

Qu, in cheerful music, makes the audience not accept the picture with forced vision, but soothe the audience's nerves. Music is dramatic and film-oriented.

The ending was also dramatic, but what happened? We may learn something from Qiu Ju's final close-up, but the film finally turned.

I showed a truth: China has entered a new era.

After 1990s, China filmmakers' artistic exploration became more diversified. Zhang Yimou made a complete documentary style "The Story of Autumn Chrysanthemum". Through a story of "people suing officials", the film praises the self-esteem, self-improvement, self-confidence and the awakening of legal concept of small people. The film won three international awards: 1993 Golden Rooster Award for Best Feature Film, 1994 Hundred Flowers Award for Best Feature Film, and 14 Golden Lion Award for Italian Venice Film Festival.