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Cheng Naishan's Social Evaluation

Dignified, elegant and intellectual, this is the first impression people see Cheng Naishan; Humor, wit and liveliness are new understandings born from her laughter after contact with her. In her works, there are Shanghai stories that readers love to read; Her editor said that she was diligent and more like her usual style. Even when she was seriously ill, she kept writing for several newspapers and magazines. 20 13 at 2 am on April 22nd, Cheng Naishan died in Huashan Hospital at the age of 67. "Tango on the beach" on the paper came to an abrupt end, and Wang Xiaoying, a friend writer, lamented: "Her articles have not only cultural value, but also historical value. She still has a lot of things in her stomach, and I know she has been in a hurry to write ... "

The popularity of the market keeps her in close contact with readers.

There are n reasons for liking Shanghai, one of which is the deep carnival atmosphere in Shanghai at Christmas, which is worse than the old Paris Shanghai in the east ... "At the beginning of this year, Cheng Naishan opened a new column of assorted sweets in Morning Flower Supplement, and talked about" chestnut fragrance "and" Tang Guo in Ningbo is without flowers "from the latest article" Joy in Winter Stove ".

Xu Fang, editor of Morning Flowers, said that at the end of last year, she proposed to Cheng Naishan to open a column to talk about Shanghai's food, customs and life details, and she agreed. "After the first article was published, the last three articles were published by her at the end of last year. I'm worried about her physical strength and let her do what she can. She said: She is in good condition and doesn't feel tired. To prove it, he said, "Listen to my voice!" "The column" Assorted Sugar "was also written by Cheng Naishan himself." She thought of several names, including Swan Pavilion, which was later used in Shanghai literature. Considering the large readership of the newspaper, after careful consideration, I decided to use' assorted sugar', which is more marketable. "Cheng Naishan once said," What I call the charm of Shanghai is actually very trivial, very daily, accessible to everyone and very popular. I like the market very much, and the market is full of vitality, which is the foundation of the driving force of the city and my favorite concern. "It is this market spirit that makes Cheng Naishan's column always popular with readers." After the release of Weibo, the official newspaper of Jiefang Daily, Joy of Winter Stove, the forwarding volume was very high, which caused readers and netizens to have various memories and discussions on the heating problem in Shanghai in winter. "

Cheng Naishan was diagnosed with hematological diseases at the end of 20 1 1. After treatment, the first manuscript "Unforgettable Handmade Tofu Flower" after leaving the fully enclosed ward was published in Chaohua on February 24th last year. Xu Fang said, "Naishan is an amiable sister in my mind. She writes articles with high speed and high quality, and the rhythm of the commitment column is very tight. A few weeks ago, her mobile phone and home phone couldn't contact anyone, and I had a bad feeling in my heart. "

Shanghai is solid and measured.

Cheng Naishan, 1946, from Shanghai. His great-grandparents are farmers who raise silkworms in rural areas. /kloc-at the age of 0/6, his grandfather rolled up his bedding and went to town to make a living. When Cheng Naishan was born, he was already a very important figure in Shanghai's financial circles. It can be said that Cheng Naishan is an out-and-out descendant of "Old Keller". The novella Blue House, which won the first Zhongshan Literature Prize, comes from this background and foundation. The prototype of the blue house is the "green house", which is a four-story garden house with arc-shaped blue bricks embedded in Tongren Road. It was written by Hudac, a Jewish architect, and its owner is Wu, a famous paint king in old Shanghai. Cheng Naishan once said that when I was a child, I often passed by the green house, knowing that there were many stories in it, and I always wanted to write them down. Unexpectedly, in the 1970s, she got married and her husband came from this family. He is Wu's grandson.

In the 1990s, Cheng Naishan moved to Hong Kong alone for several years. After returning to Shanghai, in 2000, she began to dabble in the documentary style related to old Shanghai, and reflected the humanistic customs and social psychology of Shanghai beach through daily trivia, Shanghai ladies, Shanghai romance, sea saxophone and Shanghai women.

Some critics commented that on the dance floor of China, only Shanghai can dance the tango. Cheng Naishan is an expert in capturing, describing and interpreting this charm with words among contemporary writers. Her Shanghai writing style seems to be "a great responsibility from heaven", which constitutes two aspects of Shanghai's most distinctive tango dance steps, and she is uniquely integrated into it. I only know that the life of "Old Koehler" in Shanghai can't be accurately described and dissected, but Cheng Naishan also feels the same way about "ordinary citizen"-before she started to write professionally, she taught in a middle school in Yangpu District 10 years ago, opposite the school was Lane House, and she traveled back and forth between Jing 'an Temple and Huimin Road every day, just like crossing two completely different tribes. Her novel Poor Street is the imprint of this life. Together with The Blue House, it constitutes the most wonderful two-story life in Shanghai, and also reflects Cheng Naishan's cognitive value of Shanghai writing.

Filter out real humor from life.

Many years ago, Cheng Naishan was described in media reports as follows: Every time he went to Hongkong, he went to Repulse Bay Hotel for afternoon tea. Through the window of the hotel, it is the beach of Repulse Bay. At this time, she is always hallucinating. It seems that Bai Liusu and Fan Liuyuan are also sitting next to each other drinking coffee and falling in love. "Cheng Naishan loves life and enjoys socializing, but she is also a hard-working writer, and her" socializing "is not just enjoyment. She likes to drink coffee in a coffee shop in hang lung plaza, opposite the escalator. Order a cup of coffee and watch people come and go. She said that both the clothes and the manner reflect the interest,' like reading a story'. " Wang Xiaoying said: "Cheng Naishan's speeches are humorous, and her place is always very lively. True humor must be due to her profound understanding of life. Once she told a joke. It was once popular to invite people to dinner and give gifts. She said she was going to eat, and the waiter asked her if she wanted a passbook. She said at once that of course she would, thinking it was a generous gift. In fact, the waiter said' orange juice' (the pronunciation of' passbook' and' orange juice' in Shanghai dialect is similar). In fact, Cheng Can Naishan, a native of Shanghai, can't understand "passbook" and "orange juice"? This is a slight irony of her social life. "

In 2009, the Literature and Art Department of this newspaper held an essay activity on the story of Suzhou Creek, and Cheng Naishan was invited to write The Story of Suzhou Creek-Shanghai Begins Here. Xu Fangji wrote that grandpa Cheng Naishan's generation of college students were boating in a river in St. John's University. In order to determine whether this river is a tributary of Suzhou River or Huangpu River, Cheng Naishan repeatedly made textual research. In two weeks, he made a lot of phone calls and revised it several times.

Four days ago, in the middle of the memorial service for Zhao held in the auditorium of Shanghai Writers Association, the news that Cheng Naishan was critically ill suddenly spread, and the atmosphere at the venue choked for a while. After the bad news came yesterday morning, Chen wrote: "If you have lived in this world for a long time, you will know that in spring, there will always be some people, such as camphor leaves that have endured the whole winter, who fall down in the forest with a bang, which is shocking and inexplicable." Zhao last month and Cheng Naishan this morning both left the spring sunshine like fallen leaves. In the spring rain, camphor trees will still grow full of new green leaves, and small white flowers will soon bear tree seeds, but they are already farewell ... "Fortunately, the words left for this city will always be fresh in readers' memory and city history.

She only concentrates on writing "Her Shanghai"

Chen Cun and Cheng Naishan met at 1979. For a time, everyone often went to the Cheng family party. Later, Cheng Naishan settled in Hong Kong and worked as Liang Fengyi's secretary from scratch. After returning to Shanghai, Cheng Naishan hardly participated in any activities of the Shanghai Writers Association, and Chencun saw her again at social activities such as dinner.

Chen Cun said that Cheng Naishan's works were very influential in the 1980s, but at that time, newspapers demanded "political correctness", so the subject matter written by Cheng Naishan was not necessarily what she was most familiar with, nor what she wanted to say most. At the seminar on her works, "she said that it was difficult for her elders to take off their suits and put on people's clothes, trying to forget that life and transform themselves into new people." Later, after the reform and opening up, young people came to consult finance and exploit it. Cheng Naishan is very straightforward and says, isn't this a white transformation? She said that in the past, suits and ties at home were all tied with mops, and ties did not absorb water. I'm going to wear a tie later. "At that time, Chencun told Cheng Naishan that it would be good to write this. Why did you write to voluntarily hand over the house to the public?

After returning to Shanghai, Chen Cun said that Cheng Naishan's writing returned to his family and old Shanghai, and his style became distinct. "She writes things that only she can write, which is good."

The last book will be published in Shanghai Literature.

In Weibo, Cheng Naishan, we can see that she lived a very rich life in her later years. She likes all kinds of delicious food and often gets together with friends from different fields. She even got up with her wife at 4 am to watch the opening ceremony of the London Olympic Games. "In the blink of an eye, there are 60 bloggers. On a hot summer day, I stayed at home and blew the air conditioner all day. However, summer is really a good time to study. I pour a glass of lemonade, play a CD of Charlie Lin's English nostalgic songs that I like to listen to, accompany my conjoined wife to nag each other, argue a few words or talk about some old sayings together, and even discuss tomorrow's menu and have a little quarrel ... This is called a happy old age. "

At the beginning of the year, at the invitation of Zhao, Cheng Naishan began to write a column in Shanghai Literature, hoping to write about the changes of five generations of families through this column. Now, her last article-"Slowly Educating to Be a Shanghai Woman-From Feet to High Heels" will be published in Shanghai Literature in May, which is also her last work.