In "Bullfighting", which brings laughter and tears, human nature is vividly portrayed. Has Huang Bo fallen behind in his acting skills?

This is a movie called "Bullfighting" made 10 years ago. It focuses on themes such as the Anti-Japanese War in the countryside in a different way, and explores the more ferocious people's hearts under the war. It is a very awesome and connotative movie, and it is absurd. The Chinese movie is full of laughter and tears. Huang Bo is truly a powerful actor, and his superb performance adds endless fun to the entire thin story. Director Guan Hu portrays human nature vividly, and Huang Bo's performance is really impressive. However, director Guan Hu doesn't care about cows, so let Huang Bo be the cow. Do you think he is a cow or not?

"Bullfighting" adopts a two-line narrative with a large number of flashbacks interspersed in the middle. Although it is slightly confusing, the director conveys the concept of the village (family) and the optimism and suffering of human nature, and also shows In the film, the director, as an artist, shows care for people. The expression technique of this film is "magical realism", and the details are treated invisible in some scenes in an attempt to make the film more enjoyable. However, I think the director did not control the intensity enough, and the movie still made the viewer feel that the film was confusing. Very easy to get into trouble. The film has a light tone from beginning to end, and the atmosphere created under such cold shots is quite good.

The appearance of this Huang Bo movie is very similar to that in "Killing Life". It seems that director Guan Hu has a lot of ideas for stories about rural areas in the old society. Yan Ni and Huang Bo, plus the story, although it is a war era, it is definitely a funny comedy. If someone thinks the Northwest is dirty and rustic, I can only say that you should go home and watch idol dramas. The earth is not suitable for you. This may be Huang Bo's best actor work, and his performance is naturally the best in all his works. The film itself focuses on the despicability of human nature in the face of war and hunger and the simplicity of ordinary Chinese people who promise nothing but gold, making the audience resonate and reflect on what humans did during the war.

On the stage of a person and a cow, Huang Bo's acting skills have been fully displayed on this personal stage. A person and a cow do not make people feel hollow and monotonous at all. On the contrary, they make people feel Full of flesh and blood, touching the heart and lungs. A simple story, through the eyes of a small person and his stubbornness, you can see the big from the small. If it can be polished and refined a little more, it will be a masterpiece that will be handed down from generation to generation. The director is talented, but it feels like it was too hard and a little impetuous.

Some people may say that the comedy seemed a bit frivolous and left a bad impression on the first Guanhu movie. It's not a comedy at all, it just uses two comedians to please patriotic youth: Chinese people are poor and stupid, and it's all the Japanese who caused it. I want to make a Chinese version of "Niu", but it lacks Mi Tan's imagination. It delved into anti-Japanese themes and showed the vulgarity of rural China. It would have reminded foreign judges of "Red Sorghum", but it lacked Zhang Yimou's lust.

In any case, the black humor is imprinted deep in my memory, and Huang Bo's acting skills are fully demonstrated. I will relive it every time I see it but I still can't understand it. Huang Bo's acting skills have supported the entire film. This film reminds me of Spielberg's "War Horse". It also has a protagonist and an animal. This film has more feeling, and Huang Bo's acting is really good. Wow, there is no other person in the world who can play this role so perfectly! The things Huang Bo plays always feel a bit like Chaplin, and his laughter can also make people cry.

The bizarre plot and the shooting techniques are even more special, keeping you awake at all times. Many of the shots are Huang Bo's one-man show, but every shot is impressive! Both are black humor, but Guan Hu’s film is Eastern European and Kusturica-style, and the whole film is more black and helpless. At the same time, in the film, we can see Guan Hu and Huang Bo in real life, approachable and friendly. Naturally, I cried, laughed, and cried. I don’t know why it is defined as a comedy, because most of the time I felt sour in my heart.

We can regard it as a non-comedy with laughter and tears. Although it is interpreted by actors with a sense of humor, the plot is very sad. At least, it's very helpless, sad, and miserable. The lens is a bit rough, the makeup is pretty good, the mouth is full of big yellow teeth, and the hairstyle is crazy. That simple and kind-hearted but feudal village preserved the spiritual beliefs of a generation. The whole village is dead, and the Tibetan cattle are still taken care of. It's quite sentimental. Humans are really the most legendary species in the world.

At the end of the video, Huang Bo hugged Balu and said: I will never go down again. Leave me a tombstone. It is seeing through the darkness under the mountain.

If it were shot more seriously, it might be another "Alive" that depicts the bitter journey of a small person and reveals the tragedy of that era. If it were shot more seriously, the whole film would be full of black humor, with Huang Bo playing the unlucky guy. What a perfect fit. The story itself is very complete, with laughs and touching moments, and no obvious flaws. It is a good film that is deeply rooted in people's hearts.