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Chinese folk drama

Introduction to Chinese Opera Types

Peking Opera

Peking Opera is the most popular and influential type of drama in my country. It was developed by the gathering, integration and development of various local operas in Beijing. It has a history of about one hundred and forty years from its creation to the present.

Since the Qianlong reign of the Qing Dynasty, Kun Opera, Yiyang Opera, Qin Opera, etc. have successively entered Beijing. In 1790, the famous Anhui opera "Sanqing Troupe" led by Gao Langting, a famous Anhui artist, entered Beijing and was warmly welcomed by the audience. After that, three more Anhui troupes, namely "Sixi", "Chuntai" and "Hechun", came to Beijing. Together with the "Sanqing troupe", they were collectively known as the "Four Major Anhui troupes", which became very popular for a while. At this time, Kunqu Opera and Beijing Opera (the Yiyang Opera got its name after it entered Beijing). ·Qin Opera and other operas gradually fell out of favor. Around 1830, Hubei Chu opera (Han opera) also entered Beijing. Han opera and Anhui opera came from the same origin, so they were often performed in a group and combined with each other in tone. Later, the Hui Troupe absorbed and melted the essence of Kun Opera, Bangzi, and Peking Opera, and made reforms in the repertoire, music, body posture, costumes, and makeup. Combined with the local language and customs of Beijing, Peking Opera was gradually formed. At that time, it was called "Pihuang", also known as "Jingdiao".

Around 1850, Peking Opera developed further on the basis of the four major Anhui troupes, with the emergence of famous actors such as Cheng Changgeng, Yu Sansheng, and Zhang Erkui, who were then known as the "Laosheng Sandingjia". They have made outstanding contributions to the formation and development of Peking Opera art.

The art of Peking Opera highlights the concentrated, summarized and exaggerated characteristics of opera more than other types of opera. It has formed a complete system and unified style of singing, acting, reading and playing, and is rich in distinctive dance on stage performances. sex and a strong sense of rhythm.

For more than 100 years, famous Peking Opera actors have emerged in succession, especially many outstanding performing artists, forming schools of different styles, which have made significant contributions to the development of Peking Opera art and become the precious wealth.

After liberation, the art of Peking Opera has made great achievements. It has organized, adapted and created a large number of excellent traditional plays and new historical plays, and successfully performed many plays with modern themes, paving the way for the development of Peking Opera. The Peking Opera art delegation also visited and performed abroad many times, causing a sensation in the world's art world.

Kun Opera

Kun Opera is an ancient opera in my country. It was formed in Kunshan, Jiangsu around the end of the Yuan Dynasty and the beginning of the Ming Dynasty. It is also known as "Kunshan Tune". Wei Liangfu, an outstanding opera musician during the Jiajing period of the Ming Dynasty, carried out major reforms in Kunshan opera. He absorbed various singing styles of southern operas, melodic singing methods of northern operas of the Jin and Yuan Dynasties, as well as folk ditties from the south of the Yangtze River and other artistic elements to create a soft and euphemistic "Shuimo tune". Liang Chenyu, a playwright at the same time as Xuan, wrote the play "Huan Sha Ji" specifically for Kunshan dialect. After its performance, it caused a sensation in Jiangnan and quickly became popular throughout the country. At the end of the Ming Dynasty and the beginning of the Qing Dynasty, Kun Opera once flourished and became more artistically refined and perfect, becoming a nationally acclaimed opera genre. By the Qianlong period, the art of Kunqu Opera was plundered by the ruling class, and its content tended to be palace-oriented, so that it became divorced from the masses and gradually declined. On the eve of liberation, it was on the verge of dying. After liberation, Kun Opera was in the script. libretto. The singing and other aspects have been reformed to make it easier to understand. In 1956, the Kunsu Opera Troupe of Zhejiang Province went to Beijing and successfully performed "Fifteen Guan", which caused a sensation across the country. In 1957, according to the instructions of Premier Zhou, the Northern Kunqu Opera Theater was established. Kunqu Opera, an ancient opera, has regained its artistic youth.

Kun Opera has a history of more than five hundred years and has formed a complete performance system and a unique vocal system. It has rich repertoire, elegant and beautiful script text, and high literary quality. In pronunciation and enunciation, pay attention to the four tones, strictly follow the rhythm, and be precise. Kunqu opera tunes are in the form of tunes, and each play is composed of a complete set of tunes. The singing voice is mellow and soft, melodious and slow. The performance is delicate, the body movements and singing are closely integrated, and the dance is very strong. The accompaniment instrument is mainly the flute, and sometimes the sanxian, sheng, suona, etc. are also used.

In the middle of the Ming Dynasty, Kun Opera spread to the north. Through the efforts of many artists, Kun Opera was combined with the languages ??of the northern region to form "Northern Kun"; Kun Opera, which was originally popular in Jiangsu and Zhejiang, is called For "Nankun". Bi Kun's performances include more martial arts, showing the boldness and boldness of the wind shed; Nan Kun's performances focus on phonetic articulation and delicate workmanship, which are more elegant and lingering. Kun Opera occupies an important position in the history of Chinese opera. It has had a direct impact on the formation and development of local operas such as Peking Opera, Hunan Opera, and Sichuan Opera.

Pingju Opera

Pingju Opera is one of the most influential local operas in the country. It was formed in the late Qing Dynasty and the early Republic of China and has a history of about seventy years.

It originated from the "Lotus Luo" in the eastern Hebei area, and later absorbed the "Bengbeng" accent in the Northeast, so it was known as "Luozi" and "Bengbeng" in its early years. Initially, it was in the form of spoken word singing, similar to the Northeast's "Errenzhuan". Later, it gradually absorbed the percussion music of Hebei Bangzi. Luanzhou shadow opera, Laoting drums and Peking opera singing and performances formed "Tangshan Luozi", then "Fengtian Luozi", and finally became the current Pingju opera. Cheng Zhaocai was a famous actor and playwright in early Pingju opera. He created many new tunes and wrote and adapted more than a hundred scripts, playing an important role in the formation of Ping Opera.

The artistic characteristics of Pingju Opera are: good at singing, clear enunciation, easy-to-understand lyrics, clear singing, strong flavor of life, and friendly folk flavor. Its form is lively and free, and it is best at expressing contemporary people's lives, so it has a large audience in both cities and villages. The singing style of Pingju opera is a banqiu style, and there are many banbo styles such as Adagio, Erliu ban, Duo ban and scattered ban. After liberation, the innovation of Pingju opera music, singing, and performance has made remarkable achievements. In particular, the shortcomings of too poor singing for male roles have been changed, and new creations of male singing have been made.

Pingju Opera was originally divided into two schools: East Road and West Road. The most popular style today is Donglu, popular in Hebei and the three northeastern provinces, and also has a large audience in the south. West Road Pingju, also known as "Beijing Bengbeng", was formed under the influence of the bangzi and old tunes of East Road Pingju. It has a high-pitched tone, rich board tips, and unique style. Before and after the Xin Revolution, performances were performed in Beijing and western Beijing. They were very popular with the audience and were on the verge of extinction. In 1958, it was discovered and compiled by the China Ping Theater and reappeared on the stage. "Flower Pavilion Club" is a good play that has been compiled and inherited by young actors.

Hebei Bangzi

Hebei Bangzi was originally named "Zhili Bangzi". Later, Zhili Province was renamed Hebei Province, and its current name was changed. It originated from the bangzi system of Shaanxi Qin Opera. Around the middle of the Qing Dynasty, Bangzi from Puzhou, Shanxi, flowed into Hebei and gradually evolved. It was very popular in Beijing in the late Qing Dynasty. Later, Bangzi and Pihuang performed on the same stage, communicating and absorbing each other, which made Bangzi become more and more artistically complete. After Beijing's Zhili Bangzi absorbed the essence of Pihuang, it was also called "Beijing Bangzi". After the Revolution of 1911, many outstanding bangzi actresses emerged one after another, bringing a new aspect to the bangzi opera and causing great changes in its singing and music.

When Hebei Bangzi was popular, it was most popular in North and Northeast my country, especially in central and northern Hebei, Beijing and Tianjin. The singing style of Hebei Bangzi is high-pitched, passionate, vigorous and upright. It mainly includes Adagio, Erliu, Liushui, Pointed Ban, Crying Ban, Counter Tune, etc., as well as nearly a hundred tunes used for stage accompaniment.

During the Anti-Japanese War and the War of Liberation, Hebei Bangzi was widely developed in rural areas of Hebei. But in big cities such as Beijing and Tianjin, which were ruled by the Kuomintang, they were gradually declining. After liberation, Hebei Bangzi was restored and developed. The overly noisy gongs, drums and Bangzi were innovated and a new singing tune was created, making it soft, melodious and melodious while being generous and majestic.

Lao Diao

Lao Diao, also known as "Lao Diao Bangzi", is one of the local operas in Hebei Province. It originated in the late Ming Dynasty. It has been popular among the people for a long time and has a strong local flavor. The singing style is simple, exciting and vigorous, with various styles including head board, second board, installation board, Qi board, plectrum board, sending board, staying board and crying board. The main accompaniment instruments include banhu, dizi, sheng, erhu, sanxian, etc. The epidemic area is centered in Baoding, Hebei Province, and is divided into East Road (Gaoyang and Anxin areas), West Road (western Baoding area), and South Road (Shijiazhuang area). There is not much difference in the singing styles of each style, but the falling tone is different. The performance form of the old tune is complete, the professions are complete, and the traditional repertoire is relatively rich. "Pan Yang's Suit" is a more influential play and has been made into an opera film.

Si Xian Opera

Si Xian Opera is one of the ancient local operas in Hebei Province. It is a branch of the "Xiansuo Tune" of Beiqu, and was called "Xiansuo Tune" in ancient times. Silk String Opera originally had no female actors, and both male and female roles were played by male actors, which resulted in the alternating use of true and false singing. The accompaniment of the silk string instrument has been two Liuqin and two Sanxian for a long time. During the Xianfeng period of the Qing Dynasty, because it often performed on the same stage as the old-style bangzi, the main accompaniment instrument was changed to the old-style alto banhu, and other instruments were also added or removed. In the process of development, it was influenced to varying degrees by Kun Opera, Hebei Bangzi and Peking Opera. It is popular in the vast rural areas in central and southern Hebei Province and parts of Shanxi Province. The singing tune of Si Xian is both high-pitched and melodious. It is mainly composed of Ban tune, which is divided into two systems: Yue tune and Guan tune, and each has a variety of Ban tunes. On the eve of liberation, there were only one or two professional classes and clubs left in Sixian.

After liberation, Sixian developed greatly, and actresses participated in performances. Sixian's excellent traditional play "Empty Print Box" was once put on the screen.

Pingdiao

Pingdiao is one of the local operas in Hebei Province. It originated in Wu'an County in southern Hebei and is also called "Wu'an Pingdiao". It is popular in southern Hebei, northern Henan and southeastern Shanxi and is deeply loved by local people. The emergence of Ping Diao is said to have begun in the late Ming Dynasty and early Qing Dynasty. It was evolved by Wu'an artists who absorbed the expertise of Henan and Huai Diao and combined it with Wu'an folk music and dance.

Pingdiao belongs to the "Bang Zi Ji", he has a complete range of professions and is good at acting in historical dramas. Its singing style is Banqiang style, with a relatively complete structure, beautiful melody and good at lyricism. The main types of board include Adagio, 28 board, flowing board, loose board, planting board, stacking board, sad board and so on. There are nearly 20 board heads. The musical accompaniment includes more than 100 suona tunes and silk string tunes. In the past, the accompaniment instruments mainly included erxian, jiaqin, etc.; after liberation, sheng, flute, banhu, etc. were added. The performance is characterized by a lively, rough, passionate and bold style. Its representative plays include "Three Entrances into the Account", "Guillot Chen Shimei", "The Story of the Golden Bell", etc.

Tangshan Shadow Puppet

Tangshan Shadow Puppet is also called "Leting Shadow" and "Luanzhou Shadow" because of its musical characteristics based on the language and phonology of Leting and Luanxian areas in Tangshan area. ", popular in Tangshan, Chengde, Langfang and other areas of Hebei Province, as well as cities and counties in the three northeastern provinces. It is a comprehensive art with exquisite carving technology, dexterous manipulation skills and lyrical singing music. Before the Anti-Japanese War, crowds often gathered to perform during the farm break, and the towns and villages in the above-mentioned areas had a solid mass foundation. Its singing music is especially loved by the masses.

The singing tune of Tangshan shadow puppets evolved from "Dafuying", a pure form of rapping. Yunping tune, Hedong tune, Luanhe tune, Yin tune), various ban styles (such as too slow ban, fast three eyes, slow two nature, tight two nature, three nature, flowing water). It has a history of three to four hundred years. ’ Due to the development and creation of senior artists, different genres have been formed over a long period of time. Its main accompaniment instrument used to be a small three-stringed instrument, which was later gradually replaced by the four-stringed instrument.

/question/25318006.html Evaluation Answer You have already evaluated it! Good:4 You have already rated it! Bad:15 You have already rated it! Original: 1 You have already rated! Non-original: 12 Cat 2007-05-20 15:54 Report Satisfactory answer rating: 21% Peking Opera

Peking Opera is the most popular and influential opera in my country. It was developed by the gathering, integration and development of various local operas in Beijing. It has a history of about one hundred and forty years from its creation to the present.

Since the Qianlong reign of the Qing Dynasty, Kun Opera, Yiyang Opera, Qin Opera, etc. have successively entered Beijing. In 1790, the famous Anhui opera "Sanqing Troupe" led by Gao Langting, a famous Anhui artist, entered Beijing and was warmly welcomed by the audience. After that, three more Anhui troupes, namely "Sixi", "Chuntai" and "Hechun" came to Beijing. Together with the "Sanqing troupe" they were called the "Four Major Anhui troupes" and they were very prosperous. At this time, Kunqu Opera and Jingqiang (the name Yiyang Qiang evolved after entering Beijing). ·Qin Opera and other operas gradually fell out of favor. Around 1830, Hubei Chu opera (Han opera) also entered Beijing. Han opera and Anhui opera came from the same origin, so they were often performed in a group and combined with each other in tone. Later, the Hui Troupe absorbed and melted the essence of Kun Opera, Bangzi, and Peking Opera, and made reforms in the repertoire, music, body posture, costumes, and makeup. Combined with the local language and customs of Beijing, Peking Opera was gradually formed. At that time, it was called "Pihuang", also known as "Jingdiao".

Around 1850, Peking Opera developed further on the basis of the four major Anhui troupes, with the emergence of famous actors such as Cheng Changgeng, Yu Sansheng, and Zhang Erkui, who were then known as the "Laosheng Sandingjia". They have made outstanding contributions to the formation and development of Peking Opera art.

The art of Peking Opera highlights the concentrated, summarized and exaggerated characteristics of opera more than other types of opera. It has formed a complete system and unified style of singing, acting, reading and playing, and is rich in distinctive dance on stage performances. sex and a strong sense of rhythm.

For more than 100 years, famous Peking Opera actors have emerged in succession, especially many outstanding performing artists, forming schools of different styles, which have made significant contributions to the development of Peking Opera art and become the precious wealth.

After liberation, the art of Peking Opera has made great achievements.

It has organized, adapted and created a large number of excellent traditional plays and new historical plays, and successfully performed many plays with modern themes, paving the way for the development of Peking Opera. The Peking Opera art delegation also visited and performed abroad many times, causing a sensation in the world's art world.

Kun Opera

Kun Opera is an ancient opera in my country. It was formed in Kunshan, Jiangsu around the end of the Yuan Dynasty and the beginning of the Ming Dynasty. It is also known as "Kunshan Tune". Wei Liangfu, an outstanding opera musician during the Jiajing period of the Ming Dynasty, carried out major reforms in Kunshan opera. He absorbed various singing styles of southern operas, melodic singing methods of northern operas of the Jin and Yuan Dynasties, as well as folk ditties from the south of the Yangtze River and other artistic elements to create a soft and euphemistic "Shuimo tune". Liang Chenyu, a playwright at the same time as Xuan, wrote the play "Huan Sha Ji" specifically for Kunshan dialect. After its performance, it caused a sensation in Jiangnan and quickly became popular throughout the country. At the end of the Ming Dynasty and the beginning of the Qing Dynasty, Kun Opera once flourished and became more artistically refined and perfect, becoming a nationally acclaimed opera genre. By the Qianlong period, the art of Kunqu Opera was plundered by the ruling class, and its content tended to be palace-oriented, so that it became divorced from the masses and gradually declined. On the eve of liberation, it was on the verge of dying. After liberation, Kun Opera was in the script. libretto. The singing and other aspects have been reformed to make it easier to understand. In 1956, the Kunsu Opera Troupe of Zhejiang Province went to Beijing and successfully performed "Fifteen Guan", which caused a sensation across the country. In 1957, according to the instructions of Premier Zhou, the Northern Kunqu Opera Theater was established. Kun Opera, an ancient opera, has regained its artistic youth.

Kun Opera has a history of more than five hundred years and has formed a complete performance system and a unique vocal system. It has rich repertoire, elegant and beautiful script text, and high literary quality. In pronunciation and enunciation, pay attention to the four tones, strictly follow the rhythm, and be precise. Kunqu opera tunes are in the form of tunes, and each play is composed of a complete set of tunes. The singing voice is mellow and soft, melodious and slow. The performance is delicate, the body movements and singing are closely integrated, and the dance is very strong. The accompaniment instrument is mainly the flute, and sometimes the sanxian, sheng, suona, etc. are also used.

In the middle of the Ming Dynasty, Kun Opera spread to the north. Through the efforts of many artists, Kun Opera was combined with the languages ??of the northern region to form "Northern Kun". Kun Opera, which was originally popular in Jiangsu and Zhejiang, is called For "Nankun". Bi Kun's performances include more martial arts, showing the boldness and boldness of the wind shed; Nan Kun's performances focus on phonetic articulation and delicate workmanship, which are more elegant and lingering. Kun Opera occupies an important position in the history of Chinese opera. It has had a direct impact on the formation and development of local operas such as Peking Opera, Hunan Opera, and Sichuan Opera.

Pingju Opera

Pingju Opera is one of the most influential local operas in the country. It was formed in the late Qing Dynasty and the early Republic of China and has a history of about seventy years. It originated from the "Lotus Luo" in the eastern Hebei area, and later absorbed the "Bengbeng" accent in the Northeast, so it was known as "Luozi" and "Bengbeng" in its early years. Initially, it was in the form of spoken word singing, similar to the Northeast's "Errenzhuan". Later, it gradually absorbed the percussion music of Hebei Bangzi. Luanzhou shadow opera, Laoting drums and Peking opera singing and performances formed "Tangshan Luozi", then "Fengtian Luozi", and finally became the current Pingju opera. Cheng Zhaocai was a famous actor and playwright in early Pingju opera. He created many new tunes and wrote and adapted more than a hundred scripts, playing an important role in the formation of Ping Opera.

The artistic characteristics of Pingju Opera are: good at singing, clear articulation, easy-to-understand lyrics, clear singing, strong life atmosphere, and friendly folk flavor. Its form is lively and free, and it is best at expressing contemporary people's lives, so it has a large audience in both cities and villages. The singing style of Pingju opera is a banqiu style, and there are many banbo styles such as Adagio, Erliu ban, Duo ban and scattered ban. After liberation, the innovation of Pingju opera music, singing, and performance has made remarkable achievements. In particular, the shortcomings of too poor singing for male roles have been changed, and new creations of male singing have been made.

Pingju Opera was originally divided into two schools: East Road and West Road. The most popular style today is Donglu, popular in Hebei and the three northeastern provinces, and also has a large audience in the south. West Road Pingju, also known as "Beijing Bengbeng", was formed under the influence of the bangzi and old tunes of East Road Pingju. It has a high-pitched tone, rich board tips, and unique style. Before and after the Xin Revolution, performances were performed in Beijing and western Beijing. They were very popular with the audience and were on the verge of extinction. In 1958, it was discovered and compiled by the China Ping Theater and reappeared on the stage. "Flower Pavilion Club" is a good play that has been compiled and inherited by young actors.

Hebei Bangzi

Hebei Bangzi was originally named "Zhili Bangzi". Later, Zhili Province was renamed Hebei Province, and its current name was changed. It originated from the bangzi system of Shaanxi Qin Opera. Around the middle of the Qing Dynasty, Bangzi from Puzhou, Shanxi, flowed into Hebei and gradually evolved. It was very popular in Beijing in the late Qing Dynasty.

Later, Bangzi and Pihuang performed on the same stage, communicating and absorbing each other, which made Bangzi become more and more artistically complete. After Beijing's Zhili Bangzi absorbed the essence of Pihuang, it was also called "Beijing Bangzi". After the Revolution of 1911, many outstanding bangzi actresses emerged one after another, bringing a new aspect to the bangzi opera and causing great changes in its singing and music.

When Hebei Bangzi was popular, it was most popular among the people in North China and Northeast my country, especially in central and northern Hebei, Beijing and Tianjin. The singing style of Hebei Bangzi is high-pitched, passionate, vigorous and upright. It mainly includes Adagio, Erliu, Liushui, Pointed Ban, Crying Ban, Counter Tune, etc., as well as nearly a hundred tunes used for stage accompaniment.

During the Anti-Japanese War and the War of Liberation, Hebei Bangzi was widely developed in rural areas of Hebei. But in big cities such as Beijing and Tianjin, which were ruled by the Kuomintang, they were gradually declining. After liberation, Hebei Bangzi was restored and developed. The overly noisy gongs, drums and Bangzi were innovated and a new singing tune was created, making it soft, melodious and melodious while being generous and majestic.

Lao Diao

Lao Diao, also known as "Lao Diao Bangzi", is one of the local operas in Hebei Province. It originated in the late Ming Dynasty. It has been popular among the people for a long time and has a strong local flavor. The singing style is simple, exciting and vigorous, with various styles including head board, second board, installation board, Qi board, plectrum board, sending board, staying board and crying board. The main accompaniment instruments include banhu, dizi, sheng, erhu, sanxian, etc. The epidemic area is centered in Baoding, Hebei Province, and is divided into East Road (Gaoyang and Anxin areas), West Road (western Baoding area), and South Road (Shijiazhuang area). There is not much difference in the singing styles of each style, but the falling tone is different. The performance form of the old tune is complete, the professions are complete, and the traditional repertoire is relatively rich. "Pan Yang's Suit" is a more influential play and has been made into an opera film.

Si Xian Opera

Si Xian Opera is one of the ancient local operas in Hebei Province. It is a branch of "Xiansuo Tune" of Beiqu, and was called "Xiansuo Tune" in ancient times. Silk String Opera originally had no female actors, and both male and female roles were played by male actors, which resulted in the alternating use of true and false singing. The accompaniment of silk string instruments has been two Liuqin and two Sanxian for a long time. During the Xianfeng period of the Qing Dynasty, because it often performed on the same stage as the old-style bangzi, the main accompaniment instrument was changed to the old-style alto banhu, and other instruments were also added or removed. In the process of development, it was influenced to varying degrees by Kun Opera, Hebei Bangzi and Peking Opera. It is popular in the vast rural areas in central and southern Hebei Province and parts of Shanxi Province. The singing tune of Si Xian is both high-pitched and melodious. It is mainly composed of Ban tune, which is divided into two systems: Yue tune and Guan tune, and each has a variety of Ban tunes. On the eve of liberation, there were only one or two professional classes and clubs left in Sixian. After liberation, Sixian developed greatly, and actresses participated in performances. Sixian's excellent traditional play "Empty Print Box" was once put on the screen.

Pingdiao

Pingdiao is one of the local operas in Hebei Province. It originated in Wu'an County in southern Hebei and is also called "Wu'an Pingdiao". It is popular in southern Hebei, northern Henan and southeastern Shanxi and is deeply loved by local people. The emergence of Ping Diao is said to have begun in the late Ming Dynasty and early Qing Dynasty. It was evolved by Wu'an artists who absorbed the expertise of Henan and Huai Diao and combined it with Wu'an folk music and dance.

Pingdiao belongs to the "Bang Zi Ji", he has a complete range of professions and is good at acting in historical dramas. Its singing style is Banqiang style, with a relatively complete structure, beautiful melody and good at lyricism. The main types of board include Adagio, 28 board, flowing board, loose board, planting board, stacking board, sad board and so on. There are nearly 20 board heads. The musical accompaniment includes more than 100 suona tunes and silk string tunes. In the past, the accompaniment instruments mainly included erxian, jiaqin, etc.; after liberation, sheng, flute, banhu, etc. were added. The performance is characterized by a lively, rough, passionate and bold style. Its representative plays include "Three Entrances into the Account", "Guillot Chen Shimei", "The Story of the Golden Bell", etc.

Tangshan Shadow Puppet

Tangshan Shadow Puppet is also called "Leting Shadow" and "Luanzhou Shadow" because of its musical characteristics based on the language and phonology of Leting and Luanxian areas in Tangshan area. ", popular in Tangshan, Chengde, Langfang and other areas of Hebei Province, as well as cities and counties in the three northeastern provinces. It is a comprehensive art with exquisite carving technology, dexterous manipulation skills and lyrical singing music. Before the Anti-Japanese War, crowds often gathered to perform during the farm break, and the towns and villages in the above-mentioned areas had a solid mass foundation. Its singing music is especially loved by the masses.

The singing tune of Tangshan shadow puppets evolved from "Dafuying", a pure form of rapping. Yunping tune, Hedong tune, Luanhe tune, Yin tune), various ban styles (such as too slow ban, fast three eyes, slow two nature, tight two nature, three nature, flowing water). It has a history of three to four hundred years. ’ Due to the development and creation of senior artists, different genres have been formed over a long period of time. Its main accompaniment instrument used to be a small three-stringed instrument, which was later gradually replaced by the four-stringed instrument.