The word-of-mouth is booming, and the spicy Yoko who "breaks the circle" makes me admire her with admiration.

In 2020, in "Actors Are Here 2", Yoko Rame burst into the audience's field of vision with great momentum.

With a round face, small eyes, and a slightly chubby figure, he looks out of place among all the handsome actors.

But as soon as you put Yoko in front of the camera, she immediately shines as an actor.

When interpreting the "Shoplifters" clip, she played the role of "Nobuyo", an extremely complex character who is sterile but exudes maternal brilliance towards "abducted" children.

The 25-year-old Yoko Yoko has never been a mother, but she perfectly interpreted her mother's tenacity and forbearance, restrained her performance, and made the audience cry.

After the performance, Er Dongsheng, who has always been strict, praised Yoko Lame: "I think you have a chance to be a movie queen."

A natural and traceless performance The method was also affirmed by the poisonous tongue Li Chengru: "Relaxation is a sign of self-confidence."

Confidence is the biggest appeal of Yoko Lame.

Lame Yoko’s real name is Li Jiaqi. When she first started making funny short videos, she was always criticized by fans for her appearance. She simply changed her name to "Lame Yoko". "Lame" means spicy eyes - I am ugly , but I am unique.

In 2022, Yoko Lame will break out of the crowd of domestic dramas with "A Year Without Work".

This drama is not as bloody as "Heart Residence" and does not sell the anxiety of "Dear Child". It just tells the story of a girl with a strong career ambition, her fall and redemption after falling out of love and losing her job.

There are no lofty scenes, no luxurious and charming big houses, but only the fragmented, delicate and vivid real life of ordinary people.

There are a total of ***16 episodes, which are short and concise. It has been updated to the sixth episode. The spicy Yoko who "breaks the circle" makes me sit up and take notice.

In past urban dramas, the actors who played strong women in the workplace were either Yuan Quan, with three-dimensional facial features, sharp eyes, and full aura;

Or Yao Chen, Tall, with exquisite makeup and domineering side.

Compared with Yuan Quan and Yao Chen, Lame Yoko has no advantage at all in appearance.

Her appearance has nothing to do with traditional beauty standards. Her figure is not tall or slender, she is full of flesh, her facial features are flat, and she has no sense of beauty.

But what makes Yoko Rame better is her uniqueness, the confidence and confidence that permeates her face, and coupled with the outfit that fits the character, her sense of fashion and sophistication comes out.

In the company, a well-tailored suit, a high-waisted skirt, and a white shirt with a tie make the woman look upward, making people focus on her upper body and ignore her short and thick legs.

In terms of makeup, the emphasis is on eye makeup and lip makeup, with strong colors and retro accents, which are very eye-catching. The upturned, ear-length short hair adds a bit of playfulness and fits the comedy character.

The most outstanding thing is her private outfit, which makes the most of her strengths and avoids her weaknesses. It can be called the fashion ceiling for fat girls.

The advantage of Yoko Rame is that she has fair skin, so wearing clothes with higher color saturation can bring out her own temperament to the greatest extent without losing a sense of high-end and elegance.

In the scene where she officially broke up with her boyfriend, a water-red suspender dress wrapped her plump figure and was full of femininity. If a thin person wore this dress, I'm afraid it wouldn't have the same effect. .

When traveling to Wuzhen, wear a retro holiday style and wear a suspender floral dress, which still feels sexy and lazy.

If you put on a pink skirt, big puff sleeves, and a high waistline, it will not only enhance your vision vertically, but also reflect a cute and smart feeling.

The one-word collar with wide open shoulders, embellished with large sunflowers, and a small pearl hairpin on the head, is another flavor.

When it comes to home wear, it has adopted a cute and casual style, but the only thing that remains unchanged is the high saturation color.

The small yellow hairpin echoes the yellow-green pattern on the blue T-shirt. The textured fabric still looks brilliant when worn on Yoko Rame.

A loose white T-shirt and floral beach pants, full of casual style.

When looking for a job, the main outfits are suits and shirts. The colors are fresh or deep, and Yoko can control them.

Wearing a light yellow suit jacket, paired with a dark green bucket bag, the contrasting color combination makes her look like a fashionable devil, capable, neat, and giving off the feeling of a strong woman in the workplace.

An earthy yellow shirt and high-waisted black tights are a simple outfit that still has a simple sense of luxury.

The light blue jacket, dark blue sling, earrings and necklace made of the same material, the color matching is very comfortable.

In this era of increasingly diversified aesthetics, the image of Yoko Rame brings more memory points to the audience.

Fashionable outfits that match her temperament allow her to be recognizable and different when performing the role of urban beauty, and open up another way for women in the workplace.

Through this drama, we have seen the "beautiful" side of Yoko Rame. It turns out that a plump ordinary appearance can be so attractive.

Lame Yoko is talented as an actress. She was born in 1995 and is only 27 years old, while the character of He Yu in the play is 32 years old.

In the entertainment industry, actors usually play younger roles, but Yoko Rame goes against the grain and actually puts the audience into the role quickly.

Yoko Rame's "maturity" is not pretended, but gives the character full emotion, making the audience believe in the character itself.

As soon as she appeared, she walked in a hurry, panting heavily, and went straight to the company. She looked like a workaholic strong woman - "I want to get a promotion and a salary increase, and I want to overcome all obstacles."

It was her boyfriend Song Zelin's birthday. He Yu originally planned to take half a day off to spend it with him. But early in the morning, she found out that her old client wanted to sign a contract with someone else. She was so anxious that she kept thinking of ways to hold off the client. Her thoughts were not on her boyfriend at all. On the body.

With his lips curled up and his eyes apologetic, he looked like a child who had done something wrong. It seemed that He Yu had given up on her boyfriend more than once because of work, which paved the way for their breakup.

Faced with colleagues competing for orders, He Yu rushed into the office. While smiling at customers, he hated his colleagues at the same time. Yoko's emotional changes were natural and accurate.

After losing the client, He Yu was so angry that she could only take deep breaths to calm down. She conveyed two meanings. One was that she had spent a lot of time and energy to sign the order, and the other was that the colleague He is good at using dirty tricks to steal customers and is her mortal enemy.

He Yu has always performed very well in the company and is the best candidate for sales manager. In the end, the person chosen was her assistant. During the whole process, she was nervous, excited and looking forward to it at the beginning, with eyes wide open. Light, after losing the election, turned into disappointment, shock, and depression in a second.

In the next scene, she gritted her molar teeth and held her breath. Scenes of her hard work in the past few years appeared in front of her eyes. The more she thought about it, the more unwilling she became. Some grievances even came to her heart, but she had to be more decent. He Yu swallowed the bitter water hard.

When the supervisor announced that He Yu had once again won an outstanding employee, she stared straight at her boss, expressing her hatred and resentment for the unfairness of the company, and feeling that her efforts were not worth it.

He Yu, who was exhausted both physically and mentally, returned home and prepared to continue celebrating her boyfriend’s birthday. However, he found a young and beautiful girl appearing at home. He looked in disbelief at first. After all, she had been with Song Zelin for ten years and she was in a state of confusion. The one who takes the initiative and has more control will not dare to go off the rails even if he has ten courages.

After gathering his emotions and thinking of countermeasures, He Yu calmly used the word "hourly worker" to give the other party a blow.

Just as he was about to regain the lost ground, Song Zelin came to cover him. The calm look on He Yu's face disappeared in an instant, and was replaced by depression, anger and heartache.

In a short scene where she competes with a third party, Yoko's aura is enough to overwhelm the other two actors. At the same time, she controls the rhythm of the whole scene and the direction of the characters, and explains clearly. Two things:

First, during the 10-year relationship with Song Zelin, He Yu was strong and domineering, while Song Zelin was passive and repressed for many years.

Secondly, He Yu is a typical strong-willed but strong-willed person on the outside. She is fierce and upright on the outside, but emotionally affectionate and fragile. On the surface, she seems to have Song Zelin under control, but in fact she is even more insecure. one party.

The emotional status and personality of the characters are revealed, and the subsequent plot has logic and origin.

The key to why Yoko Rame’s acting skills are so moving is that she is full of emotions and shows them to the audience in an extremely restrained way, easily bringing the audience into her world.

When looking at the role of "He Yu", you will not connect it with Yoko Yoko herself or other characters she has played. This is the charm of an actor. One person has thousands of faces, and any character is different from her. The body is just the character itself.

He Yu fits the current role of a heroine. She has a decisive and decisive side, but also a fragile and broken side. She is not perfect, but she is authentic and can easily arouse the audience's emotional screams.

It’s cool

After being snatched away by a colleague, He Yu didn’t hold back and turned around and said, “How shameless are you?”

When faced with a third party pretending to be stupid and sweet, she showed no mercy to the other party: "They are all women, what are you pretending to be?"

Her boyfriend proposed breaking up after ten years His feelings turned into a joke in an instant. Even if his heart was in turmoil, he had to remain decent and decisive.

The supervisor's position was occupied by a related party. As a veteran of the company, her seniority became a drag. She simply reported the business department's illegal operation of personal commissions. Since the company was unkind, don't blame her for draining her salary.

The third party was openly provocative. He Yu, who originally wanted to get back together with her boyfriend, gave up completely and threw away her boyfriend's things, which meant that she wanted to clean him out of her world like garbage.

Faced with unemployment, betrayal, and villains, He Yu did not want to be a doormat, nor did she use the trick of repaying evil with kindness. She faced the anger and desire in her heart, and did not collude with evil people, let alone Throw away your inner bottom line and integrity.

She is strong and domineering and shrewd and capable. Every move brings joy to the audience, and she does many things that ordinary people dare not do.

Pain Points

If a drama is only enjoyable, then it is easy to ignore the facts, be superficial, and be too flattering.

Only by adding pain points can a three-dimensional character be presented, and the love and pain in the audience's heart can be explained through the characters.

He Yu doesn’t want to get married, not because she doesn’t love Song Zelin, but because she wants to build a good material foundation to protect their future lives. However, her hard work and hard work are seen by her boyfriend. Come but worthless.

In front of her boyfriend and a third party, she always has the upper hand, but when she is alone, all the emotions rush into her heart, and she will drink to drown her sorrows, and she will cry bitterly.

She was originally proud and refused to accept headhunting, until the company's trend changed. She wanted to embrace the opportunity, but found that the opportunity flew away.

Even though her boyfriend had some suspicions of wrongdoing, and even though she was insulted by a third party, she still wanted to give a decent account of her ten years of youth and give each other the last chance. She finally let go of herself, but the other party Or hit her weak spot and make her lose face.

Since love cannot be grasped, career must always be in hand. As a result, not only did she lose her position as supervisor, but she was also used as a weapon by her superiors. In the end, she was given a job transfer. She couldn't swallow this sigh of relief, but she took The company had no choice but to resign and leave.

He Yu’s various experiences reveal the difficulties faced by urban women today.

In a relationship where women are strong and men are weak, women don’t mind the other person’s mediocrity and laziness, but women’s excellence and strength become excuses for not being loved.

In the workplace, women try their best to climb up, but they are no match for their connections and cannot resist the inhuman system and exploitation.

The cruelty and reality of society are especially true for women.

Laughter

In domestic dramas, there are many tender family dramas and serious workplace dramas, but there is a lack of light comedies.

Yoko Rame comes from a comedy background and is best at making the audience laugh, so when it comes to making jokes, she always manages it easily.

It is precisely because of the integration of laughter that the whole drama is not too depressing, and it is also in line with the "Buddhist" and "entertainment" characteristics of today's young people.

The comedy tone of the entire drama was established from the very beginning, with her exaggerated lipstick-applying posture and narcissistic demeanor, which brought out Yoko's own comedy talent.

When the client was about to put his fingerprint on his colleague's contract, He Yu rushed in and the fingerprint happened to be pressed on her hand.

One second, he was getting drunk elegantly in a bar, and the next second, he was lying on the roadside, his face turned pale. He first had hallucinations of being murdered, and was mistaken for a sign of sudden death, and was rushed to the hospital.

Seeing her boyfriend with a third party, He Yu anxiously went to catch him, but was caught by Jin Chengwu and asked for the fare. The words "The Lord of Hell can still owe money to the kid" were simply embarrassing. People burst into laughter.

It has painful points, exciting points, funny points, and a compact plot, so it is worth watching.

Yoko Lame expresses these three elements vividly without any sense of contradiction. She can be serious, lively, funny, and deep. She presents an all-round interpretation to the audience of 3 women. A look.

"A Year Without a Job" is just the title of the play, which is enough to shock people's hearts.

In the context of the epidemic, there are many people who are unemployed.

When companies go bankrupt and the industry tumbles, both the strong and the weak have to find room for survival in this wave.

It is difficult to move up, but people must survive.

In terms of plot, this drama is a bit thin, perhaps only reaching the passing mark. The most precious thing about it is that it heals anxious people.

We cannot change the direction of the tide, but we must let go of our arrogance and arrogance and learn to live with our feet on the ground.

If you don’t buy designer bags, don’t covet a higher position and salary, and only worry about basic food and clothing, your life will be much simpler.

Just like the lines in it: "Work is just a means of making a living. The most important thing in life is freedom of mind and movement."