From a professional point of view, how is Diamond's singing?

On the stage of China's good voice, the disadvantages of diamonds are also obvious. The whole singing method is completely Korean-style small voice, and some even deliberately pursue the soft auditory transition of vocal cord edge and weak mixing in high-pitched and low-pitched voices, and the degree of vocal cord edge and weak mixing is very low. This kind of singing is a standard Korean aesthetic, and the expression of music often focuses on the expression of individuals and voices, while our music aesthetic tends to focus on sound quality and sound pressure. It needs a little atmosphere, and the high-pitched timbre is very good when the thyroarytenoid muscles are highly involved. To put it bluntly, Diamond's singing style tends to be petty, and we can feel that this is not a popular vocal singing style in a big country.

Besides, the song Diamond chose in The Voice of China is also very suitable for her, which is JJ Lin's She Shuo. JJ Lin is a top male singer, with marginal vocal cords, lyrical songs and singing style close to female tones. The only difference is that JJ Lin's strong mixed high notes are all weakly mixed.

After winning the title of "The Voice of China", Diamond began to change the aesthetics of vocal music and began to further study vocal music in the China music market. The following is a simple cut from three points: timbre, range and cavity ability:

1: timbre; Chorus female singer, her skills are too concentrated. Timbre is divided into two parts, one is the innate background color of vocal cords, and the other is the acquired timbre skills.

In terms of natural timbre, diamonds lack the beauty of recognizable timbre. Her vocal ligament is as thick as Na Ying's and belongs to a girl. It is reasonable to say that her ability to mix arytenoids will be enhanced, but in fact, Diamond did not do so. But by pressing the position of the larynx to improve the sense of strength, leading to timbre splitting. Moreover, Diamond's singing habit has a large fluctuation in throat, which can't keep the unity of timbre, and there is still a lot of room for improvement in timbre performance. The mixing effect of innate timbre, diamond CD and program is much higher than Live.

Different from ordinary natural timbre, Diamond's personal ability is reflected in his mastery of timbre skills, especially the marginalization and weak mixing of vocal cords in Korean singing. After entering the China market from the Korean market, Diamond adjusted the marginal mixed market of vocal cords, omitting the delicate inflections of Korean endings, and focusing on a single long tone. At the same time, the strength of the whole thyroarytenoid muscle increased, which made the overall tone feel attached. We use two songs "Cool" and "Just Ordinary" to illustrate Diamond's natural control over the marginalization of vocal cords.

Cool is Diamond's most important masterpiece. Since then, Diamond has become a powerful female singer in Chinese music. The first time I heard the female voice of Diamond in Ku, many people were amazed and silky. This is the universal application of vocal cord edge timbre technique.

The marginalization of vocal cords is essentially a kind of softening timbre, giving up a certain sense of strength, actively improving the throat position and increasing the overall timbre tension. At the same time, the acoustic ligament partially contracted, the glottis fissure narrowed, and the secondary air output increased. A kind of overtone friction is formed, which is the empty sound effect and long sound line in specific hearing. With the blessing of female voice, it is extremely in line with the curvaceous beauty and flexible beauty of women. This timbre technology can greatly change the original timbre, in other words, no matter what the timbre itself is, the marginalization of vocal cords can achieve very good technical results.

In essence, vocal cord marginalization is a colorful timbre, but in Cool Me, diamonds made an unexpected treatment-vocal cord marginalization is the background color of all title songs. This leads to cool open's amazing feeling, because the overall timbre is the marginalization of vocal cords, rather than our common real chest sound. Such a successful case is due to the existence of male and female chorus, and the richness of its timbre is based on male voices. Diamond's approach is not suitable for solo, because solo with marginal vocal cords as the main tone will lead to too little vocal content.

Generally speaking, Diamond's timbre skills still have a great influence on Korean singing. She entered vocal music training for the first time as an idol trainee in Korea, which still leaves her with great memories.

Except for marginal vocal cords and weak mixing, Diamond's other timbres show great amateur hearing. And the upper and lower limits fluctuate greatly. Generally speaking, it is not a live track, but a program group mix or CD effect. Diamond's voice is infinitely close to nature. In Live, Diamond's timbre quality is infinitely close to amateur.

What causes this phenomenon is essentially the separation of timbre caused by excessive fluctuation of throat position. But this situation is getting better and better. With the growth of age, Diamond should have targeted vocal learning. In As Long as Ordinary, the expressive force of diamond timbre has made great progress:

Generally speaking, the best part of As Long as Ordinary is the chorus and the singing part with marginal vocal cords. In contralto as long as ordinary, diamond has a certain concept of chest sound, and the overall true color timbre is no longer the sense of strength given by the previous throat position, but the comfort and space of abdominal support.

But I still have to say that the CD is really nice, but Live lacks chest sound and abdominal support when it opens its mouth. Moreover, it can be understood from the side that Diamond's two most phenomenal songs "Cool" and "As Long as Ordinary" are choruses. Whether it is Aska Yang or Jason, the bass ability of these two male singers is directly full. In essence, Diamond's timbre ability is still limited. She needs a male singer to make the bass part for her.

Diamond's live solo can't be said to be unattractive, but it can only be said that it is not good. Diamonds were hanged by 18-year-old Shan Yichun in the live broadcast of 20 19 China Good Voice Finals. Whether it is timbre, arytenoid degree, sound pressure, abdominal support, chest sound, you can feel the pure professional and Diamond's pan-amateur.

But then again, Diamond is indeed a female singer who is very suitable for male and female chorus. Although people are generally lackluster, the marginalization of Korean vocal music is indeed better than that of China singers. In fact, the main timbre skill in the Chinese pop music market is the marginalization of vocal cords, and Diamond's ability to marginalize vocal cords alone is enough to become a T2-level and perfect market effect. Marginalized people have beautiful vocal cords, but they can maintain the feminine beauty of China's music aesthetics without coquetry like Korean female singers. This is the foothold of a good singer.

2: scope; Diamond CD series: E3-G5;

Diamond Live series: G3-E5, F5-G5 chords;

Range, I personally think that range is the biggest shortcoming of the lack of diamond cavity capacity. It is also the core problem why there is such a big gap between her Live and CD effects.

First of all, bass is the best witness area for a non-professional and professional singer. The bass area of diamonds is very serious. Basically, like Jane Zhang, she is a female singer who has no sound pressure in bass and breathes three times in one sentence. The core problem is the lack of bass chest singing. Compared with Yichun alone, this leads to the reason why Diamond's bass Live has no distraction and bass aesthetic feeling.

The difficulty of professional female singer bass lies in whether it has a chest, because if it doesn't have a chest, it basically can't support the abdominal cavity. Bass articulation and the feeling of bass provide a cavity, not in the abdominal cavity but in the chest cavity. The abdominal cavity is the source of power, while the bass is produced by the chest cavity. This is very difficult for amateur singers who are not professional. For example, Jane Zhang and Diamond have the same problems.

Between E3 and B3 in Diamond, there are some problems such as insufficient bass, low throat and deep voice. Starting from C4, I entered the comfort zone and began to have a general level of true voice and vocal cord marginalization ability. Diamond's most accustomed vocal area is E4-B4, which is also cool and just a common core chorus vocal area. It is also one of the reasons why Diamond needs male singers to sing in chorus, because she really has a problem singing in the bass area.

Between E4 and B4, Diamond can be said to be a dominant female singer, especially her vocal cord marginalization ability, but she can really reach the T 1 level of female singers in vocal cord marginalization. The key point is that this vocal cord marginalization ability is the timbre of the female singer with the most audience, which is basically useless to any male singer.

After B4, Diamond became an amateur again. The expression of C5 is quite satisfactory. From C#5, Diamond returned to the basic small voice of Korean singing, and began to have a high throat position, and the thyroarytenoid muscle degenerated without any participation. The sound cavity and sound pressure of the whole treble are generally lower than those of China T 1 even T2 singers. And because of its absolute pitch ability, this leads to the priority of pitch over the quality of single tone in Diamond's singing subconscious. So basically, Diamond's treble scene sounds dry, and the mix and match of CD and studio decoration is enough to achieve perfect effect.

Generally speaking, Diamond is still a talented female singer, but Korean singing has a great influence on her. Today, Diamond's professional ability is only dominant in male and female chorus, but weak in personal solo strength. Both bass and treble have great shortcomings.