What is Huang Yulang’s profession?

Huang Yulang

Huang Yulang (born in 1951), whose original name was Huang Zhenlong, and his early pen name was Huang Xuansheng. Born in 1951 (Gregorian calendar, the tenth day of the second lunar month in 1950). A famous Hong Kong cartoonist, the godfather of the Hong Kong comics industry, and the founder of Hong Kong's largest comics publishing group, Yulang Group (now Culture Communication) and Yu Dynasty. The comics he publishes are not only extremely popular in Hong Kong, but also in Southeast Asia and Taiwan. and mainland China and other Chinese regions. His masterpiece "Dragon and Tiger Gate" has been popular for more than 30 years, setting a historical record for Hong Kong's long-running comic strips. He introduced the styling design and editing techniques of Japanese comics and combined them with traditional Chinese comic strips. form, creating a new era of Hong Kong comics. He has created more than 100 works, which have sold more than 350 million copies worldwide and are read by readers all over the world.

Chinese name: Huang Yulang

Foreign name: Tony Wong

Alias: Huang Zhenlong, Huang Xuansheng

Nationality: Chinese

Nationality: Han

Birthplace: Jiangmen, Guangdong

Date of birth: 1951

Occupation: Cartoonist, director, screenwriter

Representative works: "Tathagata Palm", "Legend of the Emperor", "Magic Weapons"

Hometown: Chaozhou, Guangdong

Zodiac: Tiger

Characters Experience

Hard Childhood

Wong Yuk-lang, a prodigy in the Hong Kong publishing industry, grew up as a poor boy with nothing, relying on his perseverance and a brilliant pen, after many setbacks and struggles, he became Never give up, he finally found his place in the publishing industry and established his own comic publishing empire. Huang Yulang's struggle is legendary and he is known as the "national hero" and "Stallone" in the publishing industry. Huang Yulang's real name is Huang Zhenlong. He was born in Jiangmen in 1950. He came to Hong Kong at the age of 7. He dropped out of school at the age of 13 and helped others draw comics. He also published a comic called "Son of Superman" under the pen name "Huang Yulang", which initially showed his Talent. Huang Yulang, who came from a poor family environment, liked to draw, draw cartoons and heroes in his mind since he was a child. From the age of 9, he tried to contribute to the comic pages or columns of newspapers. It was not until the age of 11 that he won the first place. This "debut" was published. Because his family was poor and he had not finished middle school, he had to leave school to earn money to support his family. When he was 13 years old, he was recruited to work as a part-time worker in the "Times Comic Daily" office and as an apprentice painter, with a monthly salary of 140 to 200 Hong Kong dollars. But the good times did not last long, and he soon lost his job due to the recession in the comics industry.

Entrepreneurship failed

In 1964, after losing his job, Huang Yulang borrowed 1,000 yuan from his father as capital, opened a comic book club, and started his own "publishing business". Originally called "Joke World" weekly. This is Huang Yulang's first business venture. He draws, edits and prints by himself, with his brother as his collaborator. No publishing house was willing to publish it, so he and his brother rode bicycles through the streets and delivered "The World of Joke" to newspaper sales points. However, there was no success in the publication of "Joke World". It failed after publishing only 5 issues, and even all the money it borrowed to start the business was lost.

Huang Yulang was not discouraged when his first business venture failed. On the contrary, Huang Yulang believes that "the biggest gain from working on "Joke World" is that it makes me very familiar with the streets of Hong Kong and Kowloon, because I have to deliver the goods myself." It seems that this is beneficial to him. years later. He was eager to try again and jointly published the "Entertainment Comics Daily" with others. It took three months to prepare. Unfortunately, the lifespan of this newspaper was only three months. Due to sluggish sales and unable to make ends meet, publication ceased after three months.

Huang Yulang failed again in his second entrepreneurial venture. Since his savings had been exhausted, he had to work for others. At that time, Cui Wei in the Hong Kong comics industry was eager to recruit comic talents, so he went to take the exam. In Cui Wei Group, he creates forty to fifty stories every month, with 210 paintings per story. His salary plus royalties make him a good income. However, Huang Yulang was not satisfied with the status quo and had only settled down for more than a year. He cooperated with the painter He Ke and published a daily comic book by himself. Started my third business.

Having worked at Cui Wei Group for more than a year, Huang Yulang is already familiar with the entire publishing industry. The collaborator He Ke is also experienced.

Therefore, the establishment of "Novelty Comics Daily" was relatively successful and it was published soon. It sold more than 12,000 copies a day, and its sales volume ranked first in the Hong Kong comic book market at that time. Then, they founded the "Roxy Comics Daily", but due to lack of manuscript sources, it was shoddy. As a result, "Novelty Comics" was also affected, with both quality and sales declining. In 1967, half a year after Huang Yulang started his business for the third time, the "May Storm" swept through Hong Kong. The people of Hong Kong were in turmoil and their consumption power was reduced. At the same time, Hong Kong TVB was launched, and people's attention was focused on television. This had a great impact on comic books and newspapers, and sales fell to the bottom. Two comic daily newspapers, "Novelty" and "Roxy", had only been running for one year. Declared bankrupt one after another. Although Huang Yulang later published "Seiko" comics, his business was already bleak.

Achieve success

In 1969, Hong Kong’s economy began to take off, people’s spending power increased, and the comics market also showed vitality. Although Japanese comic books were already very popular in Hong Kong at this time, However, Huang Yulang gave up the idea of ??changing careers and decided to stick to it. This time, he jointly established a "Diamond Publishing House" with a printing friend. "Diamond Publishing House" became more successful than before. As a result, he sold all his shares and books to the publishing house, and he himself worked for it, turning from a boss into a wage earner.

Huang Yulang seemed to be facing bad luck, but he was not knocked down. Instead, he became more courageous as he fought. His tenacious spirit was finally fully rewarded in another entrepreneurial venture.

At the end of 1971, an elderly friend who ran a bookstore took a fancy to Huang Yulang's dedication to the comics industry and his perseverance, and jointly established Yulang Book Company to publish various comics publications. . This time, Huang Yulang learned from the experience and lessons of previous "entrepreneurships" and took steps step by step. In addition, since he has relatively strong financial resources, he strives to be careful in financial management. It received good feedback from the publication side, with sales quickly exceeding 20,000 copies and making quite a profit.

During this period, Hong Kong's cartoon industry was different from previous years. Most of the original cartoonists had "changed careers" and there was a considerable shortage of talents. In addition to being "prolific", Huang Yulang also recruited a group of young people who like comics and trained them to become active and creative backbones. At the same time, he absorbed the advantages of high quality and good printing of Japanese comics and worked hard to improve them. In this way, after three years of hard work, the sales volume of Yulang publications ranked first in the Hong Kong market, overwhelming the "domineering" Japanese books.

After going through ups and downs, Huang Yulang finally won the favor of fate and achieved success with his strong perseverance. He became one of the celebrities who can enjoy wealth and owns his own business group.

Received good reviews

In 1965, Huang Yulang co-founded two comic daily newspapers and a publishing house many times, but they all failed. In the following years, the comics he drew were generally well received. Among them, the most familiar one is believed to be "Little Silly Fairy", while other works such as "Little Devil", "Little Snake King", "Son of Superman", "Little Magic Emperor", "Devil Corps", "Judo Magic Boy", "Flying" "The Ax Fairy Boy" and so on are also well received. According to him, the purpose of drawing so many types of books is to see which kind of comics are the best-selling ones.

In 1969, he began to conceive of "Little Rascals", and in the following year he self-financed "Diamond Publishing" to publish "Little Rascals". However, due to poor financial performance, the publishing house was sold to Huang Guang, the owner of a company called "Baoguang Publishing House". Due to the increasing sales of Little Rascal, it was sold out as soon as it was published and became the publishing house's treasure.

In 1971, Huang Yulang saw that the sales of Little Hooligan were good, so he asked the company to change the small version of Little Hooligan from the then 2-millimeter version to the large version of 6-millimeter version. However, the risk was too great (because of the disguised form). It felt like the price had tripled) and was opposed by the company.

Huang Yulang still hoped to have his own career and was unwilling to leave others behind. He decided to secretly plan another book on Little Rascals and even founded his own "Yulang Book Company" to break away from Huang Guang's "Baoguang Publishing Company". society". In order to raise funds, six issues of Little Rascals were published within a month of the new company's opening, two issues at a time.

In the 30th issue of Little Rascals (1972), Huang Yulang began to add some columns at the back of the comics. For example, there was a column called "The Career of a Painter", which even talked about the life of the cartoonists at that time. Living conditions, the development of the comics industry, readers' reading habits, etc.; there is also a column called "Smoky Hong Kong", which publishes satirical text manuscripts and cartoon manuscripts, and you will receive royalties if your works are published.

At that time, the movies of martial arts superstar Bruce Lee had a profound impact on Hong Kong, and indirectly stimulated the sales of Little Hooligans. The previous highest sales volume of Erhaozhuang was 25,000 copies, which was finally broken by Little Hooligans.

The success of Little Hooligan led countless cartoonists at the time to imitate it. However, bad works will naturally be eliminated by time, so they still do not damage the status of Longhumen. In order to increase the manuscript fee, he changed the number of Little Rascals from three lines per page to four lines per page starting from the fifty-second issue. The number of panels has been increased to ten to fifteen, and the content has doubled. He also boldly revised the version of Little Rascal from thirty-six pages to twenty-four pages, and also enlarged the number of boxes. This change was very successful and sales increased instead of falling. Huang Yulang's income increased from 1,200 yuan to 2,500 yuan.

The changes that followed played a decisive role in the history of Hong Kong comics. Huang Yulang changed the original thirty-second edition of Little Rascal's book into a sixteenth edition, and the selling price was changed from two cents to six cents. This reform greatly changed the view of comic strips on publishers who had previously been uninterested. There is still a market for Little Hooligans in other places, and Little Hooligans comics are on sale in Chinatowns in many countries.

Expand business

As royalties increase, the next thing to do is to expand business. Under the Kung Fu effect of Bruce Lee's movies, a set of works appeared that could compete with the hooligans - Shangguan Xiaobao's Bruce Lee. So Huang Yulang decided to win over Shangguan Xiaobao for cooperation. But at the same time, Huang Yulang's former client Huang Guang was still interested in Bruce Lee, so in the competition for royalties, Shangguan Xiaobao finally invested in Huang Guang with a royalties of 1,000 yuan per issue.

When Shangguan Xiaobao had a stable income, he worked harder. Bruce Lee's sales reached 40,000 copies per issue, which was close to that of the little gangsters at that time. Because this makes Shangguan Xiaobao more ambitious to create his own world independently. At the same time, Huang Yulang abandoned comics because he was gambling, drinking, and leading a corrupt life. As a result, there was an incident of "the boss lady of the publisher being the one to blame", blaming Huang Yulang for the decline in the quality of the Little Rascal comics, the loss of readers, and the fierce pursuit of Bruce Lee comics. In the end, Huang Yulang cultivated his mind and character and devoted himself to the creation of Little Hooligan.

Later, Bruce Lee's movies featured wonderful nunchuck performances. The gangster successfully mastered the readers' psychology and added nunchaku kung fu to Shi Heilong, one of the three emperors of dragon and tiger, which received great response. . In issues 70 to 73, Bruce Lee was used as the cover. By that time, sales of Little Rascals had reached the 60,000 mark. Even after several price increases, sales were not affected.

In 1974, the story of the little gangsters began to enter the battle of the Japanese Rakshasa Cult. The book itself is partially printed in color, priced at one yuan, and the average sales volume per issue has reached the 100,000 mark.

No matter how high the sales volume and popularity of the Little Rascal comics are, they can never beat Shangguan Xiaobao’s Bruce Lee comics. The sales volume is still similar (but in terms of momentum, the Little Rascals still wins). The two master painters became more and more excited as they painted, and gradually the scale went too far. They painted until their heads were split and blood splattered, attracting the attention of the public.

In October 1975, the Hong Kong government officially passed the "Undesirable Publications Law". The police sent officers to book and newsstands to clamp down on and arrest people. They seemed to be trying to drive away all comics. In the desperate situation of no way out, Huang Yulang invited his colleagues to discuss countermeasures. Launched a self-discipline movement, stopped publishing pornographic books, held a press conference to ask the government about the standards of "bad publications", and even discussed countermeasures with former client Huang Guang and "old enemy" Shangguan Xiaobao. The result was a newspaper-style publication. Because newspapers are so powerful, attacking them is equivalent to attacking the entire newspaper industry.

New turning point

Since there is a new turning point, prepare for the daily comics immediately.

First of all, Huang Yulang thought that the name "Little Hooligan" sounded a bit vulgar, so he changed the name "Little Hooligan" and officially changed its name to "Longhumen" in the ninety-ninth issue; at the same time, he published his first comic The daily "Shengbao" published an average of one page of hooligan cartoons every day, and consciously reduced the violent and bloody scenes on the cover and content. At that time, the daily sales volume was approximately 50,000 copies.

The background of the story has also moved from Hong Kong to Japan, indicating that the plot of the story is purely fictional and has avoided criticism from public opinion. The single edition of Longhumen was changed to 16 pages horizontally to accommodate the opening of the newspaper, with forty-eight pages, full color inner pages, and each volume cost 2 yuan.

As matchmakers concentrated on Longhumen, other works created by Huang Yulang since then have become eclipsed. In fact, he also had "Iron-Blooded Praying Mantis", "Iron King Kong", "New Legend of Dragon Tiger Gate", "Stinky Hong Kong", "Funny Comics", etc. In addition to "Shengbao", he later opened another comic daily "Golden" "Report". And he put it on the big screen for Dragon Tiger Gate, but it did not receive good reviews.

As for Shangguan Xiaobao, who has been competing with Huang Yulang, he also ran a comic daily "Good News" to publish his Bruce Lee, continuing to put pressure on Longhumen. As a result, Shangguan Xiaobao was dubbed the "God of Immortality". Because the Dragon Tiger Gate swept the entire painting scene in the 1970s and was still advancing step by step with strong momentum, only his Bruce Lee.

Establishing the company

On June 27, 1979, Huang Yulang had enough funds, and Yulang International Co., Ltd. was formally established and began to recruit troops to disrupt the entire Hong Kong comics market. In the 275th issue of 1980, the story of Dragon and Tiger Gate began to be published independently from the doll newspaper, so the reading direction was adjusted back to "vertical", and it was published in a weekly format with 34 full-color pages per issue. This style is still used today.

Huang Yulang knew that if he wanted to unify the Hong Kong comics market, he must conquer the big tiger Bruce Lee. As a result, in 1981, he reached an agreement with Shangguan Xiaobao and classified his "Bruce Lee" into "Yulang". From then on, the country was officially unified, and all comics were produced by Yulang Comics.

In the 1980s, he was committed to making major reforms in comic production. First, he established departments necessary for the publishing industry such as printing, color separation, lettering, and binding, and purchased new printing presses and color separation machines to greatly improve the printing quality of comic books; and then, in order to expand the company's In order to reduce the production volume, Huang Yulang even divided the comic production into various steps such as drafting (drawing the composition), hooking (drawing the character's head), bodywork (drawing the character's body), and filling the head (responsible only for the character's hair). Therefore, when most cartoonists elaborate on how they entered the industry, they always say "I am responsible for the hook in this set of comics" or "I am responsible for the refutation of that set of comics."

In addition, he boldly entered the publishing industry and successively acquired and published a number of magazines and newspapers, including "Fresh Weekly", "New Era", "Youth", "Yulang TV", " Star TV", "Hong Kong Daily", "Financial Daily", "Tiantian Daily", etc.

After the unification of the painting world, most painters have significantly improved their work standards in a stable environment, which indirectly promoted the maturity of Hong Kong comics. But for Shangguan Xiaobao, who has experienced countless ups and downs, it is difficult to achieve a breakthrough in a stable job, so after completing his contract, he formed his own company "Baer Painting Society" and continued to use Bruce Lee as the backbone. In 1986, Huang Yulang officially listed "Yulang International Co., Ltd." and its market value immediately increased twenty-fold. From then on, no one would belittle the comics industry again.

Heavy losses

But good times don’t last forever. The stock market crash in 1987 caused heavy losses to Yulang International Co., Ltd. Later, the company headed by Zheng Jinghan and the Sing Tao Group attempted to comprehensively Acquisition of Yulang Group. In order to protect the country, Huang Yulang was involved in forging false accounts. As a result, Yulang International Co., Ltd. was suspended in April 1989. In June, he was even charged with forging false accounts. He was finally convicted in 1991 and sentenced to four years in prison. Years later, the appeal was successful and the sentence was reduced to two years.

As for Yulang International Co., Ltd., which he founded, several popular writers also left after Shangguan Xiaobao.

Liu Dingjian, who was born as a screenwriter, teamed up with Feng Zhiming, who was famous for his comic book "Shaolin Warriors" in the 1980s, and Dick, who was good at drawing love comics, to form the comic company "Freeman". Ma Rongcheng, who created 220,000 sales for his comic Chinese heroes and was dubbed the "myth", also left "Yulang" and joined forces with his best partner, Shaojie Group, "Tianxia Publishing". After Huang Yulang was imprisoned, "Yulang" was finally acquired by Hu Xian, chairman of Sing Tao Group, and later renamed "Cultural Communication Co., Ltd."

Since the 1980s had countless classic comics such as "Dragon and Tiger Gate", "Heroes of China", etc., the Hong Kong painting scene in the early to mid-1990s became eclipsed in comparison. In addition, in 1992, "Tamaro", which had not yet been acquired at the time, focused on the Japanese comic market and decided to take the lead in launching a Japanese-authorized Hong Kong Chinese version. Led by the popular "Dragon Ball" and the long-established "Ding Dong", Japanese comics once conquered the Hong Kong comics market, greatly affecting local creations.

Comeback

After Huang Yulang was released from prison in 1993, he wanted to regain the supreme throne in Hong Kong painting circles and decided to make a comeback. He teamed up with his disciple Qi Wenjie and became famous by drawing the comic "Street Fighter" Xu Jingchen and Qiu Fulong, who is good at drawing science fiction comics, formed the "Jade Dynasty Publishing Group Co., Ltd." and resumed their old business. In the early days of the company's establishment, the company's momentum was unprecedented, and its new works "Legend of the Emperor" and "Dragon and Tiger Five" were well received.

But it was at the time when Japanese comics were taking over Hong Kong, so it was difficult to have the same craziness as in the 1970s and 1980s. Because of this, the sales of "Emperor's Legend II" and "Yiyongmen" were not lost.

Until 1997, Huang Yulang reached an agreement with Mr. Jin Yong, the master of martial arts novels, and authorized "Jade Dynasty" to publish a comic version of his martial arts novel "Tian Long Ba Bu", which became a good story. After that, the craze for comics of martial arts novels slowly started. At the same time, the craze for Japanese comics began to subside, causing the Hong Kong comics scene to regain its vitality. Even though the quality of some comics was still questioned, the art scene was not as lifeless as it was in the early or mid-1990s.

In 1999, Huang Yulang's "Legend of the Emperor" series was well received, and he published another comic "Magic Weapon Xuanqi". The weapons in it directly led to the weapons craze. Although the comics industry is booming in Japan, there has been a "master-disciple break" incident. Huang Yulang's two disciples, Qi Wenjie and Zhang Wanyou, parted ways due to differences in interests and opinions. Xu Jingchen, one of the founding heroes of the "Jade Dynasty" at that time, also left because he wanted to create the world alone.

Although the interpersonal relationship is not satisfactory, you can find your true love on the road of love. After experiencing a failed marriage, he divorced his ex-wife in 1989 and they have two sons and one daughter. Later, he dated the movie star Gigi Lai. Although the two did not want to make it public, they thought it was a well-known secret. In August 1999, he remarried to his son, Ni Shibei, a former artist whom he had followed for many years. The love product between the two has been born, and the family of three is living happily. Later, she divorced Ni Shibei in 2006!

Good things come in pairs. After getting the love of his life, all comics experts unanimously recognized his contribution to the Hong Kong comics industry and elected him as the president of the first Hong Kong Comics Association. He also headed the preparations for the 4th World Comics Summit.

And he is optimistic about the development of the Internet, and has teamed up with several publishing houses to form a comic website "Diwang" (but it is absolutely cheap) to browse the content of comics. And he is quite confident about the prospects of this website. He will first develop the Taiwan market, and then rush out of Asia and look to the world to become a fully global comics website.

In fact, before starting the production of "Emperor Net", Huang Yulang had already made great efforts to develop the Taiwan market for "Jade Dynasty". Many comics such as the "Legend of the Emperor" series have publishers in Taiwan and have good sales; Qiu Fulong's comic "Dragon God" was favored by Taiwanese game developers and launched computer games for his works. Taiwanese comic master Zheng Wengeng and "Jade Dynasty" cooperates to launch his latest work "Big Thunder", all of which proves that he absolutely attaches importance to the Taiwan market.

The last thing I want to talk about is the incident of "Dragon Tiger Clan Returns to Huang Yulang".

Cultural Communication Co., Ltd., which owns the copyright of "Dragon and Tiger Gate", reached an agreement with Huang Yulang, allowing him to rewrite "Dragon and Tiger Gate" while retaining the copyright. This move immediately caused a sensation in the comic industry. Under its power, the famous director Wang Jing intends to make a Dragon Tiger Gate movie, and Huang Yulang even prefers Nicholas Tse to play the role of Wang Xiaohu.

Successful Experience

If we sum up Huang Yulang's successful experience, it is not difficult to see that the practice of investing in "God"'s favor and being unfazed by setbacks and operating skillfully will be beneficial to all people on the road to success. It is an inspiration for everyone on the road to entrepreneurship.

Huang Yulang followed "God's" favor and promptly adjusted the content and form of the publication so that it could continue to suit the tastes of readers and expand the scope of readers. He noticed that the children who read Gokulang comics in the past have grown up over time and become adult readers. Of course, new children are joining the ranks of his readers. So he adjusted the content to focus on hot topics such as kung fu, fighting injustice, and the confrontation between the forces of good and evil. The kung fu boys in his books rarely meet their counterparts, and these characters provide readers with a soothing and relaxing effect on their mental stress. In addition, he also dealt with the folio. In the past, small formats mainly served young readers, but small formats limited the pictures and the characters. If you want to achieve great development, you must use large formats. So Huang Yulang decided to change the small format to 16 format and tripled the price. The continuous reform of the publication attracted many young readers, and some young women also began to like his comic books, and it also entered the Southeast Asian, European and American markets.

In addition, Huang Yulang's many years of experience have given him a sophisticated qualification, making him calm and relaxed in the face of setbacks. Naturally, he encountered various setbacks on the road to success, the biggest being the preparation of the Hong Kong Daily in 1980. It is said that it was launched in a hurry before printing, manpower and financial resources were fully prepared, which resulted in a disastrous failure. But Huang Yulang was not dragged away, but immediately "the strong man broke his arm". His "Yulang TV" was at a disadvantage due to the limelight of TVB's publications. It lost more than 1 million yuan in two years. Later, everyone worked hard and advertising revenue increased, and it turned a profit. In this way, Huang Yulang figured out a way to make choices.

Huang Yulang is engaged in "creative" publishing work, and he has also creatively created a set of management methods of "get before you want, give before you want" that suits his own reality. In order to encourage the directors of various publications, the salaries of the directors of Yulang's publications are not high, but there is a considerable proportion of dividends system. In this way, the persons in charge of each publication will try their best to use their brains and come up with "tricks" to stimulate the sales of the publications, so as to increase profits and dividends in their own names, and the company's fixed costs can be reduced to a minimum.

Huang Yulang worked hard despite setbacks and eventually became one of the richest cultural tycoons in Hong Kong. He gained huge wealth by producing fairy tales for adults. According to data, his wealth is estimated to be 200 million yuan. Although he encountered bad luck again in the early 1990s and was imprisoned, it did not change his perseverance in fighting forward. After he was released from prison in 1993, he recruited his old staff again and formed the Jade Dynasty Publishing House to rebuild his comics kingdom and compete with other heroes for hegemony.

Emotional experience

Huang Yulang and Ma Mengni

In 1971, Huang Yulang and Ma Mengni got married. This marriage lasted for 16 years. They have two sons and one daughter.

Huang Yulang and Gigi Lai

Gigi Lai met Huang Yulang through someone’s introduction. The heroine in Huang Yulang's comic "Dragon Tiger Five" is called Fengzi. On Gigi Lai's 17th birthday, Huang Yulang held a luxurious party for her at the Shangri-La Hotel in Tsim Sha Tsui. But within two years, the two regretfully broke up.

Huang Yulang and Ni Shibei

Huang Yulang fell in love with Ni Shibei in 1998, and gave birth to a son, Royce, in the same year. However, the two parties have not registered, and in 2004, due to They separated due to personality differences. Later, Ni Shibei took her son to live in Singapore, but all living expenses and his son's medical expenses were paid by his biological father Huang Yulang.

Huang Yulang and Cass

On March 3, 2019, Huang Yulang announced that he had remarried on February 14 to his 32-year-old outsider girlfriend Cass. Huang Yulang also thanked his ex-wife for rushing to Australia to help get old documents replaced, so that their marriage could go as planned.

Cass is several months pregnant. Prior to this, Huang Yulang had two sons and one daughter with his ex-wife Ma Mengni, who is also a cartoonist, and he also has a son with his old love Ni Shibei. This will be his fifth time becoming a father.

Main works

Early works:

"The Little Magic Emperor" (1967)

"Little Silly Fairy" (1968) )

"Son of Superman" (1968)

"The One-Armed Knife King" (1968)

"The Little Snake King" (1968)

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"The Judo Devil" (1969)

"The Little Devil" (1969)

Classic masterpieces:

Early 1970s , the publication of Huang Yulang's century-old work "Dragon and Tiger Gate" drove the Hong Kong comics market to take off, deeply rooted in the hearts of the people, and became popular for more than 30 years, creating a historical record for Hong Kong's long-running comic strips. "Dragon and Tiger Gate" was originally called "Little Rascals", in 2000 It was republished and renamed "New Works on Dragon and Tiger Gate".

"Drunken Master" was first published in 1981. It is Huang Yulang's second full-length martial arts comic after "Dragon and Tiger Gate". The emergence of "Drunken Master" was mainly influenced by the movie "Drunken Master" of that year. "Drunken Master" became very popular after its publication, and was later adapted by "Asia Television" into the TV series "Drunken Master Wuji" and "Sun Emperor and Moon Queen".

"Tathagata Palm" is another new martial arts masterpiece by Huang Yulang. Together with "Dragon Tiger Gate" and "Drunken Master", it is Huang Yulang's masterpiece of martial arts comics! In 2008, it was adapted into "God Palm Dragon Sword Flying"!

The "Legend of the Emperor" series, the "Emperor" series has a total of 8 volumes so far - "Emperor I: Ji Fa Chapter", "Emperor II: Qin Huang Chapter", "Emperor_Zhi Fa" "The Rogue Emperor", "Tianzi Si: The Legend of the Great Tang Dynasty Dragon", "Tianzi Wu: Tathagata Palm", "Tianzi Lu: Hongwu Emperor", "Tianzi Seven: The Proud Emperor of the Three Kingdoms", "Tianzi Legend 8 Heavenly Overlord".

In the 1990s, he created works such as "Yiyongmen", "Dragon Tiger 5" series, "001", "The Legend of Two Dragons of the Tang Dynasty", and "The Great Sword Master". And adapted Mr. Jin Yong's works "Dragon", "The Legend of the Condor Heroes", "The Legend of the Condor Heroes", "The Journey of the Knight", and "The Deer and the Cauldron", setting off a trend of adapting martial arts novels in the Hong Kong comics industry. In 1999, he created "Magic Weapon Mystery".

"The Legend of Wang Fenglei" was created in 2008

"The Flying Dragon Sword" was co-created by Huang Yulang and Niu Lao in 2008

"The Legend of Wang Fenglei II" "Created in 2009

"War Heroes of Spring and Autumn" created in 2010

"The Legend of Fire Cloud Evil God" created in 2010

"Mercenary World" created in 2011

"The Heroine Qiu Jin" created in 2011

"The Legend of Shi Heilong" created in 2012

"The Legend of Shi Heilong II" created in 2012

"The Divine Soldier Asks the Sky" created in 2013

"The Legend of Shiheilong III" created in 2013

"The True Dragon of the East" created in 2014

"The Spring and Autumn Warriors" created in 2016

Creation of "Dynasty" 2016

Participating in animation:

"Fantasy Dragon Treasure" - General Art Consultant

"Magic Weapon" "Little General" - Chief Director

The live-action film and television drama "Dragon Tiger 5" will be officially launched at the end of 2018 and is expected to be broadcast in 2019. Huang Yulang, the original author, serves as the art director.

Characters and deeds

Born in Chaozhou City, Guangdong Province in 1950, he settled in Hong Kong at the age of 6. Since the age of 10, he has been published in "China Student Weekly", "Youth Paradise", "Express News", etc.

In 1972, he founded Yulang Book Company

In 1993, he founded Jade Dynasty Publishing Group Co., Ltd. founded Comic Empire Domain Group Co., Ltd. in 2000

Founded Yulang Multimedia Company in 2003