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What do you think after watching the cartoon "The Fantasy Space of Bears"?
One scene that impressed me the most was that the protagonists rowed boats and brushed through lotus leaves and aquatic plants. The special effects are great and the scene is beautiful. On the one hand, the beauty lies in the lifelike, crystal-clear river and aquatic plants swimming at the bottom of the water, without any sense of disobedience and falsehood of domestic animation; On the other hand, the beauty lies in the lens design, which has the implication of China's traditional Chinese painting. However, for this film, the most terrible thing about the series is that it is the same old tune and nothing new. While retaining the classic design, Bear Haunted tries to make the story more novel, richer and more exciting, with commendable intentions. However, there is a feeling that many films are pieced together. Although we can still see the traces of imitating foreign movies, at least it has been localized to the greatest extent. "Golden Antlers" and deer people are reminiscent of Ewenki people in the northeast jungle, and there are traces of hunters between the white mountains and the black water. What surprises me about this animated film is the awakening of aesthetic feeling. Bear infestation finally began to pursue beauty. The image of Xiong Da Xiong Er has always been criticized, neither cute nor handsome. Although ugly, it really disgusted adults. This time, I can see that the image has been fine-tuned and the face has softened a lot. There are also careful children who say that Xiong Er Bear has changed greatly. However, this change is worth encouraging. The fantasy scene in the second half of the film is thoughtful, detailed to moss, majestic to deer, and very shocking. Another representative of beauty is the deer girl Naya. Her appearance once reminded me of Chi Zijian's Right Bank of Erna River, an Ewenki who lives alone with reindeer. They believe that shamans will move and hunt reindeer because they like food, love and fear nature, and care about and considerate creatures. Naya, a tribal girl who has been living in the forest, is contaminated with the breath of nature. Because of this deep love for nature, it has gained some mysterious power that cannot be explained. I think the intention expressed in the film through Naya is the same as what Chi Zijian wants to tell, praising and praising human nature, worrying and uneasy about the ecological dilemma faced by human beings, praying and imagining the harmony of the ecological balance and order of the universe. However, in the plot, Naya's driving force for the story is slightly weak, and Naya's overall characterization is not particularly three-dimensional. Except for the beauty and mystery at the beginning, the subsequent interpretation is slightly weak.
This film is suitable not only for children, but also for adults. The villain boss in the film deserves adults' reflection. Under the immature appearance, there is an ambition to occupy all the treasures in the animation industry. The reason is that his childhood toys were taken away by his parents. It is because of this growing process that he suffered more psychological trauma, which also affected his adult life. The psychological problems of children's growth reflected in this role will also create some * * * sounds for adults watching movies. Because in real life, there are many similar examples: in order to complete their own educational routines, parents arrange various training courses for their children regardless of whether their children are willing or not, and prohibit their children from developing what they really like, thinking that this is good for their children, but in fact most of them bring negative effects. In the film, the villain BOSS is influenced by the shadow of childhood, and his personality is distorted. He was not allowed to blossom the truth, goodness and beauty until the deer passed through his body and replaced his almost dark memory with a beautiful memory. Although this is a happy ending, it is still worthy of adult audience's reflection: children's healthy growth needs not toys, clothes and training courses, but love from parents' hearts. From the children's perspective, the film is full of fairytale beauty, the adventure story makes them feel novel, and the colorful world presented opens their eyes. In the understanding of the adult audience, the characters' emotions and destiny outlined in the film are all interesting and worth thinking about. To the children's audience, Logger Vick looks pitiful and may even be a joke. In the eyes of adult audience, Logger Vick's wandering life can cause a certain noise.
Miyazaki Hayao's works often reflect some social problems, with profound cultural background and pure emotional course. The theme pursued by Miyazaki Hayao is always the pursuit of the innocence of love, the harmony of nature, a beautiful life and profound introspection. A good animation should not only have excellent production and a good story, but also have some points reflected in the story. What a movie can bring to the audience, some thoughts, not just as a fantasy story to entertain children.
The visual effect of the fantasy space where bears haunt has made a qualitative leap to a certain extent, but it can be more innovative in the story plot and cannot be blindly copied. The setting of the characters feels a bit like the ghost princess mixing the forest scene of Avatar. When people see many similar or identical things, their first reaction is that copying what they have seen before will not only reduce people's goodwill or even disgust for the whole movie. What we are talking about most now is copyright. If you use other people's things directly, it is equivalent to stealing. No matter how good the production is, no matter how gorgeous the story is, if you copy other works, the characters and scenes will be negative in people's eyes.
The story is also full of science and technology, and it has been brought into the wormhole of space, thus coming to comic world from the human world.
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