Film Review of Blind Man vs One-armed Knife

It's a pity that "Blind Man vs One-armed Knife" finally became a gimmick, and there was no surprise at all. It is said that spoofing is the most interesting and effective way to deal with it since the confrontation between two disabled heroes in China and Japan was discovered. Unexpectedly, all aspects of this film are still confined to the traditional structure and have not been released.

For example, the story tells that a one-armed knife crossed the ocean to find a friend in Japan, and when he met a blind man who was nosy, he often misunderstood because of the language barrier, and eventually war inevitably happened. Such a simple story confirms a classic joke: how important it is to learn a foreign language well! Because "language barrier" is actually the key to promote the development of the story!

Another example is action. Katsutaro's "Zuo Cheng" is still a Japanese style of backhand holding a sword to kill the enemy, while Wang Yu's "One-armed Knife" is a means of jumping around to cut Hong Kong films. Although they have their own strengths, the effect is not satisfactory; Compared with the publicity stunt of "blind man vs one-armed knife", I feel very disappointed.

Perhaps, it is inevitable that this description of "Blind Man vs One-armed Knife" is biased. What I can find is the Japanese version directed by Kimiyoshi Yasuda, which ends with "Left Head City" killing "One-armed Knife". In addition, there is a Hong Kong and Taiwan version shot by Teng Hung Hsu. It is said that "one-armed knife" won the "seat market". Why is this happening? In addition to taking care of the feelings of the audience in both countries, it also involves a secret history of Hong Kong movies. It is said that when Zou Wenhuai fled Xiao, he took away Shao Yifu's beloved Teng Hung Hsu and Wang Yu, avoiding people's eyes and ears, and secretly co-produced "Blind Man vs One-armed Knife" with Japan; As a result, a copyright lawsuit was brought, and Zou Wenhuai and Run Run Run Shaw went to court, which was a sensation!

As for the amazing co-production of "Blind Man vs One-armed Knife" between China and Japan, it is not worth making a fuss. As early as 1950s and 1960s, Shaw cooperated with Japanese film companies, not only condescending to study advanced technology in places such as Dongying and Gansu as a "co-producer", but also introducing film talents from Tadashi Nishimoto, Mizuho Inoue, Yukio Miyagi and K? Nakahira to shoot in Hong Kong. In view of this, Zou Wenhuai, who was betrayed by Xiao, can follow suit, and by going up one flight of stairs can do stunts.