Wang Peiyuan's Road to Art

Wang Peiyuan was born in a family of Quyi, and entered Quyi class at the age of 12. When talking about the karma with cross talk, he laughed and said that it was probably because "children from poor families took care of it early."

Wang Peiyuan's father, Wang Qisheng, is a storyteller in Tian Lianyuan and the oldest person in Tianjin storytelling circle. However, Wang Peiyuan did not study storytelling, but talked about cross talk for a simple reason: at that time, there was no storytelling major in Quyi class of Hexi District Opera School.

Wang Peiyuan said that he never had a hobby of being an actor or talking cross talk since he was a child. He went to a Quyi class because he could get an allowance of two yuan a month and didn't have to eat at home. "At that time, my family was poor. I worked since I was a child, in order to reduce the burden on my parents." Our first teacher was Zhu, who also studied under Sue. 1984, Wang Peiyuan officially took Bao Ting, a famous crosstalk artist, as his teacher.

Wang Peiyuan said, "I fell in love with crosstalk since primary school. Listening to cross talk, smiling, ten years old. Crosstalk is a comedy art that brings joy. " Being a good crosstalk performer and speaking crosstalk well is Wang Peiyuan's simplest and most persistent pursuit. Wang Peiyuan has been active in the cross talk stage. He can joke not only, but also. He also created many well-known cross talk jokes himself.

From a child of a poor family who didn't want to speak cross talk since childhood, he grew up to be a famous cross talk actor who enjoys a good reputation all over the country. Now, Wang Peiyuan has been on the stage for 48 years. The cross talk "Digging for Treasure" is one of Wang Peiyuan's most successful works.

1970, together with his teachers Chang Baoting and Zhu, he went deep into the factory, experienced three months of life, lived and worked with the workers, and created a new cross talk "Digging for Treasure". 1972, Tianjin party, government, military and civilian get-together was held in the Second Workers' Cultural Palace, and Wang Peiyuan publicly performed the cross talk "Digging for Treasure" for the first time. 1973 national day, with the approval of the cultural department, "Digging for Treasure" was broadcast on Tianjin TV station, and the result was a sensation throughout the country.

Recalling this experience, Wang Peiyuan was very excited: "At that time, I felt that I was a different person. I was no longer Wang Peiyuan without a job. Soon, the national crosstalk performers also have a stage life, and they are all learning to perform this crosstalk. According to Teacher Wang, "Digging for Treasure" is manna, and the cross talk garden is spring. " "Treasure Digging" made Wang Peiyuan famous all over the country. So far, some old audiences have seen him, which is the sentence: "Your" Digging for Treasure "is great!"

Wang Peiyuan has a profound artistic foundation of cross talk. Besides cross talk performances, he often engages in cross talk creation activities.

For decades, Wang Peiyuan's masterpieces include Digging for Treasure, Praising Flowers, Dueling for Treasure, etc. Wang Peiyuan said: "Creation is the only way for crosstalk performers to grow up. Crosstalk actors should have their own creative works. " In this regard, he summed up three reasons: first, actors are the easiest to perform their own programs; Second, actors will have a deeper understanding of their own programs and perform better; Thirdly, through study and creation, the cultural knowledge level of actors can be greatly improved.

In crosstalk teaching, Wang Peiyuan called himself a teacher, a master and a brother. Wang Peiyuan has helped many people since he became an artist. The young actors who studied cross talk with him all called him "Kid". "The children who learn crosstalk with me are Feng Gong, Liu Yajin, wang hong, Wang Lin, Wang Yue, Hu Kai, Li Xiaoqiang, Jason and so on.

Wang Peiyuan won the Peony Award, the highest award in China Quyi, and participated in the Spring Festival gala of CCTV and local TV stations for many times. He also won the creative performance award of the National Crosstalk Competition. In Wang Peiyuan's eyes, cross talk has great charm. Visit Singapore, Canada, France, Italy, Brazil and other countries with the delegation to bring laughter to overseas Chinese and foreign friends there. Wang Peiyuan said: "As long as people can understand Chinese, they like cross talk." Wang Peiyuan's work experience is very rich, among which, military life has a profound influence on him. Wang Peiyuan once went deep into factories and rural areas, experienced all kinds of life and engaged in all kinds of occupations. When he arrived at Haizheng Art Troupe, Wang Peiyuan claimed to be a "veteran". "I was a recruit when I first transferred to Haizheng Art Troupe. I didn't join the army, length of military service, but I was 48 years old when I joined the army, but I have been an artist for many years. Therefore, comrades-in-arms call me' new recruits and old comrades'. " Wang Peiyuan said.

Under the influence of the military environment, Wang Peiyuan's outlook on art and life became more mature. He said: "I love soldiers because they have dedicated their youth and life to the motherland and the people. I thought it was my duty to serve soldiers. " Around 2000, Wang Peiyuan and his partner Chang Guitian went to the Haiphong Line to perform for the soldiers there. "The biggest scene has tens of thousands of people, and the smallest scene has only three or five people, or even only one person. There is no entertainment on the reef where the little soldier is located, and the contact with the outside world only depends on the monthly supply boat ... "When it comes to these most lovely people, Wang Peiyuan is very excited. "When the little soldiers presented me with azaleas, Chang Guitian and I were in tears. Crosstalk was supposed to bring people laughter, but both sides shed tears in that performance. This is a special mission and a memory that I will never forget. " Wang Peiyuan is not only a comedian, but also a great "filial piety" star. Anyone familiar with Wang Peiyuan knows that there are three elderly people in their eighties in his family. Wang Peiyuan's parents are from Tianjin and have lived with them for nearly 20 years. After her mother-in-law died, Wang Peiyuan lived with her father-in-law, and they lived together for nearly 10 years. When people are old, it is difficult to leave their homeland and they are unwilling to leave Tianjin. Wang Peiyuan's work unit is in Beijing, and he has a big house of 100 square meters in Beijing. However, in order to take good care of the elderly, Mr. and Mrs. Wang Peiyuan gave up a better life, lived in a small old house in Tianjin, lived in a small kitchen without windows, and guarded three elderly people.

Wang Peiyuan has always had great respect for his master and teacher. "Respecting teachers and loving teachers is the virtue of phonograph industry. I always tell my disciples about the artistic morality and character of my predecessors, and according to the teacher's words,' I am a descendant of cross talk. I don't want to make a big splash, but I just want to contribute to the building of cross talk.' "Crosstalk art needs to be passed down. Wang Peiyuan said: "The art of cross talk is accumulated by my colleagues from generation to generation, and it is selfless. It is neither yours nor mine, it belongs to the Chinese nation. A good crosstalk performer is never conservative, but selfless. Only through unity, friendship and constant competition can cross talk change with each passing day and remain young forever. Moreover, the art of crosstalk is endless, that is, the existence of crosstalk masters in comparison. "Crosstalk actors need to constantly surpass themselves and support the younger generation.

Wang Peiyuan said, "Teachers are like parents. When they are old, they need our disciples to' go home often'. A good mentoring standard is a mentor. " He explained, "For teachers, they not only want to teach students the art of cross talk, but also want to listen to their progress and growth and increase their inner joy. Teachers need apprentices' care, and they need to increase the vitality of life in these care. Whether it is the elderly at home or our teachers and masters, we need more care from our younger generations. " "Crosstalk Scientific Outlook on Development" is a word coined by Wang Peiyuan himself. Wang Peiyuan said that now the whole country is learning "Scientific Outlook on Development", and cross talk should also have its Scientific Outlook on Development.

Wang Peiyuan's understanding of crosstalk: "Crosstalk is a joke, entertaining and telling the truth." Referring to the current "cross talk reform", Wang Peiyuan has his own view: "Cross talk can be reformed and improved, but it should remain unchanged. Crosstalk art must come from life, and then move towards life, in order to be accepted and affirmed by the audience, and it cannot be taken for granted behind closed doors. Master Hou Linbao once criticized:' Crosstalk has a very bad phenomenon. Some things that actors can't come are said to be innovative.' Crosstalk can't be nonsense just to make everyone happy. Very vulgar. There is still a difference between a crosstalk performer and a pet. "

Wang Peiyuan was deeply touched by the "basic skills" that crosstalk performers should master. "As the saying goes,' ten minutes on stage, ten years off stage', I want to say, more than ten years on stage! It should be never too old to learn. " Wang Peiyuan said, "I can get encouragement and applause from the audience on the stage. I can't live without the teacher who took us 40 years ago. We practiced three or nine times in winter and three days in summer, facing the deserted big wall and river. We practice basic skills sentence by sentence over and over again. Therefore, the' gateway' program is handy on the stage today, which stems from kung fu. This is what the teacher often says,' Hard work pays off, sharpening the knife does not mistake the woodcutter'. "

Wang Peiyuan is deeply touched by the current situation of crosstalk art: "You can't get quick success and instant benefit by engaging in art". In addition, Wang Peiyuan also expressed his views on crosstalk art: "Crosstalk also says" Kung Fu is beyond poetry ". A good actor must learn from society and sister art, especially crosstalk art, be broad-minded, talk about the present and the present, see the big from the small, and explain it in simple terms. More importantly, he should have rich knowledge of life and profound knowledge of literature, so as to achieve "learning from time to time is a pleasure", or "show his story, show his story" to be precise. Crosstalk actors cannot do without the knowledge of "remembering" and "asking". Just like the lines of cross talk actors,' cross talk belly, grocery store'. "