Grass and bright iris meet on the grass. What would they say?

Scholar Qian Mu once said that a writer has a pattern. Language is the most wonderful part of the article. There is no wisdom of expression, only wisdom of expression, not a good article. As an impromptu exam, the first thing that attracts the attention of reading teachers is Chinese. Judging from the excellent college entrance examinations over the years, it is true. Therefore, in the composition training of college entrance examination, the sharpening and upgrading of language is always an extremely important link. However, many of our classmates, even teachers, have no confidence in language training, which is due to an outdated concept? What is language? Rome was not built in a day? Things are the same. Of course, it is not easy to make the language perfect and have its own style and personality. But through conscious training, it is not difficult to practice a high-scoring composition language. The key is to find the right method.

First, the language problem is first and foremost an attitude problem.

Language is emotional, intelligent and beautiful. A person who has never really touched a language can't acquire first-class language ability. For example, the following paragraph:

As soon as I turned around, the grass behind me was in full bloom. A large area. It seems that someone told a joke and made a beach of grass laugh.

I lay on the hillside thinking. Is it what I think-a strange idea in a person's mind makes the grass feel funny and laughs my head off in the breeze. Some laughed, some half covered their lips and couldn't help laughing. Two flowers are close to me, one is facing me, with thin pink petals, as if singing and laughing; The other turned his head to hide his face, but still couldn't hide his smile. I can't help laughing. Laugh first, then laugh.

This is my first time in the wilderness, laughing alone.

-From Liu Liangcheng's Smile at Flowers.

Therefore, if you want to acquire a language, you must first get close to it. We can feel the beauty of language because of closeness, arouse our love for language because of good experience, be willing to ponder language because of love, and improve our language ability because of pondering. This is the process of language acquisition, and the most important thing in the process is to spend time reading classics and carefully ponder the language in reading. Approaching and thinking is a necessary attitude to improve language ability.

Secondly, the accumulation of literary vocabulary is the basis of improving language.

If you don't have enough, you can't get your meaning. After all, chapters and sentences are composed of word elements. Without rich words, words will be vulgar, old-fashioned and dry. Please look at the following passage:

It's not easy to live alone all your life. The seemingly smooth journey of life is full of thorns, which often makes people miserable. Pain is to people what wind is to shacks, waves are to boats, and breathing is to the heart. Endless vicissitudes of life, I do not know how many narrow-minded people have been devastated by setbacks and magnified the pain; The world has lived for thousands of years, and I don't know how many weak-willed people are depressed because of setbacks and pains. I don't know how many cowardly people died in the abyss of perdition because of setbacks ... In the face of setbacks, don't magnify the pain, but face life squarely and reduce the pain until the day of success.

This is the beginning of an excellent college entrance examination. A short paragraph is rich in words and full of books. In this way, how can we not conquer the marking teacher And many of our classmates' literature accumulation is mostly due to oral English, not from classic reading. A good language depends on the accumulation of a large number of written words. How to accumulate? The simplest, stupidest and most effective way is to recite, especially the chapters with rich words.

Thirdly, imitation and reference are shortcuts to improve language.

Great copies of ancient articles. It is extreme to say "plagiarism", but the article must go through a process of imitation and reference, which is not easy. Even Han Yu, the leader of the Eight Masters in Tang and Song Dynasties, said that he "only made statements" and had to admit that he was "spying on Chen". Huang Tingjian, the founder of the "Jiangxi Poetry Society School" in the Northern Song Dynasty, also understood: "Lao Du wrote poems and retired from writing, and there were no words and no places; Gai's descendants read less, so it is said that Han Du made his own words. The ability of the ancients to write articles can really cultivate everything. Although ancient characters enter calligraphy, they are like a panacea. " It can be seen that "plagiarism" is certain, depending on whether it can be copied, and plagiarism is imitation and reference. Eternal articles have two endings: changeable and unchangeable. What is changeable is our own innovation, and what is unchangeable is what our predecessors left behind. What we want to imitate and learn from is invariance.

Language can also be used for reference. The skills of choosing words and sentences and the tone of speech can also be imitated. Picking out the good sentences of predecessors or renaming the good sentences at home are often the "highlights" of the article. Let's take a look at the language of the following college entrance examination composition:

I am erhu, wandering like a snowy winter night, complaining like Guizi's erhu in late autumn. From the beginning, I have been wandering. I want to forget wandering and have a stable home.

I have been to yurts, wheelbarrows, grasslands with low wind and grass and low cattle and sheep, but there is a melodious voice in Ma Touqin; I have been to the Loess Plateau by Yunfei, where red sorghum, belief in heaven and strong winds roared, but it was born to be the hometown of suona. ...

I closed my eyes and tried to forget all the coldness.

I am still wandering and forgetting, but when I approached Yang Liuan, Wupengchuan and Jiangnan surrounded by small bridges and flowing water with hesitant steps, I knew that everything was frozen, and my steps seemed to be stuck and stumbling.

-Excerpted from Erhu Jiangnan of Shaanxi examinee in 2005.

Look at the language of the following passage:

There is an elf, wandering like spring water and as cold as the moon in winter night; There is an elf, as melancholy as a drizzle in early summer and as bitter as cinnamon in late autumn; There is an elf who is destined to wander forever-erhu, Jiangnan, wandering erhu.

Mongolian yurts, carts, grasslands with low wind and grass and cattle and sheep are destined to be the cradle of Ma Touqin. Red Sorghum, Walking on Wan Li Road and Yunfei Loess Slope are born to be the world of suona, while Jiangnan, which flows around Yang Liuan and Wupeng Bridge, will always be the endless magnetic field of erhu. On the one hand, soil and water feed the people on the other, and on the other hand, customs breed the growth of musical instruments. It's just that we don't know whether Jiangnan chose Erhu or Erhu chose Jiangnan at that time. Such a choice is difficult to consider and study.

Erhu is as poetic as apricot blossom and spring rain in Jiangnan. Although the mountains and rivers flow, Yu Boya's piano has been passed down from generation to generation; On the banks of Xunyang River, Bai Juyi was moved by a pipa. Although it is difficult for us to hear erhu's deep cries and feel the erhu's pulse among many operas in Tang, Song, Yuan, Qu and Ming Dynasties, who can say that erhu would not wander alone in the south of the Yangtze River without the piano and pipa?

-Excerpted from Chen's Wandering Erhu

In contrast, it is not difficult to find that the former imitates and draws lessons from the latter, not even imitating and using, but quoting and using. Perhaps, this is the shortcut to break through the composition language of the college entrance examination. Of course, the practice of this article is also suspected of plagiarism, but it is plagiarism. In fact, it is just that he borrowed too much from an article. If our classmates follow the following four principles:

1, not in one place. Imitation is not an article, but several or more articles. This is not plagiarism, but innovation.

2. Don't borrow it in a familiar place. Borrowing familiar chapters is naturally easy to be regarded as plagiarism, but it is better to avoid familiarity and use some relatively unfamiliar chapters.

Encourage yourself to borrow money. I usually express something very early and exquisitely. I used my own in the examination room, so naturally it can't be regarded as plagiarism, right?

4. Promote self-borrowing. Others may learn from it, I don't learn from it, others don't use it at all. Avoiding similarity is innovation.

Fourth, the language problem is, after all, a question of thinking and thought.

People have language, animals have no language, that's because people have thinking and thinking, and animals have no thinking and thinking. Therefore, the key to the study of language technology is to study the way of thinking and ideas. As a college entrance examination student, mastering four ways of thinking is enough to write a good exam-oriented masterpiece.

1 ratio. The so-called "comparison" means that the author has something to say, but he doesn't always say it. Instead, with the help of association and imagination, he compares and describes similar, similar, related or even opposite things or situations, so that truth and image complement each other, thus making his words interesting, easy to understand and vivid. To put it bluntly, it is to make one scene clear and compare it with another. According to Zhu, "compare with others, compare with others, compare with others." To say how slender and graceful your daughter's waist is, a fool will tell the geometry of the waist, a mediocre person will use a hug posture to assist, and a genius will use "waist of a willow" and "waist of a water snake" to describe it. After such a contrast, I can feel the image of my daughter's waist and stool. Look at the following two sentences:

(1) The 20th century is almost over. At the turn of the century, we look back on the past one hundred years. ...

(2) The curtain of the 20th century is slowly falling over our heads. Standing at the post station at the turn of the 20th century and 2 1 century, we look back on the past century that has not vanished. ...

Comparing two sentences, we will like the second sentence. Because the second sentence is very vivid and literary. At the root of it, it is precisely the subtlety of not saying what you have to say directly and comparing what you have to say. The 20th century is coming to an end, and the curtain is slowly falling. At the turn of the century, the past is compared to the post office, which makes the same meaning more vivid, emotional and vivid.

2. change. The same meaning can be expressed in different ways, just as potatoes are also called potatoes, yams, sweet potatoes and yam eggs. We "put it another way", the meaning has not changed, but it can convey a new interest.

(1) There is a girl who is nineteen years old. She was born without "sinking fish and falling geese". Choosing this and that "miss" is definitely hopeless, and even the school flower class will not consider her.

-Huang Miaozi's beauty and ugliness

If it is simplified to "not beautiful at all" or "extremely ugly", there is no humor at all, and it looks like a facial expression. The stories of four famous Chinese beauties, Stone, Diophantine, and Diophantine can naturally open readers' imagination.

3. supplement. The so-called "adding" refers to the language skills that we add relevant information or materials to the statement object, make the statement object concrete and convey a special feeling.

For example, I have the experience of "hot summer", so as long as the language is expressed as "it is too hot this year", I can see the specific situation of "how hot it is this year", but readers, especially those in the north, may not react. Because of this, when we write, we must think of readers everywhere, and we must ask ourselves whether readers can see the same scene as me when reading this sentence. If not, it is necessary to change the expression or add modification.

4. qi. The so-called "unity" means that languages should be symmetrical, that is to say, there is a one-to-one correspondence between the arrangement and combination of languages. The symmetry of language usually consists of two parts, one is sentence, and the other is sentence. There is a corresponding relationship between sentences. Please look at the neat words in the following exam-oriented masterpiece:

Win-win, you and I are both happy.

Shandong examinee

Even if I am a beautiful peony, I have to understand that a flower is not spring, and spring should be a colorful world.

Even if I am a solitary pine standing proudly, I have to understand that it is not a hero to stand out from the crowd, but the rows of trees are the solid Great Wall to keep out the wind and sand.

Even if you are a sailboat ready to go, you should understand that a boat alone is not a landscape, and Qian Fan can only show the magnificence of the sea.

Selfishness and ignorance; Creating a win-win situation is a wise move. Win-win is the foundation of confidence, the source of strength, the searchlight to open the road of life and the golden key to success. Win-win will make you and me brilliant.

Stroll on the beach of history and pick up the successful shells that say "win-win". During the Spring and Autumn Period and the Warring States Period, they competed for the world and the Central Plains. In the face of Qiang Qin's attack, it is the win-win wisdom that makes Lian Po and Lin Xiangru harmonious and help each other, with Lian Po in the military and Lin Xiangru in the literature. The two cooperated with each other to rescue Zhao from the hot water and keep him out of the country. At the same time, it is remembered by future generations that the beautiful talk of "harmony is the most important" has been passed down to this day.

"The Yangtze River flows eastward, and the waves wash away the heroes." Sean and Han Xin are like two stars, shining in the starry sky of history. Zhang Liangshan will be a general and Han Xinshan will be a soldier. Only by their cooperation can they achieve the success of "strategizing and winning thousands of miles" and realize the unity and prosperity of the Han Dynasty. It was the win-win wisdom that made Sean and Han Xin establish prestige and achievements in the Han Dynasty, adding two dazzling stars to the historical starry sky.

"Dim the swords and shadows and stay away from the drums and horns." Standing on the threshold of the new century, we can easily find that the light of win-win still shines today. China's accession to the WTO, ASEAN's economic cooperation and the joint mapping of the genome by the six countries all show the wisdom of win-win and will surely make our motherland prosperous and strong.

Win-win, let the blue sky not fade, let pigeons not panic, let youth not end, let mountains bloom all over the world.

Win-win, you and I are brilliant!

Fifth, repeated implementation is the guarantee to improve the language.

I have never seen anyone who learned to swim on land, nor have I seen anyone who learned to write without reading or writing. Fang Zhongyong described by Wang Anshi is fictional. Only by reading and writing in a down-to-earth manner can we truly acquire the ability to read and write. The bench will be cold for ten years, and the article will not be empty. This is about learning. We don't study, we take exams, and one year is enough. There are only three steps to improve the language: the first step is to realize it; The second step is implementation; The third step is to implement it repeatedly. Without these three steps, the four viewpoints I elaborated in front of me are worthless.