What would it be like to write a novel using all the intellectually retarded aspects of online novels?

The sand sculpture is as follows:

A: What scene should be filmed today?

B: The foolish king did not approve the memorial, but blindfolded his concubine to play with. The loyal ministers came to remonstrate, but they offended the Hunjun and were dragged out and beaten to death with sticks.

A: This is too cliché! Moreover, can we shoot three episodes with this little scene?

B: What? Three episodes?

A: The management asked *** to shoot ninety episodes, but you only wrote the script for thirty episodes, so one episode has to be filled with water to make three episodes.

B: How about letting the loyal ministers scold the foolish king for the last two episodes?

A: Is this logical? Can you listen to people scolding you for two episodes?

B: How about writing it like this? The faint king fell asleep while listening, and didn't wake up until the loyal minister had finished scolding him? How about letting the foolish king scold his loyal ministers for two episodes?

A: Cursed for the last two episodes? Does Hunjun have this ability?

B: It’s possible.

A: Well, it is possible that Hunjun has this ability. But the cheap screenwriter we hired, that is, you, definitely doesn’t have this ability. Can you write two episodes of curse words?

B: No.

The origin of the novel:

The word "novel" first appeared in "Zhuangzi Foreign Things": "To decorate a novel to serve as a county magistrate, it is also far away from Dada." Zhuangzi's so-called "novel" refers to trivial remarks, which is far from the concept of novels.

Until the Eastern Han Dynasty, Huan Tan's "New Theory" said: "The novelist combined Can Cong Xiaoyu and used recent metaphors to write short books to manage the body and family." Ban Gu's "Hanshu· "Yi Wen Zhi" listed "novelists" among the ten families, and the following definition is: "The flow of novelists is due to officials, street talk, and hearsay." Cai Shao and the significance of novels similar.

The biggest feature of Chinese novels is that since the Song Dynasty, there have been two different novel systems: classical Chinese novels and vernacular novels. Classical Chinese novels originated from street talk in the pre-Qin Dynasty and are a record of small knowledge. After the long-term development of the Wei, Jin, Southern and Northern Dynasties and the Sui and Tang Dynasties, classical Chinese novels have made significant progress in terms of subject matter or description of characters, forming two novel types: notes and romances.

Vernacular novels originated from the scripts of speakers in the Tang and Song Dynasties. The stories were drawn from the folk and mainly expressed the lives and ideologies of the people. However, both classical Chinese novels and vernacular novels have a long history and present different artistic characteristics.