Joke Collection Website - Joke collection - Qinqiang Opera was played by his great-grandfather in Kunqu Opera.
Qinqiang Opera was played by his great-grandfather in Kunqu Opera.
Excuse me: (1) It's been thousands of years, but isn't the Qin Opera mature? Did he have dystocia in Shaanxi Opera? I don't mean to discriminate against Shaanxi Opera, but I also like it. I just think that the theory that Shaanxi Opera originated in the Western Zhou Dynasty is untenable.
(2) Take a step back. If Qin Opera originated in the Western Zhou Dynasty, why did he perform in Ming Dynasty costumes like other domestic operas? Why didn't he wear the clothes of Han Dynasty, Three Kingdoms, Wei, Jin, Southern and Northern Dynasties, Tang Dynasty and Song Dynasty?
(3) Each dynasty has its own cultural products, such as poems in the Tang Dynasty, ci poems in the Song Dynasty, zaju in the late Jin Dynasty, operas in the Yuan Dynasty, novels in the Ming Dynasty, and film and television dramas in this dynasty. Why are there no documents left from the Western Zhou Dynasty to the late Jin Dynasty? Even people like Guan Hanqing, Bai Pu, Ma Zhiyuan and Zheng Guangzu stayed? Therefore, Shaanxi Opera originated in the Western Zhou Dynasty and can't stand scrutiny.
(1) The earliest data of Qin Opera is the legendary edition of Wan Lian in the Wanli period of Ming Dynasty (1573- 1620), in which there is a aria marked "Two Offenders in Western Qin Opera", all of which are seven-character styles of the upper and lower sentences. Here, the "second offender of western Shaanxi Opera" does not necessarily refer to Shaanxi Opera. The closer we are to our year, the finer Shanshan Bangzi will be. Originally, there were no such words as Tongzhou Bangzi and Zhou Pu Bangzi. Outsiders called the operas in this area "random play" and "Shanshan Bangzi". In Beijing, dignitaries, wealthy businessmen and tycoons generally despise actors and doctors. When I asked, where did it come from? It's from Shanxi and Shaanxi, so it's a Qin accent coming from the northwest over time. Who cares what you are? As long as it is not elegant Kunqu opera, it is collectively called random play. Not to mention ancient times, there are still many people in Shanxi and Shaanxi who are still confused. You say: I am from Shanxi, and he will ask you: xi 'an or Taiyuan? If you can really tell Shaanxi from Shanxi, why do you ask xi or Taiyuan? The word "Shaanxi Opera" has a wide meaning, not only referring to the present Shaanxi Opera. This view looks forward to different voices, mutual learning and common progress.
(2) When Kong wrote the Peach Blossom Fan, he wrote a poem "Pingyang Zhi Zhu Ci" in Pingyang Fu (now Linfen, Shanxi Province), which is difficult to understand without singing a song. My favorite is the small steps of Kwai Wa, and Handan is a wandering place. Qin is the most puzzling, but Qu Jiu is coquettish and obsessed with knowledge. Don't cherish the spring shining all night, lest we meet. Your taste, your delicate taste, the sound of the piano and the state of Qin are the most confusing. Is it Shaanxi Opera? Kong will be invited by Liu Qi, Mayor of Linfen City, to edit Linfen City Records in Linfen. Is it too much to edit "City Records" in Linfen in your spare time and watch a messy drama? You go to KTV, so people can't watch movies? Linfen sang Pu Opera, from which it can be inferred that foreigners at that time did not attach importance to these things. As long as you speak with a Shaanxi accent, he will say that you are from Shaanxi, whether you are from southern Shaanxi or western Henan. You speak Shaanxi dialect. Your food culture, humanistic customs, including spiritual culture and opera can all be called Bangzi Opera.
The earliest documentary record of Zhou Pu Bangzi is that Bai Yang, assistant minister of the Ministry of War and prince of Shaobao of the Ming Dynasty, took the Boxer Rebellion into the palace and sang "Loyal to the country", which means that I, Bai Yang, am the teacher of the prince, should always protect the prince, be loyal to the monarch and be patriotic. Bai Yang is a native of Zhou Pu (now Yongji, Shaanxi). The dialects spoken in southern Shanxi and western Henan are Fenhe dialect and Guanzhong dialect. Food culture and humanistic customs are similar to those of Shaanxi people. As for why Shaanxi Opera has not been popularized in Shaanxi and Henan, firstly, the originator of Bangzi is Zhou Pu Bangzi and Tongzhou Bangzi. The earliest literature of Tongpu Bangzi was in Jiajing period of Ming Dynasty, and Qin opera was in Wanli period of Ming Dynasty, which was later than Tongpu Bangzi. This is a bit unrealistic. Henan dialect and Shaanxi dialect can't pass, so they can't penetrate. Shaanxi Opera can perform with Tongzhou Bangzi and Zhou Pu Bangzi, and Shaanxi Opera and Mi Hu can also perform on the same stage. Shaanxi Opera and Zhou Pu Bangzi are called "the wind stirs the snow" on the same stage, but it is a bit difficult for Shaanxi Opera to be on the same stage as Yue Opera, Huangmei Opera and Ancient Painting Opera. First of all, the band's instruments are different, and secondly, Daobai usually uses local dialects more or less. During the Anti-Japanese War, the Japanese army did not cross the Yellow River, and many Shaanxi soldiers left Tongguan and died on Zhongtiao Mountain in Yuncheng. As the rear area of the Anti-Japanese War, Xi 'an did not fall, or the Japanese army did not cross the Yellow River, and Xi 'an did not fall. Artists who sing operas all hide in Xi 'an, which provides a breeding ground for operas and operas. They learn from each other and learn from each other. Wang Xiulan, Yan Fengchun, Chang Xiangyu, Chen Suzhen, Pingju, Huang Er, Mi Hu, Wan Wan Opera and many other operas have taken root in Xi 'an. Sometimes Li Yisen and Jing Meijiu will bring Yi Sushe, Sanyi Society and Jinfeng Society together to perform on the same stage. Chang Xiangyu (Henan Opera), Chen Suzhen (Henan Opera), Wang Xiulan (Pu Opera), Yan Fengchun (Pu Opera), Zhao Yulan (Pingju), Shui Linghua (Pingju), Ren Zhezhong (Shaanxi Opera), Wang Tianmin (Shaanxi Opera), Su Yumin (Shaanxi Opera), Meng Eyun (Shaanxi Opera) and other famous actors came to a "four pots".
1949, the whole country was liberated one after another. Time has come 1949. On May 20th, Xi 'an was liberated! Long live Xi An! Ma Jianling, Huang and others also started to establish the Shaanxi Opera Research Institute, which governs various operas such as Shaanxi Opera, Shaanxi Opera and Pu Opera. In view of the influence of Pu Opera in An, it was decided to separate An Jinfeng Society, Qin Opera and Qiang from the institutions directly under Qin Opera Research Institute. New China was founded and the society was peaceful. People in that era were homesick. Not in a foreign land? So they all went back. After all, Chang Xiangyu went back to Henan, and Yan Fengchun and Wang Xiulan went back to Jinnan. 1950 In July, the last batch of Pu Opera actors left Xi 'an to give birth to him and support him. It can be said that Xi 'an is the second hometown of artists such as Chang Xiangyu, Wang Xiulan and Zhao Yulan. The leaders of Shaanxi literary and art circles negotiated with the special personnel of Shanxi provincial government, reluctantly gave up what one favours and made concessions, and gave the Puju Jinfeng Society to the Puju Society in Taiyuan, Shanxi, with Mo as the president. 1970, during the Cultural Revolution, Jiang Qing and his gang were forbidden to sing costume dramas, only model operas, and all ghost dramas were banned. With the cancellation of the Pu Opera Troupe in Shaanxi Province, the largest and strongest Pu Opera Jinfeng Society left xi 'an, and the trees fell down. The Pu Opera Troupe in Ganquan County, Yanchang County, Yichuan County, Yan 'an County, Dali County, Weinan County and Dingxi District of Gansu Province also gradually withdrew from the historical stage.
As the originator of Bangzi Opera belongs to Tongzhou Bangzi and Zhou Pu Bangzi, I won't go into details. We can refer to Wang Guowei, a great writer in Qing Dynasty, Modern History of China Opera, A Biography of Lan Yan by Wu Taichu, and A General History of China Opera edited by Zhang Geng and Guo Hancheng, among which many operas in China are recorded in detail.
Zhongluzi (called Jin Opera after the founding of the People's Republic of China) contains stories. 1950, people from jinfengshe left Xi 'an and went all the way north, from Lintong to Weinan, across the Yellow River to fenglingdu, to Zhou Pu, to Yuncheng, Wenxi, Houma, Linfen and Hongtong counties, earning money while performing. First, they expanded the influence of Pu Opera. Second, they make money while performing. After the performance in Hongtong County, take the train directly to Taiyuan in Hongtong County. In the early days of the People's Republic of China, everything was in ruins. The manager of Taiyuan Park Opera Club is called Mo. He comes from Liangxiao Village, Hejin City. During the Anti-Japanese War, he joined the Party many times (there was no mutiny, but I broke the one-way contact many times. I am weak, but I can't protect myself. I don't trust Mo Yiping. Honest people dare to talk about the same topic, and hope to understand), while Ma Jianling and Huang are both good fighters of Yan 'an literature and art, equivalent to the art troupe at that time. This man has a stubborn temper. 1938 and Ma Jianling wrote in Yan 'an, 1940 transferred to Taiyue Military Region in Shanxi. It is now Qinshui County and Gaoping City in Shanxi Province. After liberation, he served as the president of Taiyuan Puju Society. He repeatedly contradicted the leader, who told him to face east and west, and told him to catch dogs and drive chickens. In a fit of pique, he moved Zhou Pu Bangzi back to Linfen County to specialize in Jinnan. Originally, it was agreed that all four Shanxi Bangzi would come to Taiyuan to set up the Shanxi Opera Research Institute, which was called Jinzhou Zhou Pu Bangzi/Jinzhou Middle Road Bangzi/Jinzhou North Road Bangzi/Jinzhou Shangdang Bangzi. Why can Mo Yiping follow his people? That is, the present Shanxi Opera. (refers to "With Bangzi" edited by Yang)
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