Suzhou pingtan double file

Suzhou Pingtan is a local folk art popular in the south of the Yangtze River, which is the general name of Pinghua and Tanci. She originated in Suzhou with beautiful scenery, so all the performances speak Wu dialect, with a history of about 400 years, and is known as a wonderful flower in the south of the Yangtze River.

Suzhou Pingtan is the general name of Suzhou Pinghua and Tanci. It came into being and became popular in Suzhou, Jiangsu, Zhejiang and Shanghai, and was sung in Suzhou dialect. Pingtan has a long history, and it was quite popular during the Qing Qianlong period. The most famous artist is Wang, who once sang songs for Emperor Qianlong. During Jiaqing and Daoguang years, there were four famous artists: Chen Yugan, Mao Changpei, Yu Xiushan and Lu Ruiting. During Xianfeng and Tongzhi years, there were Ma Rufei, Zhao Xiangzhou and Wang Shiquan, and then there were many famous schools, which made Suzhou Pingtan art last for more than 200 years.

Suzhou pingtan is an art that appeals to both refined and popular tastes. The stage design is simple, one table and one chair is enough. The content is mostly trivial matters in the lives of ordinary people. Only by saying what ordinary people want to say in the form of oral literature can we impress the audience. At the same time, beautiful vocals, vivid performances and rich storytelling content involve ancient and modern China and foreign countries. Pingtan itself has its limitations, and its soft Wu Nong soft language makes many people unable to understand the lyrics. But as a local art, Pingtan is still full of vitality. Yangzhou Tanci, formerly known as Xianci, is popular in Yangzhou, Zhenjiang, Nanjing and He Lixia in northern Jiangsu. This is a kind of quyi, also known as Suzhou Tanci. There are two kinds of performances: single row and double row. A rap with three strings. Two-file duet with three strings and pipa.

Yangzhou dialect is mostly used in his vocabulary, and "Wharf Dialect" is also used to distinguish his roles and draw characters. Two performances, two people together, talking in different roles' tones and tones. Beginners give priority to narration, and most songs are performed by beginners.

Yangzhou Tanci performance is mainly based on saying the table, supplemented by playing and singing, paying attention to clear pronunciation and mellow voice, accurate pronunciation and verve. Yangzhou dialect is often used in his speeches, and "Wharf Dialect" is also used in his roles to distinguish and depict characters. In a two-stage performance, two people cooperate with each other and speak in different roles, one focusing on narration and the other on singing.

The main school of Yangzhou Tanci is "Zhang School", whose founder was in Qing Dynasty. Representative works include double gold ingots, pearl towers, floor fans and carved willows. After 100 years of processing and development, the singing skills of these sketches are becoming more and more mature in China, or they are profound and humorous, or chic and melodious, or hand-to-mouth correspondence, full of sounds and emotions, or witty remarks, which are called "Zhang Sibao".

Handwriting arrangement of Yangzhou tanci lyrics Commonly used Qupai include [Sanqi Pear Flower], [Qunan Branch], [Submerged Water], [Haiqu] and [Daoqing]. Most of them are feather tones and business tones. The tune is simple and elegant, antique, and has rarely changed over the years. Lyrics include the first-person narrator and narrative style, usually three or seven sentences, and words can be added or subtracted appropriately, which rhymes with even sentences. Accompaniment "on, start" harmonious tacit understanding, three or seven sentences, can be appropriately increased or decreased, most of them rhyme. The accompaniment is harmonious and tacit, and the three-stringed instrument plays a skeletal sound, which is elegant and simple, while the pipa is moist and changeable, which is called "three-stringed bone pipa meat"

The traditional bibliographies of Yangzhou Tanci include Jade Dragonfly, Pearl Tower, Double Gold Ingots, Falling Gold Fan, Carving Willow, Double Pearl Phoenix, Double Hair and Legend of the White Snake. Golden Seal, Jin Ping Mei, Du Er Mei, Wopao Chicken, Dahongpao, Tianbaotu and Qilinbao have all been lost. Traditional bibliographies mostly tell the joys and sorrows of talented people and beautiful women, family and social life, praise the good and punish the evil, praise the loyalty and belittle the traitors, and so does the so-called "little book". Each film can perform 15 to 20 performances, only "Jade Dragonfly" and "Double Haircut" are longer and can perform more than 60 performances respectively. It is said that most of the bibliographies are adapted from the printed version of Singing (Tanci), which is richer in content than the printed version, but also quite different from the printed version. Lanzhou Drum, named Lanzhou Drum, is a popular folk music art in Lanzhou and one of the ancient songs in China. Mainly singing, divided into single-file, double-file and three-person singing; The main performance techniques are singing and speaking, generally playing and singing by oneself, paying attention to speaking, howling, beating and singing, and the gestures and facial expressions of the actors should give the audience a sense of beauty.

Lanzhou drum songs are rich in cards, beautiful in singing, elegant in style, long in charm and strong in local flavor. There are more than 100 kinds of qupai collected before the project, and the vocal cavity is divided into three types: flat tone, drum tone and yue tone. Accompaniment instruments are mainly three strings, supplemented by dulcimer, pipa, erhu, banhu, bangzi, Xiaoling, Xiao and flute.

Traditional songs are divided into three categories: praise and congratulations, chanting things and writing scenery, folklore and historical stories. Folklore and historical stories are dominant, such as: Yan Qing beat the beat, Lin Chong ran at night, visited the cottage, got a G tattoo, copied red, and so on. Huang Jiguang, Intelligent Interceptor, Honghu Red Guards, Jie Jiang, Pi Rongjiang Tiger, Lei Feng, Long Yuan Yinglie, Snow Rose, etc. It's a song praising the heroes of the new era.

Lanzhou drums are mostly performed in festivals, festivals, banquets and restaurants. Before liberation, Li Haizhou, a folk artist, spent all his money collecting, sorting out and studying Lanzhou drums, collecting more than a thousand lyrics and songs in restaurants and tea shops, and organizing drum research meetings. 1In August, 962, Gansu People's Publishing House published the book Lanzhou Drum, which featured 27 songs and more than 80 popular songs. /kloc-0. In March, 983, Lanzhou drum artists' symposium was held and some songs were recorded. 1984, 1 1 In June, Lanzhou Drum Association was established. 1985165438+10 In October, the Provincial Department of Culture discussed the establishment of "Lanzhou Drum Research Association". 1987 in may, the provincial people's publishing house published Lanzhou drum research. First-grade singing (single-grade) is the main form, but there are also second-grade and multi-grade singing forms. Class two is customarily called "singing the right song". Or two men, or two women, if a man and a woman are basically "husband and wife files", of course, there are also "brother and sister files." At the end of 1970s, Ryan rehearsed the drum play "Qiu Jiang Catch a Boat" according to the tune of Ryan's drum lyrics, participated in Wenzhou Quyi Concert and toured. The drum play Widow's Gate was well received by the masses in 1984 Wenzhou mass cultural performance.

The main accompaniment instruments of Rui 'an drum ci are flat drum, three-board (racket) beef tendon piano, small holding moon (bang) and so on, and the beef tendon piano is more distinctive. Jinniu Qin was made in Guangxu period of Qing Dynasty. After Ryan, an artist named Guangquan developed the banjo into a lyre, and added a small moon hug to the accompaniment, which complied with the requirements of the further reform and development of drum accompaniment instruments. Wenzhou drum ci, commonly known as "lyrics", is divided into "big talk", "spiritual classics" and "Pinghua", which is popular in southern Zhejiang and is one of the main schools in East China. The Ming Dynasty was developed from the songs and lyrics of Li Xiang in Pingyang County. Musically speaking, its "basic tone" is a fusion of the intonation of old pedants and local folk songs. Tongzhi and Guangxu prevailed in Qing Dynasty. In modern times, music, musical instruments, singing and ci style have all undergone revolutionary development. From tying drums and sandalwood solo, there are "double-file" and "multi-file" singing forms; Besides the beef tendon piano, there are pipa, sanxian, erhu, piano, flute, gong and? , orchestral silk and bamboo, etc. ; The basic standard of vocal system is Rui 'an dialect. The most representative traditional Long song are The Fourteen Empresses of Chen and Twelve Red Flowers. Newly edited modern novels include "Meeting the Sea" and short stories include "Braving the Longtan Bridge" (won the first prize in the creation and performance of the National Quyi Festival). Representative inheritors are Chen Zhixiong, Ruan Shichi and Fang Keduo.

In 2006, it was listed in the first batch of national and Zhejiang intangible cultural heritage lists. Jiangsu quzhong. Formerly known as cause and effect. It was formed in Wuxi, Jiangsu, and prevailed in the Qing Dynasty. There are single-file performances and double-file performances. Single-row is usually made of three bamboo boards (or hard boards) as a musical instrument; Double-step, hand-laid, and drum-beating are three clever boards, which echo each other. The singing content is mostly to promote karma and persuade people to be kind. During the period when cause and effect prevailed, artists once set up their own organization, Laoyu Society (later renamed "Xiyu Society"). At first, it was only sung in Wuxi. Because of its easy to understand and strong local flavor, it was deeply loved by working people. Later, it gradually developed to Changzhou, Yixing, Jiangyin, Changshu, Shanghai and Hangzhou. In Changzhou, the theory of causality is called "singing Daoqing", and the artist organization is called Xinyu Society. Shanghai has an "affluent society". Since Suzhou Tanci became popular in Jiangsu and Zhejiang provinces, and became the highest in Jiangnan Quyi, the theory of causality gradually declined. After the founding of the People's Republic of China, it is said that the law of causality was renamed Wuxi Pingqu. Artists organized themselves and began to carry out reforms. In addition to retaining the original [western tune] [crying tune], the aria also absorbed the local tune [Dongxiang tune] [Shanghai tune] from Changshu and Shanghai as the basic tune, accepted some excellent folk songs and other operas, and enriched the expressive force of the tune by using the methods of dragging the tune, assisting the voice, rolling sentences, grabbing words and turning around. 1958 Wuxi short story "white mud and small powder making dispute" participated in the first national quyi performance. The main tracks of Wuxi Pingqu are Pearl Tower, He Wenxiu, Shuangzhu, Dahongpao and Qilin robe. These bibliographies have been handed down by dictation without scripts. Modern songs written and adapted include White Mud and Little Powder Making Disputes, Work-study Program, Handover, New Sister-in-law, and Computer Room Guard.