What versions of the condor heroes have you seen? what do you think of it ?

Andy Lau, version 83, also looks like a healthy, sunny and overnourished cadre at or above the division level of our Party. Chen Yulian is a noble and stubborn lady, full of love and femininity. Special sympathy for small animals (how can such a gentle and affectionate woman have the heart to let such a big animal as Yang Guo be ruined? ), quite a treasure sister style in a dream of red mansions. In order to cater to the funny psychology of the general public in Hong Kong, the plot has also changed a lot. Until something changes. Especially in the "Dragon Girl Flower" section before the little dragon girl jumps off the cliff, Chen Yulian and Andy Lau are actually talking and laughing, which is a beautiful scenery for a spring outing. . . The best adaptation of the section "Dragon Girl Flower" is version 06, although I think this version is more rubbish piled up by bizarre loopholes. ) The props in this movie are absolutely crude. Andy Lau's "Brokeback" is a fake at first glance, and his arm is secretly wrapped in his sleeve and tied with a rope (if you are interested, you may wish to see him 16 when he jumped off a cliff and entered the water, and when he chased the Mongolian Khan. )。 The so-called "Xuan Kou epee" is not much bigger than a fruit knife, which makes us look more ruthless than Jing Ke who stabbed Qin in a fight. Huang Rong is obviously younger and more beautiful than Little Dragon, and Guo Fu can't tell who is older and who is younger. Martial arts movements are as simple as the clothes on Liu Tianwang, and so on. What I can't accept most is that Chen Yulian later took the third-class film Siam, and even stubborn fans insisted that the silver-haired girl who was naked and had fierce hand-to-hand combat with all the actors was a little dragon girl, and she was still a classic (it should be a classic little girl, no problem). She really wanted to cry, which was natural!

Technical comments:

The 83rd edition inherits TVB's consistent style of flexible narration and delicate description, but even in this respect, there are still three obvious shortcomings:

? There are too many changes in the plot, and the interpretation of the story deviates from the original pathos to a great extent, especially in the first half, which looks more like the Duke of Lushan, a giant vulture, and Yang Guo described by Andy Lau is more like Sir Wei fooling around.

Compared with the original work, the characterization of the hero and heroine has obvious defects. The tacit understanding between the hero and heroine is not high. It is obvious that Andy Lau suffers from unrequited love. Chen Yulian's eyes on "Guoer" were so dull that she didn't shed a tear before the valley of despair. Several emotional highlights are also taken lightly. It's hard to convince the audience that she really cares about "fruit". Probably it would be much better if the actor who plays "Guo Er" was replaced by another way. There are too many loopholes: the most modern cat's eye can be installed in the ancient tomb, and Huang Rongsheng can fight in five minutes after the child is finished. Isn't it inhuman to recover quickly? Eden called herself a "master" and Lu Wushuang called Cheng Ying a "teacher elder sister". Even if Mongolian Khan has no followers, it is easier to kill him than to kill a chicken. Isn't the battle of Xiangyang very funny? Is the martial arts design too fake? Isn't the light in the back a bit dazzling? Is it the Xiangyang War in the karaoke room? In particular, the big eagle is not only skilled in Shaolin boxing, but also can sit firmly in the plush chair. When Cheng Ying left, he was able to stand up and see the guests off. What a "god carving"! It's classic! If you think version 83 is a classic light comedy martial arts film, it is very suitable for many audiences and beyond reproach. But it's a bit too much to call it the classic version of The Condor Heroes, and it's really hard to convince the public. It can only be called the classic version of the condor heroes, which may be closer to the truth.

The biggest feature of version 84 is its inconspicuousness. Yang Guo played by Morphy is like a creamy little girl who is very popular with girls. She often doesn't know what to do. Contrary to Liu Yifei's "Children Pretend to Be Adults" in the 06 edition, Pan Yingzi in the 84 edition is an adult pretending to be a child. Her little dragon girl doesn't look like a girl's house at all. It should be renamed Dragon Mother. Life experience is rich, and I have seen everything. With Yang Guo, the standard eagle teases the chicken. In particular, the mature and sophisticated dragon mother complained to her poor son, who was as weak as a chicken. That kind of flattery was completely the abduction of an ignorant teenager by a mature woman, and I spit it out. The production is also relatively rough. A dozen people are on cloud nine. Even in Xiangyang War, is that thing where Dalongma sleeps called a rope? It is a wide hammock, and anyone can lie on it firmly. The scene is as simple as a stage play. My son can hold up ten thousand Jin of broken dragon stone with one hand, and he also has standard pronunciation in Hong Kong and Taiwan. Li Mochou's bold threats sound like coquetry.

Technical comments:

Pan Yingzi was 37 years old when he played the dragon, and his acting skills were excellent, which showed the cold and melancholy side of the dragon. Especially in the 30-second close-up of her return to the ancient tomb after parting with Guo Er for the first time, she vividly portrayed the lonely and sad heart of the dragon without saying a word, which is a classic. But after all, she is "old" and unable to show her youthful and pure demeanor. She becomes amorous feelings when she smiles. Easy virtue's Pan Mei Niang, Ben.