After painting my people and my home, it is still hard to hide my excitement and write this article.

My people and my motherland are more like a gift than a movie.

It is the most emotional and appropriate. At the moment when these two festivals coincide, it is also the most suitable for China people's special "home" feeling.

Even the posters are "overlapping" like this. If you don't look carefully, you'll think it's a full friend crossing.

This is also the proudest place of Hometown: almost all the most interesting directors and actors in China have been found, and almost all the comedies in China have been used to make you feel full of happiness of "seeing is believing".

Compared with the calm and heavy "motherland", "hometown" is more cordial.

If "Motherland" intercepts small people in the great history, then "Hometown" selects small people in small places.

In the form of thematic short films, the humanistic feelings and features of various regions in China (Beijing, Hebei, Guiyang, Zhejiang, Shaanxi, Northeast China, etc.) are displayed. ).

Each short film is about 30 minutes, and the whole film 153 minutes. There may be overlap between the five short films, but it does not affect the independence of the story. Basically, it is based on "hometown".

10 1 After watching My People, My Home, I took my parents to paint this movie one day later. After watching the movie, it's still hard to hide the excitement. I still want to continue to talk to you about the origin of Hometown from the perspective of each independent story, which makes us laugh and cry.

1, Beijinger, the absurdity of Ning Hao.

Ning Hao's story continues Zhang Manjing, a film starring Ge You.

Surprisingly, Zhang Zhanyi, the amateur star of Sherlock on the Plain, actually played Ge You's cousin in Hebei.

This is a story about seeing a doctor. My cousin who delivered food in Beijing fell ill and got a thyroid tumor. He came to Beijing to borrow money.

I chased it for a long time and didn't want to hand over the money.

Before leaving, my cousin gave Zhang Beijing two bags of white rabbits, which aroused his "conscience", so the two exchanged identities and staged an ironic and ultimately bizarre oolong story in order to treat my cousin.

Needless to say, this story is quite Ning Hao's black humorous comedy style.

Even the punchline setting has the style of "crazy" series, which makes people laugh.

In the play, whether it's a loquacious and kind Beijinger Zhang Beijinger or a warm-hearted Beijinger, although it's a little flattering, it can make Beijingers have a kind hometown flavor.

Ning Hao's opening is actually very good. Not for any grand theme, but from the embarrassment of "money".

You see, family members are most afraid of the test of "money", but on the contrary, it is money that can test their families best.

This embarrassment has brought out my hometown and more people in my hometown, a kind and simple old Beijing with a hundred years of accumulation, just like the dandelion that Ge You finally blew out.

Take root and sprout.

2, "A UFO from the sky", Chen Sicheng's thoughts.

Compared with Good Beijing, UFO from the Sky directed by Chen Sicheng is another style.

There were a lot of jokes along the way, but when I arrived at my destination, I found someone forging UFO traces with diesel.

This UFO is just a flying machine of Huang Dabao DIY, which the village likes to invent.

From the story structure and reversal, UFO is the most hilarious one, although it is not as enjoyable as the good people in Beijing.

, Wang,, pushed the atmosphere of the whole hometown to a climax. In particular, Wang sat and rolled down all the way, which really made people laugh.

With a strong local accent, Bo Huang's phrase "Cows love Europe" sounds like he has really returned to Guizhou.

Tong Liya, as an egg, as a first love is quite amazing.

UFO has done a good job in expressing hometown and personal feelings.

At the same time, Chen Sicheng also secretly poked a stop for "Tang Tan" in the Spring Festival.

3, "The Last Lesson", Xu Zhimo's affection

Xu zhēng is very smart. He knows comedy-this time he simply doesn't take the pure comedy route, but takes the tragicomedy.

An old Swiss teacher suffered from Alzheimer's disease due to a cerebral infarction, and his memory is still in his last class in the countryside.

My son and daughter-in-law had no choice but to go all the way back to their hometown, where Teacher Fan took the last class.

With the cooperation of the local village party secretary and the village head, the whole village cooperated with Teacher Fan to perform such a play.

Unexpectedly, at the most critical time, a child's mistake made all the efforts go up in smoke.

The first half of the play is a farce-like set and setting, and the second half is the time-space transformation of stream of consciousness.

In the scene exchange between reality and consciousness, it shows the earth-shaking changes in this place, and also sees the changes in the past 30 years from the perspective of Teacher Fan.

Bottom line: once dreams come true, once paintings come true.

Teacher Fan Wei's performance adds a lot of color to The Last Lesson-his portrayal of an old teacher who has been doing his duty for many years is simply extreme. Even kicking a chicken away is so natural.

I put his future in Switzerland for two reasons.

First of all, the rural environment of 1992, the environment in Switzerland and the environment in the village today are three contrast points, which highlight the great changes.

Secondly, when he is old, he can teach in Switzerland (abroad), which shows the teaching level of Teacher Fan and highlights his moral integrity.

Teaching primary school students in rural areas is because he is really committed to education, not for other reasons.

For teachers, this is the ultimate greatness.

This is the ultimate contribution to my hometown.

For him, it is not surprising that a village man dreamed of 92, performed a sincere play and found himself by the way.

This is a change, not only in the environment, but also in people. The two complement each other, creating the "change and invariability" of hometown.

4. The Way Home, two sides of Deng Chao.

Which do you choose, Deng Chao in comedy or Deng Chao in seriousness?

I believe that most of the audience are the latter.

However, among the five short plays this time, the quality of The Way Home can rank in the top three.

A punk born in northern Shaanxi met Yan, a live broadcast teacher, on his way home to attend the school celebration.

Deng Chao, a big boss who earns hundreds of millions at every turn, wants Mr Yan to help him sell apples in northern Shaanxi.

Miss Yan was moved by all kinds of nostalgic memories along the way.

But as it turns out, Deng Chao is a liar who can't even afford to pay thousands of dollars for meals.

But in the celebration, a pupil's speech dramatically changed the plot-he is the real hero.

In fact, in the structure of the play, The Return of the Native is the most grounded.

The structure of the road film, smooth linear narrative, and the contrast between entrepreneurs and vendors create a comedy effect. Although the paragraphs are old, they are neat and in place, which can make the audience smile.

Deng Chao in this comedy is not embarrassed at all, and her acting is first-class.

Jason Wu, who appears in comedies from time to time, is indeed an unforgettable highlight.

If teacher Fan's return home due to illness is selfless dedication, then Deng Yan's successful return home is the best interpretation of childlike innocence.

From apples in Deng Chao's mouth to sand guards with badges on their chests.

The Road Home completes the best tribute to the hero with a reversal.

Of course, Yan Ni and Deng Chao are a new generation of heroes.

Because the heroes who make the mountains green have completed their mission, the heroes who can make the villagers rich have just begun their mission.

5. The inside story of Ma Liang and Charlotte.

"Ma Liang" and "Charlotte" come down in one continuous line. In the play, the structure of the "Xihong City" universe is followed, and the real place names are not used, which makes the audience feel less alienated.

The story is still the personal style of Yan Fei and Peng Damo, and even the people in Mary have not changed.

Ma Liang wants to help the poor in poor villages, but his pregnant wife wants her to study art in Russia.

Persuasion is ineffective. I'm afraid my wife will be angry. To help the poor, Ma Liang can only create the illusion of "studying in Russia" without telling his wife.

While doing poverty alleviation work, my wife called to inspect the scene of Russia's "power transfer" during her post.

Finally, I missed this trap in a pregnancy photo shoot. ...

Twist FunAge is very experienced in this kind of short play. In the setting of "weak wife and weak husband" and the time and space separating the two places, many absurd and funny events have been caused.

The drama is also very compact, because the virtual place name will not be divorced from reality, so there is a sense of immersion.

Especially after the combination of Shen Teng and Mary, Shen Teng's mean and henpecked appearance makes people want to laugh.

If I remember correctly, Ma Liang is the most laughter-intensive part in the whole movie.

The contrast between the village chief and Mendeleev, there is no paper in the inch toilet, and Yoko pushes the motorcycle toilet spicy ... one by one pays tribute to the classics, whether you have seen it or not, it is the power of twist.

They just make you laugh.

Finally, Mary boarded the observation deck and made a very "official" speech. Seeing the awkward atmosphere coming, Shen Teng's sentence "The observation deck is not a rostrum" was successfully resolved.

High, really high!

I introduced five short plays to you, and I believe many viewers can harvest laughter and tears more or less.

No matter where you are, everyone in China can more or less find the overlap between these stories and their hometown, and this kind of * * * will merge into a deep homesickness.

This is the greatest success of Hometown, which selects the most popular cognitive "hometown" of China people, and then embeds individual feelings.

We love our hometown.

This kind of love is rooted in personal feelings and is the simplest feeling.

This kind of love sometimes needs praise, and sometimes it needs hard expression.

As long as what is presented on the screen is sincere enough, soft enough and touching enough.

This softness is the most real, and this touch is the most holy.

(Film Rotten Tomato Editorial Department: Yang Yang)