How is Teresa Teng's singing level?

The details of the heavenly kings recall the vicissitudes of life, and the ups and downs are also sweet.

Teresa Teng's singing has the flavor of "telling the vicissitudes of life and recalling the fleeting time". Although her life experience is so bumpy, she has never been so confident, natural and calm on the stage: no wailing, no screaming at the top of her lungs, no pretentious kitsch, no high-profile rhetoric. Her singing, her smile and every gesture that runs through her daily life are so unpretentious and natural.

Since ancient times, there is only one person in history, which is comparable to it.

Modern Times

The rhythm of music is so urgent that people who live in a "cement box" are often so uneasy in their inner world, so people try to get rid of the art of music, and Teresa Teng's songs have become the first choice for many people. Listening to her elegant, natural, smooth and leisurely singing is like listening to the past like "recounting the vicissitudes of life and recalling the fleeting time", which makes people feel peaceful, cordial and warm. Teresa Teng's elegant, natural and leisurely manner and style are expected by many stage actors, but they are beyond their ability. Su Shi has a poem: "If you want to compare the West Lake with the West Lake, light makeup is always appropriate." This is also a portrayal of Teresa Teng, which is not only external but also internal. People only rely on imitation, but lack Teresa Teng's talent, understanding and diligence. In the end, they can only become "learning from foreigners".

Clear pronunciation and mellow voice,

For a thousand years, this gentleman.

Teresa Teng's charm lies not only in her appearance, her softness, her sweetness and her singing, but also in her clear pronunciation and mellow voice, natural fluency, composure, perseverance and self-confidence, as well as a series of "natural" stage performances.

Stage art is a very influential art, and there is no room for perfunctory and "making up the numbers". In contrast, although Teresa Teng grew up in

However, its national language is so pure, and the pronunciation and articulation in singing are so accurate that it is no exaggeration to describe it as "clear pronunciation and mellow voice". Looking at her series of singing, there is neither the "southern accent" of Minnan dialect on the island nor the "qi" that Hong Kong and Guangdong singers often have. Her Mandarin pronunciation has always been so pure and full of "emotional flavor", which many stage actors yearn for but rarely achieve.

If gold is not enough, it is gold. No one is perfect, let alone a god.

It is said that Teresa Teng's early singing also had the problem of inaccurate pronunciation, but they were all rare words. Besides, she made a joke about forgetting words. But people are not gods, and mistakes are inevitable. Lu Xun once described Zhuge Liang's "unpredictable things" in the Romance of the Three Kingdoms, pointing out that the novel portrayed the characters as "almost demon". Teresa Teng is not only clever, but also very diligent. Through continuous efforts, her singing art has almost reached the middle and late stage.

The point is. In her twenty or thirty years of stage career, comparing her mistakes and successes, we can see that the probability of her mistakes is very small. Defects can't be covered up, and setbacks and mistakes don't hurt her as an epoch-making Wei.

Great singer.