After the founding monarch Longfeng ascended the throne, with the extraordinary spirit of "Chen Qili just restored China", Yuan was swept away and zaju was banned, and the wonderful flowers carefully watered by the masters of Yuan Zaju quickly withered and withered. & gt& gt China art is deeply rooted in the vast soil of the people. When the Northern Opera declined, various operas with southern tunes have flourished in the streets and ancient temples of rural market towns. Soon after entering the Ming Dynasty, there were lively scenes of Yuyao, Haiyan, Yiyang and Kunshan. & gt& gt In the mid-Ming Dynasty, a folk singer who loved opera music made bold innovations in Kunshan dialect, which had been circulating for a long time but failed to become an elegant hall. He used his magical notes to create a soft, lingering and elegant Kunqu opera. Since then, this new voice has been popular in the north and south of the river and has ruled for more than 200 years. The heat wave of advocating Kunqu Opera, from Gongguan Gallery to abandoned shops, once again pushed China's opera into a legendary and prosperous era. Since then, the folk singer has enjoyed a high reputation all over the world. The art circles of past dynasties called him "the ancestor of Kunqu Opera" and respectfully called him "Qusheng". His immortal name in the glorious history of China art is Wei Liangfu. & gt& gt Wei's Man> Wei Liangfu devoted his enthusiasm and wisdom to exciting and wonderful notes, but there are only some clues about his life story. What is even more strange is that people in the late Ming Dynasty were not far away from him. Even though they admired him, they knew nothing about his life, but they were full of jokes. The book "The Portrait of Linz", published in the third year of the Apocalypse, is entitled "Qu Lv" by Wei, and is preceded by a clause. It's like this: According to Wei Yuan Fu Liang, a native of Kunshan, he is full of wisdom and takes Shi Kuang as his own period. The first is the sound of bamboo silk, which is a wonderful life; This is a matter of tuning the fingerboard, which is a matter that the ancients did not have, and this is a matter of Nazong. A person who plays a tune must be called Kunqu Opera, and he will never forget where he started. & gt& gt The work of Mr. Xu has become the right-hand man under the rule, and he is from a blind man. It's ridiculous and ridiculous! & gt& gt Wei Liangfu, also known as Shangquan. A native of Zhang Yu (now Nanchang), Jiangxi Province, was originally a quack who knew how to cure. Living in Jiangsu, living in Taicang Nanguan. Born at the end of Hongzhi in Ming Dynasty, he mainly lived in Jiajing Qin Long. & gt& gt In the Ming Dynasty, from the playful emperor Zheng De, the entertainment style of the upper class became increasingly prosperous. Jianghu performers, Qingqu singers and opera actors come and go and perform in the banquet hall in the homes of Mohou gentry and rich celebrities. Some of them have even been extended by literati to follow-up artists. Good celebrities rely on You Mei celebrities to show off their families, and actors and singers also rely on powerful people to make a living. A skilled master of playing and singing can also be like a scholar and a Confucian. & gt& gt Wei Liangfu was born with a golden voice and created a personality that loves singing. He doesn't want to bury his talents or compromise his personal interests. After finding out his specialty, he adjusted his life direction in time and embarked on the life path of singing and performing arts. Medical ethics has become his dispensable sideline. Since then, the angel's voice has brought infinite honor and pride to his life. & gt& gt The Mystery of Kunshan >> used to work in Beiqu Opera, but he was ashamed that he was not as good as another famous artist of Beiqu Opera, so he became angry from embarrassment and switched to Nanqu Opera. Taicang, where he lives, is the hometown of Kunshan dialect. Natural conditions made him have an indissoluble bond with Kunshan dialect. Just as Kunshan's civilization itself is a legend in history, the reason why Kunshan dialect originated here is also an intriguing and difficult mystery. He is determined to solve the mystery in the confusion. In Andrew, a Southern Ci, he described the origin of Kunshan dialect as follows: Only Kunshan is the correct voice, which was handed down by Huang Zan-chuo. There was Gu Jian in the Yuan Dynasty. Although he lives in Qiandun, 30 miles away from Kunshan, he is good at Nanci and Gufu. Expanding the scope and sticking to Moore's good songs, he repeatedly appealed to unyielding, and became friends with Yang Tiedi, Gu Aying and Ni; Disappear from the wind and the moon. His works include ten volumes of Tao Zhenyu's Fierce King and eight volumes of Yue Fengsheng Ren Yue Fu. He is good at making Nanyin, and the national title was called Kunshan accent from the beginning. & gt& gt Wei Liangfu opened the maze door to the source of Kunqu Opera. Although it is too far away from Huang Zan-chuo, as an allegro expert and a opera player in Liyuan, it is a fact that he lived in the southeast in his later years and died in Kunshan. As for the tracks of Gu Jiegang and others at the end of Yuan Dynasty and the beginning of Ming Dynasty, they are even more distinguishable. & gt& gt Kunshan in Yuan Dynasty, also known as Loudong, governed Kunshan and Taicang. In the 19th year of Yuan Dynasty (A.D. 1282), Yuan * * * opened up north-south shipping, and Liu Jiahe became a trading port at home and abroad. Taicang, a natural village along the river, gained an opportunity of prosperity and civilization. "In a few years, the city was integrated, and the place between the Han Dynasty and the Han Dynasty was mixed with Fujian and Guangzhou." Businessmen at home and abroad live here, and the population has soared. "Citizens gathered in the fog? , fireworks. " Soon, Kunshan was promoted from county to state, and Taicang was once under the jurisdiction of state. Since then, Taicang has become an important commercial port, known as the "Six-country Wharf" and the "No.1 Wharf in the World">& gt At the end of Yuan Dynasty, the whole country was at war. However, Zhang Shicheng was divided into Pingjiang (Suzhou) for more than ten years, attracting celebrities and coveting artifacts, and Susong area became a gathering place and refuge for literati. During the Yongle period in the early Ming Dynasty, Liu Jiahe was the seaport to the western ocean, and Kunshan and Taicang became more prosperous. Rich and powerful people started by sea, and small traders dreamed of making money. & gt& gt They are free to enjoy the wealth they have seized from here and go all out to find entertainment. Gu Aying of Kunshan is a millionaire. He raised a lot of money. He is good at playing Gu Ruan and loves southern music. He specially built Yushan Caotang as an entertainment place and a concentrated place for singing and dancing and singing with the scribes. The world says that "the prosperity of prostitutes is the best in the world." Gu Jian, Yang Weizhen and Ni Zan are all guests of Yushan Cottage. Yang Weizhen is a famous writer and a master of playing iron flute. He often asks Jackie to sing when he is drunk and his ears are hot, and leans against Phoenix to make peace with him personally, while the guests dance. He even used the embroidered shoes in Sheng Ji to hold up the lamp at the banquet, and let the guests take turns to hand over the wine, which is called "shoe cup". It happened that Ni Zan, the painter, was lustful and neat, and often let Shi Ji take a bath endlessly. He hated Yang's debauchery and dirty shoe cups and had to leave. It is this decadent life of pursuing pleasure that provides the environment and conditions for the survival and development of musical dramas. Gu Jian and his fellow countryman in Gu Ying have the same surname, and their hobbies make them good friends. They * * * participated in art activities, researched and processed the original music cavity, and made Kunshan cavity more elegant and beautiful. & gt& gt During the Hongwu period in the early Ming Dynasty, Zhu Yuanzhang heard that Zhou Shouyi, an old man from Kunshan, lived a long life and specially called him to Nanjing, hoping to get some longevity secrets from him. When Zhou Shouyi entered the DPRK, Zhu Yuanzhang saw that he was really in high spirits and asked him, "How old is he?" He replied, "1O7 years old." He also asked, "What accomplishment do you have on weekdays to do this?" His answer is: "pure heart and lack of desire." Zhu Yuanzhang thought so and asked with a smile, "I heard that Kunshan dialect is very good, but can you deny it?" Said, "No, but it's good for Wu Ge." The song of life. The song says, "The moon shines in several states, some people are happy and some people are sad, some couples are in the same boat, and some people are floating in other states." Zhu Yuanzhang clapped his hands and said, "Did the old villagers order the wine? . "This story is contained in Lin Jing Xu, the sum of Zheng De and Gu Su and Zhou Xuanwei. Even Zhu Yuanzhang, who banned the play, couldn't help wanting to enjoy it. It's a pity that the centenarian gave him only a rural folk song. What Kunshan dialect is like is still a mystery. & gt& gt Kunshan dialect is a kind of oratorio, which is briefly described in Xu Wei's Narrative of Nanci: "However, Kunshan dialect is only used in Wuzhong, which is beautiful and far-reaching, which is beyond the reach of the three major operas, and it sounds most fascinating, especially for prostitutes, such as the songs of the Song Dynasty, that is, those who make the old sounds colorful." This is the Kunshan cavity before Wei Liangfu's innovation, and its beautiful style is far-reaching and fascinating, just like singing, above Yuyao, Haiyan and Yiyang cavities. The so-called pure singing, Nedon's "Capital Ji Sheng". "Washe Gongmusician" said: "Pure singing means singing drum lyrics, driving away the empty sound and making a palace tune." That is, beating gongs and drums and singing small print with decorative sounds without knots. Xu Wei said that prostitutes singing Kunshan dialect is particularly wonderful, so it is the best bel canto for shallow singing. Because of this, it is famous for its Qingge ditty, and it has long been popular only in Wuzhong, its birthplace, far less popular than the other three tunes. & gt& gt In any case, Kunshan accent is a wonderful voice full of mystery and admiration. Wei Liangfu thinks that it is the pronunciation of Nanqu, and if Kunshan dialect is to go to the whole country, it needs the pronunciation of elegant hall. Therefore, he took this as his own responsibility and retired. Staying Downstairs for Ten Years completely transformed Kunshan dialect, and finally completed the most shining and immortal performance in his life. & gt& gt Ten Years of Brightness >> Everyone can divide his life into decades, and one of them must be the brilliant peak of his life, whether in youth, prime of life or old age. Wei Liangfu's most glorious decade was after his heyday. He devoted himself to studying Nanqu, which may not really mean "not going downstairs for ten years", but the back of any successful person is full of hardships. Without infatuation and persistent spirit, we can never turn beautiful dreams and fantasies into reality. & gt& gt Wei Liangfu was angry at the inaccuracy of Nanqu, and took Kunshan as the correct voice and started his reform activities. A group of like-minded artists gathered around him, such as Zhang Meigu, a famous flute player in Suzhou, Xie Linquan, a famous flute player in Kunshan, and his disciples, Ji Jingpo, Dai Meichuan and Bao Kun. This is a cultural art group. & gt& gt It is worth mentioning that Wei Liangfu also has a good artistic environment. Taicang, where he lives, has set up a health clinic since the 21st year of Yuan Dynasty (A.D. 136 1) and has been stationed here for a long time. Strange to say, the garrison in Taicang Xiguan is good at boxing and martial arts; Nanguan is good at playing and singing, and literature is expensive. The Wei family lives in Nanguan. God's gift, or his rational choice, enables him to absorb nutrients from the source at any time. Zhang Dafu's Notes on Plum Blossom Cottage once recorded his story of being open-minded and eager to learn: "Fu Liang said that he should not be like a family, and he should consult every time something happened. It is a good thing to say it is good, that is, don't get tired of repeating it. "This Hu Hou named Guo Yunshi may be the commander of Nanguan garrison. Fu Liang regards him as his art teacher and always asks him for his research results. Modesty and diligence may be the same virtues of pioneers. & gt& gt Wei Liangfu and others not only innovated arias, but also made great improvements in music accompaniment. Each tune of Nanqu has its own unique musical instrument accompaniment, such as Yiyang tune, "its festival is drum and its tune is loud", without strings and wind music; Haiyan Opera uses gongs, drums and boards, while Kunshan Opera is mainly used for oratorio, so only clappers are used. Perhaps this is the traditional practice initiated by Huang Zanchu. Beiqu is mainly accompanied by strings, so "string rope" has become synonymous with Beiqu. After Zhang joined the music reform group, he studied Nanqu, and at the same time set the chord and syllable to make it close to Nanyin. His improved three-string style is "slightly thin and round, made of civil wood, named Heizi." "He and his artists reformed musical instruments, introduced the accompaniment art of northern music into southern music, and combined the three musical instruments of string, flute and drum board to create a complete band accompaniment, thus completing a major innovation in the development history of China opera music accompaniment. Shen Chong-Sui's Analysis of String Mistakes affirmed its significance: During the Jialong period, there was a Wei Liangfu in Kunshan, which gradually changed the old habits and began to prepare many musical instruments, which was a great success in the theater. So far, it has been followed. Diligence and wisdom bear rich fruits. With the determination of Wei Liangfu and others to reform, Kunshan dialect appeared as a "new voice" on the stage music stage, which immediately caused a sensation, and the literati and the general public who loved opera and Qingqu were amazed. Lu Jiuchou, the master of Nanqu at that time, "was also good at tone sandhi and took good care of the auxiliary angle. Once on the altar, he is willing to give a good assistant. "Huai Yu said in Ji Chang Wen Yuan Ge Ji: Nanqu is flat and unintentional, and the good auxiliary voice turns into a new voice. The number of diseases is high or low, depending on the palace, taking the words between the teeth and lips, becoming clever and constantly helping them to be deeply sad. Old musicians in Wuzhong, such as Yuan Zui, especially camel musicians, are too conceited. & gt& gt Lu Jiuchou, Yuan Zui, You Tuo and other famous teachers have to admit that the achievements of reform and innovation have left them in the distant history, and Wei Liangfu has moved forward. He is brave in climbing and good at absorbing collective wisdom, reaching the peak of the art of the times. 1O years of tempering, so that his life value has been realized to the greatest extent, and it is so brilliant that it shines brilliantly in the art world for thousands of years. & gt& gt Introduction to Ci in Southern Dynasties; After all, he is a master of music. He not only carried out extraordinary artistic practice and fruitful innovation in music, but also left a precious classic work of singing theory for later generations. As the source of Kunqu Opera's artistic aesthetics, his masterpiece Qulv was cited by later generations and regarded as a classic. It was not until a few years ago that I discovered the South Preface of Wei Liangfu Loujiang Shangquan Committee that I realized that Qulv was a copy of the South Preface revised by later generations. Wei Liangfu's so-called "correction" is based on the concept of "focusing on Kunshan as the correct pronunciation" to elaborate and standardize the theory of Kunshan cavity art. The entries in Qulv and Andrew are the same, both of which are 18, but there are great differences in arrangement order and specific discussion. The full text of "Andrew" includes: beginner's notes, learning the essentials of composition, vocal cavity types, double-overlapping singing, single-overlapping singing, characteristics of northern music, literati singing, four-tone requirements, reasonable and interesting song title, long-cavity and short-cavity singing, mastering "Boyi" and "Biqiu", and removing local sounds. Perhaps this is just a part of Wei Liangfu's music art theory, which was edited by his favorite pupil, Disciples Record. However, this is enough to follow the artistic system of On Singing, and set up another northern song to turn to southern music after Mr. Yan Nan Zhi 'an in Yuan Dynasty, making Kunqu a milestone in the unique music field. & gt& gt Wei's theory can be summarized as follows: (1) The difference between north and south bends. There is a great contrast between Nanqu and Beiqu: Beiqu has a chord tone, which is mainly vigorous, with many words and strong tone, so there are many words but few feelings. The strength of northern music lies in string rope, which is suitable for harmony, so it is easy to be rough; Nanqu has a grinding sound, mainly euphemistic, with few words, slow tone and obvious slow place, so there are fewer words and more feelings. Li Nan is in tune, so it is suitable for solo, so it is easy to be weak; Chords in northern operas and drums in southern operas are like Fiona Fang's rules. Therefore, it is not harmonious to sing chords as music, or to put the southern opera as a square cover into chords. Therefore, Nanqu cannot be mixed with Beiqiang, and Beiqu cannot be mixed with Nanzi. & gt& gt(2) Characteristics of Qingqu. Qingqu, that is, the oratorio of Sanqu and Opera. As the saying goes, it is called "water mill tune" and "cold dish tune". You don't have to borrow the momentum of gongs and drums like a theater, but you should be elegant, clean, handsome and warm. Oratorio must be good at paying equal attention to both beauty of line and beauty of eyes, and can't imitate sounds without paying attention to eyes, and can't focus on the main board without judging sounds. Singers should not be flushed and have a weak throat, shake their heads and stand up, and the audience should not be noisy and clap blindly. They should listen carefully to their pronunciation, stiff eyes and exaggerated voices. & gt& gt(3) Ways to learn music. To learn a song, we must first arouse its voice, then distinguish its literal meaning, and then straighten its tone. Don't mix your backs and confuse the specifications. For example, if we learn [Ji Xianbin], we will only sing [Ji Xianbin] and learn a new song when we are familiar with it, so that we can change our palace and change our feathers naturally. Be sure to ponder the new songs with an open mind, study the four tones one by one and do the right thing. It is best to learn music from Pipaji, the originator of Nanqu, and sing every word from beginning to end. Because Pipa Story "has an ancient meaning and exquisite rhyme, the procedure of words should not be taken." & gt& gt(4) The essentials of singing. A singer must be born in Tian Dan to last forever. There are five difficulties in music: difficulty in speaking, difficulty in writing, difficulty in speaking, difficulty in rising and falling, and difficulty in having a cavity without a cavity. Therefore, singers must pay attention to articulation, intonation and clapping. First of all, articulation should be four tones, and the upper voice should not be twisted into a flat voice, and the falling voice and the entering voice should not be mixed together. The words above the double stack must be connected with the cavity, and the words below are slightly away from the lower cavity. Single stack is cadence and meaningful. The line cavity should be neither high nor low, neither light nor heavy, the long cavity should be round and smooth, not too long, the short cavity should be simplified, not too short, and the word connection through the cavity should be timely, stable and serious. The rhythm of singing is distinct, the welcoming board should follow the words, the thorough board should follow the cavity, and the unique board should follow the cavity. Some songs should be relaxed, some songs should be cadenced, and some songs are sick, but they have no cavity, all because singers can sing all kinds of songs with a straight face and their appearance is smooth and comfortable. The key to singing a song is to achieve six words: clear pronunciation and mellow voice, clear pronunciation and straight face, which is called the three unique songs. This is the artistic realm of perfection. & gt& gt(5) Requirements for accompaniment. Silk, bamboo and human voice, and flute compose music. This is the principle of harmony music accompaniment. In order to make accompaniment better set off singing and achieve harmonious beauty, we should play treble and bass, not treble and bass, but strongly correspond to harmony, but will be clear, noisy and harsh. As for the singer's out-of-tune, incorrect voice, unsatisfied voice, unsatisfactory words, unstable tunes and so on. , string can't play out. & gt& gt Wei Liangfu, with a simple and peaceful tone, appealed his practical experience and innovative achievements to theory and exhausted his singing theory, which made his innovation in Nanqu more aesthetic and greatly promoted the inheritance of China music. He knows the mystery of music better than any musician of his time, and cherishes the classical beauty of elegant music more. He set up the first monument for Kunqu Opera, and the innovation and reconstruction of Kunqu Opera were successfully completed. However, this granddaddy, who was regarded as the highest music altar by later generations, was a folk doctor and singer who wandered the rivers and lakes. No one paid attention to whether he had a satisfied smile when he bid farewell to the altar of music and detached himself from the world. Only the dramatist Liang Chenyu got his biography, put the "cold song" into a lively theater, and Kunqu moved from the secret of literati to the wilderness of the market. Wei Liangfu's position as a master of Kunqu Opera was further established among the people.
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Wei Liangfu and his artists have made great achievements in the reform of Kunshan Opera, but this new voice is only a cantata, which has not entered the stage of traditional Chinese opera. As a perfect representative of traditional Chinese opera, Wei's innovation is only the first step in pioneering and innovating. The contribution of applying the new Kunshan dialect to the legendary singing and moving it onto the stage of traditional Chinese opera should be recorded in Liang Chenyu's life record. & gt& gt He grew up in the hometown of Kunshan dialect, breathing the oxygen of art. His name is Bolong, his name is Xiaobai, and he calls himself Qiu Chi Waishi. His predecessor was a noble family in Kunshan, his great-grandfather Liang Wan was a judge in Zhangzhou and a tongzhi in Quanzhou, and his father Jie Liang was a teacher in Pingyang. Liang Chenyu was not famous all his life. He is more than eight feet long and has fine eyebrows. He likes to talk about the art of war, despises writing, disdains writing eight-part essay, and is too lazy to try all the students to express his ambition by writing "Retirement". Later, under the pressure of the government, I had to make up the students, but I still didn't accept them. This rebel, who is tired of learning, is naturally eccentric and likes to make friends with poets, poets, swordsmen and monks. He built a gorgeous villa to attract some skillful Jianghu Toshihiko. On one occasion, Minister Wang Shizhen and the general made a special trip to visit him, but he sat on the boat, playing flute, drumming, singing and whistling with a group of friends, and no one was watching. He was bohemian, wandering around wuyue, drinking and "getting drunk", leaving a lot of poems and poems to suppress the Japanese. In the forty-first year of Jiajing (AD 1562), in his early forties, he was hired as a secretary by Hu Zongxian, the governor of Zhejiang Province. Less than four months later, Hu was arrested and imprisoned with the fall of Yan Song, and Liang left Zhejiang and returned to Kunshan. He and Cao, a famous scholar in the south of the Yangtze River who wrote the preface to An Introduction to Southern Ci, formed the Lotus Society, and together with Mo Shilong and others, formed the Jiu Feng Poetry Society. When I lived in Moling, I sang with Jin Luan, Zhang Fengyi, Zhiheng Pan and others. He loves music. On March 3 every year, important festivals such as Dragon Boat Festival, Qixi Festival and Double Ninth Festival are listed as usual, with banquets and songs. Whenever there is a concert, there is always an oversized sofa and desk. You have to sit in the east and west by yourself, and the performers sit on both sides in turn to pass on the harmony. As long as one rhyme is wrong, you will get a big glass of wine. At that time, people lamented that it was "a great shock of elegance" and compared him to Gu Aying in the Yuan Dynasty, so that "Song * * * did not see Bolong and thought it was ominous." & gt& gt Wei Liangfu's innovation in Kunshan dialect is fruitful, and he is a real expert. To this end, he studied Yuan Qu, innovated tunes and created a large number of Sanqu, such as Jiangdong Lei Bai, the legendary Huansha Ji, the zaju Xin Nvhong, and the Twenty-first History Tanci. It is "Huansha Ji" that established his lofty position as a playwright. & gt& gt>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> & Wu and Vietnam attacked each other, the country was defeated, and Gou Jian, the king of Vietnam, was captured. Fan Li endured humiliation and shared weal and woe with Gou Jian. After Gou Jian was pardoned and returned to China, on the one hand, he reorganized his armed forces and strengthened his national strength, and on the other hand, he used his plan to dedicate the girl who played the role of Huansha to Fu Cha, the king of Wu. After Shi entered Wu, he alienated the monarch and minister of Wu and was killed. Yue took the opportunity to avenge Wu, and Fu Cha committed suicide. Fan Li retired after her success. When the monarch and his subjects were immersed in the joy of victory and prepared for a dissolute and happy life, he felt the threat of bow and hide dogs and quietly went boating with them. & gt& gt This is an unbearable painful ancient history, and it is also an obvious stab in the back of Bolong's reality. During the reign of Emperor Jiajing in the Ming Dynasty, when the monarch was confused, ministers were in the way, and cabinet ministers were in dispute, people like Fu Cha who were ambitious, headstrong, greedy for money and alcohol, insatiable, treacherous and cunning, and people like Wu Zixu who were stubborn and heartless might all be in reality. There is no doubt that it is Liang Lang's fantasy, Fan Li's wisdom and tenacity, magnanimity and responsibility, profundity and wisdom that condense Liang Chenyu's ideal and vision. In the legend, it connects the rise and fall of politics with wonderful love, and The Story of the Waving Yarn is a precedent, which provides an excellent example for Peach Blossom Fan and the Palace of Eternal Life. As for the beauty of stone, that is even more important. A profound review of history, a sensitive consideration of reality, a rational choice of life, and an open-minded treatment of love constitute the infinite charm and profound philosophy of the novel. Countless rational minds are attracted by Liang Chenyu's beautiful dreams. However, the real artistic value of "Huansha Ji" is not entirely here. The rise of the legend & gt& gt is largely due to the application of the new voice of Kunqu Opera initiated by Wei Liangfu. Wei Liangfu's innovation of Kunshan dialect is based on Sanqu and traditional opera oratorio. He has never written a script, and he is not good at theatrical performances. His artistic practice has always been confined to the narrow circle of literati's "elegant entertainment". Oratorio and drama are not only different in artistic form, but also different in elegance and vulgarity. Gong Zizhen said: "Jiang has two kinds of vocals: one is Qingqu and the other is Opera. Qingqu is an elegant banquet; The drama is a patrol and strict. " Gong's play is the play performed by the actress on the stage. In the eyes of literati, performing cheap dramas and oratorios is an elegant artistic activity. Perhaps even Wei Liangfu, a composer of Qing Opera, thinks that the play performed by You Ling is a performance, which makes his artistic talent play its ultimate role in improving the artistic realm of Qing Opera, and leaves the historical mission of introducing vocal music into legend to Liang Chenyu. On the one hand, Liang absorbed the research results, on the other hand, he studied the phonology together with the temperament artists, and composed the lyrics with the new Kunshan cavity, making Huansha Ji a veritable Kunqu opera script. Its soft and graceful music and strict and standardized beat make Yiyang children unable to tune. The publication of Huansha Ji opened a new chapter in the history of Kunqu Opera. Since then, Kunqu opera has quickly reached the lofty position of dominating the drama world by virtue of its advantages over Yiyang and Haiyan.